Guidelines for Ethical and Effective Communication for Researchers Working in Torres Strait
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An Interview with Fr John Manas John Manas, Bruno David, Louise Manas, Jeremy Ash and Anna Shnukal
VOLUME 4 PART 2 MEMOIRS OF THE QUEENSLAND MUSEUM CULTURAL HERITAGE SERIES 17 OCTOBER 2008 © The State of Queensland (Queensland Museum) 2008 PO Box 3300, South Brisbane 4101, Australia Phone 06 7 3840 7555 Fax 06 7 3846 1226 Email [email protected] Website www.qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the Editor in Chief. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed at the Queensland Museum web site A Queensland Government Project Typeset at the Queensland Museum CHAPTER 7 AN INTERVIEW WITH FR JOHN MANAS JOHN MANAS, BRUNO DAVID, LOUISE MANAS, JEREMY ASH AND ANNA SHNUKAL Manas, J., David, B., Manas, L., Ash, J. & Shnukal, A. 2008 10 17: An interview with Fr John Manas. Memoirs of the Queensland Museum, Cultural Heritage Series 4(2): 261-294. Brisbane. ISSN 1440-4788. Fr John Manas, Mualaig Elder, was interviewed about local history and culture at his home at Kubin on Mua on 15-16 November 2003. This paper documents these interviews. Torres Strait, Mua, community history, dugong hunting, wolfram mining. John Manas and Louise Manas, Kubin village, Moa Island, via Thursday Island Post Office, Qld. 4876, Australia. Bruno David and Jeremy Ash, School of Geography & Environmental Science, Monash University, Clayton, Vic. -
A Comparative Study of Bolivian Indigenous and Aboriginal and Torres Strait Islander Peoples’ Resistance
Battles for Indigenous self-determination in the neoliberal period: a comparative study of Bolivian Indigenous and Aboriginal and Torres Strait Islander peoples’ resistance. Rachel Lorraine Evans A thesis submitted for the Masters of Research degree at Sydney University in 2019 Faculty of Social Sciences 1 Abstract ___________________________________________ This comparative study will analyse Bolivia’s revolutionary process and Australian Aboriginal and Torres Strait Islander resistance movements to assess the Indigenous empowerment model. It will seek to ascertain whether an exchange would benefit both struggles. Bolivian President Evo Morales, an Indigenous Aymara, is widely recognised as leading a fight against neoliberalism, with a ‘cultural, democratic revolution’. The country, with 42% of people identifying as Indigenous (Fontana 2013, para 3), appears to be formalising Indigenous land rights through a ‘plurinational constitution’ (Burbach, Fox, Fuentes, 2013, p. 80), within an anti-capitalist rubric. Other revolutionary governments in the region — Venezuela, Ecuador, Nicaragua, El Salvador and Cuba — are challenging neoliberalism, but Bolivia seems to be uniquely placed to showcase elements within an Indigenous self-determination model. In comparison, Aboriginal and Torres Strait Islander communities in Australia are a minority population of 2.8% (Australian Bureau of Statistics, 2017, para 1), living within a settler colonial state, having survived British invasion of their lands. They have waged heroic battles for land rights and won 33% of their land back from the settler state (Altman, 2014, para 8). However, showing the strength of the colonial project, the majority of land to Aboriginal and Torres Strait Islanders is in remote and arid lands not suitable for agricultural production. -
Memoirs of the Queensland Museum Cultural Heritage Series
VOLUME 4 PART 2 MEMOIRS OF THE QUEENSLAND MUSEUM CULTURAL HERITAGE SERIES 17 OCTOBER 2008 © The State of Queensland (Queensland Museum) 2008 PO Box 3300, South Brisbane 4101, Australia Phone 06 7 3840 7555 Fax 06 7 3846 1226 Email [email protected] Website www.qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the Editor in Chief. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed at the Queensland Museum web site A Queensland Government Project Typeset at the Queensland Museum CHAPTER 3 THE LAST BATTLE OF MUA: ELEVEN TEXTS ANNA SHNUKAL Shnukal, A. 2008 10 17: The last battle of Mua: eleven texts. Memoirs of the Queensland Museum, Cultural Heritage Series 4(2): 35-59. Brisbane. ISSN 1440-4788. Of all the battles fought by the people of Mua (Banks Island), the most significant was the ‘last battle of Mua.’ Said to have taken place shortly before the placement of Christian missionaries on Mua in 1872, it marked the end of the era of revenge killings and the beginning of a new, peaceful, ‘civilised’ era. The battle also provides a confirmation, context and explanation for some of the earliest recorded observations of Mua: its reduced population, fear of strangers and abandonment of coastal villages. -
Native Title Information Handbook : Queensland / Australian Institute of Aboriginal and Torres Strait Islander Studies
Native Title Information Handbook Queensland 2016 © Australian Institute of Aboriginal and Torres Strait Islander Studies AIATSIS acknowledges the funding support of the Department of the Prime Minister and Cabinet. The Native Title Research Unit (NTRU) acknowledges the generous contributions of peer reviewers and welcomes suggestions and comments about the content of the Native Title Information Handbook (the Handbook). The Handbook seeks to collate publicly available information about native title and related matters. The Handbook is intended as an introductory guide only and is not intended to be, nor should it be, relied upon as a substitute for legal or other professional advice. If you are aware that this publication contains any errors or omissions please contact us. Views expressed in the Handbook are not necessarily those of AIATSIS. Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) GPO Box 553, Canberra ACT 2601 Phone 02 6261 4223 Fax 02 6249 7714 Email [email protected] Web www.aiatsis.gov.au National Library of Australia Cataloguing-in-Publication entry Title: Native title information handbook : Queensland / Australian Institute of Aboriginal and Torres Strait Islander Studies. Native Title Research Unit. ISBN: 9781922102539 (ebook) Subjects: Native title (Australia)--Queensland--Handbooks, manuals, etc. Aboriginal Australians--Land tenure--Queensland. Land use--Law and legislation--Queensland. Aboriginal Australians--Queensland. Other Creators/Contributors: Australian Institute of Aboriginal -
A Linguistic Description of Lockhart River Creole
A Linguistic Description of Lockhart River Creole Joanna Ewa Mittag Master in Applied Linguistics – University of New England, Armidale NSW Master of Arts in Applied Linguistics – University of New England, Armidale, NSW Bachelor of Arts – Charter Oak State College, New Britain, CT, USA A thesis submitted for the degree of Doctor of Philosophy of the University of New England November 2016 I Acknowledgements I would like to thank Professor Jeff Siegel and Dr Mark Post for their supervision of the work outlined in the present study. I am very grateful for their very detailed feedback which has been instrumental in the process of writing this thesis. I would also like to thank Dr Margaret Sharpe, Professor Diana Eades, and Professor Nick Reid of the Linguistics Department at the University of New England for their advice on conducting research in Aboriginal communities in Australia. My special thanks and words of gratitude are directed to the members of the Lockhart River Aboriginal Shire Council, namely, Mayor Wayne Butcher, Deputy Mayor Norman Bally, Veronica Piva, Paul Piva, and Dorothy Hobson, for granting their permission for me to undertake my project in their community. This study could not have been completed without the assistance of many people in the Lockhart River Aboriginal Community, as well as the Lockhart River People residing in Cairns, North Queensland. In particular I thank Patrick Butcher, Josiah Omeenyo, Irene Namok, Dorothy Short, Elizabeth “Queenie” Giblet, Susan Pascoe, Lucy Hobson, Greg Omeenyo, Beverley Butcher, Beverley Pascoe, Nullam Clark, Christina Hobson, Margaret Hobson, Emily Pascoe, John Butcher, Priscilla Mattisey, Marjorie Accoom, Leila Clarmont, Brain Claudie, and Beatrice Mary Hobson who shared their knowledge of Lockhart River and their language with me. -
Shannon Brett
Teacher Resource WELCOME TO THE 2O11 CIAF TEACHER RESOURCE WHAT CAN WE LEARN FROM CONTEMPORARY ART? The integration of contemporary art into school and community learning enables educators to actively with engage with This resource has been developed by REACH (Regional Excellence in Arts and Culture Hubs) and CIAF (Cairns issues that affect our lives, provoking curiosity, encouraging dialogue, and igniting debate about the world around us. Indigenous Art Fair) to assist teachers and other educators support learning in the visual arts with an emphasis on contemporary Indigenous artist and their work. Contemporary Aboriginal and Torres Strait Islander artists address both current historical events and policies. These references help educators and students make connections across the curriculum and support interdisciplinary thinking. How to use this resource As artists continue to explore new technologies and media, the work they create encourages critical thinking and visual literacy in our increasingly media-saturated society. The CIAF 2O11 Teacher Resource defines three key phases for teachers - EARLY (P - 5), MIDDLE (6 - 9) and SENIOR (1O - 12). Each section is informed by and refers to Embedding Aboriginal and Torres Strait Islander Perspectives in We want students to understand that contemporary Aboriginal and Torres Strait Islander art is part of a cultural dialogue Schools (EATSIPS). The DISCUSSION, LOOKING and ACTIVITY are to be seen as starting points and are not exclusive that concerns larger contextual frameworks, such as personal and cultural identity, family, community, and nationality. or finite. Please adopt, adapt, share and extend these ideas with your students and your peers. Curiosity, openness, and dialogue are important tools for engaging audiences in contemporary art. -
Annual Report 2005–2006
05 06 NATIONAL NATIVE TITLE TRIBUNAL CONTACT DETAILS Annual Report 2005–2006 Tribunal National Native Title PRINCIPAL REGISTRY (PERTH) SOUTH AUSTRALIA 4th Floor, Commonwealth Law Courts Building Level 10, Chesser House 1 Victoria Avenue 91 Grenfell Street Perth WA 6000 Adelaide SA 5000 GPO Box 9973, Perth WA 6848 GPO Box 9973, Adelaide SA 5001 Tel: (08) 9268 7272 Tel: (08) 8306 1230 Fax: (08) 9268 7299 Fax: (08) 8224 0939 NEW SOUTH WALES AND AUSTRALIAN VICTORIA AND TASMANIA CAPITAL TERRITORY Level 8 Level 25 310 King Street Annual Report 25 Bligh Street Melbourne Vic. 3000 Sydney NSW 2000 GPO Box 9973, Melbourne Vic. 3001 GPO Box 9973, Sydney NSW 2001 Tel: (03) 9920 3000 2005–2006 Tel: (02) 9235 6300 Fax: (03) 9606 0680 Fax: (02) 9233 5613 WESTERN AUSTRALIA NORTHERN TERRITORY 11th Floor, East Point Plaza 5th Floor, NT House 233 Adelaide Terrace 22 Mitchell Street Perth WA 6000 Darwin NT 0800 GPO Box 9973, Perth WA 6848 GPO Box 9973, Darwin NT 0801 Tel: (08) 9268 9700 Tel: (08) 8936 1600 Fax: (08) 9221 7158 Fax: (08) 8981 7982 NATIONAL FREECALL NUMBER 1800 640 501 QUEENSLAND Level 30 WEBSITE: www.nntt.gov.au 239 George Street Brisbane Qld 4000 National Native Title Tribunal office hours GPO Box 9973, Brisbane Qld 4001 8.30am – 5.00pm 8.00am – 4.30pm (Northern Territory) Tel: (07) 3226 8200 Fax: (07) 3226 8235 QUEENSLAND – CAIRNS (REGIONAL OFFICE) Level 14, Cairns Corporate Tower 15 Lake Street Cairns Qld 4870 PO Box 9973, Cairns Qld 4870 Tel: (07) 4048 1500 Resolution of native title issues over land and waters. -
Torres Strait Islander People in Qld: a Brief Human Rights History
Torres Strait Islander people in Queensland: a brief human rights history On the beach of Mer (Murray Island) looking towards Waier and Dauar. Photo by Ludo Kuipers. Anti-Discrimination Commission Queensland Cover photo The cover photo shows the beach at Mer looking towards Waier and Dauar. In 1992, after a ten-year court battle by Eddie Mabo and other traditional land owners of the Murray Islands, the High Court of Australia delivered one of the most significant legal decisions in Australia’s history. In the Mabo decision, the High Court recognised the land rights of the Meriam people, traditional owners of the Murray Islands (which includes the islands of Mer, Dauer, and Waier) in the Torres Strait. The High Court ruled that the lands of this continent were not terra nullius or ‘land belonging to no- one’ when European settlement occurred, and that the Meriam people were 'entitled as against the whole world to possession, occupation, use and enjoyment of (most of) the lands of the Murray Islands'. © 2017 Anti-Discrimination Commission Queensland. ISBN: 978-0-9580054-6-3 Copyright protects this material. The Anti-Discrimination Commission Queensland has no objection to this publication being reproduced, but asserts its right to be recognised as the author, and the right to have its material remain unaltered. This publication is licensed by the State of Queensland (Anti-Discrimination Commission Queensland) under a Creative Commons Attribution 4.0 International licence (CC BY 4.0) (https://creativecommons.org/licenses/by/4.0/ ) This publication is available in electronic format on the Anti-Discrimination Commission Queensland’s website at: www.adcq.qld.gov.au. -
Indigenous Fine Art in Far North Queensland
ResearchOnline@JCU This file is part of the following reference: Neave, Coral (2013) Framing culture: Indigenous fine art in Far North Queensland. PhD thesis, James Cook University. Access to this file is available from: http://researchonline.jcu.edu.au/40585/ The author has certified to JCU that they have made a reasonable effort to gain permission and acknowledge the owner of any third party copyright material included in this document. If you believe that this is not the case, please contact [email protected] and quote http://researchonline.jcu.edu.au/40585/ Framing Culture: Indigenous Fine Art in Far North Queensland Submitted By Coral Neave B. A. (Hons), M. A. (Anthropology) Thesis submitted for the research degree of Doctor of Philosophy in the School of Arts and Social Sciences, Department of Anthropology, Archaeology and Sociology. James Cook University, Townsville, Queensland, Australia. November 2013 Statement of Sources Declaration I declare that this thesis is my own work and has not ben submitted in any form for any degree or diploma at any university or other institution of tertiary education. Information derived from the published or unpublished work of others has been acknowledged in the text and a list of references is given. ___________________________________ __________________________________ Coral Neave Date i Statement of Access I, the undersigned, author of this work, understand that James Cook University will make this thesis available for use within the University Library and, via the Digital Theses network, for use elsewhere. I understand that, as an unpublished work, a thesis has significant protection under the Copyright Act; and, I do not wish to place any further restriction on access to this work. -
Artwork Labels
Reimagining between tradition and innovation 17 October 2020 – 10 January 2021 Artwork labels © COPYRIGHT This document is the property of Cairns Art Gallery. Reproduction in part or whole is prohibited without written authorisation. Reimagining: between tradition and innovation highlights the work of Indigenous artists from the Gallery’s Collection. The exhibition looks at the significance of legacy in contemporary Indigenous art, where the generational transmission of cultural knowledge across time and place informs innovation and is intrinsic to developments in contemporary artistic practice. For many Aboriginal and Torres Strait Islander artists who live in or who have cultural connection to Far North Queensland, understanding, respecting and practising age-old cultural rituals and traditions are deeply embedded in their work. This knowledge and understanding of culture and connection also encourages them to create works of art that can impart traditional knowledge to new audiences while reaching out to the next generation of artists and encouraging them to connect and engage with their culture as an expression of identity and belonging. Through the juxtaposition of traditional and contemporary works, this exhibition seeks to articulate the many ways in which artistic expression can transition from traditional works made from organic materials using ancient techniques, such as weaving, carving, body markings and scarification, to exciting and highly contemporary works made from man-made materials and using new media. Close scrutiny of many of the contemporary works will reveal references that may initially seem ironic or incongruous, such as references to western art history and the appropriation of popular culture images and forms. However, these inclusions are deliberate and are selected by the artist for their ability to extend complex narratives between traditional and contemporary ways of life and culture. -
Indigenous Education Around the World. Workshop Papers from the World Indigenous People's Conference: Education (Albuquerque, New Mexico, June 15-22, 1996)
DOCUMENT RESUME ED 467 395 RC 023 640 AUTHOR Barnhardt, Ray, Comp. TITLE Indigenous Education around the World. Workshop Papers from the World Indigenous People's Conference: Education (Albuquerque, New Mexico, June 15-22, 1996). INSTITUTION Alaska Univ., Fairbanks. Center for Cross-Cultural Studies. PUB DATE 1999-07-00 NOTE 640p.; For selected individual papers, see RC 023 641-661. PUB TYPE Collected Works Proceedings (021) EDRS PRICE EDRS Price MF03/PC26 Plus Postage. DESCRIPTORS Aboriginal Australians; Alaska Natives; American Indian Education; American Indians; Canada Natives; *College Programs; Cultural Maintenance; *Culturally Relevant Education; Educational Research; Elementary Secondary Education; Foreign Countries; Health Education; Higher Education; *Indigenous Populations; *Language Maintenance; Maori (People); Native Language Instruction; School Community Relationship; *Self Determination; *Teacher Education; Tribally Controlled Education ABSTRACT This proceedings contains 35 reports, presentations, and workshop summaries from the fourth triennial World Indigenous People's Conference: Education, held in June 1996. The papers are organized around six broad headings: research papers and reports, tertiary program descriptions, teacher education, community initiatives, language, and health education. Two additional sections contain the Coolangata Statement--the conference's "declaration of indigenous people's education rights--and a complete set of workshop abstracts and presenter information. The presentations deal with a wide range of indigenous educational issues in the United States, Canada, Australia, and New Zealand. They demonstrate that indigenous definition and control of the educational agenda has progressed on several fronts in all of the nations represented at the conference. A tidal wave of initiatives is under way, aimed at placing indigenous beliefs, values, knowledge systems, and ways of knowing into the educational arena at all levels. -
Natural and Cultural Histories of the Island of Mabuyag, Torres Strait. Edited by Ian J
Memoirs of the Queensland Museum | Culture Volume 8 Part 1 Goemulgaw Lagal: Natural and Cultural Histories of the Island of Mabuyag, Torres Strait. Edited by Ian J. McNiven and Garrick Hitchcock Minister: Annastacia Palaszczuk MP, Premier and Minister for the Arts CEO: Suzanne Miller, BSc(Hons), PhD, FGS, FMinSoc, FAIMM, FGSA , FRSSA Editor in Chief: J.N.A. Hooper, PhD Editors: Ian J. McNiven PhD and Garrick Hitchcock, BA (Hons) PhD(QLD) FLS FRGS Issue Editors: Geraldine Mate, PhD PUBLISHED BY ORDER OF THE BOARD 2015 © Queensland Museum PO Box 3300, South Brisbane 4101, Australia Phone: +61 (0) 7 3840 7555 Fax: +61 (0) 7 3846 1226 Web: qm.qld.gov.au National Library of Australia card number ISSN 1440-4788 VOLUME 8 IS COMPLETE IN 2 PARTS COVER Image on book cover: People tending to a ground oven (umai) at Nayedh, Bau village, Mabuyag, 1921. Photographed by Frank Hurley (National Library of Australia: pic-vn3314129-v). NOTE Papers published in this volume and in all previous volumes of the Memoirs of the Queensland Museum may be reproduced for scientific research, individual study or other educational purposes. Properly acknowledged quotations may be made but queries regarding the republication of any papers should be addressed to the CEO. Copies of the journal can be purchased from the Queensland Museum Shop. A Guide to Authors is displayed on the Queensland Museum website qm.qld.gov.au A Queensland Government Project Design and Layout: Tanya Edbrooke, Queensland Museum Printed by Watson, Ferguson & Company Ngalmun Lagaw Yangukudu: the language of our homeland Rod MITCHELL Mitchell, R.