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Catalogue Ζ9 Katalog Ζ9 O1EO)T+ELEA'Ζ1GAUCTΖO1+OU6E6Ζ1EU5O3E KATALOGΖ9 GE0L'EALTE0EΖ6TE5ȂTEΖLΖΖ CATALOGUEΖ9 'DQLHO6HJKHUV OL'0A6TE53AΖ1TΖ1G6Ȃ3A5TΖΖ 'LHVHVGHP¦OGHLVW HQWKDOWHQLQKDWDORJΖΖΖ AUKTΖO1E1ɋAUCTΖO16 KATALOG 'O11E56TAG'E=E0%E5 CATALOGUE %HVLFKWLJXQJ6DPVWDJ1RYHPEHUȂ0LWWZRFK'H]HPEHU T+U56'A<'ECE0%E5 IV 'O11E56TAG E[KLELWLRQ6DWXUGD\1RYHPEHUȂ:HGQHVGD\'HFHPEHU T+U56'A< Lot 521 DEZEMBER-AUKTIONEN DONNERSTAG, 5. DEZEMBER 2019 DECEMBER AUCTIONS THURSDAY, 5 DECEMBER 2019 KATALOG IV CATALOGUE IV VORBESICHTIGUNG Samstag 30. November 10 –17 Uhr Sonntag 1. Dezember 10 –17 Uhr Montag 2. Dezember 10 –17 Uhr Dienstag 3. Dezember 10 –17 Uhr Mittwoch 4. Dezember 9 –12 Uhr EXHIBITION Saturday 30 November 10 am – 5 pm Sunday 1 December 10 am – 5 pm Monday 2 December 10 am – 5 pm Tuesday 3 December 10 am – 5 pm Wednesday 4 December 9 am –12 pm AUKTIONATOREN | AUCTIONEERS Dipl. Kfm. Holger Hampel Vitus Graupner Christoph Bühlmeyer Florin Ruisinger Geschäftsführender Geschäftsführender Kunstauktionator Kunstauktionator Gesellschafter, Gesellschafter, [email protected] offi[email protected] öffentlich bestellter und Kunstauktionator vereidigter Auktionator [email protected] Hampel Fine Art Auctions GmbH & Co. KG Schellingstr. 44 / Villa Hampel 80799 München Fotos: Zeljko Tomic, Arbnor Gaxheri Telefon +49 (0)89 28 804 - 0 Fax +49 (0)89 28 804 - 300 Herrn Dr. Alexander Rauch danken wir offi[email protected] für kunstwissenschaftliche Beratung und www.hampel-auctions.com Katalogtexterstellung (kunstgutachten.de). HAMPEL 1 OLD MASTER PAINTINGS PART II 469 Ζ7$/Ζ(1Ζ6&+(50$/(5'(6΂-$+5+81'(576Ɋ Ζ7$/Ζ$16&+22/΂7+&(1785< LÜNETTEN-GEMÄLDE MIT DARSTELLUNG VON LUNETTE PAINTING WITH DEPICTION OF THE MARIA MIT DEM KIND UND DEN ANBETENDEN VIRGIN AND CHILD WITH SAINT JOHN THE HEILIGEN JOHANN BAPTIST SOWIE JOSEF BAPTIST AND JOSEPH IN ADORATION Öl- und Tempera-Mischtechnik auf kräftiger Oil and tempera, mixed media on strong chestnut Kastanienholzplatte. panel. 54 x 86 cm. 54 x 86 cm. Dem Gemälde ist in Kopie eine Expertise von Emilio Rechts kniet der Heilige Josef mit gefalteten Händen Accompanied by the copy of an expert’s report by Negro vom Dezember 2003 beigegeben, worin der und einem Stab in der Armbeuge. Entsprechend der Emilio Negro, dated December 2003, mentioning the „Maestro del Crocifisso di Pesaro“ und dessen Werk- Maltradition des „classicismo bizantino“ des Lorenzo “Maestro del Crosifisso di Pesaro” and his workshop. statt genannt werden. Werkstattschüler wirkten auch Veneziano ist Josef betont langbärtig wiedergegeben. The painting is planned to be published in a future in den Gebieten des Veneto. Der Experte Emilio Ne- Die Häupter der Figuren mit einem goldgrundigen work by Emilio Negro. gro beabsichtigt, das Werk in einer künftigen Publika- Scheibennimbus hinterfangen, mit betonenden dunk- tion zu veröffentlichen. len Randeinfassungen. Der Hintergrund in leuchten- € 17.000 - € 19.000 INFO | BID des Scharlachrot getaucht, während die eher kardinal- Im Zentrum der Darstellung Maria in nahezu schwar- rotfarbigen Textilien im Umhang des Johannes, im zem Umhang sitzend, wobei der Mantel sich am Boden Kleid der Maria und im Laken des Kindes zurückhalten- ausbreitet, auf den Knien das auf einem roten Tuch der vorgeführt werden. Das Inkarnat jeweils in den für liegende Jesuskind mit auf den Leib gelegten Händ- die Malerei der Zeit typischen gold- braunen Farbtö- chen und der Mutter entgegen gerichtetem Blick. nen. Von auffallendem Reiz das Gesicht der Madonna, Links ebenfalls kniend und das Kind anbetend, der die zum Kind herabblickt. Am Unterrand Andeutung Heilige Johannes der Täufer, hier in fortgeschrittenem von Rasengrund mit Darstellungen einzelner Pflanzen Alter mit Bart wiedergegeben in schlichtem härenem und Gräser. Die Lünette in Einheit mit einem vortre- Kleid, darüber ein roter Umhang, der die Würde des tenden Einfassungsrand gearbeitet, der im oberen Heiligen betonen soll. Mit beiden Händen hält er ei- Bogen eine Kehle mit Zugenblattfries und im Unter- nen nach oben ausschwingenden Rotulus mit der rand ein gotisches Würfelmotiv aufweist. (1170401) Aufschrift „Ecce agnus dei [...]“ in gotischen Lettern. (11) 12 HAMPEL ONLINE Visit www.hampel-auctions.com for around 5.000 additional images. 470 NIEDERLÄNDISCHER MEISTER DES ΂-$+5+81'(576$86'(0.5(Ζ6'(6 3$8/%5Ζ/ 80΂Ȃ΂ /8&$69$19$/&.(1%25&+ 80΂Ȃ΂ Ɋ JESUS ERZÄHLT DAS GLEICHNIS VON DEN ARBEITERN IM WEINBERG Öl auf Kupferplatte. 29 x 38,5 cm. Verso auf Tafel beschriftet „Lucas van Valckenborch“ und eingestanzte Schriftrolle mit Monogramm und Datierung „1565“. In einer weiten bergigen Flusslandschaft steht Christus im Vordergrund mit ausgebreiteten Armen und erzählt drei Männern das Gleichnis von den Arbeitern im Wein- berg, das auf der rechten Bildseite unterhalb einer Burg dargestellt wird. Zu sehen sind dort mehrere Männer, die einen Holzzaun errichten, weitere die Reisig heran- tragen und schließlich einige Arbeiter, die noch kahle Weinstöcke anbinden und beschneiden. Am linken Bild- rand lauschen zwei weitere sitzende Männer unter einem Baum der Erzählung Christi. Im blau-grauen wei- ten Himmel drei weiße Scheiben mit den Sternzeichen Steinbock, Widder und Zwilling, welche darauf schließen lassen, dass es sich bei dem vorliegenden Gemälde um ein Monatsbild des Frühjahres handelt, zu dem noch drei weitere Jahreszeitenbilder mit weiteren Sternzei- chen gehören könnten. Rest. (1192173) (18) € 8.000 - € 10.000 INFO | BID 4΂ DEUTSCHER MALER DES BEGINNENDEN ΂-$+5+81'(576Ɋ MADONNA MIT DEM KIND Öl auf Leinwand. Doubliert. 73 x 60 cm. Die nach rechts sitzende Maria im Dreiviertelbildnis in rotem Kleid mit blauem Umhang, auf ihrem Schoß ein weißes Kissen, auf dem das Jesuskind mit über- einandergeschlagenen Beinen sitzt und nach einer Blüte an der Brust der Mutter greift, während Maria einen weiteren kleinen Blumenstrauß in der linken Hand hält. Die Szenerie in einem Innenraum mit grü- nem, leicht hochgezogenen Bettvorhang links sowie einem geöffneten Fensterladen rechts oben. Das Ge- mälde vermittelt einen guten Eindruck der traditionel- len Frühbarock-Malerei. (11506011) (11) € 8.000 - € 10.000 INFO | BID Translate all texts into your preferred language on our homepage via Google: www.hampel-auctions.com 13 472 MEISTER DER LEGENDE DER HEILIGEN URSULA 77Ζ*΂Ȃ80΂΂Ɋ ZWEI TAFELN EINES FLÜGELALTARS MIT DEN KIRCHENVÄTERN UND SZENEN AUS DEM MARIENLEBEN Öl auf Holz. je 152 x 40cm. Ein Gutachten von Dr. Didier Bodart, Rom 2001,nennt als Künstlernamen den „Meister der Legende der Heiligen Ursula“. (in Kopie vorliegend) Eine Tafel zeigt den Heiligen Augustinus, dargestellt als Bischof mit Bischofsstab, Mitra, einem offenen Buch und einem roten Herzen, das als Symbol der göttlichen Liebe gilt. Auf der anderen Tafel ist der Hei- lige Hieronymus zu sehen als Kardinal mit rotem Ge- wand. Hinter ihm ist ein Löwe erkennbar, der als sein Attribut gilt. Die vier Szenen aus dem Marienleben, je zwei pro Tafel, sind: 1) Die Vermählung Mariens mit Josef, bei der ihnen vom Priester ein goldenes Band als Zeichen der Ver- bundenheit über die Hände gelegt wird. 2) Die Begegnung von Joachim und Anna, der Eltern Mariens, vor dem Eingang zum Jerusalemer Tempel, der sogenannten „Goldenen Pforte“. 3) Marientod – Maria im Sterbebett mit Baldachin be- kommt von einem Priester die Sterbekerze überreicht im Kreise der Apostel. 4) Die Grablegung – Die Apostel tragen in freier Land- schaft den mit einem roten Tuch und goldenem Kreuz bedeckten Sarg der Verstorbenen. Anmerkung: Die Tafeln gehörten wohl zu den Seitenflügeln eines Altares, dessen Mittelstück und weitere Flügelteile nicht bekannt sind; teils Retuschen und teilweise Holzrisse. Provenienz: Laut Vorbesitzer-Angabe: Sammlung Metzl, Berlin-Moskau; belgische Privatsammlung. (1150604) (18) MASTER OF THE LEGEND OF SAINT URSULA $&7Ζ9(΂Ȃ&$΂΂ TWO PANELS OF A WINGED ALTAR WITH CHURCH FATHERS AND SCENES FROM THE LIFE OF THE VIRGIN MARY Oil on panel. 152 x 40 cm each. Accompanied by the copy of an expert’s report by Didier Bodart, Rome dated 2001, attributing the work to the master of the Legend of Saint Ursula. One of the panels shows Saint Augustine depicted as a bishop with a crozier, mitre, an open book and red heart, the symbol of divine love. The other panel shows Saint Jerome as a cardinal in red robes. Note: The panels were probably part side panels of a winged altar, however, the central part or other parts of the side panels are unknown. With partial retouching and shrinkage cracks in places. Provenance: According to previous owners formerly collection Metzl, Berlin-Moscow; Belgian private collection. € 10.000 - € 12.000 INFO | BID 14 HAMPEL ONLINE Visit www.hampel-auctions.com for around 5.000 additional images. 473 MEISTER THEODERICH VON PRAG, 0$67(57+(2'(5Ζ&2)35$*8( (5:+17΂Ȃ΂+2)0$/(5.$Ζ6(5 5(&25'('΂Ȃ΂&Ζ5&/(2) .$5/6Ζ980.5(Ζ6'(6Ɋ &28573$Ζ17(52)(03(525&+$5/(6Ζ9 ECCE HOMO ECCE HOMO Öl auf Weichholz. Oil on softwood. 76 x 58 cm. 76 x 58 cm. In der oberen linken Ecke rot-braunes Lacksiegel mit Red-brown lacquer seal in the top left corner, bekröntem Wappen. surmounted by coat of arms. Ungerahmt. Unframed. Halbbildnis Christi mit erhobenen Händen, mit den € 8.000 - € 12.000 INFO | BID Wundmalen, die rechte Hand im Segensgestus, der Kopf geneigt mit Dornenkrone und auf der Stirn sowie am Hals angezeigtes Blut. Das Kleid in enge parallele gleichmäßige Falten gelegt, Kragen und Schulterstü- cke in Form gestickter Bordüren. Die Halbfigur vor Goldgrund, der Nimbusreif punziert. (12113111) (11) Translate all texts into your preferred language on our homepage via Google: www.hampel-auctions.com 15 474 475 )/0Ζ6&+(6&+8/('(6΂-$+5+81'(576Ɋ 0$/(5'(6$86*(+(1'(1΂-$+5+81'(576Ɋ DIE VERKÜNDIGUNG AN MARIA DIE KREUZABNAHME CHRISTI Öl auf Holz. Öl auf Holz. 29 x 46,5 cm. 27,5 x 51,5 cm. Hand wird geküsst. Im Hintergrund ist noch das braune Ungerahmt. In dekorativem vergoldeten Rahmen. Kreuz zu erkennen. Auf der linken Seite steht Johannes, 39,5 x 53 cm. in leuchtend rotem Gewand, trauernd den beiden Frau- Maria in einem Interieur mit Mosaikfußboden auf ei- en zur Seite. Ausschnitthafte feine Darstel lung, bei der ner Holzbank sitzend, in rotem Gewand und blauem Im Mittelpunkt steht der gerade vom Kreuz abgenom- das leuchtende Rot des Gewandes einen starken Mantel.
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