2014-2015 Philharmonia No. 4
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2005-2006 PPC Recital-Daisuke Sasaki (Double Bass)
LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM Daisuke Sasaki, double bass Dr. Jon Robertson, Dean PPC Recital Welcome to the 2005-2006 season . This being my first year as dean of the conservatory, I greet the WithYANG SHEN, piano season with unabated enthusiasm and excitement. The talented musicians and extraordinary performing faculty at Lynn represent the future of the performing Tuesday, December 13, 2005 at 7:30p.m. arts, and you, the patrons, pave the road to their Amarnick-Goldstein Concert Hall artistic success through your presence and generosity. This community engagement is in keeping with the Lynn University, Boca Raton Conservatory of Music's mission: to provide high quality professional performance education for gifted young musicians and set a superior standard for music performance worldwide. Sonata in A Major, op.17 •.•..•••••••••••.• Ludwig van Beethoven THE ANNUAL FUND A gift to the Annual Fund can be designated for Allegro moderato scholarships, various studios, special concerts or to Poco adagio quasi andante the General Conservatory Fund. Allegro moderato ADOPT-A-STUDENT You may select from the conservatory's promising Suite No. 3 .....•...........•...•....•..............•........... J. S. Bach young musicians and provide for his or her future through the Conservatory Scholarship Fund. You will enjoy the concert even more when your student Bourree performs. A gift of $25,000 adopts a student for Gigue one year. A gift of $100,000 pays for an education. ESTATE GIFT Intermezzo, op.9 ...•.......•........••.....••.........Reinhold Gliere An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a gift of appreciated stock, real estate or cash. -
Gardiner's Schumann
Sunday 11 March 2018 7–9pm Barbican Hall LSO SEASON CONCERT GARDINER’S SCHUMANN Schumann Overture: Genoveva Berlioz Les nuits d’été Interval Schumann Symphony No 2 SCHUMANN Sir John Eliot Gardiner conductor Ann Hallenberg mezzo-soprano Recommended by Classic FM Streamed live on YouTube and medici.tv Welcome LSO News On Our Blog This evening we hear Schumann’s works THANK YOU TO THE LSO GUARDIANS WATCH: alongside a set of orchestral songs by another WHY IS THE ORCHESTRA STANDING? quintessentially Romantic composer – Berlioz. Tonight we welcome the LSO Guardians, and It is a great pleasure to welcome soloist extend our sincere thanks to them for their This evening’s performance of Schumann’s Ann Hallenberg, who makes her debut with commitment to the Orchestra. LSO Guardians Second Symphony will be performed with the Orchestra this evening in Les nuits d’été. are those who have pledged to remember the members of the Orchestra standing up. LSO in their Will. In making this meaningful Watch as Sir John Eliot Gardiner explains I would like to take this opportunity to commitment, they are helping to secure why this is the case. thank our media partners, medici.tv, who the future of the Orchestra, ensuring that are broadcasting tonight’s concert live, our world-class artistic programme and youtube.com/lso and to Classic FM, who have recommended pioneering education and community A warm welcome to this evening’s LSO tonight’s concert to their listeners. The projects will thrive for years to come. concert at the Barbican, as we are joined by performance will also be streamed live on WELCOME TO TONIGHT’S GROUPS one of the Orchestra’s regular collaborators, the LSO’s YouTube channel, where it will lso.co.uk/legacies Sir John Eliot Gardiner. -
Les Nuits D'été & La Mort De Cléopâtre
HECTOR BERLIOZ Les nuits d'été & La mort de Cléopâtre SCOTTISH CHAMBER ORCHESTRA ROBIN TICCIATI CONDUCTOR KAREN CARGILL MEZZO-SOPRANO HECTOR BERLIOZ Les nuits d’été & La mort de Cléopâtre Scottish Chamber Orchestra Robin Ticciati conductor Karen Cargill mezzo-soprano Recorded at Cover image The Usher Hall, Dragonfly Dance III by Roz Bell Edinburgh, UK 1-4 April 2012 Session photos by John McBride Photography Produced and recorded by Philip Hobbs All scores published by Bärenreiter-Verlag, Kassel Assistant engineer Robert Cammidge Design by gmtoucari.com Post-production by Julia Thomas 2 Les nuits d’été 1. Villanelle ......................................................................................2:18 2. Le spectre de la rose .................................................................6:12 3. Sur les lagunes ............................................................................5:50 4. Absence ......................................................................................4:45 5. Au cimetière ...............................................................................5:32 6. L’île inconnue .............................................................................3:56 Roméo & Juliette 7. Scène d’amour ........................................................................16:48 La mort de Cléopâtre 8. Scène lyrique ..............................................................................9:57 9. Méditation.................................................................................10:08 Total Time: ......................................................................................65:48 -
Boston Symphony Orchestra Concert Programs, Summer
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S. -
Berlioz's Orchestration Treatise
Berlioz’s Orchestration Treatise A Translation and Commentary HUGH MACDONALD published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface New Baskerville 11/13 pt. System LATEX2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Berlioz, Hector, 1803–1869. [Grand trait´e d’instrumentation et d’orchestration modernes. English] Berlioz’s orchestration treatise: a translation and commentary/[translation, commentary by] Hugh Macdonald. p. cm. – (Cambridge musical texts and monographs) Includes bibliographical references and index. ISBN 0 521 23953 2 1. Instrumentation and orchestration. 2. Conducting. I. Macdonald, Hugh, 1940– II. Title. III. Series. MT70 .B4813 2002 781.374–dc21 2001052619 ISBN 0 521 23953 2 hardback Contents List of illustrations -
Harold En Italie Les Nuits D'été
HECTOR BERLIOZ Harold en Italie Les Nuits d’été Les Siècles François-Xavier Roth Tabea Zimmermann Stéphane Degout FRANZ LISZT HECTOR BERLIOZ (1803-1869) Harold en Italie Symphonie avec un alto principal en 4 parties, op. 16, H. 68 D’après Childe Harold’s Pilgrimage de George Gordon Byron 1 | No 1. Harold aux montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio - Allegro 15’14 2 | No 2. Marche de pèlerins chantant la prière du soir. Allegretto 7’51 3 | No 3. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai 5’58 4 | No 4. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico 11’44 Les Nuits d'été Six mélodies avec un petit orchestre, op. 7, H. 81B Poèmes de Théophile Gautier (extraits de La Comédie de la mort) 5 | 1. Villanelle, H. 8 2’12 6 | 2. Le Spectre de la rose, H. 83 6’40 7 | 3. Sur les lagunes - Lamento, H. 84 5’43 8 | 4. Absence, H. 85 5’45 9 | 5. Au cimetière - Clair de lune, H. 86 5’41 10 | 6. L'Île inconnue, H. 87 3’37 Tabea Zimmermann, alto Stéphane Degout, baryton Les Siècles, François-Xavier Roth Les Siècles (instruments d’époque, cordes en boyaux) Violons I François-Marie Drieux Amaryllis Billet, Laure Boissinot, Pierre-Yves Denis, Hélène Marechaux, Jérôme Mathieu, Simon Milone, Sébastien Richaud, Laetitia Ringeval, Noémie Roubieu, Matthias Tranchant, Fabien Valenchon Violons II Martial Gauthier David Bahon, Virgile Demillac, Caroline Florenville, Julie Friez, Chloé Jullian, Mathieu Kasolter, Arnaud Lehmann, Thibaut Maudry, Jin-Hi Paik, Rachel Rowntree, Marie-Laure Sarhan Altos -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23" black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8717594 The future of the symphony orchestra based upon its historical development Winteregg, Steven Lee, D.M .A. The Ohio State University, 1987 UMI 300 N. Zeeb Rd. Ann Arbor, M I 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark V . -
Berlioz's Les Nuits D'été
Berlioz’s Les nuits d’été: Masterful Orchestration as a Vehicle for Text Expression Katherine Anne Sundstrom Advisor: Gurminder K. Bhogal, Music Submitted in Partial Fulfillment of the Prerequisite for Honors in Music April 2014 © 2014 Katherine Anne Sundstrom 2 I thought I saw heaven open, a heaven of love and chaste delight, a thousand times purer and more beautiful than the one I had so often been told about. Such is the magic power of true expression, the incomparable beauty of melody that comes from the heart! Berlioz 3 Acknowledgments This is the culmination of a truly incredible thesis experience. There are many people who have contributed to it and made it the life-changing experience it has been. I would like to thank Professor Bhogal for being such a supportive advisor. I was so blessed to have an advisor who truly wanted my thesis experience to be the best experience it could be for me. Thank you for believing in me, for being so patient, and for opening my eyes to my own capabilities as a student and scholar of music. I owe much of my growth over the last four years, both as a musician and person, to my voice teacher Marion Dry. The guidance she has provided me with and the generosity she has shown me have defined my Wellesley experience. Marion encouraged me to pursue a performance thesis, suggested I study Les nuits d’été, and encouraged me to apply for the fellowship that funded my coachings. This incredible experience wouldn’t have happened without her dedication to my success. -
Acclaimed Pianist Angela Hewitt Joins the Vienna Tonkünstler Orchestra for Beethoven's Heroic 'Emperor Concerto'
PRESS RELEASE FOR IMMEDIATE USE Acclaimed pianist Angela Hewitt joins the Vienna Tonkünstler Orchestra for Beethoven’s heroic ‘Emperor Concerto’ Vienna Tonkünstler Orchestra with Angela Hewitt Sunday 28 Oct 2018, 7.30pm Usher Hall, Lothian Road, Edinburgh Bernstein: Three Dance Episodes from On the Town Beethoven: Piano Concerto No. 5 Sibelius: Symphony No. 5 Images available to download here Sibelius’s visionary Fifth Symphony, plus the musical heroism of Beethoven’s Emperor Concerto Following the opening concert from the Russian State Symphony Orchestra, the second concert in the Sunday Classics 2018-19 season sees the Vienna Tonkünstler Orchestra bring an evening of wonderfully varied music to the Usher Hall. Japanese conductor Yutaka Sado and his Orchestra open with musical heroes not often referenced in the Usher Hall: the three wide-eyed sailors on shore leave in Bernstein’s foot-tapping musical On the Town. His feel-good Three Dance Episodes blend jazz, big band and classical to electrifying effect – and feature Bernstein’s hit tune ‘New York, New York’. The remarkable Canadian pianist Angela Hewitt joins Orchestra and conductor for one of the most heroic piano concertos of them all. Beethoven’s noble Emperor Concerto was the composer’s last for the piano, and is cast on a grand scale, but its brilliant, breathtaking virtuosity melds effortlessly with tenderness and exquisite beauty. The piece is an ideal match for Hewitt’s fresh, elegant, powerful playing. Born into a musical family, Hewitt started her piano education at the age of three and has gone on to win awards and fans across the world. -
Spring/Summer 2010 a Quiet Place at New York City Opera
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2010 A Quiet Place at New York City Opera by George Steel eonard Bernstein himself Lsaid that all of his works - symphonies, piano pieces, songs, all of it - were theatrical. But his works for the stage have a special place in the history of American music. So I am overjoyed to say that New York City Opera will open its 2010-11 season with A Quiet Place, Bernstein's final completed stage work, with a libretto by Stephen Wadsworth. It is undoubtedly one of Bernstein's greatest musical achievements. As a composer, LB always sought "undiscovered country." It is so typical of him that a late work like A Quiet Place would be full of struggle and experimenta tion. Every note he wrote "cost," as he would say: he paid in sweat and blood (or really cigarettes and Tums) for music that seems inevitable and even, paradoxically, effortless. He completed A Quiet Place through Herculean effort and self-sacrifice. It is an amazing work - and one that we need more than ever. It is not afraid to challenge and to break new ground - and it reaches in some ways further than other Bernstein Music by Libretto by works to integrate his many Leonard Bernstein Stephen Wadsworth musical languages. Bernstein had an uncanny Pro,lwud l1y Houston Grand Opera, The John F. Kennedy Center for the Performing Arts and 1eatro al/a Scala understanding of the theatrical power of music, and all his talent and experience are on display in (continued on page 2) Poster from the Houston Grand Opera premiere production 3 Mass in Virginia 5 Artful Learning Spring 8 In the News Inside .. -
The Concert of the Year 2016 the Best Concert in 2016 Chosen by Each Orchestra 〔1/4/2016-31/3/2017〕 最も印象に残ったコンサート 最も印象に残ったコンサート Full Members
The Concert of the Year 2016 The best concert in 2016 chosen by each orchestra 〔1/4/2016-31/3/2017〕 最も印象に残ったコンサート 最も印象に残ったコンサート Full Members Sapporo Symphony Orchestra Tokyo Symphony Orchestra The 594th Subscription Concert Tokyo Symphony Subscription Concert No.645 Conducted by Radomil Eliška Conducted by Jonathan Nott Smetana: “Wallenstein's Camp” vn: Isabelle Faust Dvořák: Scherzo capriccioso Beethoven: Violin Concerto Tchaikovsky: Symphony No. 5 Shostakovich: Symphony No.10 14 & 15 October 2016 Sapporo Concert Hall; Kitara 15 October 2016 Suntory Hall Sendai Philharmonic Orchestra Tokyo City Philharmonic Orchestra The 300th Subscription Concert The 300th Subscription Concert Conducted by Pascal Verrot Conducted by Ken Takaseki Berlioz: Symphonie fantastique Satoshi Nishimura, Faust Berlioz: “Lelio”(monodrama) 14b Akiya Fukushima, Méphistophélès 15 & 16 April 2016 Hitachi Systems Hall Sendai Michiko Hayashi, Marguerite Concert Hall Tatsuhiko Kitagawa, Brander Chorus: TCPO Chor/ Chorusmaster: Takahiro Fujimaru, Yamagata Symphony Orchestra Children's chorus: KOTO Boys & Girls Chor, The 256th Subscription Concert Berlioz: “La damnation de Faust”, Légende dramatique Conducted by Radek Baborak 10 September 2016 Tokyo Opera City Concert Hall hrn: Radek Baborak Na'ama Tamir: “Spring Illusions” Tokyo Metropolitan Symphony Orchestra Mendelssohn: Lieder ohne Worte (arr.Paul Angerer) Beethoven: Symphony No.4 TMSO Special / Subscription Concert No.812 B Series 15 & 16 October 2016 Yamagata Terrsa Hall Conducted by Alan Gilbert Mozart: Symphony -
Ünstler Symphonie Yutaka Sado Anton
YUTAKA SADO TONKÜNSTLER ORCHESTER ANTON BRUCKNER 8. SYMPHONIE Recorded LIVE at the Wiener Musikverein ORCHESTER ANTON BRUCKNER (1824–1896) アントン・ブルックナー Symphonie Nr. 8 c-Moll | Symphony No. 8 in C minor | 交響曲第8番 ハ短調 Gesamtlänge 85’03 Total Length | 演奏時間合計 Fassung/Edition: Robert Haas | Version/Edition by Robert Haas | ロベルト・ハース版 YUTAKA SADO COMPACT DISC 1 佐渡裕 1 Dirigent | Conductor | Allegro moderato 15’36 指揮 ア レ グ ロ・モ デ ラ ート TONKÜNSTLER-ORCHESTER Tonkunstler Orchestra 2 Scherzo. Allegro moderato; Trio. Langsam 15’17 トーンキュンストラー管弦楽団 Scherzo. Allegro moderato; Trio. Slow. スケルツォ。アレグロ・モデラート – トリオ。ゆっくりと 3 Adagio. Feierlich langsam, doch nicht schleppend 27’26 Werkbeschreibung P 06 Adagio. Solemnly slow, but not dragging Description of the Work P 18 アダージョ。荘重にゆっくりと、しかしひきずらないように 作品解説 P 30 COMPACT DISC 2 Biografien P 12 Biographies P 26 1 Finale. Feierlich, nicht schnell 26’40 バ イオグ ラフィー P 38 Finale. Solemn, not fast フィナーレ。荘重に、急がず P 2 P 3 ANTON BRUCKNER de, sondern auch von Verwerfungen, Zweifeln und Umarbeitungen schon während Konzeption Symphonie Nr. 8 c-Moll und erster Reinschrift gekennzeichnet war: Zunächst war das Adagio wie üblich an zweiter Stelle vorgesehen, später stellte Bruckner jedoch nach dem Vorbild von Beethovens Neunter die Mittelsätze um, wie er es seinerzeit schon in der Zweiten erprobt hatte. Das veranlasste «Tagelang habe ich studiert, aber ich kann mir das Werk nicht zu eigen machen. Fern sei es von ihn, die Gestalt des Adagios abzuändern – durchaus möglich, dass gerade der völlig unge - mir, ein Urteil aussprechen zu wollen [...] aber ich finde die Instrumentation unmöglich und was wohnte Jubel für die Siebte, der sozusagen immer wieder in Bruckners Arbeitszimmer schall - mich besonders erschreckt hat, ist die große Ähnlichkeit mit der 7ten, das fast Schablonenmäßige te, den bis dahin überwiegend recht flüssigen Fortschritt seiner Kompositionen beeinflusste.