The Mind of Adolf Hitler. the Secret Wartime Report
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Aus Freude Am Lesen 74520 | RANDOM HOUSE | Knopp | Geheimnisse Des Dritten Reichs Page 2 4-OCT-12
74520 | RANDOM HOUSE | Knopp | Geheimnisse des Dritten Reichs Page 1 4-OCT-12 Aus Freude am Lesen 74520 | RANDOM HOUSE | Knopp | Geheimnisse des Dritten Reichs Page 2 4-OCT-12 Die Zeit des Nationalsozialismus hat nur zwölf Jahre gedauert, und doch wird sie auch künftig die Wahrnehmung deutscher Geschichte entscheidend prägen. Terror, Völkermord und Weltkrieg gingen von Hitlers Deutschland aus. Viele Aspekte des »Dritten Reichs« sind noch immer rätselhaft und klärungsbedürftig. Guido Knopp widmet sich solchen Geheimnissen – Fakten, die damals nicht bekannt wer- den durften oder die erst heute erschlossen werden können –wie etwa Adolf Hitlers von ihm nach Kräften verschleierten Familien- verhältnissen, seinen Geldmitteln und seinem Verhältnis zu Frauen. Oder der Legende Erwin Rommel, den Obsessionen des »Reichs- führers SS« Heinrich Himmler und neu aufgedeckte Täuschungen Albert Speers. Prof. Dr. Guido Knopp war nach seinem Studium zunächst Redakteur der Frankfurter Allgemeinen Zeitung und anschließend Auslandschef der Welt am Sonntag. Seit 1984 leitet er die ZDF- Redaktion Zeitgeschichte. Guido Knopp hat zahlreiche Auszeich- nungen erhalten, darunter den Jakob-Kaiser-Preis, den Europäischen Fernsehpreis, den Telestar, den Goldenen Löwen, den Bayerischen Fernsehpreis und das Bundesverdienstkreuz. 74520 | RANDOM HOUSE | Knopp | Geheimnisse des Dritten Reichs Page 3 4-OCT-12 Guido Knopp Geheimnisse des »Dritten Reichs« In Zusammenarbeit mit Alexander Berkel, Anja Greulich, Ricarda Schlosshan, Mario Sporn, Thomas Staehler, Uli Weidenbach Redaktion: -
Starring Hitler! Adolf Hitler As the Main Character in Twentieth-First Century French Fiction," Studies in 20Th & 21St Century Literature: Vol
Studies in 20th & 21st Century Literature Volume 43 Issue 2 Article 44 October 2019 Starring Hitler! Adolf Hitler as the Main Character in Twentieth- First Century French Fiction Marion Duval The College of Wooster, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, Holocaust and Genocide Studies Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Duval, Marion (2019) "Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 2, Article 44. https://doi.org/10.4148/ 2334-4415.2076 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction Abstract Adolf Hitler has remained a prominent figure in popular culture, often portrayed as either the personification of evil or as an object of comedic ridicule. Although Hitler has never belonged solely to history books, testimonials, or documentaries, he has recently received a great deal of attention in French literary fiction. This article reviews three recent French novels by established authors: La part de l’autre (The Alternate Hypothesis) by Emmanuel Schmitt, Lui (Him) by Patrick Besson and La jeunesse mélancolique et très désabusée d’Adolf Hitler (Adolf Hitler’s Depressed and Very Disillusioned Youth) by Michel Folco; all of which belong to the Twenty-First Century French literary trend of focusing on Second World War perpetrators instead of their victims. -
Perceptive Intent in the Works of Guenter Grass: an Investigation and Assessment with Extensive Bibliography
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 Perceptive Intent in the Works of Guenter Grass: an Investigation and Assessment With Extensive Bibliography. George Alexander Everett rJ Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Everett, George Alexander Jr, "Perceptive Intent in the Works of Guenter Grass: an Investigation and Assessment With Extensive Bibliography." (1971). LSU Historical Dissertations and Theses. 1980. https://digitalcommons.lsu.edu/gradschool_disstheses/1980 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 71-29,361 EVERETT, Jr., George Alexander, 1942- PRECEPTIVE INTENT IN THE WORKS OF GUNTER GRASS: AN INVESTIGATION AND ASSESSMENT WITH EXTENSIVE BIBLIOGRAPHY. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Language and Literature, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PRECEPTIVE INTENT IN THE WORKS OF GUNTER GRASS; AN INVESTIGATION AND ASSESSMENT WITH EXTENSIVE BIBIIOGRAPHY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages by George Alexander Everett, Jr. B.A., University of Mississippi, 1964 M.A., Louisiana State University, 1966 May, 1971 Reproduced with permission of the copyright owner. -
Adolf Hitler and the Psychiatrists
Journal of Forensic Science & Criminology Volume 5 | Issue 1 ISSN: 2348-9804 Research Article Open Access Adolf Hitler and the psychiatrists: Psychiatric debate on the German Dictator’s mental state in The Lancet Robert M Kaplan* Clinical Associate Professor, Graduate School of Medicine, University of Wollongong, Australia *Corresponding author: Robert M Kaplan, Clinical Associate Professor, Graduate School of Medicine, University of Wollongong, Australia, E-mail: [email protected] Citation: Robert M Kaplan (2017) Adolf Hitler and the psychiatrists: Psychiatric debate on the German Dictator’s mental state in The Lancet. J Forensic Sci Criminol 5(1): 101. doi: 10.15744/2348-9804.5.101 Received Date: September 23, 2016 Accepted Date: February 25, 2017 Published Date: February 27, 2017 Abstract Adolf Hitler’s sanity was questioned by many, including psychiatrists. Attempts to understand the German dictator’s mental state started with his ascension to power in 1933 and continue up to the present, providing a historiography that is far more revealing about changing trends in medicine than it is about his mental state. This paper looks at the public comments of various psychiatrists on Hitler’s mental state, commencing with his rise to power to 1933 and culminating in defeat and death in 1945. The views of the psychiatrists were based on public information, largely derived from the news and often reflected their own professional bias. The first public comment on Hitler’s mental state by a psychiatrist was by Norwegian psychiatrist Johann Scharffenberg in 1933. Carl Jung made several favourable comments about him before 1939. With the onset of war, the distinguished journal The Lancet ran a review article on Hitler’s mental state with a critical editorial alongside attributed to Aubrey Lewis. -
The Development and Character of the Nazi Political Machine, 1928-1930, and the Isdap Electoral Breakthrough
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 The evelopmeD nt and Character of the Nazi Political Machine, 1928-1930, and the Nsdap Electoral Breakthrough. Thomas Wiles Arafe Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Arafe, Thomas Wiles Jr, "The eD velopment and Character of the Nazi Political Machine, 1928-1930, and the Nsdap Electoral Breakthrough." (1976). LSU Historical Dissertations and Theses. 2909. https://digitalcommons.lsu.edu/gradschool_disstheses/2909 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. « The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing pega(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The German-American Bund: Fifth Column Or
-41 THE GERMAN-AMERICAN BUND: FIFTH COLUMN OR DEUTSCHTUM? THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By James E. Geels, B. A. Denton, Texas August, 1975 Geels, James E., The German-American Bund: Fifth Column or Deutschtum? Master of Arts (History), August, 1975, 183 pp., bibliography, 140 titles. Although the German-American Bund received extensive press coverage during its existence and monographs of American politics in the 1930's refer to the Bund's activities, there has been no thorough examination of the charge that the Bund was a fifth column organization responsible to German authorities. This six-chapter study traces the Bund's history with an emphasis on determining the motivation of Bundists and the nature of the relationship between the Bund and the Third Reich. The conclusions are twofold. First, the Third Reich repeatedly discouraged the Bundists and attempted to dissociate itself from the Bund. Second, the Bund's commitment to Deutschtum through its endeavors to assist the German nation and the Third Reich contributed to American hatred of National Socialism. TABLE OF CONTENTS Chapter Page I. INTRODUCTION... ....... 1 II. DEUTSCHTUM.. ......... 14 III. ORIGIN AND IMAGE OF THE GERMAN- ... .50 AMERICAN BUND............ IV. RELATIONSHIP BETWEEN THE BUND AND THE THIRD REICH....... 82 V. INVESTIGATION OF THE BUND. 121 VI. CONCLUSION.. ......... 161 APPENDIX....... .............. ..... 170 BIBLIOGRAPHY......... ........... -
Sendung Am 27.12.19, 12.05 - 14.00 Uhr, BR-KLASSIK
Sendung am 27.12.19, 12.05 - 14.00 Uhr, BR-KLASSIK Xaver Frühbeis ________________________________________________ MITTAGSMUSIK - MIT SAHNE Deutsche Schellackschlager: Ich wollt', ich wär ein Huhn ________________________________________________ MUSIK: Peter Kreuder: Ich wollt, ich wär ein Huhn Lilian Harvey, Willy Fritsch, Gesang Odeon Tanzorchester, Friedrich Schröder "Ich wollt, ich wär ein Huhn". Die Fassung mit Lilian Harvey und Willy Fritsch, die nach dem Erfolg des Films "Glückskinder" auf Schellack rauskam. Und wer den Film kennt, der muss da natürlich enttäuscht sein. Erstens sind die beiden hier bloß zu zweit, zweitens singen sie nicht wirklich viel vom Text, und drittens fehlt hier auch noch ziemlich viel vom Schwung. Den man sich erwartet, wenn man die Filmszene gesehen hat. Und der das Stück ja überhaupt ausmacht. Die Szene im Film ist grandios. Sie sind zu viert. Lilian Harvey als Landstreicherin oder Millionärstochter, das weiß man nicht so recht, Willy Fritsch als ihr Ehemann, die beiden sind das Traumpaar des deutschen Films, an ihrer Seite noch - dick und gemütlich: Oskar Sima, - klein und quirlig: Paul Kemp. Harvey und Fritsch sind frisch verheiratet, kurz nachdem sie einander zum ersten Mal gesehen haben, und passiert ist ihnen das in einem Schnellgerichtssaal. Fritsch ist Gerichtsreporter, er will Harvey vor dem Richter retten, indem er behauptet, sie sei seine Braut, sie würden auch demnächst heiraten wollen, sie seien nur noch nicht dazu gekommen, worauf der Schnellrichter den Standesbeamten holen lässt, und jetzt sind die beiden also ein Ehepaar. Das Problem mit der Hochzeitsnacht haben sie gelöst, indem sie zwischen ihre beiden Betten ein Brett mit Willys Kaktussammlung gestellt haben, und jetzt sind Willys Kollegen von der Zeitung zu Besuch, und die vier machen in der Küche Frühstück. -
Spring Edition 2020-2021 5 New Ways to Stay Healthy in the Spring By: Ava G
O'Rourke Observer Spring Edition 2020-2021 5 New Ways to Stay Healthy in the Spring By: Ava G. Spring is a new season full of opportunities! As the snow slowly disappears, green grass appears! A new chance arises to get outside and get moving! Here are a few ways to stay healthy this spring. 1. As the weather gets warmer you can take a bike ride around your neighborhood or your house. Regular cycling has many benefits like increased cardiovascular fitness, increased flexibility and muscle strength, joint mobility improvement, stress level decline, posture and coordination improvement, strengthened bones, body fat level decline, disease management or prevention, and finally anxiety and depression reduction. 2. Go for a run. You can run around your house or your neighborhood. There are many health benefits to regular running (or jogging!) Some are improved muscle and bone strength, increased cardiovascular fitness, and it helps to preserve a healthy weight. 3. Go for a hike. Hiking is a great way to enjoy the outdoors and have a great workout at the same time! Hiking can reduce your risk of heart disease, enhance your blood sugar levels and your blood pressure, and it can boost your mood. Here are some great day hikes near Saratoga! You can hike Hadley Mountain, Spruce Mountain, the John Boyd Thacher State Park, Prospect Mountain, Buck Mountain, Shelving Rock Falls & Summit, Cat Mountain, Sleeping Beauty, Thomas Mountain, and Crane Mountain. I have hiked Cat Mountain before, and I loved it! When you reach the summit it has a great view of the ENTIRE Lake George. -
Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002
Description of document: Central Intelligence Agency (CIA) Freedom of Information Act (FOIA) Case Log October 2000 - April 2002 Requested date: 2002 Release date: 2003 Posted date: 08-February-2021 Source of document: Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: 703-613-3007 Filing a FOIA Records Request Online The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. 1 O ct 2000_30 April 2002 Creation Date Requester Last Name Case Subject 36802.28679 STRANEY TECHNOLOGICAL GROWTH OF INDIA; HONG KONG; CHINA AND WTO 36802.2992 CRAWFORD EIGHT DIFFERENT REQUESTS FOR REPORTS REGARDING CIA EMPLOYEES OR AGENTS 36802.43927 MONTAN EDWARD GRADY PARTIN 36802.44378 TAVAKOLI-NOURI STEPHEN FLACK GUNTHER 36810.54721 BISHOP SCIENCE OF IDENTITY FOUNDATION 36810.55028 KHEMANEY TI LEAF PRODUCTIONS, LTD. -
Film Film Film Film
City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Sgg 37 Druk.Pdf
37.indd 1 2017-09-28 09:54:03 37.indd 2 2017-09-28 09:54:04 37.indd 3 2017-09-28 09:54:04 Redaktor serii / Reihenherausgeber Prof. dr. hab. Mirosław Ossowski Komitet Redakcyjny / Herausgeberbeirat Marion Brandt, Agnieszka Haas, Andrzej Kątny, Sławomir Leśniak, Danuta Olszewska, Izabela Kujawa (sekretarz), Mirosław Ossowski, Jan Sikora Rada Naukowa / Wissenschaftlicher Beirat Anna Babka (Wien), Bernd Ulrich Biere (Koblenz), Ines Busch-Lauer (Zwickau), Marek Jaroszewski (Warszawa), Hans Wolf Jäger (Bremen), Peter Oliver Loew (Darmstadt), Heinz-Helmut Lüger (Koblenz-Landau), Grażyna Łopuszańska (Gdańsk), Ole Letnes (Agder), Stefan Michael Newerkla (Wien), Christoph Schatte (Poznań), Marian Szczodrowski (Gdańsk), Zenon Weigt (Łódź) Recenzenci / Gutachter Prof. dr hab. Czesława Schatte, Prof. Dr. habil. Danuta Rytel-Schwarz, Prof. Dr. habil. Haraldt Weydt Projekt okładki i stron tytułowych / Umschlag- und Titelseitengestaltung Andrzej Taranek Adres Redakcji /Anschrift der Redaktion: Instytut Filologii Germańskiej, ul. Wita Stwosza 51, Pl 80‒308 Gdańsk E-Mail: [email protected] Skład i łamanie / DTP Marek Smoliński Wydanie publikacji sfinansowano ze środków Fundacji im. J.G. Herdera w Gdańsku oraz Wydziału Filologicznego Uniwersytetu Gdańskiego / Der Band wurde aus Mitteln der J.G.-Herder-Stiftung in Gdańsk und der Philologischen Fakultät der Universität Gdańsk mitfinanziert Wersją pierwotną Studia Germanica Gedanensia jest wersja drukowana Copyright by Instytut Filologii Germańskiej Wydawnictwo Uniwersytetu Gdańskiego 2017 ISSN 1230‒6045 ISBN 978–83–7865–582–4 Wydawnictwo Uniwersytetu Gdańskiego ul. Armii Krajowej 119/121, 81‒824 Sopot tel./fax 58 523 11 37, tel. 725 991 206 e -mail: [email protected] www.wyd.ug.edu.pl 37.indd 4 2017-09-28 09:54:04 Inhaltsverzeichnis KONTRASTIVE LINGUISTIK UND INTERKULTURELLE KOMMUNIKATION SPRACH- UND KULTURKONTAKTE Heinz -Helmut Lüger Kulturspezifik und Übersetzbarkeit. -
Whose Hi/Story Is It? the U.S. Reception of Downfall
Whose Hi/story Is It? The U.S. Reception of Downfall David Bathrick Before I address the U.S. media response to the fi lm Downfall, I would like to mention a methodological problem that I encountered time and again when researching this essay: whether it is possible to speak of reception in purely national terms in this age of globalization, be it a foreign fi lm or any other cultural artifact. Generally speaking, Bernd Eichinger’s large-scale production Downfall can be considered a success in America both fi nancially and critically. On its fi rst weekend alone in New York City it broke box-offi ce records for the small repertory movie theater Film Forum, grossing $24,220, despite its consider- able length, some two and a half hours, and the fact that it was shown in the original with subtitles. Nationally, audience attendance remained unusually high for the following twelve weeks, compared with average fi gures for other German fi lms made for export markets.1 Downfall, which grossed $5,501,940 to the end of October 2005, was an unequivocal box-offi ce hit. One major reason for its success was certainly the content. Adolf Hit- ler, in his capacity as star of the silver screen, has always been a suffi cient This article originally appeared in Das Böse im Blick: Die Gegenwart des Nationalsozialismus im Film, ed. Margrit Frölich, Christian Schneider, and Karsten Visarius (Munich: edition text und kritik, 2007). 1. The only more recent fi lm to earn equivalent revenue was Nirgendwo in Afrika.