DOCSLIB.ORG

DESCARGARTE EL PDF DE LA Joan Navarro, @Joannavarro REVISTA, ESCANEA ESTE CÓDIGO QR Jordi Rodríguez Virgili, @Jrvirgili CON TU MÓVIL

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DESCARGARTE EL PDF DE LA Joan Navarro, @Joannavarro REVISTA, ESCANEA ESTE CÓDIGO QR Jordi Rodríguez Virgili, @Jrvirgili CON TU MÓVIL Nº 0033 - 2ª etapa DICIEMBRE DE 2018 WWW.COMPOLITICA.COM EDITA ACOP - ASOCIACIÓN DE COMUNICACIÓN POLITICA Avda. Complutense s/n Fac. CC. de la Información, Dpto. CAVP II, 5ª planta 28040 Madrid (ESPAÑA). www.compolitica.com DIRECTOR Eduardo G. Vega, @eduardoglezvega SUBDIRECTORA Gabriela Ortega Jarrín, @gabrielaortegaj COMITÉ EDITORIAL David Redoli, @dredoli PARA DESCARGARTE EL PDF DE LA Joan Navarro, @joannavarro REVISTA, ESCANEA ESTE CÓDIGO QR Jordi Rodríguez Virgili, @jrvirgili CON TU MÓVIL. Joaquín Marqués, @Quim_Marques Pedro Marfil, @jpedromarfil Daniel García, @danigarcia1986 Eduardo Castillo, @NassinCastillo La Revista de ACOP, nuevo nombre para El Molinillo de ACOP tras Paola Cannata, @PaolaCannata 82 números editados, es una publicación mensual a la que tie- José Luis Izaguirre, @jl_izaguirre92 nen acceso directo todos los socios de ACOP. Es una vía de co- Vicente Rodrigo, @_VRodrigo municación abierta para todas aquellas personas interesadas en Juan Luis Fernández, @juanlu_fl la comunicación política, una disciplina que, día a día, cobra más Pablo Martín Díez importancia en las democracias de todo el mundo, en un entor- no cada vez más globalizado e intercomunicado, donde gobier- REVISIÓN Y CORRECCIÓN nos y ciudadanos mantienen relaciones cada vez más estrechas Cristina Ramos, @CrisRamDuq y más transparentes. DISEÑO En La Revista de ACOP encontrarás contenidos de actualidad re- Estudio VicenteRojo, www.vicenterojo.net lacionados con la comunicación pública e informaciones de inte- rés para los profesionales de este sector. La Revista de ACOP es COMITÉ ASESOR INTERNACIONAL una de las revistas de referencia en su sector, habiendo sido re- W. Lance Bennet, fundador y director del Center For Communication and Civic Engagement. conocida con el premio Victory Award a la mejor publicación po- Michael Delli Carpini, decano de la Annenberg lítica en cuatro ocasiones consecutivas: 2014, 2015, 2016 y 2017. School for Communication. Steven G. Dong, director del Instituto de Relaciones La Revista de ACOP es, ante todo, una útil herramienta al servicio Públicas y Comunicación Estratégica de Tsinghua. de los socios de ACOP, por lo que todas vuestras sugerencias Stanley Greenberg, doctor en Harvard. o colaboraciones son más que bienvenidas. Podéis hacérnoslas Marta Lagos, directora fundadora de la Corporación llegar a través de esta dirección: Latinobarómetro. [email protected] Simón Pachano, coordinador de la Maestría en Ciencia Política de FLACSO. Los artículos publicados en esta revista son fruto de la selección Holli A. Semetko, directora de la Oficina de Asuntos y redacción del Comité editorial, y no representan la posición ofi- Exteriores y del Instituto Calus M. Halle for Global cial de la Asociación, que solo se expresa a través de sus circu- Learning, Universidad de Emory. lares oficiales. Los contenidos aquí recogidos están protegidos Heather Simpson, jefa de Gabinete y asesora por las leyes de la propiedad intelectual, por lo que solo podrá principal de Helen Clark, Primera Ministra de Nueva hacerse uso de ellos citando su origen. Zelanda (1999-2008). Silvio Waisbord, director del Programa de Graduados en la Escuela de Medios y Asuntos SÍGUENOS EN: Públicos, Universidad de Washington. /AsociacionACOP /photos/compolitica/ El Molinillo de ACOP. N°1 al N°82 (2008-2015) ISSN 2340-9576 @compolitica /user/compolitica La revista de ACOP, Segunda Etapa /company/asociación-de-comunicación-política-acop- ISSN 2445-3951 #LaRevistaDeACOP Nº 032 NOVIEMBRE DE 2018 SUMARIO Los 10 protagonistas políticos de 2018 06 Los 10 conceptos Las 10 webs clave de 2018 12 políticas de 2018 50 04 16 50 64 Un año para Las 10 fotos de 2018 Las 10 webs Las 10 valoraciones celebrar en ACOP Vicente Rodrigo y Juan Luis políticas de 2018 de popularidad de Daniel Ureña Fernández Marina Isún 2018 Pedro Marfil 06 22 54 Los 10 Las 10 entrevistas Los 10 social media 66 protagonistas de 2018 de 2018 Calendario políticos de 2018 José Luis Izaguirre e Irene Daniel García Electoral 2019 David Redoli Morchón y Asiaín Paola Cannata Lina María Cabezas Rincón 58 28 Los 10 libros de 80 12 Las 20 mejores 2018 Agenda de Los 10 conceptos ficciones políticas Eduardo Castillo Congresos 2019 clave de 2018 de 2018 Adriana Parker Francisco Seoane Ignacio Martín Granados 3 #LaRevistaDeACOP Un año para celebrar en ACOP ACOP 2018 lega el fin de año y con él, ya A lo largo de 2018 también han cambia- es tradición ofreceros desde do los liderazgos en los tres países de ACOP este número especial América Latina con mayor población: en el que hacemos balance Brasil, México y Colombia. El caso más de lo más destacado de 2018 reciente, el triunfo electoral de Jair Bolso- L en comunicación política y naro a finales de octubre, fue un ejem- presentamos un avance de lo que nos plo de cómo las redes y los grupos de espera en 2019. WhatsApp pueden impulsar a un candi- DANIEL UREÑA dato por vías menos convencionales que @danielurena Como sucede con las mejores añadas los clásicos spots de televisión. Presidente de ACOP de los vinos, este 2018 que ahora ter- mina ha resultado excelente para nues- Del mismo modo, en noviembre, las mid- tra Asociación. Cumplimos una década terms en Estados Unidos sirvieron para y en junio lo celebramos por todo lo catapultar hacia la victoria a jóvenes aspi- alto en el V Encuentro Internacional de rantes a quienes casi nadie conocía unos Comunicación Política en Bilbao, una ci- meses antes. Buena parte de su éxito se ta que se convirtió en un gran éxito y lo deben a plataformas como Instagram, volvió a conectar durante tres días in- donde la audiencia tiende a valorar cua- tensos a profesionales de diferentes lidades como la espontaneidad, la trans- ámbitos con una pasión en común: la parencia o la cercanía. La artificiosidad, la consultoría y la investigación en comu- opacidad y la frialdad no arrastran votos: nicación política. se buscan políticos de carne y hueso. Desde el punto de vista de los aconteci- De cara a 2019 nos espera una nueva mientos, 2018 ha sido un año de inten- dosis de comunicación política. De un sas transformaciones políticas en Espa- lado del Atlántico tendremos elecciones ña. Estos doce meses han estado mar- al Parlamento Europeo, además de las cados por una cierta imprevisibilidad, municipales y autonómicas en España, no solo por el inesperado relevo en La sin descartar una convocatoria anticipa- Moncloa sino también por una serie de da a las generales. Y en América Latina, si dimisiones que se han producido a un en 2018 ha habido campañas presiden- ritmo acelerado por la presión de los ciales en los tres países más poblados, el medios digitales y las redes sociales. próximo año llegará el turno del cuarto de la lista: Argentina. Desde ACOP segui- Los políticos y sus asesores tienen el remos muy de cerca todas estas carre- desafío de adaptar sus tiempos de re- ras a las urnas. acción a este nuevo escenario. Para ello cuentan con el factor generacional: por En el lanzamiento de esta edición espe- primera vez desde el fin de la dictadu- cial de nuestra revista, podemos sentir- ra, los cuatro grandes partidos están nos más que orgullosos. Nuestra familia dirigidos por líderes que no vivieron la de consultores, asesores y académicos Transición. Pedro Sánchez era apenas no deja de crecer en número de socios un niño cuando Adolfo Suárez asumió y en actividades por toda España, y es- el poder, y tanto Pablo Casado como tamos convencidos de que la próxima Pablo Iglesias y Albert Rivera dieron sus temporada nos traerá todavía más moti- primeros pasos ya en democracia. vos para celebrar. ¡Feliz 2019 a todos! ¤ 5 #LaRevistaDeACOP 10 / 100 Los 10 protagonistas políticos de 2018 6 #LaRevistaDeACOP PROTAGONISTAS 2018 oportunidades, garantizar el respeto de 1. DONALD TRUMP los derechos humanos y promover la (ESTADOS UNIDOS) paz donde aún persisten conflictos ar- mados. Aunque el propio Guterres ha onald Trump volvió a ser el reconocido que el avance del cambio gran protagonista político climático es más rápido que las medidas en 2018. Estados Unidos de respuesta, no ha cejado en su empe- votó el 6 de noviembre pa- ño por impulsar una auténtica transición DAVID REDOLI ra renovar por completo la ecológica, con el objetivo de minimizar MORCHÓN Cámara de Representan- los daños al único planeta conocido en @dredoli D tes y un tercio del Senado, y para elegir el que podemos vivir: la Tierra. Su labor Sociólogo y los gobernadores de 36 Estados. Trump merece ser reconocida como personaje expresidente de ACOP planteó la votación como un plebiscito político fundamental en 2018. sobre su figura y su gestión, y, aunque perdió el control de la Cámara de Repre- sentantes, mejoró posiciones en el Se- 3. JAIR BOLSONARO nado y conservó tres gobernadores cla- (BRASIL) ve para las elecciones presidenciales de 2020: en Texas, en Ohio y en Florida. ¿Por Ha sido tachado (y probablemente con qué Trump se ha ganado la confianza de razones más que fundamentadas) de tantos norteamericanos? La respuesta es ultraderechista, de homófobo, de misó- multicausal, pero tal vez una de las razo- gino, de autoritario y de liberticida. Pero nes principales del éxito del actual inquili- el hecho es que este exmilitar de 63 años LINA MARÍA CABEZAS no de la Casa Blanca sea que su discurso (nostálgico de la dictadura brasileña) RINCÓN canaliza las frustraciones de millones de ganó las elecciones presidenciales del @lmcabezas norteamericanos que cada vez se sienten mes de octubre de forma espectacular: Consultora senior del menos partícipes del “sueño americano” con un contundente 55,13 % frente al Departamento de y que experimentan vidas cada vez más 44,87 % de Fernando Haddad, 55 años Asuntos Públicos de precarias, más inciertas, más difíciles y y del Partido de los Trabajadores. Tras ATREVIA menos esperanzadoras. Sea como fuere, su victoria, Bolsonaro se dirigió a sus el fenómeno Trump parece que llegará compatriotas por Facebook, rezó públi- con fuerza hasta 2020.
Load more

Recommended publications
  • ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
    ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations.
    [Show full text]
  • Annual Report 2019 Key Figures
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % RTL Group share price development PROSIEBENSAT1 for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • World on Fire
    Biographical Notes World on Fire Peter Bowker Writer, World on Fire MASTERPIECE fans remember Peter Bowker’s impassioned adaptation of Wuthering Heights from 2009, which captured Emily Brontë’s masterpiece in all its complexity. With World on Fire he has created a plot with even more twists, turns, and memorable characters, centered on the chaotic events at the outset of World War II. Bowker has been an established screenwriter in the U.K since penning scripts for Casualty in the early 1990s. Since then, he has written for many long-running series such as Where the Heart Is and Clocking Off. His original work has included Undercover Heart; Flesh and Blood, for which he won Best Writer at the RTS Awards; Blackpool, which was awarded BANFF Film Festival Best Mini-Series and Global Television Grand Prize; and Occupation, which was awarded Best Drama Serial at the BAFTA Awards, in addition to Best Short-Form Drama at the WGGB Awards and another RTS Best Writer Award. He has since written Eric and Ernie and Marvellous. Both productions have won prestigious awards, including a Best Drama BAFTA for Marvellous, which became the most popular BBC2 single drama of the last 20 years. Most recently he has written an adaptation of John Lanchester’s novel Capital and two series of the acclaimed The A Word. Julia Brown Lois Bennett, World on Fire Driven to escape her cheating lover and dysfunctional family, Julia Brown’s character in World on Fire finds a wartime role that exploits her remarkable singing talent. Luckily, Brown herself is a gifted vocalist and sang much of the soundtrack that accompanies the episodes.
    [Show full text]
  • From Shadow Citizens to Teflon Stars
    From shadow citizens to teflon stars cultural responses to the digital actor L i s a B o d e A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy September 2004 School of Theatre, Film and Dance University of New South Wales Abstract This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky’s reading of the cinematographic image in terms of “cursed grey shadows,” to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image’s unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framework where its perceived strangeness speaks allegorically of what it means to be human at that historical moment. In various ways Walter Benjamin, Anson Rabinbach and N. Katherine Hayles have claimed that the notion and the experience of “being human” is continuously transformed through processes related to different stages of modernity including rational thought, industrialisation, urbanisation, media and technology. In elaborating this argument, each of the four chapters is organized around the elucidation of a particular motif: “dummy,” “siren,” “doppelgänger” and “resurrection.” These motifs circulate through discourses on different categories of digital actor, from those conceived without physical referents to those that are created as digital likenesses of living or dead celebrities. These cultural responses suggest that even while writers on the digital actor are speculating about the future, they are engaging with ideas about life, death and identity that are very old and very ambivalent.
    [Show full text]
  • REPORT MAY-OCTOBER, 2020 Banffmediafestival.Com Rockies.Banffmediafestival.Com VIRTUAL EDITION BANFF 2020 4,600+ONLINE MEETING by the OPPORTUNITIES
    REPORT MAY-OCTOBER, 2020 banffmediafestival.com rockies.banffmediafestival.com VIRTUAL EDITION BANFF 2020 4,600+ONLINE MEETING BY THE OPPORTUNITIES SPEED PITCHES NUMBERS 575+FACILITATED BY BANFF LIVE INTERNATIONAL NETWORK 30& STREAMER BRIEFINGS 4,127REGISTERED DELEGATES 52COUNTRIES 625+PROGRAM BUYERS LIVE PANELS & 56MASTER CLASSES 875+C-SUITE DELEGATES 280SPEAKERS 20,000+ VIEWS 200,000+MEDIA INDUSTRY PROFESSIONALS REACHED WORLDWIDE Mrs. America As a world-renowned The Canada Media event highlighting industry Fund has since its Telefilm Canada is proud innovation, BANFF has creation, 10 years ago, BANFF provides an to continue our support truly embraced the many been a proud supporter incredible opportunity to of the Banff World Media challenges of this uncertain of the Banff World connect as a community, Festival, especially time by presenting the first- Media Festival. With celebrate successes, and now as we all navigate ever virtual version of the our partners, clients focus on the future. We’re these new, extraordinary Festival. and colleagues, all of proud to be part of the circumstances that - Randy Lennox, you in the industry, conversation. President, Bell Media, Chair of the we find ourselves Banff Television Festival Foundation we’ve created new - Doug Murphy, Board of Directors President & CEO, experiencing. worlds, discovered Corus Entertainment - Christa Dickenson, Executive Director, new dimensions and Telefilm Canada challenged norms. - Valerie Creighton, President & CEO, Canada Media Fund New voices from diverse Congratulations to the Festival communities are critical to the future organizers, who have really During this time of challenge and change of Canadian storytelling. Netflix is stepped up to the plate in for the entire cultural and media sector, proud to support the development these extraordinary times connecting through the Festival is more of these up and coming artists with to deliver once again an important than ever… we champion BANFF and our incredible partners exceptional conference.
    [Show full text]
  • National Geographic Is Also Launching the Largest Global Rebrand in Its History—Along with a Radical New Approach to Content and Positioning
    SPONSOR CONTENT/AD AGE MARS AND BEYOND With the premiere of its groundbreaking ‘MARS’ series, National Geographic is also launching the largest global rebrand in its history—along with a radical new approach to content and positioning. ther’ celebrates who we are as human beings, why we are here today. It’s all about the idea of further- ing knowledge, science, adventure, entertainment and exploration. At the same time, it represents what National Geographic has always stood for. When the magazine was born 128 years ago, the MOVING goal was to go further, to find places unknown to everyone else, and tell the stories and build maps. “ ‘Further’ brings us back to who we are.” For Ms. Monroe, “Further” is “more than just a tagline. It’s a call to arms, a rallying cry, an ever- shifting marker of progress. One of the things I ‘FURTHER’ love most about ‘Further’ is that, by definition, it never ends—it knows no bounds,” she says. “It conveys to viewers, readers, advertisers and cre- ators that we embody a relentless pursuit to go National Geographic is going further than ever, and Mars is the deeper, to push boundaries and to be pioneering first stop. Tonight’s global premiere of the highly anticipated “MARS” in everything we do. Internally, ‘Further’ serves series introduces a rebranded and reimagined National Geographic—an as our compass, reminding all of us at National Geographic to continually seek, to take risks, to effort several years in the making. remain restless and to never settle.” Under the new tagline “Further,” the network now gives all those assets a unified look and also Ms.
    [Show full text]
  • Read It Here
    Case 1:21-cv-21961-CMA Document 42 Entered on FLSD Docket 08/02/2021 Page 1 of 38 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA CASE NO. 21-21961-CIV-ALTONAGA/Torres ALAN DERSHOWITZ, Plaintiff, v. NETFLIX, INC., LEROY & MORTON PRODUCTIONS LLC, RADICALMEDIA LLC, LISA BRYANT and JOSEPH BERLINGER, Defendants. / ANSWER ANDDeadline COUNTERCLAIM OF DEFENDANT NETFLIX, INC. Defendant Netflix, Inc. (“Netflix”), by and through its undersigned counsel, hereby files its Answer and Affirmative Defenses to Plaintiff Alan Dershowitz’s (“Dershowitz”) Amended Complaint (the “Amended Complaint”) using the same headings and paragraph numbering employed by Dershowitz and asserts its own Counterclaim against Dershowitz. ANSWER OF DEFENDANT NETFLIX, INC. RESPONSE TO THE NATURE OF THIS ACTION 1. Netflix admits that this purports to be an action for defamation, breach of contract, promissory estoppel, and fraudulent inducement arising out of the documentary series Filthy Rich, which first became available on Netflix on May 27, 2020 but denies that Dershowitz is entitled to any relief in this action. 2. Netflix denies each and every allegation in Paragraph 2 of the Amended Complaint. RESPONSE TO THE PARTIES 3. Netflix lacks information sufficient to form a belief as to the truth or falsity of the allegations in Paragraph 3 of the Amended Complaint and, on that basis, denies each and every Case 1:21-cv-21961-CMA Document 42 Entered on FLSD Docket 08/02/2021 Page 2 of 38 allegation in Paragraph 3 and demands strict proof of Plaintiff’s citizenship. 4. Netflix admits that it is an American technology and media company incorporated in Delaware and headquartered in California.
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€)(%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00***** 4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]
  • O VICIO DO PODER 474 [Adam Mckay, 2018]
    O VICIO DO PODER 474 [Adam McKay, 2018] ESTREA EN NUMAX: 11.01.2019 | V.O.S.E. Vice (2018, 132’) premios e festivais sinopse Dirección: Adam McKay Globos de Ouro 2019 (Mellor actor de Dick Cheney, un reservado burócrata Guión: Adam McKay comedia —Christian Bale—) de Washington, acabou converténdose Elenco: Christian Bale, Amy Adams, Steve Carell, Sam Rockwell, no home máis poderoso do mundo Bill Pullman, Stefania Owen, Jillian Armenante, Brandon Sklenar, como vicepresidente dos Estados Brandon Firla, Abigail Marlowe, Liz Burnette filmografía Unidos durante o mandato de George Montaxe: Hank Corwin W. Bush, con consecuencias no seu país Dirección de arte: David Meyer, Brad Ricker, Dean Wolcott La gran apuesta, 2015 e o resto do mundo que aínda se deixan Vestiario: Susan Matheson Los amos de la noticia, 2013 Son: Ed Novick Los otros dos, 2010 sentir hoxe en día. Música: Nicholas Britell Hermanos por pelotas, 2008 Fotografía: Greig Fraser Pasado de vueltas, 2006 Produtora: Gary Sanchez Productions, Plan B Entertainment, El reportero: La leyenda de Ron Annapurna Pictures (EEUU) Burgundy, 2004 Distribuidora: eOne Films Wake Up, Ron Burgundy: The Lost Formato de proxección: DCP2K, 2.39:1 Movie, 2004 Idioma orixinal: Inglés “Unha traxicomedia escura e tremendamente audaz” Todd McCarthy, THE HOLLYWOOD REPORTER O VICIO DO PODER [Adam McKay, 2018] “Christian Bale Efectivamente, na maioría dos biopics drasticamente dun intre para outro. as mulleres son deseñadas como Que dificultades atopaches na mesa demostrou ser un personaxes de acompañamento, de montaxe? Á hora de xerar o tempo do grande actor de comedia” mais ela é tan importante coma Dick filme traballamos nuns niveis de detalle Cheney.
    [Show full text]
  • Interim Report: January to March 2017
    Q1 2017 INTERIM REPORT JANUARY TO MARCH 2017 ENTERTAIN. INFORM. ENGAGE. HIGHLIGHTS BIG HEART At the end of its 2017 edition and with a televised closing ceremony evening heavy with emotion, Télévie once more provoked an unparalleled surge of generosity, both in Belgium and in the Grand Duchy of Luxembourg. Whilst Télévie broke the symbolic record of over 10 million Euros in 2016, this year, thanks to the initiatives and generosity of the Belgian and Luxembourg people, the sum of € 11,027,650 was paid to the Fonds National de la Recherche Scientifique (FNRS). Luxembourg alone contributed no less than € 1,620,455 of this, which sets a new record. Télévie is a charity event which has been organised in the French-speaking area of Belgium and in the Grand Duchy of Luxembourg by RTL-TVI since 1989, for the benefit of cancer research. It enables funds to be raised for helping scientific research in the fight against cancer and leukaemia, both in children and adults. It finishes with a televised evening closing ceremony. YOU ARE WHAT YOU WORSHIP FremantleMedia North America produced the fantasy drama, American Gods – a TV adaptation of Neil Gaiman’s international bestseller. The iconic show premiered on 30 April 2017 on the US pay-TV channel Starz. Since 1 May 2017, the series has also been available on Amazon Prime Video in over 200 territories. Loved by critics and fans alike, the Hollywood Reporter called the series “as visually appealing as it is mystifying like a comic book come to stoned life”, while the New York Times praised: “beneath
    [Show full text]
  • Annual Report 2019
    ANNUAL REPORT 2019 ENTERTAIN. INFORM. ENGAGE. KEY FIGURES SHARE PERFORMANCE 1 January 2019 to 31 December 2019 +31.15 % MDAX +16.41 % SXMP –5.82 % RTL GROUP INDEX = 100 –10.55 % PROSIEBENSAT1 RTL Group share price development for January to December 2019 based on the Frankfurt Stock Exchange (Xetra) against MDAX, Euro Stoxx 600 Media (SXMP) and ProSiebenSat1 Fremantle’s America’s Got Talent: The Champions is a prime-time hit on NBC. 2 RTL Group Annual Report 2019 Key figures REVENUE 2015 – 2019 (€ million) EBITA 2015 – 2019 (€ million) 19 6,651 19 1,139 18 6,505 18 1,171 17 6,373 17 1,248 16 6,237 16 1,205 15 6,029 15 1,167 PROFIT FOR THE YEAR 2015 – 2019 (€ million) EQUITY 2015 – 2019 (€ million) 19 864 19 3,825 18 785 18 3,553 17 837 17 3,432 16 816 16 3,552 15 863 15 3,409 MARKET CAPITALISATION* 2015 – 2019 (€ billion) TOTAL DIVIDEND / DIVIDEND YIELD PER SHARE 2015 – 2019 (€) (%) 19 6.8 19 NIL* – 18 7.2 18 4.00** 6.3 17 10.4 17 4.00*** 5.9 16 10.7 16 4.00**** 5.4 15 11.9 15 4.00*****4.9 *As of 31 December * On 2 April 2020, RTL Group’s Board of Directors decided to withdraw its earlier proposal of a € 4.00 per share dividend in respect of the fiscal year 2019, due to the coronavirus outbreak. No dividend will now be proposed to the Annual Meeting of Shareholders on 30 June 2020.
    [Show full text]