Untitled,” Oil on Canvas, 59.1 X 70.9 Inches
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
JAMES FUENTES KIKUO SAITO March 3–April 3, 2021 James
JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] KIKUO SAITO March 3–April 3, 2021 James Fuentes is pleased to present works by KIKUO SAITO. Kikuo Saito (1939–2016) was born in Tokyo and moved to New York City in 1966 at the age of 26, curious about the city’s burgeoning artistic movements. Saito had began painting a decade prior, building a steady understanding of traditional Japanese arts alongside contemporary movements such as the Gutai Group, while working for three years in the studio of established traditional painter Sensei Itoh. Landing in San Francisco, Saito traveled to New York by bus, visiting the country’s museums and witnessing its variable and remarkable landscape, confronted by the city’s own topography of signs upon arrival. During his first decade in New York, Saito worked between painting and theater. In many senses, he considered much of life as a performance. For his wordless theater pieces, Saito incorporated ephemeral, nontraditional materials like water and earth with elements of music, movement, and light, drawing inspiration in part from the performance traditions of Kabuki, Noh, and Butoh. These were collaborative works, in which Saito directed dancers and actors while creating stage costumes, sculptural elements, and using his abstract paintings as backdrops. Saito’s theater was well-received and in turn led to collaborations (and further travel) with Robert Wilson, Jerome Robbins, Eva Maier, and Peter Brook. In 1979 he decided to devote his attention entirely to painting, preferring the serene isolation of the studio, where he could physically manipulate paint across ground, over the complex, multi-disciplinary approach behind his theater pieces. -
2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based -
2020-2021 Newsletter Department of Art History the Graduate Center, Cuny
2020-2021 NEWSLETTER DEPARTMENT OF ART HISTORY THE GRADUATE CENTER, CUNY 1 LETTER FROM THE EXECUTIVE OFFICER Dear GC Art History Community, The 2020-21 academic year has been, well, challenging for all of us at the GC, as I imagine it has for you. The building—boarded up in November for the elections—is still largely off-limits to students and faculty; the library is closed; classes and meetings have been almost exclusively virtual; and beyond the GC, many of us have lost friends, family, or jobs due to the pandemic and its repercussions. Through it all, we have struggled to keep our community together and to support one another. I have been extraordinarily impressed by how well students, faculty, and staff in the program have coped, given the circumstances, and am I hopeful for the future. This spring, we will hold our rst in-person events—an end-of-year party and a graduation ceremony for 2020 and 2021 Ph.D.s, both in Central Park—and look forward to a better, less remote fall. I myself am particularly looking forward to fall, as I am stepping down as EO and taking a sabbatical. I am grateful to all of you for your help, advice, and patience over the years, and hope you will join me in welcoming my successor, Professor Jennifer Ball. Before getting too excited about the future, though, a few notes on the past year. In fall 2020, we welcomed a brave, tough cohort of ten students into the Ph.D. Program. They have forged tight bonds through coursework and a group chat (not sure if that's the right terminology; anyway, it's something they do on their phones). -
Movie Museum JANUARY 2012 COMING ATTRACTIONS
Movie Museum JANUARY 2012 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! WATERBOYS PENGUINS IN THE SKY– CRADLE SONG 2 Hawaii Premieres! LATE BLOOMERS (2001-Japan) ASAHIYAMA ZOO aka Canción de cuna NOT WITHOUT YOU (2006-Switzerland) in Japanese with English (2008-Japan) (1994-Spain) aka Bu Neng Mei You Ni in Swiss German with English subtitles & in widescreen in Japanese with English in Spanish with English (2009-Taiwan) subtitles & in widescreen with Satoshi Tsumabuki, subtitles & in widescreen subtitles & in widescreen in Hakka/Mandarin w/English with Stephanie Glaser. Hiroshi Tamaki, Akifumi with Toshiyuki Nishida, 12:00 & 7:30pm only subtitles & in widescreen 12:00, 3:15 & 6:30pm only Miura, Naoto Takenaka, Yasuhi Nakamura, Ai Maeda, ---------------------------------- 12:00, 3:15 & 6:30pm only ---------------------------------- Koen Kondo, Kaori Manabe. Keiko Horiuchi, Zen Kajihara. I KNOW WHERE I'M ---------------------------------- NOT WITHOUT YOU GOING! (1945-British) LATE BLOOMERS aka Bu Neng Mei You Ni Directed and Co-written by Directed by with Wendy Hiller, Roger (2006-Switzerland) (2009-Taiwan) Shinobu Yaguchi. Masahiko Tsugawa. Livesey, Finlay Currie. in Swiss German with English in Hakka/Mandarin w/English Directed by Michael Powell subtitles & in widescreen subtitles & in widescreen 12:00, 1:45, 3:30, 5:15, 12:30, 2:30, 4:30, 6:30 and Emeric Pressburger. with Stephanie Glaser. 1:30, 4:45 & 8:00pm only 2:00, 3:45 & 5:30pm only 5 7:00 & 8:45pm 6 & 8:30pm 7 8 1:45, 5:00 & 8:15pm only 9 2 Hawaii Premieres! Martin Luther King Jr. Day Hawaii Premiere! Hawaii Premiere! MONEYBALL DISPATCH MONSIEUR BATIGNOLE THE LAST LIONS 2 Hawaii Premieres! (2011) THE FIRST GRADER (2011) (2002-France) in widescreen (2011-US/Botswana) in widescreen in French/German w/English in widescreen (2010-UK/US/Kenya) with Michael Bershad. -
Kikuo Saito CV(2021)
JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] KIKUO SAITO b. 1939, Tokyo, Japan d. 2016, New York, NY SOLO EXHIBITIONS 2021 Kikuo Saito, James Fuentes, New York, NY 2019 To Paint with Drawing, Loretta Howard, New York, NY (catalog) Lyrical Abstraction: Small Scale, Lori Bookstein Projects, New York, NY 2018 Works on Paper, Lori Bookstein Projects, New York, NY Kikuo Saito: Resonant Tension, Loretta Howard, New York, NY (catalog) 40 Years, Octavia Art Gallery, Houston, TX Never Before Seen Paintings from the Estate, Jonathan Novak Contemporary Art, Los Angeles, CA 2017-18 Works from the Estate, Jonathan Novak Contemporary Art, Los Angeles, CA 2017 Kikuo Saito, Octavia Art Gallery, Houston, TX; New Orleans, LA 2016-17 Color and Drawing, Golden Artist Colors at the Sam & Adele Golden Gallery, New Berlin, NY (catalog) 2016 The Final Years, Leslie Feely, New York, NY (catalog) 2015 New Paintings, Robert Kidd Gallery, Birmingham, MI Kikuo Saito, Octavia Art Gallery, New Orleans, LA; Houston, TX; San Antonio, TX (catalog) 2014 Paintings and Works on Paper, Leslie Feely Fine Art, New York, NY (catalog) 2012 Works on Paper, Jill Newhouse Gallery, New York, NY (catalog) Vision's Gallery, Asagaya Art College, Tokyo, Japan 2011 Paintings, Elaine Baker Gallery, Boca Raton, FL 2010 New York Design Center, New York, NY 2009 Paintings, Leslie Feely Fine Art, New York, NY 2006 Recent Paintings and Works on Paper, Gallery Thiele, Linz, Austria (catalog) Paintings, Salander-O’Reilly Galleries, New York, NY 2005 -
INEMA INTERNATIONAL Students, Faculty, Staff and the Community Are Invited • ADMISSION IS FREE • Donations Welcome 7:30 P.M
MURRAY STATE UNIVERSITY • Spring 2017 INEMA INTERNATIONAL Students, faculty, staff and the community are invited • ADMISSION IS FREE • Donations Welcome 7:30 p.m. Thursday, Friday and Saturday evenings • Curris Center Theater JAN. 26-27-28 • USA, 1992 MARCH 2-3-4 • USA, 2013 • SHAKESPEARE FESTIVAL THUNDERHEART WARM BODIES Dir. Michael Apted With Val Kilmer, Sam Shephard, Graham Greene. Dir. Jonathan Levine, In English and Sioux with English subtitles. Rated R, 119 mins. With Nicholas Hoult, Dave Franco, Teresa Palmer, Analeigh Tipton, John Malkovich Thunderheart is a thriller loosely based on the South Dakota Sioux Indian In English, Rated PG-13, 98 mins. uprising at Wounded Knee in 1973. An FBI man has to come to terms with his mixed blood heritage when sent to investigate a murder involving FBI A romantic horror-comedy film based on Isaac Marion's novel of the same agents and the American Indian Movement. Thunderheart dispenses with name. It is a retelling of the Romeo and Juliet love story set in an apocalyptic clichés of Indian culture while respectfully showing the traditions kept alive era. The film focuses on the development of the relationship between Julie, a on the reservation and exposing conditions on the reservation, all within the still-living woman, and "R", a zombie…A funny new twist on a classic love story, conventions of an entertaining and involving Hollywood murder mystery with WARM BODIES is a poignant tale about the power of human connection. R a message. (Axmaker, Sean. Turner Classic Movies 1992). The story is a timely exploration of civil rights issues and Julie must find a way to bridge the differences of each side to fight for a that serves as a forceful indictment of on-going injustice. -
WARM BODIES (PG-13) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search WARM BODIES (PG-13) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets in theaters Fandango Search movie Warm Bodies more current releases » showtimes and buy tickets. / / / January 31, 2013 one-minute movie reviews by Richard Roeper about us still playing As much as I enjoy "The cast & credits About the site » Walking Dead" on AMC and The Loneliest Planet Wuthering Heights movies such as "28 Days R Nicholas Hoult 56 Up Site FAQs » Julie Teresa Palmer Later," one of my ongoing Amour complaints about the Nora Analeigh Tipton Contact us » Anna Karenina explosion of the zombie M Rob Corddry Broken City Email the Movie genre is the general mopery Grigio John Malkovich Bullet to the Head Answer Man » and overall predictability of The Central Park Five those ever-staggering Summit Entertainment presents a Chasing Ice Citadel creatures. film written and directed by Consuming Spirits on sale now Jonathan Levine. Based on the They lurch. They snarl. Fat Kid Rules the World novel by Isaac Marion. Running They sniff the air for the Gangster Squad scent of human flesh. They time: 97 minutes. Rated PG-13 (for Generation P pounce and gnaw. They zombie violence and some Happy People: A Year in the Taiga Hitchcock pound windows and doors, language). Hyde Park on Hudson and express frustration The Impossible when confronted with 10- In the Hive foot-high cyclone fences. -
JAMES FUENTES KIKUO SAITO March 3–April 3, 2021 James
JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] KIKUO SAITO March 3–April 3, 2021 James Fuentes is pleased to present works by KIKUO SAITO. Kikuo Saito (1939–2016) was born in Tokyo and moved to New York City in 1966 at the age of 26, curious about the city’s burgeoning artistic movements. Saito had began painting a decade prior, building a steady understanding of traditional Japanese arts alongside contemporary movements such as the Gutai Group, while working for three years in the studio of established traditional painter Sensei Itoh. Landing in San Francisco, Saito traveled to New York by bus, visiting the country’s museums and witnessing its variable and remarkable landscape, confronted by the city’s own topography of signs upon arrival. During his first decade in New York, Saito worked between painting and theater. In many senses, he considered much of life as a performance. For his wordless theater pieces, Saito incorporated ephemeral, nontraditional materials like water and earth with elements of music, movement, and light, drawing inspiration in part from the performance traditions of Kabuki, Noh, and Butoh. These were collaborative works, in which Saito directed dancers and actors while creating stage costumes, sculptural elements, and using his abstract paintings as backdrops. Sait’ o s theater was well-received and in turn led to collaborations (and further travel) with Robert Wilson, Jerome Robbins, Eva Maier, and Peter Brook. In 1979 he decided to devote his attention entirely to painting, preferring the serene isolation of the studio, where he could physically manipulate paint across ground, over the complex, multi-disciplinary approach behind his theater pieces. -
Kikuo Saito to PAINT with DRAWING 2 Kikuo Saito to PAINT with DRAWING
1 Kikuo Saito TO PAINT WITH DRAWING 2 Kikuo Saito TO PAINT WITH DRAWING Opening reception Thursday, September 5 6-8 p.m. September 5 - October 12, 2019 521 WEST 26 STREET NEW YORK 10001 212.695.0164 LORETTAHOWARD.COM 2 above: Set Designer: Kikuo Saito, seated in front of his La Mama premiere set for Tom Eyen’s 1967 “SARAH B. DIVINE” (Part 1) a musical play in progress. photo by Conrad Ward bottom:Poster drawing by Kikuo Saito for Toy Garden, 1996. Courtesy of La MaMa Archives. 3 Kikuo Saito: TO PAINT WITH DRAWING There is a polarity in the career of Kikuo Saito, a creative tension between two very different endeavors—painting and the theater. At one pole is the studio, a private place where the artist reigns supreme, making works that will convey a visual experience in a lasting way. At the opposite pole is a public space in which various kinds of artists collaborate to present a multimedia event that unfolds in real time and ultimately will reside only in memory. Saito, a Japanese-born American artist, is now known reflection on them yields important insights into how Saito primarily as an abstract painter, but at several times in felt a continuity between the two poles of his artistic life. his life he devoted serious effort to experimental theater, as production designer, writer, and director. Of course, When Saito arrived in the U.S. in 1966 at the age of 27, he he brought his well-honed visual skills to the stage, but brought with him a solid grounding in both modern Western conversely, he also brought something of the theater to his and traditional Japanese art. -
Celebrate Halloween with WF Symphony
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and The Scotch Plains – Fanwood TIMES Thursday, October 13, 2011 Page 23 Explore the World of Rocks, Celebrate Halloween With Fossils and Gems at Trailside WF Symphony Orchestra MOUNTAINSIDE – The Union saurs Rock” is an interactive hands- WESTFIELD - Music lovers of all gaging way to learn about the movie, County Board of Chosen Freehold- on program that allows the audience ages are invited to savor the silver music and music makers before the ers and the Department of Parks and to see up-close and touch museum screen’s final silent masterpiece – concert will be conducted by Barbara Community Renewal invite you to quality pieces. Admission to this spe- swashbuckling musketeers and more Thomson in The Presbyterian Church explore the fascinating world of rocks, cial presentation is $5 per person. – as Westfield Symphony Orchestra Chapel at 6 p.m. minerals, fossils and gems at Trailside This show is recommended for ages (WSO) celebrates Halloween by Young, and not so young alike, are Nature and Science Center on Satur- 4 and older and tickets go on sale at bringing to life, in glorious symphonic invited to come to the concert in day, October 15, from noon to 5 p.m., 12:30 p.m. Strollers are not permit- technicolor, the original 1929 movie costume and participate in the annual and Sunday, October 16, from 11 ted in the auditorium. “The Iron Mask” starring Douglas Halloween costume contest at inter- a.m. to 5 p.m. This educational, entertaining Fairbanks on Saturday, October 29, mission. -
Setting the Scene
artist profile As seen in and performative quality would later find porary realities, decided on New York. This page, clockwise from top: Kikuo Saito, expression in Saito’s work, both painting His flight, however, terminated at San Beggar’s Moon, 2009, oil on canvas, and theater. Francisco, and he had to take a Greyhound 44.5 x 102.25 in.; Dime Lake, oil on canvas, As for Western postwar art, Saito became bus the rest of the way. During a stopover in 2015, 56.5 x 78.25 in.; Kikuo Saito in his acquainted with it largely through small, Chicago, he went to the Art Institute, where studio. Opposite: Indian Gray, 2006, cheap books that reproduced well-known he had a providential encounter, striking oil on canvas, 58.75 x 80.25 in. works of Abstract Expressionism, Color up a conversation (in his still very limited Field painting, Pop Art, and Minimalism in English) with none other than Ellen Stew- black and white, on newsprint stock. Thus, art, the legendary founder of the La MaMa through a glass darkly, Saito glimpsed the Experimental Theatre Club in Manhattan’s New York art world, grasped its essentials, East Village. Saito had done set design and and aspired to be part of it. Most of his fel- lighting design for the Japanese avant-garde low art students in Japan who emigrated theater productions, and when he arrived headed for Paris, perhaps expecting to find in New York Stewart invited him to work the Montparnasse of the prewar period still with LaMaMa, with which he remained vibrant. -
Scb Spring 2011
SCB SPRING 2011 SCB: TRULY INDEPENDENT SCB DISTRIBUTORS IS Academic Insights PROUD TO INTRODUCE Accent Press Asylum Press Blind Eye Books Chimera Books Firecat Flying Crane Press K Publications Lebowski Publishers Linchpin Publishing Pacific Highlands Press Slake Media Write Bloody Publishing Xcite Books SCB: TRULY INDEPENDENT The cover image for this catalog is from page 173 of Robert Fawcett: The Illustrator’s Illustrator (2010), published by Auad Publishing, and reprinted by courtesy of the publisher. This title can be found on page 18 of this catalog. Catalog layout by Dan Nolte, based on an original design by Rama Crouch-Wong Pinocchio By Winshluss This award-winning graphic novel re-imagines Pinocchio as a wordless noir fairy tale, both comic and tragic. In this dark rendition, a greedy Geppetto builds Pinocchio as a metallic weapon of war, with Jiminy Cockroach a homeless squatter living inside Pinocchio’s skull. Exquisite drawings bring to life a rich tale of greedy fools, lust, sadness, redemption, and hope. As the stories intertwine, they offer subtle political critiques and send-ups of popular culture through characters such as the seven sleazy dwarves. Teamed with colorist Cizo, Winshluss creates an epic adventure through a lush world. The artwork is pen & ink + watercolor (with paint for larger splash panels). It references a wide range of illustrative styles and history, from the late 18th Century to French film pioneer Georges Méliès, early Disney, and underground comix. DARK, GRAPHIC NOVEL RETELLING I critically acclaimed, Pinocchio won the Grand Prize at France’s Angoulême comics festival in 2009 I for mature readers Winshluss, the pen name of Vincent Parronnaud, is the creator of numerous comics and graphic novels that have garnered awards and acclaim across Europe.