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Alienation, Trains and the Journey of Life in Four
ALIENATION, TRAINS AND THE JOURNEY OF LIFE IN FOUR MODERN JAPANESE NOVELS By ANN MERER YD PRICE B.A., The University of Michigan, 1983 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF ASIAN STUDIES We Accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1987 ©Ann Mereryd Price, 1987 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ^ian Studies The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date October 14, 1987 ii Abstract This thesis examines the theme of alienation along with the train motif in the life journeys of the protagonists in four modern Japanese novels. Each chapter is devoted to an individual novel and explores its hero's feelings of socio-psychological estrangement on personal and interpersonal levels as well as the role of the train journey which serves to arouse, create or alleviate such feelings. Chapter One deals with Sanshiro (Sanshiro. 1908) by Natsume Soseki and follows the hero on his long train journey from backward Kyushu to progressive Tokyo. -
Mertens 2000 Revised
MERTENS 1 "Kokoro (True Heart)" by Velina Hasu Houston Summary: When Yasako and her family move to the United States, she struggles to adapt to American life while retaining Japanese culture in herself and her young daughter. Her husband decries her inability to acculturate yet expects her to conform to traditional Japanese family roles. When she discovers her husband's infidelity and must respond to his mistress' threats, Yasako believes the only way to preserve her dignity is oyako shinju (parent-child suicide). Activities for students: Pre-reading ** Japanese words/phrases found in the play bun-cha: evening tea bun-shin: Japanese belief that the child is a part of the mother -chan: used after a person's given name to express intimacy and affection; also used as a diminutive for children; (i.e. Kuniko-chan) kokoro: spirit; heart; mind kuro-ko: stage assistants who help actors with their costumes and props; they are usually dressed completely in black obon: Japanese summer festival during which people express their gratitude to their dead ancestors obon dori: religious folk dance that is done to comfort the spirits of the dead. People gather around a wooden platform at a temple or shrine which is decorated with lanterns and dance to the accompaniment of traditional drum and flute music. The dances differ according to MERTENS 2 locality, and today many modern or even foreign songs and dances have been introduced into the obon festival. okaasan: mother otosan: father o-manju: bean-paste filled bun oyaku shinju: parent-child suicide yukata: cotton summer kimono ** Cultural Defense - Group Activity (one class period) ** Objectives 1. -
Transnational Feminist Theatre of Velina Hasu Houston Mariko HORI
ISSN 1347-2720 ■ Comparative Theatre Review Vol.11 No.1 (English Issue) March 2012 Shaping a New Communal Identity: Transnational Feminist Theatre of Velina Hasu Houston Mariko HORI Abstract Velina Hasu Houston, a Los Angeles-based American writer, is often regarded as a multicultural or postmodern playwright because of the characteristics of her works written from her transnational or multiracial point of view, but she posits herself as a feminist writer, resisting the labels such as “multicultural artist” or “postmodernist” that may force every “ethnic theater” into “an artistic ghetto.” She creates works revealing struggles and frustrations of transnational, multicultural and multiracial women in the white male-centered society, dreaming of a new world community where they are treated equally and with respect. Houston challenges to accepted practices by exploring theatrical innovations in her pursuit of an identity that dissolves any border. In her most successful play, Tea, her her- oine, a ghost, who, having killed her husband and lost her daughter, committed suicide, crosses the border between this world and that world, listening to the interactions of four other Japanese women who are visiting her house. Scenes go back and forth; in some scenes five women enact the roles of their husbands and daughters. Such use of scenes defies chronological order; the use of geographically unfixed sets and multiple roles played by a single performer are features often seen in contemporary feminist theatre. She often re-envisions the gender relations of ancient myth and creates a new myth where individuals “transgress borders of nations and identity, forming new communities that often defy categorization.” Mina in The House of Chaos, based on the Medea myth, is a Japanese woman who defeats her husband and his male ally who conspired to drive her away to rob her of the firm she had inherited from her Japanese family. -
Andrew Haslam in Conjunction with Edisclosure Systems – Buyers
Andrew Haslam In conjunction with eDisclosure Systems – Buyers Guide 2019 Edition Always check the Buyer's Guide section of the Legal IT Insider website to make sure you have the latest version of this document. Check here. Document Reference : eDisclosure Systems - Buyers Guide 2019 V7_1.docx Issue : 7.1 Dated ?? May 2019 Commercial in Confidence Copyright, Confidentiality and Disclaimer COPYRIGHT AND CONFIDENTIALITY First published in February 2013 by Allvision Computing. With the exceptions shown below, Andrew Haslam owns the copyright and other intellectual property rights in the content of the Guide. You are permitted to print and download any part of the Guide for your own use and/or for other third parties use, free of charge, provided that: the content of the Guide is not modified in any way; our copyright notice is retained on all copies; you acknowledge Andrew Haslam, and it appears on as the source of the Guide; and you inform third parties that the terms of this copyright notice and the disclaimer contained in the Guide apply to them and that they must comply with it. All rights are otherwise reserved. For the avoidance of doubt you are not permitted to incorporate the Guide or any part of it in any other work or publication, whether in hard copy, electronic, or any other form, without the prior written permission of Andrew Haslam except as permitted by law. Applications for written permission should be sent by email to [email protected] Full acknowledgement of the authors and source must be given. Andrew Haslam reserves the right to modify the terms of this copyright notice at any time. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Pluralistic Realities and Tenuous Paradigms: Critical Examinations of Race and "Normativity" in Japanese/American Multiethnic and Multiracial History Permalink https://escholarship.org/uc/item/4j3997h8 Author Ong, James Man Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Pluralistic Realities and Tenuous Paradigms: Critical Examinations of Race and “Normativity” in Japanese/American Multiethnic and Multiracial History A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Asian American Studies by James Man Ong 2014 © Copyright by James Man Ong 2014 ABSTRACT OF THIS THESIS Pluralistic Realities and Tenuous Paradigms: Critical Examinations of Race and “Normativity” in Japanese/American Multiethnic and Multiracial History By James Man Ong Master of Arts in Asian American Studies University of California, Los Angeles, 2014 Professor Lane Ryo Hirabayashi, Chair In both the US and Japan in recent decades, multiethnicity has become an increasingly significant phenomenon for Japanese/Americans. Though relative minorities in the past, mixed individuals have become an emerging demographic as successive generations of individuals of Japanese and non-Japanese ancestry have transgressed social barriers, ethnic racial boundaries and national divides, blending diverse ancestries and cultures into unique syntheses. While individuals -
Show Me the Money Pacific Gitizen 9
Newsstand: 25¢ $1.50 postpaid (U.S., Can.) I $2.30 (Japan Air) #29901 Vol. 136, No. 7ISSN: 0030-8579 National Publication of the Japanese American Citizens League (JACL) APR. 18-MAY 1, 2003 Census Shows Increase in Hapas; Playwright APAs React to Michigan Affirmative Action Houston Notes Growing Acceptance Among Asians Cases Going Before Supreme Court By MARTHA NAKAGAWA Southern California where she is By TRACYUBA final ruling will have a lot of gray undergraduate programs because Assistant Editor currently a professor of theater WriterlReporter area and the Supreme Court won't race and diversity factors and director of the playwriting rule completely in favor [ot} or allowed less qualified minority Personal account from interna program at USC's School of Asian Pacific Americans completely against the use of race students to get in ahead of them. tionally acclaimed playwright Theatre. across the country reacted to two in admissions. The tricky part is The court is expected to delib Velina Hasu Houston and 2000 highly scrutinized cases involv how much gray area they will erate over the next two months The event was co-sponsored by · Census data analyzed by the Asian USC's Asian Pacific American ing the University of Michigan 's allow through the language that and a decision may be rendered Pacific American Legal Center Student Services, USC Nikkei use of race as in late June. confirm that the Nikkei communi Association and the Japanese an admissions After six ty has evolved into a highly multi American Historical Society of factor in its law years of legal ethnic community. -
Bulletln of the EUROPEAN COMMUNITIES
tssN 0378-3693 B.BBHAMV Bulletln OF THE EUROPEAN COMMUNITIES Commission No 4 1979 Volume 12 The Bulletin of the European Communities reports on the activities of the Commission and the other Community institutions. lt is edited by the Secretariat-General of the Commission (rue de la Loi 200, B-1 049 Brussels) and published eleven times a year (one issue covers July and August) in the official Community languages and Spanish. Reproduction is authorized provided the source is acknowledged. The following reference system is used: the first digit indicates the part number, the second digit the chapter number and the subsequent digit or digits the point number. Citations should therefore read as follows: Bull EC 1-1979, point 1.1 .3 or 2.2.36. Supplements to the Bulletin are published in a separate serles al irregular intervals. They contain official Commission material (e.g. communicalions to the Council, programmes, reporfs and proposals). The Supplements do not appear in Spanish. Printed in Belgium BULLETIN OF THE EUROPEAN COMMUNITIES European Coal and Steel Community European Economic Community European Atomic Energy Community Commission of the European Communities Secretariat-General Brussels \ \ No4 1 979 S€nt to press ln May 1979. Volume 12 contents PART ONE PET$Ifl!, 1. Greece: Completion of the accession negotiations-A ten- memberCommunityfor 1 January 1981 Tokyo Round: Oulcome of the multilateral negotiations-Overall results. Negotiated agreements ready for initlalling The Community and the European Conventlon on Human Rights Memorandum -Commission Competition policy: 1978 Beport{ommission action on com- petition 18 PART TWO il'X,'ITI"",, 1. -
CONFERENCE ON-SITE ACTIVITIES All Sessions and Activities, Unless Otherwise Noted, Are Held at the Sheraton Seattle Hotel
SCHEDULE AT A GLANCE 7a 8a 9a 10a 11a 12p 1p 2p 3p 4p 5p 6p 7p 8p 9p CONFErENCE ON-SiTE ACTiViTiES All sessions and activities, unless otherwise noted, are held at the Sheraton Seattle Hotel. For more information, visit janm.org/conference2013 expo Friday, July 5, 1 pm–5 pm WEDNESDAy, JULy 3 Saturday, July 6, 8 am–5 pm 2– 8p Registration The Expo is an opportunity to take a moment to review and reflect on the ConnectConference sessions through interactive, thought-provoking, and hands-on THUrSDAy, JULy 4 activities for all ages. Enhance your Conference experience as you further explore 9a–5p Bainbridge Island July 4th Celebration the issues surrounding democracy, justice, and dignity within the context of the 1:10p Seattle Mariners Baseball Game Japanese American story and your own cultural heritage and identity. (To be confirmed pending 2013 MLB schedule announcement in Fall 2012) Just for kids! In partnership with the Japanese Cultural & Community Center 2–8p Registration of Washington, the Expo features special activities for our young attendees ages FriDAy, JULy 5 5 to 12 years, including origami and storytelling. 7a–5p Registration Community Marketplace 8a–12noon Wing Luke Asian Friday, July 5, 1 pm–5 pm Museum of the Asian Pacific American Saturday, July 6, 8 am–5 pm Experience and International District Bus Tour (Ticketed) The Community Marketplace showcases community-based organizations and select vendors from across the nation. These invited exhibitors present the 1:30–3p Opening General Session with Keynote Address fascinating histories of their regional communities as well as their current 1–5p Community Marketplace and Expo projects and products of note. -
English-Language Works by JAAS Members 1998
The Japanese Journal of American Studies, No. 11 (2000) English-Language Works by JAAS Members 1998 The following citations and abstracts introduce recent publications and dis- sertations, written in English by members of the Japanese Association for American Studies, on topics related to American Studies. The works are list- ed in the order of articles in journals, articles in books, and dissertations. ARTICLES IN JOURNALS Asada, Sadao. “The Shock of the Atomic Bomb and Japan s Decision to Surrender—A Reconsideration.” Pacific Historical Review 67:4 (1998): 477–512. Microscopically examining Japan’s decision-making process in the days between the Hiroshima bomb and surrender in August 1945, this article critically reviews both American and Japanese historiography. A close study of the Japanese side of the pic- ture shows that the arguments of the “atomic diplomacy” thesis as advanced by Gar Alperovitz and Martin Sherwin are totally untenable. Fujita, Hideki. “Cannibalism in Tennessee Williams’ ‘Desire and the Black Masseur.’” Journal of the Faculty of Humanities (Toyama University) 29 (1998): 73–80. In “Desire and the Black Masseur,” Williams describes cannibalism as a sado- masochistic act in religious imagery and language, thereby revealing the significant link between the sensual and the spiritual. Cannibalism in this story represents a form of interpersonal union, one of Williams’s major thematic obsessions. Fujita Hideki. “Gender Strife in Tennessee Williams’ A Streetcar Named Desire.” New Perspective 168 (1998): 43–50. Williams’ A Streetcar Named Desire displays the intense gender struggle through the antagonism between two major characters, Stanley and Blanche. This play shows that 219 220 ENGLISH-LANGUAGE WORKS IN 1998 the power relations between the masculine and the feminine are inextricably connect- ed with questions of signification and sexuality. -
In Velina Hasu Houston's Kokoro
The Japanese Journal of American Studies, No. 11 (2000) Creating a Feminist Transnational Drama: Oyako-Shinju (Parent-Child Suicide) in Velina Hasu Houston’s Kokoro (True Heart) Masami USUI IINTRODUCTION Velina Hasu Houston’s play Kokoro examines the Japanese traditional practice of oyako-shinju, or parent-child suicide, in a transnational con- text. A 1985 oyako-shinju case in Santa Monica motivated Houston to do further research and ultimately complete Kokoro as a drama.1 On January 29, 1985, a 32-year-old Japanese woman attempted oyako-shin- ju with her 4-year-old son and her 6-month-old daughter at the Santa Monica seashore. Only the mother survived. Her 40-year-old husband, an artist and restauranteur in Chatsworth, had kept a Japanese mistress for three years. The couple had been married about eight years and had lived in the States for about six years when this incident occurred. Kokoro uses key facts from newspaper articles, such as the out-of-fashion Japanese practice of the wife’s bathing the husband’s legs, the wife’s insomnia whose symptom is a loss of hair, the wife’s journal and poet- ry written during her imprisonment in the Los Angeles County Jail, and a neighbor’s assistance with childcare. The 1985 oyako-shinju incident “certainly makes us consider how the Japanese culture can be judged in the States and also how deeply the frequency of oyako-shinju is related Copyright © 2000 Masami Usui. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without per- mission from the author. -
UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Race and Role: The Mixed-race Asian Experience in American Drama Permalink https://escholarship.org/uc/item/9qv6d1mn Author Heinrich, Rena M. Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Race and Role: The Mixed-race Asian Experience in American Drama A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater Studies by Rena M. Heinrich Committee in charge: Professor Christina S. McMahon, Chair Professor Ninotchka Bennahum Professor Paul Spickard June 2018 The dissertation of Rena M. Heinrich is approved. ____________________________________________ Ninotchka Bennahum ____________________________________________ Paul Spickard ____________________________________________ Christina S. McMahon, Committee Chair June 2018 Race and Role: The Mixed-race Asian Experience in American Drama Copyright © 2018 by Rena M. Heinrich iii ACKNOWLEDGEMENTS I am deeply indebted to my committee members Drs. Christina S. McMahon, Ninotchka Bennahum, and Paul Spickard for their endless support, crucial mentorship, enthusiastic cheerleading, and abundant wisdom. I thank the faculty, the staff, and my colleagues in the Department of Theater and Dance for their generosity of spirit and their unwavering belief in my endeavors. I am especially indebted to Blythe Foster, Ming Lauren Holden, Yasmine M. Jahanmir, Kelli Coleman Moore, Rachel Wolf, and Rebecca Wear for looking after my children and making it possible to do this work. I thank the Department of Asian American Studies—faculty, staff, and fellow teaching assistants for their kindness, support, and good cheer. I thank my colleagues in the Department of History for their many hours of caring feedback. -
Origins of the Experimental Music Studios at Illinois: the Urbana School from the Dean
WINTER 2009 The News Magazine of the University of Illinois School of Music origins of the experimental music studios at illinois: the urbana school From the Dean The School of Music is one of the most respected and visible units in the College of Fine and WINTER 2009 Applied Arts at the University of Illinois, and it is Published for alumni and friends of the School of Music also a vital component of what we are calling the at the University of Illinois at Urbana-Champaign new arts at Illinois, our vision of the college as a The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana- leader in the arts of the future. Champaign and has been an accredited institutional member of the National Association of Schools of Music Throughout the college, we are exploring new since 1933. disciplinary combinations, new definitions of art, and new ways of thinking Karl Kramer, director Edward Rath, associate director and creating. At the same time, we maintain a profound commitment to the Paul Redman, assistant director, business Joyce Griggs, assistant director, enrollment management historical traditions of our art forms. We embrace the notion that the knowl- and public engagement Marlah Bonner-McDuffie, director, development edge arising from the study, interpretation, and creation of art is central to Philip Yampolsky, director, Robert E. Brown Center for World Music the intellectual enterprise of a great university and to the advancement of a David Allen, coordinator, outreach and public engagement great society. Michael Cameron, coordinator, graduate studies B.