DOCSLIB.ORG

Hugh Wyld Actor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hugh Wyld Actor Hugh Wyld Actor Hugh Wyld is a performer, theatre-maker and director. Hugh studied at Cambridge University, before training at The Royal Central School of Speech and Drama. Hugh’s acting credits include: Define Gender/Victoria Sin (Nowness Productions), Chubby Funny (Free Range Films), The Winslow Boy (Rose Theatre), The Life of Chekhov (BBC Radio), Titus Andronicus (The Globe Theatre), Pillars of the Community (National Theatre) and Billy Elliot the Musical (Victoria Palace Theatre). Hugh performs as Shirley Du-Naughty in 5 member drag girl band ‘Denim’, sponsored by MAC Cosmetics and Bumble Style. Denim performed a sell-out run at the Edinburgh Fringe Festival (Underbelly), where they received 5* from The Scotsman, before transferring to The Soho Theatre, gaining a 4* review from The Guardian. Denim have also performed at the Arts Theatre, Trafalgar Studios, the Bethnal Green Working Men’s Club and Port Eliot Festival, as well as doing a secret gig with Florence and the Machine at Glastonbury Festival. Hugh also devises and performs as part of a new theatre ensemble Tacky Pioneer, a graduate company from the Advanced Theatre Practice MA course at Royal Central School of Speech and Drama. He is the artistic director of HIV Voices, a creative writing and performance project that works in association with London's largest HIV charity - Positive East. HIV Voices has been performed at a range of venues including The Lost Theatre, Kings Head, Tristan Bates and Pleasance Theatre. Watch scenes from TRIGONOMETRY here. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Agents Kitty Laing Associate Agent [email protected] Isaac Storm +44 (0) 203 214 0915 [email protected] 020 3214 0997 Roles Film Production Character Director Company THE BIG OTHER Pawel Jan Schomburg Warner Bros. Film Productions Germany DIVINE Pawel Jan Schomburg X-Filme Creative Pool Radio Production Character Director Company THE LIFE OF CHEKHOV Vanya Chekhov Lucy Bailey BBC Radio Stage Production Character Director Company MEASURE FOR MEASURE Lucio Charlie Parham CUADC ADC Theatre SOPHIE SCHOLL Christoph Charlie Parham CUADC ADC Theatre AS YOU LIKE IT Celia Charlie Parham CUADC Edinburgh Fringe THE COLLECTOR Clegg Hannah Webster CUADC Corpus Playrooms BOYS IN THE BAND Donald Guy Woolf CUADC ADC Theatre KING LEAR Edgar Charlie Parham CUADC ADC Theatre MACBETH Malcolm John Haidar CUADC ROMEO & JULIET Benvolio John Haidar CUADC NOISES OFF Frederick Fellows Max Barton CUADC ADC Theatre JOURNEY'S END Raleigh Chris Poel CUADC ADC Theatre CAT ON A HOT TIN ROOF Doc Baugh Morgan Ring CUADC ADC Theatre THE WINSLOW BOY Ronnie Winslow Stephen Unwin Rose Theatre TITUS ANDRONICUS Young Lucius Lucy Bailey The Globe Theatre United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company PILLARS OF THE Olaf Bernick Marianne Elliot The National Theatre COMMUNITY BILLY ELLIOT THE MUSICAL Tall Boy Stephen Daldry Working Title Films Victoria Palace Theatre Television Production Character Director Company TRIGONOMETRY Jason Athina Rachel House Productions for BBC2 Tsangari United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Load more

Recommended publications
  • David Nellist
    Eamonn Bedford Agency 1st Floor - 28 Mortimer Street London W1W 7RD EBA t +44(0) 20 7734 9632 e [email protected] represented by Charlie Cox www.eamonnbedford.agency DAVID NELLIST HEIGHT: 5’5” (165cm) HAIR: Light/Mid EYES: Blue TITLE (Role) DIRECTOR PRODUCTION COMPANY THEATRE Much Ado About Nothing (Dogberry) Conrad Nelson Northern Broadsides The Fulstow Boys (Maurice) Gordon Steel Hull Truck The Crucible (Thomas Putnam) Geraldine Alexander Storyhouse The Curious Incident Of The Dog In The Nighttime Marianne Elliott Apollo Theatre (Reverend Peters) War Horse (Sgt Thunder) Alex Sims National Theatre at New London Wet House (Spencer) Max Roberts Live Theatre, Newcastle Blue Remembered Hills (Willie) Psyche Stott Northern Stage and Tour Alf Ramsey Knew My Grandfather Mark Wingett Darlington Civic Theatre (Sidney Barron/Wyn Barron) Close The Coalhouse Door (Geordie) Sam West Northern Stage Much Ado About Nothing/Globe Mysteries Jeremy Herrin/Deborah Bruce Shakespeare’s Globe Billy Elliot (George) Stephen Daldry Victoria Palace - West End Alf Ramsey Knew My Grandfather Simon Stallworthy Gala Theatre, Durham You Couldn’t Make It Up Max Roberts Live Theatre, Newcastle You Really Coudn’t Make It Up (Mike Ashley) Max Roberts Live Theatre, Newcastle Nicholas Nickleby (Ned Cheeryble) Philip Franks/ Chichester Festival Theatre/West End Jonathan Church Canada And UK Tour The Likely Lads (Bob Ferris) Simon Stallworthy Gala Theatre, Durham The Far Corner (One Man Show) Simon Stallworthy Gala Theatre, Durham Toast (Dezzie) Jeremy Herrin Live Theatre,
    [Show full text]
  • The Secret Scripture
    Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot.
    [Show full text]
  • Roth Is Noted for Her Ability to Collaborate with Actors and Directors In
    Roth is noted for her ability to collaborate with actors and directors in creating indelible characters, and has worked repeatedly with such artists as Mike Nichols, Stephen Daldry, Anthony Minghella, Meryl Streep, Jane Fonda, Robin Williams, Nicole Kidman and Daniel Day-Lewis. In addition to her four Academy Award nominations, Roth has received four Tony Award. nominations for her costume designs for the stage (most recently, for her work on The Book of Mormon) and three Emmy Award. nominations (including her work on the miniseries "Mildred Pierce"). This special event will be both a celebration of Roth's career and an examination of her work and craft, featuring film clips and in-depth discussions of her creative process. "Ann's work has helped bring some of our most iconic movie characters to life," said Academy CEO Dawn Hudson. "She's a beloved artist whose work continues to inspire all of us. " "We are honored that in our festival's anniversary year we are able to recognize and salute such an extraordinary woman as Ann Roth," said Executive Director Karen Arikian. "She epitomizes the inspirational creative talent that we have endeavored to present to our audiences at HIFF for the last 20 years." "It is, of course, a tremendous honor to be recognized for one's work by one's peers" said Ann Roth. "I gratefully thank both The Academy Of Motion Picture Arts And Sciences and The Hamptons International Film Festival and I commend the festival on its steely optimism in waiting until 2012 to bestow such an honor on me".
    [Show full text]
  • Hetherington, K
    KRISTINA HETHERINGTON Editor Feature Films: THE DUKE - Sony/Neon Films - Roger Michell, director BLACKBIRD - Millennium Films - Roger Michell, director Toronto International Film Festival, World Premiere RED JOAN - Lionsgate - Trevor Nunn, director Toronto International Film Festival, Official Selection CHRISTOPHER ROBIN (additional editor) - Disney - Marc Forster, director MY COUSIN RACHEL - Fox Searchlight Pictures - Roger Michell, director DETOUR - Magnet Releasing - Christopher Smith, director TRESPASS AGAINST US - A24 - Adam Smith, director LE WEEK-END - Music Box Films - Roger Michell, director JAPAN IN A DAY - GAGA - Philip Martin & Gaku Narita, directors A BOY CALLED DAD - Emerging Pictures - Brian Percival, director SUMMER - Vertigo Films - Kenny Glenaan, director YASMIN - Asian Crush - Kenny Glenaan, director BLIND FIGHT - Film1 - John Furse, director LIAM - Lions Gate Films - Stephen Frears, director Television: SITTING IN LIMBO (movie) - BBC One/BBC - Stella Corradi, director THE CHILD IN TIME (movie) - BBC One/BBC - Julian Farino, director THE CROWN (series) - Netflix/Left Blank Pictures - Stephen Daldry & Philip Martin, directors MURDER (mini-series) - BBC/Touchpaper Television - Iain Forsyth & Jane Pollard, directors BIRTHDAY (movie) - Sky Arts/Slam Films - Roger Michell, director THE LOST HONOUR OF CHRISTOPHER JEFFERIES - ITV/Carnival Film & TV - Roger Michell, director RTS of West England Award Winner, Best Editing in Drama KLONDIKE (mini-series) - Discovery Channel/Scott Free Productions - Simon Cellan Jones, director
    [Show full text]
  • Colin Grenfell Lighting Designer
    Colin Grenfell Lighting Designer Colin has been lighting shows and performances for over 20 years, beginning his career with the Improbable Theatre Company. His first productions were 70 HILL LANE and ANIMO and these marked the start of a long collaboration; designing the lighting for shows touring the UK and around the world, including THEATRE OF BLOOD (National theatre), THE HANGING MAN (West Yorkshire Playhouse) LIFEGAME (National Theatre, UK Tour, La Jolla Playhouse, Off Broadway, Brisbane, US Tours) SPIRIT (Royal Court, UK, US Tours, Sydney Opera House,New York Theatre Workshop. Agents Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Theatre Production Company Notes RODELINDA Royal College of Music Dir. Jo Davies 2021 STILL Traverse Theatre Dir. Gareth Nicholls 2021 THE KING OF HELL'S Hampstead Theatre Dir. Michael Boyd PALACE 2019 MACBETH Royal Exchange Theatre, Manchester Dir. Christopher Haydon 2019 TAO OF GLASS Royal Exchange Theatre, Manchester Co-Directors: Phelim 2019 McDermott and Kirsty Housley United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ON THE EXHALE China Plate & Audible in association Dir. Christopher Haydon 2018 with New Theatre Royal Portsmouth THE CHERRY ORCHARD Bristol Old Vic & Manchester Royal Dir. Michael Boyd 2018 Exchange CHRISTMAS EVE Theatre Royal Bath Dir. Laurence Boswell 2018 TROUBLE IN MIND Print Room at the Coronet/Theatre Dir Laurence Boswell 2017 Royal
    [Show full text]
  • Page to Stage
    PAGE TO STAGE Curriculum resources based on the extraordinary children’s classic by Roald Dahl Updated for the Australian Curriculum by Eli Erez and David Perry The World’s No. 1 Storyteller Appropriate for ages 7-12 www.qpac.com.au/event/charlie_chocolate_factory_21/ 1 LIST OF CONTENTS INTRODUCTION CONNECTIONS TO AUST CURRICULUM ACTIVITIES: ENGLISH VISUAL ARTS Slam Writing Unchartered Territory Diary Entry Setting the Scene Poetry in Motion Packaging Design Spotting Adjectives Create Your Own Chocolate Treat A Ride in the Glass Elevator Your Favourite Scene Which Words WORKSHEETS: THE ARTS 1. Character Cards DANCE 2. Poetry In Motion Making Moves 3. Spotting the Adjectives Discussing Dance 4. Mr Wonka’s Factory Creating Choreography 5. Character Portraits 6. Adventure Cards DRAMA 7. Structuring Your Scene 8. Who’s Involved? Character Portraits 9. Design A Mood Board What Would You Ask? 10. The Right Material Storyboarding a Scene 11. Dressing the Oompa-Loompas The Final Chapter 12. Read All About It Who’s Involved 13. Create Your Own Chocolate Treat The Right Material 14. Design A Chocolate Bar Wrapper Dressing the Oompa-Loompas (Parts 1, 2 & 3) 15. Design Your Own Packaging MEDIA ARTS Read All About It ADDITIONAL RESOURCES: Design an Ad Biographies of the Cast & Creative Team Spread the Word Synopsis Where Are They Now? Character Descriptions Wonka Promo Ad Other Resources MUSIC Be a Broadway Songwriter Have a Good Time with Rhyme Call and Response Special Effects The Oompa-Loompa Song 2 WELCOME TO THE WONDROUS WORLD OF THE MAJOR NEW STAGE MUSICAL Charlie and the Chocolate Factory, the deliciously dark children’s classic, has been turned into a brand-new musical from three-time Tony Award© winning director Jack O’Brien and the Grammy© and Tony-winning songwriters of Hairspray: Marc Shaiman and Scott Wittman.
    [Show full text]
  • Works Cited – Films
    Works cited – films Ali (Michael Mann, 2001) All the President’s Men (Alan J Pakula, 1976) American Beauty (Sam Mendes, 1998) American History X (Tony Kaye, 1998) American Psycho (Mary Harron, 2000) American Splendor (Shari Springer Berman and Robert Pulcini, 2003) Arlington Road (Mark Pellington, 1999) Being There (Hal Ashby, 1980) Billy Elliott (Stephen Daldry, 2000) Black Christmas (Bob Clark, 1975) Blow Out (Brian De Palma, 1981) Bob Roberts (Tim Robbins, 1992) Bowling for Columbine (Michael Moore, 2002) Brassed Off (Mark Herman, 1996) The Brood (David Cronenberg, 1979) Bulworth (Warren Beatty, 1998) Capturing the Friedmans (Andrew Jarecki, 2003) Control Room (Jehane Noujaim, 2004) The China Syndrome (James Bridges, 1979) Chinatown (Roman Polanski, 1974) Clerks (Kevin Smith, 1994) Conspiracy Theory (Richard Donner, 1997) The Conversation (Francis Ford Coppola, 1974) The Corporation (Jennifer Abbott and Mark Achbar, 2004) Crumb (Terry Zwigoff, 1994) Dave (Ivan Reitman, 1993) The Defector (Raoul Lévy, 1965) La Dolce Vita (Federico Fellini, 1960) Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) Evil Dead II (Sam Raimi, 1987) 201 Executive Action (David Miller, 1973) eXistenZ (David Cronenberg, 1999) The Exorcist (William Friedkin, 1973) Fahrenheit 9/11 (Michael Moore, 2004) Falling Down (Joel Schumacher, 1993) Far From Heaven (Todd Haynes, 2002) Fight Club (David Fincher, 1999) The Firm (Sydney Pollack, 1993) The Fly (David Cronenberg, 1986) The Forgotten (Joseph Ruben, 2004) Friday the 13th
    [Show full text]
  • The Craig Lecture 2010: Design in the Fourth Dimension
    The Craig Lecture 2010: Design in the fourth dimension Central School of Speech & Drama’s Craig Lecture, now in its second year, is given in honour of leading 20 th Century Modernist Edward Gordon Craig, author of The Art of Theatre , and director of Stanislavski’s epoch- defining production of Hamlet . This year’s speaker, Christopher Oram, explores what technology and interactivity can bring to theatre, and how theatre, not film, should be leading the way. This event took place at Central School of Speech & Drama on 5 July 2010, and was presented in association with the Society for Theatre Research. About Christopher Oram Oram began his career straight from West Sussex College of Art and Design, apprenticing for stage designer Paul Farnsworth at the Chichester Festival Theatre. From there he went on to assist designers Anthony Ward and Ian McNeil. Although he’s worked with most of our A list directors – including Trevor Nunn, Sam Mendes, Stephen Daldry, and Adrian Noble – he is best known for his long- term collaboration with his partner Michael Grandage. Since meeting on a production of The Last Yankee in 1995 (Grandage’s directorial debut), they have worked on numerous high profile productions, first at Sheffield – including As You Like It , (2000), Edward II (2001), Richard Iii (2002), The Tempest (2002), Suddenly Last Summer (2004) – and latterly at the Donmar (where Grandage is Artistic Director) – The Vortex (2002), Caligula (2003), Don Juan in Soho (2006), Frost/Nixon (2006), Othello (2008), and Red (2009). Other work includes West End musicals, as well as the costumes for Kenneth Branagh’s film of The Magic Flute and the opera Billy Budd at Glyndebourne Oram’s work has gained him several prestigious theatre awards: an Olivier in 2004 for Power ; A Critics' Circle Award (2004) for Suddenly Last Summer ; and an Evening Standard award (2003) for Caligula ; this year he has won the Backstage Garland award for Scenic Design for Parade and a Critic's Circle Award and a Tony for Red .
    [Show full text]
  • D:\Atlantis\Artículos Para Publicar 26.1\Editado Por Ricardo Y Por Mí
    ATLANTIS 26.1 (June 2004): 89–100 ISSN 0210-6124 The State of British Theatre Now: An Interview with Michael Billington Mireia Aragay Universitat de Barcelona [email protected] Pilar Zozaya Universitat de Barcelona [email protected] Michael Billington has been drama critic for The Guardian since 1971. He has written Alan Ayckbourn (1984), One Night Stands (1994), and The Life and Work of Harold Pinter (2001), and edited Stage and Screen Lives (2002). He is currently working on a survey of post-war British theatre from 1945 to the present to be published by Faber and Faber. In June 2003, Billington was voted Britain’s “most trustworthy” critic on the theatre website www.whatsonstage.com. The interview that follows was conducted in London on 30 June 2003. What do you think were the causes of the renaissance in new writing for the stage in the early 1990s? Why did it happen precisely then? One of the reasons was a clear reaction against the moral values of the 1980s. The writers who emerged in the 1990s had grown up in England in the 1980s, the period of Thatcherism, materialism, and the belief that profit was the ultimate test of anything’s worth. So we have a whole generation who were brought up in that philosophy, and who mightily repudiated it when they came into their twenties and started writing about it. We see this in the work of Mark Ravenhill very specifically, and to some extent in Sarah Kane, Patrick Marber, and Joe Penhall too. They are very different writers, but they all share a dislike of 1980s materialism.
    [Show full text]
  • Experiencing Reel Spirituality Spirituality and Film
    Experiencing Reel Spirituality Spirituality and Film Theme Speaker The Rev. Douglas E. Wadkins Camp Eliot August 2013 Day 1 The Daily Round “Let the Great World Spin” Day 2 Joy and Laughter “To Truly Laugh” Day 2 Joy and Laughter “To Truly Laugh” Day 3 Sadness & Loss "It's Not That I am Afraid to Die..." Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 5 Love and Other Redemptions Day 6 “The Play’s the Thing” Befriending Film Frederic and Mary Ann Brussat 1. Be Prepared 2. Remember your intention to be hospitable 3. Connect with the characters Befriending Film 4. Pay attention to your reactions 5. Consider the significance of what you are seeing 6. Look for the bigger picture Befriending Film 7. Watch for epiphanies 8. Don’t turn away from the shadow 9. Let the movie simmer Frederic and Mary Ann Brussat Links Home Page: http://www.spiritualityandpractice.com Spirituality & Film: http://www.spiritualityandpractice.com/films Rotten Tomatoes Critic Page: http://www.rottentomatoes.com/critic/frederic-and-mary-ann-brussat Filmography 1 Baraka. Dir. Ron Fricke. Magidson Films, 1992. Film. Beasts of the Southern Wild. Dir. Benh Zeitlin. Perf. Quvenzhané Wallis, Dwight Henry, Jovan Hathaway et al. Cinereach, 2012. Film. Defending Your Life. Dir. Albert Brooks. Perf. Albert Brooks, Michael Durrell, Lee Grant, Meryl Streep et al. Producer Robert Grand, 1991. Film. The Descendants. Dir. Alexander Payne. Perf. George Clooney, Patricia Hastie et al. Fox Searchlight Pictures, 2011. Film. The Impossible. Dir. J.A. Bayona. Perf.
    [Show full text]
  • Designers CHAPTI!R SCENERY, COSTUMES, MAKWP, MASKS, WIGS, and HAIR
    Image Makers: Designers CHAPTI!R SCENERY, COSTUMES, MAKWP, MASKS, WIGS, AND HAIR Stage-designing should be addressed to [the] eye of the mind. There Is an outer eye that observes, and there Is an inner eye that sees.1 Robert Edmond Jane!, The Dramatic lmagina~·M DesignerS of theatriCal sets, esigners collaborate with directors {and playwrights) td -focus costumes, masks,- puppets, the audiep.ce's attention on the actor in the theatrical space. hair, and wigs r~a1ize tha 0 . They create three-dimensional environments for the actor and production in vfsual terms. make the play's world visible and inte"resting, Sometimes one person (the· They are visual artists scenographer) designs scenery, lighting, and costumes, But in ~ost in­ who transform space stances today, scenery, costumes, lights, and sound are de~igned by indi­ and materials into an vidual artists working in collaboration. Imaginative world for actors engaged in human action. THE SCENE DESIGNER Background The seen~ or set designer entered the American theatre more than 100 years ago. The designer's nineteenth-century forerunner was the resident scenic artist, who painted large pieces of scenery !or theatre managers. Scenery's main function in those days was to gl.ve the actor a painted backgroun~ and to Indicate place: a drawing room, garden, etc. Scenic ~ studio~ staffed with specialized artists were set up to· tum out scenery on \ demand. Many of these studios conducted a large mail-order business for 11 ~,.-" r d)> / standard backdrops and scenic pieces.· By the middle of the nineteenth '- '(_a; (1:_ • o'---- _;v- .
    [Show full text]
  • Harriet Walter
    www.hamiltonhodell.co.uk Harriet Walter Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square Elizabeth Fieldhouse London, W1F 9JL, [email protected] United Kingdom Television Title Role Director Production Company Caroline, Countess of Carnival Film & BELGRAVIA John Alexander Brockenhurst Television/Epix/ITV Jessica M. Thompson/Jonathan THE END Edie Henley See Saw Films/Sky Atlantic Brough THE SPANISH PRINCESS Margaret Beaufort Birgitte Stærmose All3 Media/Starz SUCCESSION Series 1 & 2 Nominated for the Best Guest Actress in a Drama Series Award, Lady Caroline Collingwood Various HBO Primetime Emmy Awards, 2020 PATRICK MELROSE Princess Margaret Edward Berger Showtime/Sky Atlantic BLACK EARTH RISING Eve Ashby Hugo Blick BBC/Netflix FLOWERS Hylda Will Sharpe Kudos/Channel 4 CALL THE MIDWIFE Sister Ursula Various BBC BLACK SAILS Marilyn Guthrie Robert Levine Starz THE CROWN Clementine Churchill Stephen Daldry Netflix LONDON SPY Claire Jakob Vebruggen BBC THE ASSETS Jeanne Vertefeuille Various ABC DOWNTON ABBEY Lady Shackleton Various Carnival LAW AND ORDER: UK Natalie Chandler Various Kudos BY ANY MEANS Sally Walker Menhaj Huda Red Planet Productions HEADING OUT Angela Natalie Bailey Red Production Company Oxford Film & Television/BBC SIMON SCHAMA'S SHAKESPEARE Actress Ashley Gething Worldwide THIS SEPTEMBER Isobel Balmerino Giles Foster Gate Television HUNTER ACC Jenny Griffin Colm McCarthy BBC A SHORT STAY IN SWITZERLAND Clare Simon Curtis BBC LITTLE DORRIT Mrs. Gowan Dearbhla Walsh/Adam Smith BBC AGATHA CHRISTIE'S POIROT: CAT AMONGST THE Mrs Bulstrode James Kent ITV PIGEONS 10 DAYS TO WAR Anne Campbell David Belton BBC BALLET SHOES Dr.
    [Show full text]