Middle School Summer Reading List 2021 – 2022 School Year
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Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world. -
SLEEPING BEAUTY PERMISSION FORM 1St-4Th Grade Students
SLEEPING BEAUTY PERMISSION FORM 1st-4th Grade Students Rehearsal/Audition Schedule: Wednesday August 30, 3:20pm to 4:30pm Thursday August 31, 3:20pm to 5:00pm Tuesday September 5, 3:20pm to 5:00pm Wednesday September 6, 3:20 to 4:45 Full Cast Thursday September 7, 3:20 to 4:45 Full Cast Remaining rehearsals in September will be Tuesday, Wednesday, and Thursday 3:20-4:45 October will add Monday. A schedule after September 7th will be available after actors are cast. Saturday October 28th will be a full cast rehearsal with a time to be determined. As parents and students, we have gone over the rehearsal schedule together and agree to: ACCEPT ANY PART IN THE SHOW ...we all work together to make a great show! Respect myself and each cast member Attend each rehearsal as schedule Include a check for a costume fee of $30.00. Return this form to the main office by Monday, August 28, 2017 I. Student Information First Name_________________________________ Last Name______________________________ Grade entering first trimester of 2017________________ Unique talent(s) or skill(s): _____________________________________________________________ Conflicts with the rehearsal schedule:____________________________________________________ T-Shirt Size…please circle: Youth Small - Youth Medium - Youth Large Adult Small - Adult Medium- Adult Large - Adult Extra Large Medical condition/allergies (food or medicine)____________________________________________ II. Parent Information Mother’s Name ___________________________________ Home phone________________ -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
Helping You to Focus Better
#1 BOOK ONE word search Helping you to focus better Crystalens® vision workbook “your road to visual rejuvenation” DUNKIN DONUTS F J N H I A F L R W X D D T Z K T P E K Y W X C S T V B Q L O D V H O O R F Y X S O T E O M G M Q R D I Q K L T H I Z B J Y T T Y H G M V C Y Y T F L E L L E H J J P L I Y C H U J Y W N C E R K F O A R I T C R O I S S A N T W F R P C N F Z I X Y N Y E Y J X L N Y F R P A I L N E O L S W Z T E F K D U O C X D C J B Y L K G N Q E T T A L V C R W D C K D Q N N S A G R U B W F N U W R H U X O M D D U Q C L K W P B R P B W B P T U M J D R T F W S L T E I M A Y Y P X G E J X C V V S C L K I L P D V M A V H S Y V Q Y W N N A T W O N I J D C U N R Y Z F I J Q O A K D K N E A D T M U A J F P V D R O U E L E G A B E V Y T E J K V G P S H D E B M M H T C R Q T G K U W V F Z W R U K P T R O I J U B Y U H J E L E E X W Q V Q F B N M G J A W M U F F I N Z E G X K A S N B P A S V P Q X A L K O D U D A Q Bagel Drive Thru Beans Hazelnut Cappuccino Iced Coffee Latte Croissant Muffin Doughnut Vanilla #1 CANDY BARS W G I X B R B U Q I U C V Q S V K O O I H Y V S W Q Q U O R C N D C T Y Z K F B O O WH M M Y A W C E J T V Y I R R P S W O U U R K A L N O O E R N X J B X M G G J O O G C U Q W C Z Q T D H V M O W O W R E Q O C M V F U I L Y E D O R A O W R D M E O S L G Q M C S A I K E K E E K A J U L D E S E E R M B W Z S S O N Y K R L J Q B Y T A S H U H Y Q S M U V A U A I M P A A U R B T M N K E H E B M C O B R E O R T M S T V T I L H E R S H E Y Y V K L N N B E K I K H I U T M J T T V K B B A B D R W K C A K M E F K A T Q B S A -
Richards Quiz Week 22
Round 1 - Name the films these clips came from 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Round 2 Name the twenty states whose first letter must come from the word ‘man’ Round 3 General knowledge 1 How is the number 60 written in Roman numerals? 2 What is the least used letter in the English language? 3 How many lines does a limerick have? 4 By what name was the UK entertainer Alfred Hawthorne Hill better known? 5 Which of these wedding anniversaries would you celebrate last? Silver, Crystal or Ruby? 6 What is the only sign of the zodiac that contains none of the letters of the word `School`? 7 The peacock is the national bird of what country? 8 Which of the Great Lakes is the source of the River Niagra? 9 Which real-life Russian did Boney M sing about in 1978 10 What are the names of the Duke Of York`s two children? 11 What two drinks are used to made a `Black Velvet`? 12 A country historically known as Abyssinia, what is the modern name for it? 13 Which actress played the female lead in the film `Out Of Africa`? 14 In which country did the sport of ice-hockey originate? 15 What is a Flemish giant? 16 In the film and TV series `The Fugitive` what was the occupation of the Fugitive? 17 In which Australian city is the TV soap opera `Neighbours` set? 18 Which organ of the body is affected by Bright's Disease? 19 What colour is a custard apple? 20 Which European capital was once known as Christiania? Answers (week 22) Round 1 1 Airplane 2 Bonny & Clyde 3 Doctor Zivago 4 UP 5 Rocky 6 Braveheart 7 Slumdog Millionaire 8 Beauty -
Downloaded from Manchesterhive.Com at 10/02/2021 09:03:16PM Via Free Access Andrew Higson
1 5 From political power to the power of the image: contemporary ‘British’ cinema and the nation’s monarchs Andrew Higson INTRODUCTION: THE HERITAGE OF MONARCHY AND THE ROYALS ON FILM From Kenneth Branagh’s Henry V Shakespeare adaptation in 1989 to the story of the fi nal years of the former Princess of Wales, inDiana in 2013, at least twenty-six English-language feature fi lms dealt in some way with the British monarchy. 1 All of these fi lms (the dates and directors of which will be indi- cated below) retell more or less familiar stories about past and present kings and queens, princes and princesses. This is just one indication that the institution of monarchy remains one of the most enduring aspects of the British national heritage: these stories and characters, their iconic settings and their splendid mise-en-scène still play a vital role in the historical and contemporary experience and projection of British national identity and ideas of nationhood. These stories and characters are also of course endlessly recycled in the pre- sent period in other media as well as through the heritage industry. The mon- archy, its history and its present manifestation, is clearly highly marketable, whether in terms of tourism, the trade in royal memorabilia or artefacts, or images of the monarchy – in paintings, prints, fi lms, books, magazines, televi- sion programmes, on the Internet and so on. The public image of the monarchy is not consistent across the period being explored here, however, and it is worth noting that there was a waning of support for the contemporary royal family in the 1990s, not least because of how it was perceived to have treated Diana. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
The Legend of Briar-Rose
VOCAL SCORE THE LEGEND OF BRIAR-ROSE BOOK BY VERA MORRIS Music AND LYRICS BY BILL FRANCOEUR Irr "'UM_ M Mg . M. mffi11111 3EmA 1 Pioneer yoDrama Service, Inc. eneliantgd SIQczping &wig THE LEGEND OF BRIAR-ROSE Book by VERA MORRIS, Music and Lyrics by BILL FRANCOEUR SEQUENCE OF MUSICAL NUMBERS MC 1 Enchanted Sleeping Beauty page 1 MC 2 Hear Ye! Hear Ye! page 4 MC 3 I'm a Witch page 8 MC 3a I'm a Witch — Underscore page 12 MC 3b Hear Ye! Hear Ye! — Underscore page 13 MC 4 The Gift I Bring page 14 MC 4a I'm a Witch—Underscore page 19 MC 4b Passage of Time—Mood Music page 21 MC 4c The Gift I Bring—Underscore page 22 MC 5 Good Prince page 23 MC 5a I'm a Witch—Underscore page 27 MC 6 Entr'acte page 28 MC 7 The Death of the Party page 29 MC 8 Little Bird page 34 MC 8a I'm a Witch—Underscore page 37 MC 8b The Gift I Bring—Underscore page 38 MC 9 I Will Fight! page 39 MC 9a I Will Fight!—Underscore A page 42 MC 9b I Will Fight!—Underscore B page 43 MC 9c Sleeping Beauty Awakens—Underscore page 44 MC 10 All is Well That's Ended Well page 45 MC 10a Enchanted Sleeping Beauty— Epilogue page 48 MC 11 Curtain Call page 50 MC 12 Exit Music page 51 Pioneer Drama Service, Inc. © Copyright 1999, by Pioneer Drama Service, Inc. PERFORMANCE LICENSE The amateur acting rights to this play are controlled exclusively by PIONEER DRAMA SERVICE, INC., P.O. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Sleeping Beauty’
The Character Alteration of Maleficent from ‘Sleeping Beauty’ into ‘Maleficent’ Movie Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of Faculty of Adab and Humanities of UIN Alauddin Makassar By: NUR HALIDASIA 40300111091 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2016 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan dibawah ini menyatakan bahwa skripsi ini benar adalah hasil karya penulis sendiri, dan jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain secara keseluruhan ataupun sebagian, maka skripsi ini dan gelar yang diperoleh batal demi hukum. Samata, 04 November 2016 Penulis Nur Halidasia 40300111091 ii ACKNOWLEDGMENT Alhamdulillahirabbil’aalamin, the writer praises to Allah SWT for His blessing, love, opportunity, health, and mercy, thus the writer can complete this thesis. Next, Shalawat are addressed to our prophet Muhammad SAW, for his model and guidance in the life. The writer realizes that there are many people who give their support, prayer and encouragement sincerely to help the writer completing this thesis. For those reason, the writer would like to express her deepest gratitude to the following: 1. The writer’s beloved parents, H. Musyrifin (almarhum) and Hj. Indo Tang for their love, patience, sincerely prayer for the writer successes and their support materially and emotionally. To the writer’s beloved sisters, Santy Asmarani and Nurjannah A.Md,AK for their supports and helps. 2. The writer’s appreciation is addressed to the rector of Islamic States University of Alauddin Makassar, Prof. -
Historical Film Reception: an Ethnographic Focus Beyond
HISTORICAL FILM RECEPTION: AN ETHNOGRAPHIC FOCUS BEYOND ENTERTAINMENT by VINCENT J. BISSON A THESIS Presented to the Interdisciplinary Studies Program: Individualized Program and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2010 11 "Ilisiorical I,'ilm Reception: An Ethnographic ,,"oeus beyond I~ntertainrnent," a thesis pn.:pared by Vincent.l. Bisson ill partial fulfillment of tile reqllircrllcnts 1'01' the Master or Arts degree in 1I11~ Inh,~l'disciplinary Studies Progl'lllll: Individualized Progralll. This thesis Date Committee in Charge: Ik Daniel Wojcik, Chair Dr. Jeffrey Hanes Dr. Bish Sen Accepted by: Dean ofthe Graduate School 111 An Abstract ofthe Thesis of Vincent J. Bisson for the degree of Master ofArts in the Interdisciplinary Studies Program: Individualized Program to be taken June 2010 Title: HISTORICAL FILM RECEPTION: AN ETHNOGRAPHIC FOCUS BEYOND ENTERTAINMENT Approved: _ Dr. Daniel Wojcik, chair Approved: -,------ _ Dr. Jeffrey Hanes Approved: _ Dr. Bish Sen Drawing upon theories from folkloristics, history, and audience studies, this thesis analyzes historical films, their reception, and the importance ofhistory and film in everyday life. Using an interdisciplinary approach, I demonstrate how a folkloric perspective may contribute to and strengthen the study ofhistorical films by emphasizing the attributes ofnarrative and beliefat the vernacular level ofreception. With an ethnographic and qualitative focus on the informal, common, and everyday film viewing habits ofspecific individuals in relation to historical belief, this project provides IV empirical evidence that is necessary for a more accurate understanding ofthe function and reception ofhistorical films. This study also re-examines the formal aspects of historical films in relation to historical re-construction, the definition and categorization ofsuch films, their reception, their function beyond entertainment, and the need for an integration ofnew research in both audience studies and folklore studies. -
AP Human Geography Summer Assignment Mrs
AP Human Geography Summer Assignment Mrs. Lyons [email protected] Human Geography is a unique subject to study and requires the student to look with a different perspective on the way humanity interactions with the world. The class will require students to reflect on and use their own experiences. This summer assignment is designed to give you some common experiences and knowledge. I have also included some “suggested” assignments that you might want to do to make your experience a little easier. Required Assignment: A Geographer’s Journal Required Supplies: A journal that you can write in. You will be using this throughout the year so make sure you do not get a small one. A composition notebook is a good size. You are to do five (5) of the following 16 assignments. In the journal, you must write about what you did and your observations. I want you to have fun with this so you can be as original as you would like. Be creative but also be observant. You can put pictures in this but you must also write things down. There is no “right” or “wrong”, there is only depth of your experience and observations. The only requirement is the word count. You must write at least 300 words for each assignment. You will be graded on the apparent effort you put into your journal. 1. Eat 3 traditional meals from different countries (Fast food and chain restaurants do not fit this assignment). They must be authentic meals. It would be best to have a native of the country prepare them.