DOCSLIB.ORG

Sven Rothkirch

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sven Rothkirch Sven Rothkirch http://actorsandfaces.de/#!/sven-rothkirch/ Actors and Faces* Evdoxia Karachaliou Phone: +49 641 943 231 Email: [email protected] © Petrov Ahner, 2016 Information Acting age 45 - 55 years Nationality German Year of birth 1967 (53 years) Languages German: native-language Height (cm) 189 English: fluent Weight (in kg) 99 Russian: basic Eye color green Swedish: basic Hair color Blond Dialects Kölsch Hair length Short Bairisch Stature full figured Hessian Place of residence Berlin Ruhr area Cities I could work in München, Köln, Franconian Hamburg, Dresden, Saxon Leipzig, Rügen Lausitzian (lausitzisch) Norden Berlin German Low German Ostpreußisch Accents English: only when required Polish: only when required Russian: only when required Spanish: only when required Hungarian: only when required French: only when required Italian: only when required Czech: only when required American: only when required Swiss: only when required Scandinavian: only when required Dutch: only when required Austrian: only when required Instruments Bongo: medium Conga: medium Piano: basic Recorder: medium Percussion: medium Drums: basic Castanets: medium Vita Sven Rothkirch by www.castupload.com — As of: 2021-04-21 Page 1 of 7 Harmonica: basic Keyboard/Synthesizer: basic Sport Archery, Rifle shooting, Pistol shooting, Horse riding, Swim, Sailing Dance Salsa: basic Swing: basic Standard: medium Profession Cabaret artist, Comedian, Facilitator, Speaker, Actor Singing Folk: professional Jazz: professional Opera: medium Blues: medium Swing: professional Yodel: basic Chanson: professional Country: medium Musical: medium Operetta: professional Rock/Pop: medium Bat: professional Soul/RnB: professional Classic: medium A cappella: medium Choir: professional Pitch Baritone Other Education & Training 2018 Tim Garde CHUBBUCK & CHOICES 2015 Anett Moritz Persönlichkeitscoaching 2009 –… Irene Oberauch Stimm- und Sprechtraining 2008 –… Mike Bernadin Sanford Meisner-Technique 2005 –… Christian Spitzl, Heike Hanold-Lynch, Petra-Maria Popp kameraorientiertes Schauspielcoaching 2004 Juliane Köhler körperbetontes Gesangstraining 2004 Anna Zimmer bühnenorientiertes Schauspielcoaching 2003 –… Helga Zöller-Ragner Stimmbildung Awards 2011 arte-Kurzfilmpreis Kollektivauszeichnung für "warisover" 2006 Deutscher Fernsehpreis Kollektivauszeichnung für "Verliebt in Berlin" Vita Sven Rothkirch by www.castupload.com — As of: 2021-04-21 Page 2 of 7 2006 Rose d'Or Kollektivauszeichnung für "Verliebt in Berlin" Film 2018 Beuth meets MacGyver Role: Dozent (SR) Director: Lorenz Michael Vögel Producer: Beuth Hochschule 2016 MairiM Role: Gustav (SR) Director: Lin Hektoen Producer: Caravan Fantasia [bg] 2015 Buxtehude Role: Mono (SR) Director: Daniel Wiggers Producer: Beuth Hochschule 2011 Überraschung Role: Der Mann (LR) Director: Mariya Stammo Producer: Mariya Stammo Produktion 2010 warisover Role: Officer (SR) Director: Carlos A. Morelli Producer: Joroni Film 2009 Orlac Reloaded Role: Regisseur Marlon (LR) Director: Josef Kluger Producer: KUK Filmproduktion GmbH 2007 Speed Racer Role: Royalton's Butler Director: Andy Wachowski Producer: Sechste Babelsberg Film GmbH 2003 Beyond The Sea Role: Manager Coconut Groove Director: Kevin Spacey Producer: Trigger Street Productions [us] 2001 Der Pianist Role: Stroop's Adjutant Director: Roman Polanski Producer: StudioCanal [fr] Television 2020 Praxis mit Meerblick Role: Paul Bruckwitz (SR) Director: Jan Ruzicka Producer: Real Film Berlin GmbH TV Channel: ARD/DEGETO 2018 Trauung mit Hindernissen Role: Arzt Director: Anna-Katharina Maier Producer: Ariane Krampe Filmproduktion TV Channel: MDR, ORF 2013 Zu mir oder zu Dir? Role: Barkeeper Musikclub Director: Ingo Rasper Producer: Ninety-Minute Film GmbH TV Channel: ZDF 2012 Heiter bis tödlich - Hauptstadtrevier Role: Pfarrer Sandhaus Director: Michael Wenning Producer: Askania Media Filmproduktion GmbH TV Channel: ARD, RBB 2012 Geschichte Mitteldeutschlands - Honecker. Auf der Jagd zur absoluten Macht Role: Waffenmeister Director: Peter 'Pepe' Pippig Producer: Saxonia Entertainment GmbH [de] TV Channel: MDR 2010 Eine wie keine Role: Pensionsbesitzer Director: Franziska Hörisch Producer: UFA SERIAL DRAMA GmbH (vormals: Grundy UFA TV Produktions GmbH) TV Channel: SAT.1 2010 Die Dienstagsfrauen Role: Kellner im Montmartre Director: Olaf Kreinsen Producer: POLYPHON Film- und Fernseh GmbH TV Channel: ARD 2010 Deckname Annett - Im Netz der Stasi Role: Böhnlein (SR) Director: Roland May Producer: Ziegler Film GmbH & Co. KG (vormals Regina Ziegler Filmproduktion) TV Channel: ZDF 2009 Damals nach der DDR Role: Kommissar im Fall Litfin Director: Mira Thiel Producer: LOOKS Film & TV GmbH TV Channel: MDR, RBB 2009 Vita Sven Rothkirch by www.castupload.com — As of: 2021-04-21 Page 3 of 7 Polizeiruf 110 - Blutiges Geld Role: Wachpolizist Director: Hans Werner Producer: Saxonia Media Filmproduktionsgesellschaft mbH TV Channel: MDR 2008 Küss dich reich Role: Oberkellner St. Emilion Director: Dominic Müller Producer: Producers at Work GmbH TV Channel: SAT.1 2008 Der Assistent Role: Staatsanwalt Director: Patrick Winczewski Producer: H & V Entertainment GmbH (vormals Hofmann & Voges Entertainment GmbH) TV Channel: RTL 2008 Hallo Robbie Role: Feriengast Director: Christoph Klünker Producer: Phoenix Film Karlheinz Brunnemann GmbH & Co. Produktions KG TV Channel: ZDF 2008 Ich liebe den Mann meiner besten Freundin Role: Standesbeamter Director: Ulli Baumann Producer: Stream Films AG TV Channel: SAT.1 2008 Bernadotte - Von Napoleons General zu Schwedens moderner Monarchie Role: Magnus Brahe (SR) Director: Gerold Hofmann Producer: FTS Media GmbH TV Channel: arte 2008 Unser Charly Role: Immobilienmakler Director: Micaela Zschieschow Producer: Phoebus-Film GmbH & Co Produktions KG TV Channel: ZDF 2008 Der Amokläufer - Aus Spiel wird Ernst Role: Ninas Vater Director: Oliver Dommenget Producer: Egoli Tossell Film AG TV Channel: SAT.1 2007 Die Weihnachtswette Role: Technischer Leiter Klinik Director: Christian von Castelberg Producer: UFA Fernsehproduktion GmbH TV Channel: ZDF 2007 Hallo Robbie Role: Theaterregisseur Director: Christoph Klünker Producer: Phoenix Film Karlheinz Brunnemann GmbH & Co. Produktions KG TV Channel: ZDF 2007 Tatort - Tod einer Heuschrecke Role: Caterer Director: Ralph Bohn Producer: Askania Media Filmproduktion GmbH TV Channel: RBB 2005 –… Verliebt in Berlin Role: Georg Stellberg Director: diverse Producer: UFA SERIAL DRAMA GmbH (vormals: Grundy UFA TV Produktions GmbH) TV Channel: SAT.1 2006 Bertelsmann AG - Reinhard Mohn.Es müssen mehr Köpfe ans Denken kommen Role: Reporter Buchmesse Director: Roland Suso Richter Producer: teamWorx Television & Film GmbH 2006 Fürchte dich nicht! Role: Mann im Hotel Director: Christiane Balthasar Producer: TV60Filmproduktion GmbH TV Channel: ZDF 2006 Die Wehrmacht - Eine Bilanz Role: Leutnant Reh Director: Ingo Helm Producer: Cinecentrum Hamburg Deutsche Gesellschaft für Film- und Fernsehproduktion mbH TV Channel: ZDF 2006 Letzte Ausfahrt West-Berlin Role: Heinz Neuss (SR) Director: Inga Wolfram Producer: Antaeus Film GmbH TV Channel: WDR 2006 Ein Sommer mit Paul Role: Polizeibeamter Director: Claudia Garde Producer: Kaminski.Stiehm.Film GmbH TV Channel: NDR 2005 –… Hinter Gittern - Der Frauenknast Role: Jan Paulson Director: diverse Producer: UFA SERIAL DRAMA GmbH (vormals: Grundy UFA TV Produktions GmbH) TV Channel: RTL 2005 Vita Sven Rothkirch by www.castupload.com — As of: 2021-04-21 Page 4 of 7 Wolffs Revier Role: Justizbeamter Director: Dennis Satin Producer: Nostro Film GmbH TV Channel: SAT.1 2004 Ein Hauptgewinn für Papa Role: Polizeibeamter Director: Bodo Fürneisen Producer: Antaeus Film GmbH TV Channel: ARD, Degeto 2004 Bettgeflüster & Babyglück Role: Reporter am Reichstag Director: Annette Ernst Producer: Stream Films AG TV Channel: SAT.1 2003 Hallo Robbie Role: Zwillingsvater Director: Monika Zinnenberg Producer: Phoenix Film Karlheinz Brunnemann GmbH & Co. Produktions KG TV Channel: ZDF 2003 Ein Koala-Bär allein zu Haus Role: Restauranttester Director: Uwe Janson Producer: teamWorx Television & Film GmbH TV Channel: SAT.1 Theatre 2005 –… Die Physiker (bis 2009) Role: Blocher (OR) Director: Andras Fricsay Theatre: Deutsches Theater Berlin - Kammerspiele 2006 –… Ein Klotz am Bein Role: Ein Herr (OR) Director: Thomas Schulte-Michels Theatre: Deutsches Theater Berlin 2004 BLOOMSDAY - Ulysses Role: Wachmann (SR) Director: Anna Zimmer Theatre: actorscut/Tacheles Audio 2010 Die letzten Helden - Das Herz des Kristallwaldes Producer: 2day Productions, David Holy Other 2012 –… DEUTSCHER SCHAUSPIELPREIS Role: Organisation/Social Media Producer: Bundesverband Schauspiel e.V. 2018 –… KLAPPE AUF! Role: Organisation/Moderation Producer: Bundesverband Schauspiel e.V. 2012 –… achtung berlin - new berlin film award Role: Moderator (OR) Producer: achtung berlin 2010 –… BFFS-Stammtische Role: Organisation/Moderation Producer: Bundesverband Schauspiel e.V. 2016 Goldmann - Die Prenzlschwäbin. Isch des bio (Buchträiler) Role: Clochard (SR) Director: Sebastian Stolz Producer: Peace of Cake Filme, Sebastian Stolz 2015 LiberBerlin Role: Moderation Producer: Acabus Verlag Buchgespräch 2010 Kein Anschluss unter dieser Nummer Role: Weber (SR) Producer: Drehbuchschule Berlin Drehbuchlesung 2005 BERLINALE - HörspielAbend Role: diverse Rollen Producer: Weinbotschaft Berlin Commercial 2013 The Handy - Personal Trainer Role: Husband (LR) Director: Zoran Bihac Producer: Tony Petersen Film 2011 Deutsche Rentenversicherung Bund - Sozialwahl 2011 Role: Wähler (SR)
Load more

Recommended publications
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • Annual Report 2019 Key Figures
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • World on Fire
    Biographical Notes World on Fire Peter Bowker Writer, World on Fire MASTERPIECE fans remember Peter Bowker’s impassioned adaptation of Wuthering Heights from 2009, which captured Emily Brontë’s masterpiece in all its complexity. With World on Fire he has created a plot with even more twists, turns, and memorable characters, centered on the chaotic events at the outset of World War II. Bowker has been an established screenwriter in the U.K since penning scripts for Casualty in the early 1990s. Since then, he has written for many long-running series such as Where the Heart Is and Clocking Off. His original work has included Undercover Heart; Flesh and Blood, for which he won Best Writer at the RTS Awards; Blackpool, which was awarded BANFF Film Festival Best Mini-Series and Global Television Grand Prize; and Occupation, which was awarded Best Drama Serial at the BAFTA Awards, in addition to Best Short-Form Drama at the WGGB Awards and another RTS Best Writer Award. He has since written Eric and Ernie and Marvellous. Both productions have won prestigious awards, including a Best Drama BAFTA for Marvellous, which became the most popular BBC2 single drama of the last 20 years. Most recently he has written an adaptation of John Lanchester’s novel Capital and two series of the acclaimed The A Word. Julia Brown Lois Bennett, World on Fire Driven to escape her cheating lover and dysfunctional family, Julia Brown’s character in World on Fire finds a wartime role that exploits her remarkable singing talent. Luckily, Brown herself is a gifted vocalist and sang much of the soundtrack that accompanies the episodes.
    [Show full text]
  • From Shadow Citizens to Teflon Stars
    From shadow citizens to teflon stars cultural responses to the digital actor L i s a B o d e A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy September 2004 School of Theatre, Film and Dance University of New South Wales Abstract This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky’s reading of the cinematographic image in terms of “cursed grey shadows,” to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image’s unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framework where its perceived strangeness speaks allegorically of what it means to be human at that historical moment. In various ways Walter Benjamin, Anson Rabinbach and N. Katherine Hayles have claimed that the notion and the experience of “being human” is continuously transformed through processes related to different stages of modernity including rational thought, industrialisation, urbanisation, media and technology. In elaborating this argument, each of the four chapters is organized around the elucidation of a particular motif: “dummy,” “siren,” “doppelgänger” and “resurrection.” These motifs circulate through discourses on different categories of digital actor, from those conceived without physical referents to those that are created as digital likenesses of living or dead celebrities. These cultural responses suggest that even while writers on the digital actor are speculating about the future, they are engaging with ideas about life, death and identity that are very old and very ambivalent.
    [Show full text]
  • REPORT MAY-OCTOBER, 2020 Banffmediafestival.Com Rockies.Banffmediafestival.Com VIRTUAL EDITION BANFF 2020 4,600+ONLINE MEETING by the OPPORTUNITIES
    REPORT MAY-OCTOBER, 2020 banffmediafestival.com rockies.banffmediafestival.com VIRTUAL EDITION BANFF 2020 4,600+ONLINE MEETING BY THE OPPORTUNITIES SPEED PITCHES NUMBERS 575+FACILITATED BY BANFF LIVE INTERNATIONAL NETWORK 30& STREAMER BRIEFINGS 4,127REGISTERED DELEGATES 52COUNTRIES 625+PROGRAM BUYERS LIVE PANELS & 56MASTER CLASSES 875+C-SUITE DELEGATES 280SPEAKERS 20,000+ VIEWS 200,000+MEDIA INDUSTRY PROFESSIONALS REACHED WORLDWIDE Mrs. America As a world-renowned The Canada Media event highlighting industry Fund has since its Telefilm Canada is proud innovation, BANFF has creation, 10 years ago, BANFF provides an to continue our support truly embraced the many been a proud supporter incredible opportunity to of the Banff World Media challenges of this uncertain of the Banff World connect as a community, Festival, especially time by presenting the first- Media Festival. With celebrate successes, and now as we all navigate ever virtual version of the our partners, clients focus on the future. We’re these new, extraordinary Festival. and colleagues, all of proud to be part of the circumstances that - Randy Lennox, you in the industry, conversation. President, Bell Media, Chair of the we find ourselves Banff Television Festival Foundation we’ve created new - Doug Murphy, Board of Directors President & CEO, experiencing. worlds, discovered Corus Entertainment - Christa Dickenson, Executive Director, new dimensions and Telefilm Canada challenged norms. - Valerie Creighton, President & CEO, Canada Media Fund New voices from diverse Congratulations to the Festival communities are critical to the future organizers, who have really During this time of challenge and change of Canadian storytelling. Netflix is stepped up to the plate in for the entire cultural and media sector, proud to support the development these extraordinary times connecting through the Festival is more of these up and coming artists with to deliver once again an important than ever… we champion BANFF and our incredible partners exceptional conference.
    [Show full text]
  • National Geographic Is Also Launching the Largest Global Rebrand in Its History—Along with a Radical New Approach to Content and Positioning
    SPONSOR CONTENT/AD AGE MARS AND BEYOND With the premiere of its groundbreaking ‘MARS’ series, National Geographic is also launching the largest global rebrand in its history—along with a radical new approach to content and positioning. ther’ celebrates who we are as human beings, why we are here today. It’s all about the idea of further- ing knowledge, science, adventure, entertainment and exploration. At the same time, it represents what National Geographic has always stood for. When the magazine was born 128 years ago, the MOVING goal was to go further, to find places unknown to everyone else, and tell the stories and build maps. “ ‘Further’ brings us back to who we are.” For Ms. Monroe, “Further” is “more than just a tagline. It’s a call to arms, a rallying cry, an ever- shifting marker of progress. One of the things I ‘FURTHER’ love most about ‘Further’ is that, by definition, it never ends—it knows no bounds,” she says. “It conveys to viewers, readers, advertisers and cre- ators that we embody a relentless pursuit to go National Geographic is going further than ever, and Mars is the deeper, to push boundaries and to be pioneering first stop. Tonight’s global premiere of the highly anticipated “MARS” in everything we do. Internally, ‘Further’ serves series introduces a rebranded and reimagined National Geographic—an as our compass, reminding all of us at National Geographic to continually seek, to take risks, to effort several years in the making. remain restless and to never settle.” Under the new tagline “Further,” the network now gives all those assets a unified look and also Ms.
    [Show full text]
  • Read It Here
    Case 1:21-cv-21961-CMA Document 42 Entered on FLSD Docket 08/02/2021 Page 1 of 38 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA CASE NO. 21-21961-CIV-ALTONAGA/Torres ALAN DERSHOWITZ, Plaintiff, v. NETFLIX, INC., LEROY & MORTON PRODUCTIONS LLC, RADICALMEDIA LLC, LISA BRYANT and JOSEPH BERLINGER, Defendants. / ANSWER ANDDeadline COUNTERCLAIM OF DEFENDANT NETFLIX, INC. Defendant Netflix, Inc. (“Netflix”), by and through its undersigned counsel, hereby files its Answer and Affirmative Defenses to Plaintiff Alan Dershowitz’s (“Dershowitz”) Amended Complaint (the “Amended Complaint”) using the same headings and paragraph numbering employed by Dershowitz and asserts its own Counterclaim against Dershowitz. ANSWER OF DEFENDANT NETFLIX, INC. RESPONSE TO THE NATURE OF THIS ACTION 1. Netflix admits that this purports to be an action for defamation, breach of contract, promissory estoppel, and fraudulent inducement arising out of the documentary series Filthy Rich, which first became available on Netflix on May 27, 2020 but denies that Dershowitz is entitled to any relief in this action. 2. Netflix denies each and every allegation in Paragraph 2 of the Amended Complaint. RESPONSE TO THE PARTIES 3. Netflix lacks information sufficient to form a belief as to the truth or falsity of the allegations in Paragraph 3 of the Amended Complaint and, on that basis, denies each and every Case 1:21-cv-21961-CMA Document 42 Entered on FLSD Docket 08/02/2021 Page 2 of 38 allegation in Paragraph 3 and demands strict proof of Plaintiff’s citizenship. 4. Netflix admits that it is an American technology and media company incorporated in Delaware and headquartered in California.
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Interim Report: January to March 2017
    Q1 2017 INTERIM REPORT JANUARY TO MARCH 2017 ENTERTAIN. INFORM. ENGAGE. HIGHLIGHTS BIG HEART At the end of its 2017 edition and with a televised closing ceremony evening heavy with emotion, Télévie once more provoked an unparalleled surge of generosity, both in Belgium and in the Grand Duchy of Luxembourg. Whilst Télévie broke the symbolic record of over 10 million Euros in 2016, this year, thanks to the initiatives and generosity of the Belgian and Luxembourg people, the sum of € 11,027,650 was paid to the Fonds National de la Recherche Scientifique (FNRS). Luxembourg alone contributed no less than € 1,620,455 of this, which sets a new record. Télévie is a charity event which has been organised in the French-speaking area of Belgium and in the Grand Duchy of Luxembourg by RTL-TVI since 1989, for the benefit of cancer research. It enables funds to be raised for helping scientific research in the fight against cancer and leukaemia, both in children and adults. It finishes with a televised evening closing ceremony. YOU ARE WHAT YOU WORSHIP FremantleMedia North America produced the fantasy drama, American Gods – a TV adaptation of Neil Gaiman’s international bestseller. The iconic show premiered on 30 April 2017 on the US pay-TV channel Starz. Since 1 May 2017, the series has also been available on Amazon Prime Video in over 200 territories. Loved by critics and fans alike, the Hollywood Reporter called the series “as visually appealing as it is mystifying like a comic book come to stoned life”, while the New York Times praised: “beneath
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€) (%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00*****4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Friends, Colleagues Bid Goodbye to Proper Television's
    CHINA: LAND OF May + June 17 Volume 20, Issue 4 Realscreen is published 4 times a year by Brunico Communications Ltd., OPPORTUNITY? 100- 366 Adelaide Street West, Toronto, Ontario, Canada M5V 1R9 ews of the return of American Idol to ABC — one year after the farewell season Tel. 416-408-2300 Fax 416-408-0870 www.realscreen.com aired on Fox — has many in the industry focused on formats, and asking VP & Publisher Claire Macdonald [email protected] Nwhether there’s room for new ideas in the market. Editor at Large and Content Director Barry Walsh [email protected] A version of that question is bound to be on the minds of Syco Entertainment Managing Editor Darah Hansen [email protected] executives as they play a watch-and-wait game over the next few weeks. Research Editor Jessica Mach [email protected] The first of what is expected to be a number of large-scale formats developed in Associate Editor Meagan Kashty [email protected] Senior Writer Daniele Alcinii [email protected] China by the production arm of the Simon Cowell-fronted media company with Star Staff Writer Selina Chignall [email protected] China International Media was expected to launch in late May. Fingers are crossed Contributing Writers Michael Cascio, Ivana Kirkbride, Jessica Mach, the shiny floor offering (billed as a general talent show with a twist) will find a large Chris Palmer audience…and quickly. The chances of regional success are good. Celebrity-led Associate Publisher Carrie Gillis [email protected] reality TV continues to have strong traction with Chinese audiences, with singing Senior Account Manager Kerry Lanctot [email protected] Account Manager Kristen Skinner [email protected] competitions such as Come Sing with Me, Hidden Singer and I am a Singer among the Marketing & Publishing Coordinator Grace Li [email protected] country’s most-watched shows.
    [Show full text]