31295012428586.Pdf (7.498Mb)

Total Page:16

File Type:pdf, Size:1020Kb

31295012428586.Pdf (7.498Mb) THE RE-MAKING OF A MYTHIC HERO: SCOTTISH NATIONALISM IN BRAVEHEART by KENNETH CARR HAWLEY, B.A. A THESIS IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial FulfiUment of the Requirements for the Degree of MASTER OF ARTS Approved May, 1998 'JOI r3 ACKNOWLEDGMENTS <^ % / /\)o • ' For their continued care and support, I thank my parents, Dan and Byrdic C oP- ^ Hawley, and my in-laws, Odell and LaVonne Farr. For her enduring afrecrion and encouragement, I thank my wife, Deborah. For their patient guidance and instruction, I thank the members of my thesis committee, Dr. Michael Schoencckc and Dr. Heather Barkley. Without my family, I would have floundered; without my wife, I would ha\c faltered; and without my committee, I would have failed. 11 TABLE OF CONTENTS ACKNOWLEDGEMENTS . 11 CHAPTER I. MYTHMAKING, NATIONAL IDENTFFY, AND SCOTTISH HISTORIOGRAPHY . 1 Bisset and Historiography 2 The Declaration of Arbroath and National Identity 5 Blind Harry the Minstrel and Mythmaking . 8 Braveheart and Historiography 12 n. ELicrriNG ANTLENGLISH SENTIMENT 16 Edward I .... 16 Smythe ..... 31 m. ELicrriNG ANTI-COLONIAL SENTIMENT 37 Irishmen ..... 38 Scottish Nobles .... 44 Bruce the Leper .... 58 IV. ELICITING PRO-INDEPENDENCE SENTIMENT 67 Malcolm Wallace 68 Campbell .... 73 Scotland and Robert Bruce 78 V. MODIFYING THE MYTHIC HERO 90 Murron .... 90 Edward II . 99 Isabella .... 104 VI. RE-MAKING THE MYTHIC HERO 113 William Wallace 113 VII. BRAVEHEARTS IDEOLOGICAL PROJECT 132 SELE(rrED BIBLIOGRAPHY .... 136 111 CHAPTER I MYTHMAKING, NATIONAL n:)ENTrrY, AND SCOTTISH HISTORIOGRAPHY Nationalistic sentiment looks to the past to legitimate the present and secure the friture; it re-makes history, appropriaring mythic legends as it forges a narional identirs'. Each time an ancient story is told, the myths are reinforced; each time today is reminded of yesterday, the origins are re-traced. Scotrish historiographers have connected their people to a legendary past, invoking the names and telling the stories which set Scotland apart as a disrinct and divinely ordained kingdom. While others have called upon mythic figures such as Romulus and Remus, Aeneas, Brutus, and King Arthur, the Scots have turned to Jacob; when their idenrity as an independent people has been challenged, the Scots have defended their narion by emphasizing Jacob's role in its founding. Renamed Israel, this descendant of Abraham and Isaac became the father of twelve sons, the patriarch of the IsraeUte narion's twelve tribes. Jacob first received the promise of a country during a dream which he had as he slept on a stone; he saw angels ascending and descending on a stairway which rested on the earth but stretched to the heavens, and Yahweh stood before Jacob and said, "Your descendants will he like the dust of the earth, and you will spread out to the west and to the east, to the north and to the south. All peoples on earth will be blessed through you and your offspring." According to Scotrish folklore, the coronarion stone of Scotland, the Stone of Desriny, is that very rock on which Jacob slept as he was given the promise of a land in which his people could dwell. This mythic block of sandstone is said to have moved from Israel to Eg>'pt, where it remained during Israel's 400 years of slavery; then it was shipped to Sicily, to Spain, and finally to Ireland, where the first king of Dalriada, Ere (c. 400 AD), held the Stone ot Desriny as the symbol of divine blessing upon the crown. It remained in Ireland unril Dalriada's 36th king, Kenneth I (c. 850 AD), moved the stone to Scone, in Scotland. " Scotrish kings were inaugurated upon the Stone of Scone from the rime of Kenneth I unril John Balliol in 1292; after deposing BalUol in 1296, Edward I took it to Westminster, believing that he could "eradicate the memory of Scotrish kingship by remcning its mi>st -J tangible symbol." However, Edward's acrions only aroused narional senriment. The Stone held ideological significance for Robert Bruce, who in 1306 risked his Ufe to travel to Scone and parricipate in a tradirional coronarion ceremony; the actual symbol was miles away in England, but the place it had rested for centuries held such mythical power that the inaugurarion was srill considered vaUd. When Edward I heard that the Scots crowned a new king, he peririoned the pope to have the abbey itself relocated in an attempt to destroy the mythology of place the abbey generated; his request was denied. The Stone of Desriny has been inrimately connected with Scotland's disrinct identity as a nation: "The royal seat thus acts as a metonym for the unbroken link to a legitimaring moment of origin, the foundarion of the mythical race, the moment when Scota provided her progeny with a proper name." ^ The Stone of Scone represents everything that is uniquely Scotrish. Bisset and Historiography The stone's journey from Egypt to Ireland is referred to in lnstructifn\es and in ProcessuSy companion pieces believed to have been written during the summer of 1301 by Master Baldred Bisset, a renowned Scottish canon lawyer. These letters were composed in response to Edward I's own missive sent earlier that same year to Pope Boniface \ III, in which the English king defended his right to subdue and rule Scotland. In the ProcessuSy Bisset claims that the Stone of Desriny was taken from Egypt bv Sccita, the daughter of the pharaoh; she and her husband Gaythelos (Gaelus), son ot the king ot Athens, carried the seat first to Ireland and then to Scotland. But in hv^tructuuxes, Bisset provides additional information, asserting that Scota and her people traveled first to Spain and then to Ireland, where they defeated a race ot giants; Scota, Gaythelos, and their son, Erk, then moved to Argyll, where they conquered the Britons and settled in the upper portion of the island called Albany (later named Scocia). These versions of Scotland's origins predate Bisset's writings, and so the legends are not to be considered the lawyer's own invenrions but rather rhetorical elements appropriated for a specific historiographical project. The Scots needed to retute Edward's claims to suzerainty on the basis of historical precedent, and connecting their people to Egypt and to Israel forges a mythical origin capable of establishing a legitimate national identity worthy of respect and recognition. Pope Bonitace VIII was to be reminded that when King Edward removed the Stone of Destiny trom Scone in 1296, he stole from the Scots their ancient symbol of divine promise, the icon which represented their long history of independence. In addition to denouncing English attempts at suppressing Scottish national identity, Bisset's hxstructiones and Proce.s.sits challenge Edward's rendering of the battles between England and Scotland, particularly the English sack of Berwick; he emphasizes the brutality and mercilessness ot the armies and the sacrilege committed against Scottish churches, comparing Edward to Anriochus Epiphanes (r. 175-164 BC), who desecrated the Jewish temple in 164 BC, provoking Judas Maccabeus to lead a revolt. Bisset also appeals to military conquests, questioning Edward's use of British history; he asserts that any claims based on the successes of the Britons are irrelevant, because the Bntons were beaten by the Saxons, who were defeated first by the Danes and then by the Normans. However, he accepts those parts of Edward's letter to Boniface which associate the English monarch with King Arthur, taking the opportunity to point out that Arthur subdued the lands surrounding his kingdom by brutal force, and that when he and his wite died, they left no heir. Therefore, the annexed lands (Scotland in this scenario) once again became independent realms. Bisset also raises earUer disputes regarding Scotland's relarionship to England. In 1291, Edward had gathered the Scotrish nobles at Norham-on-Tweed; they had asked for his assistance in resolving the succession controversy that had raged since 1286. King Edward demanded that they acknowledge his posirion as Scotland's overlord before he would hear the compering cases. As evidence, he referred to the mythic origins of England, Wales, and Scotland, legends which validated the king's intenrions to incorporate Scotland under his crown. Edward appropriated these same stories again in his letter to Boniface VIII in 1301, as he claimed that Scotland was a fief under England's control; Bisset challenges such norions with his appeals to the Stone of Destiny: Scotland is an indivisible and independent people — ancient in their origins, unique in their identity. He accuses Edward of manipularing "unproven ficrions [figmenta] about an obsolete distant past" in order to hide the truth that the Scots have had "a claim on freedom for a very long and immemorial period of rime." Defending Scotland's independence, Bisset cites the Treaty of Birgham (August 1290), reinforcing its more significant points: "We assert that the kings of Scotland and its inhabitants have done homage and fealty to [the king of England] for lands which they held in the kingdom of England of the king of England, but never for the kingdom of Scotland nor for their lands in Scotland." Bisset refers Pope Boniface Vlll to 1278, when Alexander III refiised to submit to Edward's demand that he pay homage tor Scotland itself. Bisset's explanarion of Scotland's relarionship to England re-casts the concept of feudal duty: since at least the rime of the Norman invasions, Scotrish nobles had owned lands in England and were obUgated by feudal arrangements to do homage for them, and Edward was the liege lord; however, the kingdom of Scotland was not a fiet ot the EngHsh king, nor was the king of Scotland his vassal.
Recommended publications
  • The Inventory of Historic Battlefields – Battle of Falkirk II Designation
    The Inventory of Historic Battlefields – Battle of Falkirk II The Inventory of Historic Battlefields is a list of nationally important battlefields in Scotland. A battlefield is of national importance if it makes a contribution to the understanding of the archaeology and history of the nation as a whole, or has the potential to do so, or holds a particularly significant place in the national consciousness. For a battlefield to be included in the Inventory, it must be considered to be of national importance either for its association with key historical events or figures; or for the physical remains and/or archaeological potential it contains; or for its landscape context. In addition, it must be possible to define the site on a modern map with a reasonable degree of accuracy. The aim of the Inventory is to raise awareness of the significance of these nationally important battlefield sites and to assist in their protection and management for the future. Inventory battlefields are a material consideration in the planning process. The Inventory is also a major resource for enhancing the understanding, appreciation and enjoyment of historic battlefields, for promoting education and stimulating further research, and for developing their potential as attractions for visitors. Designation Record and Full Report Contents Name - Context Alternative Name(s) Battlefield Landscape Date of Battle - Location Local Authority - Terrain NGR Centred - Condition Date of Addition to Inventory Archaeological and Physical Date of Last Update Remains and Potential
    [Show full text]
  • World Pipe Band Championships » Pg 14
    the www.scottishbanner.com Scottishthethethe North American EditionBanner 37 Years StrongScottish - 1976-2013 BannerA’ Bhratach Albannach ScottishVolumeScottish 36 Number 11 The world’s largest international BannerBanner Scottish newspaper May 2013 40 Years Strong - 1976-2016 www.scottishbanner.com Volume 36 Number 11 The world’s largest international ScottishA’ Bhratach newspaper May 2013 Albannach VolumeVolumeVolume 40 36 36 Number Number Number 3 11 The 11 The world’sThe world’s world’s largest largest largest international international international Scottish Scottish Scottish newspaper newspaper newspaper September May May 2013 2013 2016 The 2016 World Pipe Band Championships » Pg 14 Celts Exploring Celtic culture » Pg 26 Andy Australia $3.75; North American $3.00; N.Z. $3.95; U.K. £2.00 An Orkney tragedy-100 years on .. » Pg 7 Scotland in Budapest ...................... » Pg 10 Scott The first modern pilgrimage Scotland’s man of steel to Whithorn ........................................ » Pg 25 An artist’s journey round the Moray Coast ............................... » Pg 27 » Pg 12 The ScoTTiSh Banner By: Valerie Cairney Scottishthe Volume Banner 40 - Number 3 The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Editor & Publisher Valerie Cairney A Royal love affair with Scotland Australian Editor Sean Cairney Britain’s Royal Family have long had a love affair with Scotland. Scotland has played a role in EDItorIAL StaFF royal holidays, education, marriages and more. This month the Braemar Gathering will again Jim Stoddart Ron Dempsey, FSA Scot take place highlighting the Royal Family’s special bond with Scotland. From spectacular castle’s, The National Piping Centre David McVey events and history Scotland continues to play its role in shaping one of the world’s most famous families.
    [Show full text]
  • Dr Sally Mapstone “Myllar's and Chepman's Prints” (Strand: Early Printing)
    Programme MONDAY 30 JUNE 10.00-11.00 Plenary: Dr Sally Mapstone “Myllar's and Chepman's Prints” (Strand: Early Printing) 11.00-11.30 Coffee 11.30-1.00 Session 1 A) Narrating the Nation: Historiography and Identity in Stewart Scotland (c.1440- 1540): a) „Dream and Vision in the Scotichronicon‟, Kylie Murray, Lincoln College, Oxford. b) „Imagined Histories: Memory and Nation in Hary‟s Wallace‟, Kate Ash, University of Manchester. c) „The Politics of Translation in Bellenden‟s Chronicle of Scotland‟, Ryoko Harikae, St Hilda‟s College, Oxford. B) Script to Print: a) „George Buchanan‟s De jure regni apud Scotos: from Script to Print…‟, Carine Ferradou, University of Aix-en-Provence. b) „To expone strange histories and termis wild‟: the glossing of Douglas‟s Eneados in manuscript and print‟, Jane Griffiths, University of Bristol. c) „Poetry of Alexander Craig of Rosecraig‟, Michael Spiller, University of Aberdeen. 1.00-2.00 Lunch 2.00-3.30 Session 2 A) Gavin Douglas: a) „„Throw owt the ile yclepit Albyon‟ and beyond: tradition and rewriting Gavin Douglas‟, Valentina Bricchi, b) „„The wild fury of Turnus, now lyis slayn‟: Chivalry and Alienation in Gavin Douglas‟ Eneados‟, Anna Caughey, Christ Church College, Oxford. c) „Rereading the „cleaned‟ „Aeneid‟: Gavin Douglas‟ „dirty‟ „Eneados‟, Tom Rutledge, University of East Anglia. B) National Borders: a) „Shades of the East: “Orientalism” and/as Religious Regional “Nationalism” in The Buke of the Howlat and The Flyting of Dunbar and Kennedy‟, Iain Macleod Higgins, University of Victoria . b) „The „theivis of Liddisdaill‟ and the patriotic hero: contrasting perceptions of the „wickit‟ Borderers in late medieval poetry and ballads‟, Anna Groundwater, University of Edinburgh 1 c) „The Literary Contexts of „Scotish Field‟, Thorlac Turville-Petre, University of Nottingham.
    [Show full text]
  • Trilingualism and National Identity in England, from the Mid-Twelfth to the Early Fourteenth Century
    Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Fall 2015 Three Languages, One Nation: Trilingualism and National Identity in England, From the Mid-Twelfth to the Early Fourteenth Century Christopher Anderson Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the History Commons Recommended Citation Anderson, Christopher, "Three Languages, One Nation: Trilingualism and National Identity in England, From the Mid-Twelfth to the Early Fourteenth Century" (2015). WWU Graduate School Collection. 449. https://cedar.wwu.edu/wwuet/449 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Three Languages, One Nation Trilingualism and National Identity in England, From the Mid-Twelfth to the Early Fourteenth Century By Christopher Anderson Accepted in Partial Completion Of the Requirements for the Degree Master of Arts Kathleen L. Kitto, Dean of the Graduate School Advisory Committee Chair, Dr. Peter Diehl Dr. Amanda Eurich Dr. Sean Murphy Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non-exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work, and does not infringe or violate any rights of others.
    [Show full text]
  • Oscar-Winning 'Slumdog Millionaire:' a Boost for India's Global Image?
    ISAS Brief No. 98 – Date: 27 February 2009 469A Bukit Timah Road #07-01, Tower Block, Singapore 259770 Tel: 6516 6179 / 6516 4239 Fax: 6776 7505 / 6314 5447 Email: [email protected] Website: www.isas.nus.edu.sg Oscar-winning ‘Slumdog Millionaire’: A Boost for India’s Global Image? Bibek Debroy∗ Culture is difficult to define. This is more so in a large and heterogeneous country like India, where there is no common language and religion. There are sub-cultures within the country. Joseph Nye’s ‘soft power’ expression draws on a country’s cross-border cultural influences and is one enunciated with the American context in mind. Almost tautologically, soft power implies the existence of a relatively large country and the term is, therefore, now also being used for China and India. In the Indian case, most instances of practice of soft power are linked to language and literature (including Indians writing in English), music, dance, cuisine, fashion, entertainment and even sport, and there is no denying that this kind of cross-border influence has been increasing over time, with some trigger provided by the diaspora. The film and television industry’s influence is no less important. In the last few years, India has produced the largest number of feature films in the world, with 1,164 films produced in 2007. The United States came second with 453, Japan third with 407 and China fourth with 402. Ticket sales are higher for Bollywood than for Hollywood, though revenue figures are much higher for the latter. Indian film production is usually equated with Hindi-language Bollywood, often described as the largest film-producing centre in the world.
    [Show full text]
  • Afraid of Bear to Zuni: Surnames in English of Native American Origin Found Within
    RAYNOR MEMORIAL LIBRARIES Indian origin names, were eventually shortened to one-word names, making a few indistinguishable from names of non-Indian origin. Name Categories: Personal and family names of Indian origin contrast markedly with names of non-Indian Afraid of Bear to Zuni: Surnames in origin. English of Native American Origin 1. Personal and family names from found within Marquette University Christian saints (e.g. Juan, Johnson): Archival Collections natives- rare; non-natives- common 2. Family names from jobs (e.g. Oftentimes names of Native Miller): natives- rare; non-natives- American origin are based on objects common with descriptive adjectives. The 3. Family names from places (e.g. following list, which is not Rivera): natives- rare; non-native- comprehensive, comprises common approximately 1,000 name variations in 4. Personal and family names from English found within the Marquette achievements, attributes, or incidents University archival collections. The relating to the person or an ancestor names originate from over 50 tribes (e.g. Shot with two arrows): natives- based in 15 states and Canada. Tribal yes; non-natives- yes affiliations and place of residence are 5. Personal and family names from noted. their clan or totem (e.g. White bear): natives- yes; non-natives- no History: In ancient times it was 6. Personal or family names from customary for children to be named at dreams and visions of the person or birth with a name relating to an animal an ancestor (e.g. Black elk): natives- or physical phenominon. Later males in yes; non-natives- no particular received names noting personal achievements, special Tribes/ Ethnic Groups: Names encounters, inspirations from dreams, or are expressed according to the following physical handicaps.
    [Show full text]
  • The Bruce, the Wallace and the Declaration of Arbroath. National, 2016, 23 Dec
    Riach, A. (2016) The Bruce, The Wallace and the declaration of Arbroath. National, 2016, 23 Dec. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/161524/ Deposited on: 30 April 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk The Bruce, The Wallace and the Declaration of Arbroath The foundations of Scottish literature are the foundations of Scotland itself, in three epic poems and a letter. A fortnight ago (December 9), The National’s cover carried an image of Robert the Bruce’s face, the reconstruction from a cast of his skull. Yesterday a damp squib of unionist doggerel referred to Bruce and Wallace as no more than empty icons of hollow nationalism. Maybe it’s worth pausing to ask what they really mean. Alan Riach The battle of Bannockburn, 1314, the defining moment of victory for Bruce and the Scots and the turning point in the Wars of Independence, was in fact followed by many years of further warfare and even the Declaration of Arbroath in 1320 did not bring the threat of English domination to an end. John Barbour (c.1320-95) was born around the same year as the Declaration was written and his epic poem, The Bruce (1375), was composed only sixty years or so after the events. While Latin was the language of international politics, The Bruce was written in vernacular Scots for a local – including courtly – readership, drawing on stories Barbour had heard, some no doubt from eye-witnesses.
    [Show full text]
  • King George Iv
    KING GEORGE IV “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project King George IV HDT WHAT? INDEX KING GEORGE IV KING GEORGE IV 1283 King Edward I of England conquered Wales. DO I HAVE YOUR ATTENTION? GOOD. King George IV “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX KING GEORGE IV KING GEORGE IV 1701 The Act of Settlement declared that those royals who chose to get married with Roman Catholics were to become ineligible for the line of succession to the throne of England. ANTI-CATHOLICISM HDT WHAT? INDEX KING GEORGE IV KING GEORGE IV 1762 August 12, Thursday: George Augustus Frederick was born at St James’s Palace in London, the eldest son of King George III. At birth he automatically became Duke of Cornwall and Duke of Rothesay. He would become popularly known as “Prinny” because a few days later the infant would be anointed as Prince of Wales, Earl of Chester, and heir apparent to the British throne. George, the eldest son of George III, was born in 1762. George rebelled against his father’s strict discipline. At the age of eighteen he became involved with an actress, Mrs. Perdita Robinson. This was followed by a relationship with Lady Melbourne. The Prince of Wales also rebelled against his father’s political views. Whereas George III preferred Tory ministers, George, Prince of Wales, was friendly with the Whigs, Charles Fox and Richard Sheridan. In 1784 the Prince of Wales, met a fell in love with Mrs.
    [Show full text]
  • The Gazetteer for Scotland Guidebook Series
    The Gazetteer for Scotland Guidebook Series: Stirling Produced from Information Contained Within The Gazetteer for Scotland. Tourist Guide of Stirling Index of Pages Introduction to the settlement of Stirling p.3 Features of interest in Stirling and the surrounding areas p.5 Tourist attractions in Stirling and the surrounding areas p.9 Towns near Stirling p.15 Famous people related to Stirling p.18 Further readings p.26 This tourist guide is produced from The Gazetteer for Scotland http://www.scottish-places.info It contains information centred on the settlement of Stirling, including tourist attractions, features of interest, historical events and famous people associated with the settlement. Reproduction of this content is strictly prohibited without the consent of the authors ©The Editors of The Gazetteer for Scotland, 2011. Maps contain Ordnance Survey data provided by EDINA ©Crown Copyright and Database Right, 2011. Introduction to the city of Stirling 3 Scotland's sixth city which is the largest settlement and the administrative centre of Stirling Council Area, Stirling lies between the River Forth and the prominent 122m Settlement Information (400 feet) high crag on top of which sits Stirling Castle. Situated midway between the east and west coasts of Scotland at the lowest crossing point on the River Forth, Settlement Type: city it was for long a place of great strategic significance. To hold Stirling was to hold Scotland. Population: 32673 (2001) Tourist Rating: In 843 Kenneth Macalpine defeated the Picts near Cambuskenneth; in 1297 William Wallace defeated the National Grid: NS 795 936 English at Stirling Bridge and in June 1314 Robert the Bruce routed the English army of Edward II at Stirling Latitude: 56.12°N Bannockburn.
    [Show full text]
  • 01-Presidents Message (May-Jun 2020)
    The Thistletire SEPTEMBER-OCTOBER 2020 Caledonian Club of Florida West, Inc. Your Board 2019-2020 BOARD: Dear Members: President Mary Ellen McMahon Vice President I hope this newsletter finds you all well and the COVID didn’t affect you. Frank Dr. Phil Miner and I are both staying close to home (I’m trying to stay out of mischief as well). Secretary This definitely has been a unique year and I know I will be very happy to say Barbara Shaffer “goodbye” to 2020. Treasurer Jean Walker I wish I could give you exciting news of upcoming socials but alas that is not to be, at least as of now. The Highland Fling originally planned for November DIRECTORS:• 2020 has been postponed to sometime in March or April of 2021. The Donald Campbell committee has not finalized a date yet with Palm Aire C.C. but when they do Rachel “Gay” Haines I will definitely let you all know so you can mark it on your calendar. Allan McIlraith We only had one summer 530 social which was in July at Stotlemyers. We Dr. Mary Thompson have decided that any other socials will be “virtual”. The BOD has been Margaret (Peg) Tonn trying to think of events that can be held via Zoom. If you have any ideas/ Linda Mercurio • suggestions we would LOVE to hear from you. SPECIAL CHAIRPERSONS From what I understand the Heritage Society is still planning the Highland Membership Games. Hopefully we can bid adieu to COVID and start planning some new Dr. Mary Thompson socials for 2021 (can you tell I love saying 2021?).
    [Show full text]
  • A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
    PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score.
    [Show full text]
  • 11-20 November Issue
    The British Isles Historic Society Heritage, History, Traditions & Customs 11-20 November Issue St. Andrew deeming himself unworthy to be crucified in the same manner as Jesus Christ. Instead, he was nailed St. Andrew has been celebrated upon an X-shaped cross on 30 November 60AD in in Scotland for over a thousand years, Greece, and thus the diagonal cross of the saltire with feasts being held in his honour as was adopted as his symbol, and the last day in far back as the year 1000 AD. November designated his saint day. However, it wasn’t until 1320, According to legend, Óengus II, king of Picts when Scotland’s independence was and Scots, led an army against the Angles, a declared with the signing of The Germanic people that invaded Britain. The Scots Declaration of Arbroath, that he officially became were heavily outnumbered, and Óengus prayed the Scotland’s patron saint. Since then St Andrew has night before battle, vowing to name St. Andrew the become tied up in so much of Scotland. The flag of patron saint of Scotland if they won. Scotland, the St. Andrew’s Cross, was chosen in honour of him. Also, the ancient town of St Andrews On the day of the battle, white clouds formed was named due to its claim of being the final resting an X in the sky. The clouds were thought to place of St. Andrew. represent the X-shaped cross where St. Andrew was crucified. The troops were inspired by the apparent According to Christian teachings, Saint Andrew divine intervention, and they came out victorious was one of Jesus Christ’s twelve disciples.
    [Show full text]