Bio Anyone Who's Been to a Concert in Montreal Will Recognize Susan

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Bio Anyone Who's Been to a Concert in Montreal Will Recognize Susan

susanmossphotography.com instagram.com/susanmossphotography [email protected] Bio Anyone who’s been to a concert in Montreal will recognize Susan Moss, not just for her curly ginger locks and signature black dress, but for her inspired photographs of the city, its nightlife, its people and especially its rockstars. Susan’s work has appeared in international magazines including Rolling Stone, Spin, NME and Vice. Over the past 20 years she’s captured iconic images of some of the most influential artists of our time: KISS, Metallica, Snoop Dog, Beastie Boys, Aretha Franklin, Arcade Fire – the list is endless. Susan’s known for her raw, fierce, urgent style. She’s drawn to the in-between moments and is inspired by people doing what they love, in action, being their true selves. Experience Evenko [2005 - present] House photographer for one of Canada’s leading concert promoters and festival organizers (Osheaga, Heavy Montreal, Ile Soniq) Tourism Montreal [2011 – present] House photographer assigned to capture images of the city including street scenes, urban landscapes and architecture as well as a wide variety of Montreal’s cultural events, festivals and conferences (Piknic Électronik, IglooFest, Montreal International Jazz Festival) Just For Laughs Festival [2009 – present] Set photography and backstage coverage for broadcast TV series Funny As Hell (Amy Schumer, JB Smoove – Curb Your Enthusiasm, Aidy Bryant – SNL, Pete Davidson – SNL, Chelsea Peretti) Pop Montreal [2012 – present] House photographer covering concerts and special events Exhibitions Solo Show: Osheaga Presents, 2011 @ Usine C Solo Show: Osheaga 10th Anniversary 2015, @ Gallery Yves Laroche Solo Show: Roller Derby, 2007 @ Blizzarts Published Roller Girls, Mudscout Media, 2008 Works Clients Aux Vivres BBC America Billboard Magazine Blue Skies Turn Black Catbird Productions Cisco Systems Club Soda Cult MTL Culture Days Evenko ExCentris Greenland Productions HBO Canada Heavy MTL Hour Community I Love Neon Jimmy Lee Just For Laughs Justin Time Records Kanpe MindGeek Montreal Burlesque Festival Montreal Folk Festival MTL Roller Derby NME OSHEAGA Festival Parabola Films POP Montreal Prospector Films Rolling Stone Magazine Sid Lee Sophie Sucrée Spin Magazine Third Side Music Tourisme Montreal VICE Magazine Virgin Mobile Corona Theatre 2 .

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A Decision of Interest to the Entertainment Industry
A Decision of Interest to the Entertainment Industry July 31, 2019 Authors Myriam Brixi Partner, Lawyer Laurence Bich-Carrière Partner, Lawyer Is an event organizer responsible for an artist’s late appearance? Context is key, answers the Superior Court’s, as it dismisses the application for authorization to institute a class action against Gestion Evenko Inc.1 regarding Travis Scott’s late appearance at the Osheaga Music and Arts Festival in the summer of 2018. Overview of the first class action on this topic in Quebec. Background The Osheaga Festival, organized by the defendant, Evenko, is a huge celebration dedicated to music and visual arts where artists of all genres perform for three days on the many outdoor stages set up in Parc Jean-Drapeau on Notre-Dame Island. Rapper Travis Scott was on the lineup for the evening of August 3, 2018. His performance was scheduled from 9:45 p.m. to 10:55 p.m. on the River stage. Wishing to attend this performance, the plaintiff, who had purchased a weekend pass, went to the venue at 8:45 p.m. Copyright (c) Lavery, de Billy, S.E.N.C.R.L. - L.L.P. Unfortunately, Travis Scott was held up at customs that evening. The sequence of events can be summarized as follows. At 9:55 p.m., Evenko displayed a first message on the site’s giant screens indicating that the show was delayed for a reason beyond its control. At 10:15 p.m., Evenko broadcast a second message, both on the giant screens and on Twitter, indicating that Travis Scott had been delayed at customs and was on his way to Notre-Dame Island.
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