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2006 TRASH Regionals Round 07 Tossups
2006 TRASH Regionals Round 07 Tossups 1. It appears twice in the e.e. cummings poem “little ladies more”. It also appears in the Tennessee Williams play A Streetcar Named Desire when Blanche DuBois asks it of Mitch. Seemingly awkward because of its use of the formal pronoun, it means, “Do you want to sleep with me (tonight)?” For ten points, give this phrase re-introduced to a new generation by Mya, Lil’ Kim, Pink, and Christina Aguilera in their 2001 version of “Lady Marmalade”. Answer: Voulez-vous coucher avec moi (ce soir)? 2. In Need for Speed: Most Wanted it’s called “Speed Breaker”, and is most often used to dodge roadblocks. In GUN, it’s called “Quick Draw.” The earliest example of it is probably in the 1980 Epyx game Rescue at Rigel. In Star Wars: Jedi Academy, you can get it using “Force Speed,” by killing Reborn Jedis, or typing the cheat code “there is no spoon.” For ten points, give the common name for the ability in video games to move at normal speed while the rest of the game is slowed down, most famously used in the Max Payne and, predictably, Matrix videogames. Answer: bullet time (Prompt on “slow motion” or equivalents. Note for itinerant cheaters: the cheat code is really “thereisnospoon”) 3. His favorite movie may be Divine Secrets of the Ya-Ya Sisterhood, while he cried a lot when he paid to see Godfather III. His first name may be Marion, but his full name has also been reported to be William Williams. -
Bodily Vulnerability: Critical Phenomenology and an Examination of Gendered Motility Tayler Bunge Regis University
Regis University ePublications at Regis University All Regis University Theses Spring 2016 Bodily Vulnerability: Critical Phenomenology and an Examination of Gendered Motility Tayler Bunge Regis University Follow this and additional works at: https://epublications.regis.edu/theses Part of the Arts and Humanities Commons Recommended Citation Bunge, Tayler, "Bodily Vulnerability: Critical Phenomenology and an Examination of Gendered Motility" (2016). All Regis University Theses. 703. https://epublications.regis.edu/theses/703 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Regis University Regis College Honors Theses Disclaimer Use of the materials available in the Regis University Thesis Collection (“Collection”) is limited and restricted to those users who agree to comply with the following terms of use. Regis University reserves the right to deny access to the Collection to any person who violates these terms of use or who seeks to or does alter, avoid or supersede the functional conditions, restrictions and limitations of the Collection. The site may be used only for lawful purposes. The user is solely responsible for knowing and adhering to any and all applicable laws, rules, and regulations relating or pertaining to use of the Collection. All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes. -
Rose City Salon
Portland State University PDXScholar University Honors Theses University Honors College 2016 Rose City Salon Joan Brown Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Brown, Joan, "Rose City Salon" (2016). University Honors Theses. Paper 263. https://doi.org/10.15760/honors.253 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Rose City Salon by Joan Brown An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts in University Honors and English Thesis Adviser A.B. Paulson, Ph.D. Portland State University 2016 1 Rose City Salon Chapter One January 2005 Standing at the reception counter and looking through the salon’s windows onto Fifth Avenue, Jillian watched as a round woman wearing a burgundy and turquoise caftan with matching turban drug a golden, hard-shell suitcase across three lanes of traffic, against the light. Cars honked. Brakes screeched. Nothing stopped the woman’s imperial progress. Jillian, practically hypnotized, wished she were that assertive. Outside great gusts of winded surged down the Columbia River Gorge and pounded Portland while January’s white sun had already begun descending into the west. Inside the salon lights were turned to medium high, lazily moving fans pulled around cinnamon scented air, and Dirty Vegas played through the sound system. -
The News Magazine of the University of Illinois School of Music from the Dean
WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B. -
Scott Marratto Associate Professor of Philosophy Humanities Department Michigan Technological University Contact Information •
MARRATTO :: CURRICULUM VITAE (UPDATED 10 AUG 18) SCOTT MARRATTO ASSOCIATE PROFESSOR OF PHILOSOPHY HUMANITIES DEPARTMENT MICHIGAN TECHNOLOGICAL UNIVERSITY CONTACT INFORMATION • Humanities Department Michigan Technological University 1400 Townsend Drive Houghton, MI 49931-1295 • Phone: (906) 487-2613 • Email: [email protected] • Web: http://www.mtu.edu/humanities/department/faculty-staff/faculty/marratto/ AREAS OF SPECIALIZATION AND COMPETENCE • AOS: 19th and 20th Century Continental Philosophy (especially Phenomenology), Social and Political Philosophy • AOC: Philosophy of Science and Technology, Ethics, Ancient Philosophy, Aesthetics, Philosophy of Mind ACADEMIC POSITIONS • Associate Professor of Philosophy, Humanities Department, Michigan Technological University, 2011-present • Director of Graduate Studies in Rhetoric, Theory and Culture, Humanities Department, Michigan Technological University, 2015-2018 • Senior Fellow, Foundation Year Programme, University of King’s College, Halifax, 2010- 2011 • Instructor, Contemporary Studies Programme, University of King’s College, Halifax, 2009-2011 • Teaching Fellow, Foundation Year Programme, University of King’s College, Halifax, 2007-2010 EDUCATION • University of Guelph, PhD, Philosophy (2010) • University of Guelph, MA, Philosophy (2005) • University of Toronto, Special/Non-degree, Philosophy (2001-2) • University of Western Ontario, BA, Sociology (2001) 1 MARRATTO :: CURRICULUM VITAE (UPDATED 10 AUG 18) PUBLICATIONS Books • The Intercorporeal Self: Merleau-Ponty on Subjectivity. Albany, NY: State University of New York Press (2012). o Reviews: Symposium: Canadian Journal of Continental Philosophy, March (2013); Notre Dame Philosophical Reviews, February (2013); Review of Metaphysics 67 (2013); Avant V (2014); Word and Text: A Journal of Literary Studies and Linguistics 3 (2013). • The End of Ethics in a Technological Society. Montreal, QC: McGill-Queens University Press (2008). (With Lawrence E. Schmidt.) Book Chapters • “Intercorporeality.” In 50 Concepts for an Intersectional Phenomenology, eds. -
MUSIC NOW! by Mike Cooper
MUSIC NOW! By Mike Cooper Cyndi Lauper has a new album, "Hat Full Of Stars" coming out this An effort by commissioners in Shelby County, Tennessee, to re-open an month. It's her first record in over four years. "'Hat Full Of Stars' is 12 investigation into the 1977 death of Elvis Presley may not be motivat- songs, 12 little testimonials, and it tells a story from beginning to end," ed by an interest in how the singer actually died. Commissioner Vasco Lauper says. "On this record I wrote about things I knew. I wanted to Smith says the lawsuit is part of an effort to remove medical examiner Dr. speak my truth and maybe my truth will inspire someone else." After Jerry Francisco, because of the death of several suspects in police cus- Lauper's third album, "A Night To Remember," didn't do that well, Lauper tody. "While we all want to know how Elvis Presley really died, this law- decided "not to be anyone's puppet anymore." "They were telling me suit is actually about police brutality," Smith says. "Since 1973, I have what to do, what to wear. I was writing songs and they were handing me claimed that the medical officer misrepresented the facts in autopsies tapes of other people's work," Lauper says. "It got to the point where I done on individuals who were held by police officers in order to protect felt like saying, 'How old you have to be to do your own...record the way the police." Medical examiner Francisco ruled that Elvis Presley died of you want it?' I'd started to repress myself. -
Music in His Own Image: the Aphex Twin Face
Nebula 1.1, June 2004 Music in His Own Image: The Aphex Twin Face. By Peter David Mathews Beyond the dark, intense vision of his music, a further disturbing dimension of Aphex Twin’s project is illuminated by his video clips. In particular, his two most famous videos, “Come to Daddy” and “Windowlicker,” are the fruit of collaborations with director Chris Cunningham; awards for “Come to Daddy” first brought both these artists into the mainstream eye in 1997. The outstanding feature of these clips is undoubtedly the face of Richard D. James. James, the man behind the Aphex Twin pseudonym, stares mockingly at the viewer, inevitably flashing his trademark leer. The unsettling characteristic of this smile is how the lips are stretched to the point of exaggeration. The initial impression of a broad, cheerful smile is quickly replaced by a feeling of incipient unease. Figure 1: Cover of Aphex Twin’s Richard D. James Album James’s grin becomes an inverted grimace, the tension of which is clearly visible in the creases around his eyes, nose and forehead. The look imbues these images with an intensity embellished by the fact that James’s expression never changes. Mathews: Music in His Own Image. 65 Nebula 1.1, June 2004 The initial impact of this look is augmented and intensified in several ways. The most obvious is through a process of multiplication. In each Aphex Twin clip, the secondary actors take on the face of their Creator. “Come to Daddy,” for instance, opens with an old woman walking her dog in a grimy, industrial setting. -
Heidegger and Scripture: the Calling of Thinking in Our Abandonment
Open Theology 2017; 3: 321–337 Phenomenology of Religious Experience Open Access Peter Costello* Heidegger and Scripture: The Calling of Thinking in Our Abandonment DOI 10.1515/opth-2017-0025 Received June 5, 2017; accepted June 14, 2017 Abstract: This paper seeks to perform an interdisciplinary reading of some scriptural passages in light of Heidegger‘s phenomenology generally and his discussion of thinking in particular. The paper treats one passage from Isaiah and two from the Gospels of Luke and John that highlight the human situation of signification (or meaning) and abandonment (or alienation). Using Heidegger‘s description of experience, which roots the logic and unfolding of meaning as expressing the structure of human existence, the paper proposes that the movement toward the divine that each of the scriptural passages embodies (albeit each in its own unique situation) moves us toward an essential insight--namely that the human being exists as a divine sign of care. As such a sign, humans exist not just as the reception of the calling but also as the very calling of thinking itself. Keywords: phenomenology; Heidegger; Husserl; signification; Continental philosophy of religion; abandonment “For I know their works and their thoughts, and I am coming to gather all nations and tongues; and they shall come and shall see my glory, and I will set a sign among them. From them I will send survivors to the nations….They shall bring your kindred from all the nations as an offering to the Lord” (Isaiah 66:18-21) “And Jesus said to him, ‘Foxes have holes, and birds of the air have nests, but the Son of Man has nowhere to lay his head’” (Luke 9:58) “Jesus said to her, ‘Do not cling to me, because I have not yet ascended to the Father. -
Eastern Progress 1993-1994 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1993-1994 Eastern Progress 9-2-1993 Eastern Progress - 02 Sep 1993 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1993-94 Recommended Citation Eastern Kentucky University, "Eastern Progress - 02 Sep 1993" (1993). Eastern Progress 1993-1994. Paper 3. http://encompass.eku.edu/progress_1993-94/3 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1993-1994 by an authorized administrator of Encompass. For more information, please contact [email protected]. • At i I rji ARTS ACTIVM I" WEEKEND FORECAST THURSDAY: HOT AND UNCOMFORTABLE, Campus politics Steely Dan Cheers to EKU ESPECIALLY FOR WEST ERNFANS Campus Democrats and Republicans Concert wows fans Meet this year's FRIDAY: HMHSM, LOWS 70. STRONG have ideological face off in Cincinnati squad THUNDERSTORMS LIKELY SATURDAY: PARTLY Page Bl Page B3 Page B4 CLOUDY. HIGHS SOS THE EASTERN PROGRESS Vol. 72/No. 3 18 pages September 2,1993 Student publication of Eastern Kentucky University, Richmond, Ky. 40475 ©The Eastern Progress. 1993 FBI crime stats don't match Eastern's By DeVone Holt either the state police computer-linked Public safety officials spotted, on in the number of higher-reported News editor system or the FBI's computer. the FBI list, several instances of one crimes is not a serious problem, but Walker said the university's re- particular crime being reported more when the numbers are incorrect on Crime statistics for the 1992 uni- ported crimes are logged into a com- than once, creating an inflated number lesser-reported crimes, it makes the versity community were released by puter to which the state police's com- of crimes. -
Save the Date
SAVE THE DATE August 8-11, 2016 University of Colorado-Denver Giving Voice to Our Experience: On Heidegger, Phenomenology and the Challenge of Language John Russon, PhD from University of Guelph, Canada Is language simply a matter of formulating our ideas from our thought process into words? For example, were you ever called upon to express your deep and intimate feelings, and your words failed you? How about if what we learned about ourselves from a probing conversation with others were not the beliefs and values that we formerly claimed? Drawing on Heidegger’s writings on the nature of language, this conference will investigate the crucial, formative role that language plays in bringing our experience into a meaningful form in the first place. Explore this powerful relationship between expression and experience, investigating the nature and importance of artistic expression in our personal, social, and political dimensions of our lives. Reflect on important experiences of feelings when we don’t “have a voice,” such as can be experienced by, for example, healthcare patients, women, and people in oppressed racial or social groups. Join us for this valuable and enriching conference to learn the importance language plays in our lives and relationships. John Russon is Professor of Philosophy at the University of Guelph. He is internationally recognized for his original research in 20th Century Continental Philosophy, the philosophy of G.W.F. Hegel, and Ancient Philosophy. He is the author of five books and more than fifty articles and book chapters. Russon’s research is primarily rooted in phenomenology and existentialism. For more information, contact Sara Horton-Deutsch at 303-724-8558.. -
Tharunka for 2014
Week 13 - Week 14, Semester 2, 2014 First Published 1953 Volume 60, No. 14 University of NSW’s Independent Student Newspaper 2 EDITORIAL UNSW Tyree Energy Technologies Building Roof Solar Panels Image credit: Neerav Bhatt Editorial: A letter to the present and future Vice-Chancellors of UNSW Welcome to the last issue of Tharunka for 2014. Professor Hilmer has repeatedly refused to take a stand been a selfish Vice-Chancellor, and this University will In more ways than one, it’s the end of an era for on fossil fuel divestment, even as the Australian Na- not miss you. UNSW, as we bid farewell to outgoing Vice-Chancellor, tional University made international headlines with its The incoming Vice-Chancellor, Professor Ian Jacobs Professor Fred Hilmer, who will retire in early 2015 af- decision to stop investing in energy companies which of the University of Manchester, now has the opportu- are slowly corroding our planet. ter spending nine years in the top job at UNSW, seeing nity to show leadership in shaping a truly collaborative UNSW invests $50 million in fossil fuel stocks his salary rise above $1 million a year in the process. University that undertakes real consultation with its around the globe, $44 million of which is invested in What is remarkable about his tenure at UNSW is largest stakeholder: students. Australian equities. Universities occupy a unique role that Professor Hilmer was appointed to the role with Professor Jacobs, the tenure of your predecessor has as the progenitors of innovation and advancements in the business acumen of having been at the helm of a shown that UNSW is an institution that can weather society, and UNSW itself is a world leader in renewable major Australian company, Fairfax, during it’s slow and the strongest of mismanagement storms. -
Clever Children: the Sons and Daughters of Experimental Music?
Clever Children: The Sons and Daughters of Experimental Music Author Carter, David Published 2009 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/1356 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367632 Griffith Research Online https://research-repository.griffith.edu.au Clever Children: The Sons and Daughters of Experimental Music? David Carter B.Music / Music Technology (Honours, First Class) Queensland Conservatorium Griffith University A dissertation submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy 19 June 2008 Keywords Contemporary Music; Dance Music; Disco; DJ; DJ Spooky; Dub; Eight Lines; Electronica; Electronic Music; Errata Erratum; Experimental Music; Hip Hop; House; IDM; Influence; Techno; John Cage; Minimalism; Music History; Musicology; Rave; Reich Remixed; Scanner; Surface Noise. i Abstract In the late 1990s critics, journalists and music scholars began referring to a loosely associated group of artists within Electronica who, it was claimed, represented a new breed of experimentalism predicated on the work of composers such as John Cage, Karlheinz Stockhausen and Steve Reich. Though anecdotal evidence exists, such claims by, or about, these ‘Clever Children’ have not been adequately substantiated and are indicative of a loss of history in relation to electronic music forms (referred to hereafter as Electronica) in popular culture. With the emergence of the Clever Children there is a pressing need to redress this loss of history through academic scholarship that seeks to document and critically reflect on the rhizomatic developments of Electronica and its place within the history of twentieth century music.