Sip, Taste and Chat at SCNA's Biggest Fundraiser Oct. 4 Invisible Art to Debut Sept. 13 on Broadway Kick Off the Season with F

Total Page:16

File Type:pdf, Size:1020Kb

Sip, Taste and Chat at SCNA's Biggest Fundraiser Oct. 4 Invisible Art to Debut Sept. 13 on Broadway Kick Off the Season with F A Publication of the Sierra Curtis Neighborhood Association Vol. 36, No. 2 2791 - 24th Street, Sacramento, CA 95818 • 452-3005 • www.sierra2.org September 2014 Sip, taste and chat at SCNA’s biggest fundraiser Oct. 4 ore than 20 of the area’s finest will bring their favorite seasonal restaurants, 50 wineries, and a produce, taking turns whipping up dozenM breweries will offer samples something unique and tasty. of their culinary treats and beverages Taylor Market’s wine buyer Dick at SCNA’s 24th annual Wine Tasting, Ebert will again coordinate the 50-plus Curtis Park Wine Tasting, Silent Auction & Beer Garden, from wineries. Winery representatives will Silent Auction 4 to 7 p.m. Oct. 4 at Sierra 2. be on hand to answer questions and & Beer Garden Presented by Cook Realty, the provide suggestions. Presented by: Sierra Curtis event is SCNA’s biggest fundraiser Beer drinkers can enjoy the Craft Neighborhood Association of the year, with proceeds benefiting and Belgian Beer Garden, sponsored Photo/Joan Cusick Renee Smith, sixth grade teacher at Date: Saturday, Oct. 4 Sierra 2 Center for the Arts & by McDonald Plumbing, Heating & Bret Harte, enjoyed food and wine Time: 4 to 7 p.m. Community, C.K. McClatchy High Air Conditioning. It is organized by samples at last year’s event. School and Bret Harte Elementary Rob Archie, owner of Pangaea Bier Location: Sierra 2 Center School. Café. in Napa, outings to cut your own 2791 24th St. Sacramento Among the returning vendors More than 150 items are expected Christmas tree, and creating the Flavor are Aioli Bodega, American to be put up for bid on silent auction of the Month at Gunther’s Ice Cream. COST: Advance tickets through Oct. 1 River College’s Oak Café, Chops or included in a raffle. Past auction Beneficiaries of the 2014 event are $40 SCNA members and Steakhouse, Dad’s Kitchen, Espresso and raffle items have included are Bret Harte Elementary School’s $45 non-members; Metro, Freeport Bakery, Gunther’s spa certificates, unique art and Sixth Grade Sly Park trip and Tickets from Oct. 2 are $50 everyone, Ice Cream, Lucca, Scott’s Seafood, photography pieces, interior design McClatchy High School’s Debate Club. in office or at the door only. Taylor’s Market and Tower Café. consultations, fencing lessons and Proceeds also support the upkeep Culinary teaching expert Roxanne musical instruments. Also expected and restoration of Sierra 2 Center and TICKETS: www.sierra2.org or O’Brien will present a Farm to Fork for bid are experience-based packages, SCNA initiatives, including the Senior Sierra 2 Center office, 452–3005. demonstration with students from including neighborhood dinners, date- Center, Music in the Park, children’s For more information: 452–3002. American River College. The students night packages, private wine tastings play groups and Curtis Fest. Curtis Park Village construction starts By Craig McCulloch target date for new buyers to move in is this Viewpoint staff writer December. Four cottages had been sold as of mid-August. (For more on CPV, see Jay lackPine Communities started Schenirer’s column on page 5.) construction on new homes adjacent BlackPine has a target date of November toB Curtis Park Village the first week of for the opening of three model three-story August. Slab foundations were poured on “brownstone” homes that will line Crocker 12 “cottages” along 24th Street south of 10th Drive. The brownstones will range in size Avenue near the Paula V Salon. These will be from 2,192 to 2,537 square feet. two-story homes featuring architectural styles BlackPine Communities has purchased consistent with our neighborhood. 86 lots. The homes range in size from 1,482 to More information, including elevation Photo/Craig McCulloch 2,163 square feet. Prices range from $540,000 drawings of the exteriors, floor plans, Foundations were poured on 12 homes last month. to $610,000, including landscaping. The Please see CPV, page 8 Invisible art to debut Sept. 13 on Broadway By Rosanna Herber Broadway Partnership will be the first business Viewpoint staff writer partnership in the Sacramento region to experiment with virtual art or digital art. After downloading a f something is invisible, can it be real? That’s the mobile app, patrons will place their smart phones or question neighbors will get to answer about 11 tablets in front of 11 locations along the Broadway digitalI art creations by nationally renowned artists corridor to see a virtual view of how artists coming to Broadway in September. But, before you would decorate that destination with a mural, go to this art show, be sure to bring your mobile an interactive video, a sculpture or a landscape device. Otherwise you won’t experience the magic painting. of this 3D, high tech, experiential art show. “The NEA grant project was named ‘Broadway: Thanks to a $20,000 grant from the National Augmented’ because this type of digital art informs Endowment for the Arts (NEA), the Greater the possibility of what could go in that space,” said Kick off the season Teresa Rocha, the Executive Director for the Greater Broadway Partnership District. with First Friday “These virtual views will give Broadway a chance to dress itself in art.” urtis Park neighbors can enjoy a tailgate party The business partnership initiated with GameDay Grill’s food truck at the First the collaboration, bringing together the FridayC neighborhood dinner from 6 to 8 p.m. on Sacramento Metropolitan Arts Commission, Sept. 5 at the Sierra 2 Center. the Urban Land Institute and Sacramento GameDay features grilled sandwiches and State to seek the funds to create the “loaded fries,” which are a meal by themselves. augmented reality tool and recruit the Dinners are $8 for adults and $4 for children. Beer, artists to participate. Augmented reality wine and soft drinks are available for purchase is an emerging technology. It uses a smart separately. phone or computer to view a real, live view The GameDay truck has live streaming sports. of a site that can then be transformed by a There will also be treats and activities for kids. For computer-generated sound, video, graphic more information, contact [email protected]. Photo/Rachel Clarke or data. Once the art projects are digitally There will be no First Friday in October because Using a mobile device one will be able to view the virtual created and the viewing application is of the Annual Wine Tasting and Silent Action on public art as part of Broadway Augmented art project. Please see Broadway, page 8 Saturday, Oct. 4. — Faith Johnstone Page 2 Viewpoint September 2014 Notes from July 9th meeting Sierra 2 welcomes Sugar Plum Bakery as new tenant; Advocates group to distribute survey about pursuing neighborhood ordinance North Franklin which borders Curtis Park, will Curtis Park Advocates businesses residents would like Economic Development enhance our neighborhood as well. The board agreed to donate to see in Curtis Park and Curtis Marti Brown, executive event space and distribute a survey Park Village. The board has director for the North Franklin Forums: Strong mayor throughout the neighborhood for not taken a position yet on the Business District, presented an and state Senate the Curtis Park Advocates. Timing Advocates initiatives, which may update on the North Franklin SCNA will host a debate on for both is still to be determined. include pursuing a neighborhood Economic Development Plan. ballot Measure L, which is referred SCNA believes it’s important to ordinance placing conditions on Recent challenges for the area to as the “strong mayor” proposal help facilitate the conversation in businesses that want to locate in included several schools closing, and is formally known as the the community about what types of the area. the Campbell Soup Co. factory “Sacramento Checks and Balances closing, and a significant dip Act of 2014.” The forum will be New Sierra 2 tenant in sales tax revenue since 2009. held in Curtis Hall at 6:30 p.m. on Next meeting Catering company All However, the picture is slowly Monday, Sept. 22. The SCNA Board meets at Seasons, a longtime tenant, left improving and the district is Additionally, SCNA and East 7 p.m. in the Garden Room on its space at Sierra 2 in June. working on rebuilding the physical Sac Preservation will co-sponsor a the second Wednesday of the Sugar Plum Bakery, a vegan and social infrastructure. The candidates’ forum from 6 to 8 p.m. month. The next meeting is baking company, has moved into district asked for SCNA support as Oct. 8 at Clunie Hall. It will include Oct. 8. For more information, the space. it works to improve the area. two debates for the state Senate race call the Sierra 2 office at — Submitted by Nicole Quinonez The board agreed that between current Assembly members 452–3005. Board Secretary improvements in the district, Roger Dickinson and Dr. Richard Pan. President’s message When non-members speak, should SCNA listen? e are upgrades to their environment. quality of life of the neighborhood. Some may think extremely In addition, more than a thousand a gas station would destroy the quality of life of RIC luckyW to live in E future residents haven’t even had the Curtis Park. Some may think, “Hmm, that would a neighborhood JOHNSON opportunity to join, and have already sure be convenient.” Right now, the board doesn’t where people received the benefits of improvements know which side has more supporters, and so it care about their SCNA to the original plans for Curtis Park would have a difficult time figuring out whether surroundings. They Board Village, benefits that will make their living a gas station enhances the quality of life in Curtis care enough to save President experience many times better.
Recommended publications
  • Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
    MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as
    [Show full text]
  • José Lerma B
    José Lerma b. 1971, Seville, Spain Lives and works in Chicago, IL, and San Juan, Puerto Rico EDUCATION 2003 CORE Residency Program, Glassell School, Museum of Fine Arts, Houston, TX 2003 Skowhegan School of Painting and Sculpture, ME Fortaleza 302 Residency Program, San Juan, Puerto Rico 2002 MFA, MA, University of Wisconsin, Madison, WI 1995 University of Wisconsin Law School, Madison, WI 1994 BA, Political Science, Tulane University, New Orleans, LA COLLECTIONS Whitney Museum of American Art, New York, NY Saatchi Collection, London, UK Museum of Fine Arts Houston, TX Milwaukee Art Museum, WI Chazen Museum of Art, Madison, WI Arario Collection, Seoul, South Korea Aby Rosen, New York, NY Phillip Isles, New York, NY Dakkis Joannou, Athens, Greece Fidelity Investments, NY Colección VAC, Valencia, Spain A. De la Cruz Collection, Puerto Rico Phillara Collection, Düsseldorf, Germany Colección Berezdivin, Santurce, Puerto Rico Colección Cesar y Mima Reyes, San Juan, Puerto Rico SOLO AND TWO-PERSON EXHIBITIONS 2019 José Lerma, Galería Leyendecker, Islas Canarias, Spain 2018 José Lerma – Io e Io, Diablo Rosso, Panama City, Republic of Panama 2017 Nunquam Prandium Liberum, Kavi Gupta, Chicago, IL The Last Upper, Brand New Gallery, Milan, Italy 2016 José Lerma: La Venida Cansa Sin Ti, Kemper Museum of Art, Kansas City, MO Museo de Arte Contemporaneo, San Juan, Puerto Rico Huevolution, Halsey McKay Gallery, East Hampton, NY Josh Reames & Jose Lerma, Luis De Jesus Los Angeles, Los Angeles, CA 2014 La Bella Crisis, Museum of Contemporary Art Detroit,
    [Show full text]
  • Days & Hours for Social Distance Walking Visitor Guidelines Lynden
    53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.
    [Show full text]
  • The Oxfordian Volume 21 October 2019 ISSN 1521-3641 the OXFORDIAN Volume 21 2019
    The Oxfordian Volume 21 October 2019 ISSN 1521-3641 The OXFORDIAN Volume 21 2019 The Oxfordian is the peer-reviewed journal of the Shakespeare Oxford Fellowship, a non-profit educational organization that conducts research and publication on the Early Modern period, William Shakespeare and the authorship of Shakespeare’s works. Founded in 1998, the journal offers research articles, essays and book reviews by academicians and independent scholars, and is published annually during the autumn. Writers interested in being published in The Oxfordian should review our publication guidelines at the Shakespeare Oxford Fellowship website: https://shakespeareoxfordfellowship.org/the-oxfordian/ Our postal mailing address is: The Shakespeare Oxford Fellowship PO Box 66083 Auburndale, MA 02466 USA Queries may be directed to the editor, Gary Goldstein, at [email protected] Back issues of The Oxfordian may be obtained by writing to: [email protected] 2 The OXFORDIAN Volume 21 2019 The OXFORDIAN Volume 21 2019 Acknowledgements Editorial Board Justin Borrow Ramon Jiménez Don Rubin James Boyd Vanessa Lops Richard Waugaman Charles Boynton Robert Meyers Bryan Wildenthal Lucinda S. Foulke Christopher Pannell Wally Hurst Tom Regnier Editor: Gary Goldstein Proofreading: James Boyd, Charles Boynton, Vanessa Lops, Alex McNeil and Tom Regnier. Graphics Design & Image Production: Lucinda S. Foulke Permission Acknowledgements Illustrations used in this issue are in the public domain, unless otherwise noted. The article by Gary Goldstein was first published by the online journal Critical Stages (critical-stages.org) as part of a special issue on the Shakespeare authorship question in Winter 2018 (CS 18), edited by Don Rubin. It is reprinted in The Oxfordian with the permission of Critical Stages Journal.
    [Show full text]
  • The Antislavery Movement in Milwaukee and Vicinity, 1842-1860
    / THE ANTISLAVERY MOVEMENT IN MILWAUKEE AND VICINITY, 1842-1860 by William James Maher , B.S. A Thesis submitted to the Faculty of the Graduate School, Marquette University in Partial Fulfillment of the Re­ quirements for the Degree of Master of Arts Milwaukee, Wisconsin August, 1954 / j OE hIve all hoard or the famoue abollt1on iata Will iam Lloyd Cerri.on Gnd Thoodore Weld. But rev people know any- t h Ing obouttho ttlt ttlett men tn the movenlont:, theca o dld the actual work. The purposo of t hta popel" 18 to 'how th " role of the.o mon , lnolcn1f1cant on the notional 8ceno, but , very important on t he loeal l ovQl. This 1. tb tory of th abolitionist. 1n tho Mll"aukaearea, though at timos , for th lake of oontinuity, rorer enoe i8 made to state and notional 81tuations. 'any thanks to the Wheon.tn State Rhtorlcal Society for lnvalusble atd. h. ~ ooloty al.o mlcrofilmed the Olln manuscrlpt whioh 10 loportant 1n th tudy of th i.conain ant1alavery movement. Thi. nu.oript, hlddon 1n the arohlvrl of tho Western Reaerve " tstoria.l Society In ,Cleveland, (lhl0, . ~ J • brou~ht to my attention ~1 Dr. Pra nk J ames· Maher ( '" CONTENTS I • aene'ia ................. '. • • • 1 II. The ea.. or Caroline Quarll.. • • • • • •••• . , III. Emergence ................... 14 IV. Interlude • • • • • ••••• • • • • • • • • • 26 V. The Kansaa-Nebraska Bill and the Growth ot Republicanism • • • • • • • • •• )6 VI . "Freemen, to the Rescuel" • • • • • • • • • •• 50 Concluaion • • • • • • • • • • • • • • • • • • • 73 Bibliography • • • • • • • • • • • • • • • • • • 7' I PTrR I The years before the Ct vii war 1'0 oharQ eter1;:ecl by movements of !"efortl.
    [Show full text]
  • Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
    University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema.
    [Show full text]
  • A Midsummer Night's Dream Adaptation by Francis Xavier Norton
    A Midsummer Night's Dream Adaptation by Francis Xavier Norton DRAMATIS PERSONAE THESEUS, Duke of Athens EGEUS, father to Hermia LYSANDER, in love with Hermia DEMETRIUS, in love with Hermia PHILOSTRATE, Mistress of the Revels to Theseus QUINCE, a carpenter SNUG, a joiner BOTTOM, a weaver FLUTE, a bellows-mender SNOUT, a tinker STARVELING, a tailor HIPPOLYTA, Queen of the Amazons, bethrothed to Theseus HERMIA, daughter to Egeus, in love with Lysander HELENA, in love with Demetrius OBERON, King of the Fairies TITANIA, Queen of the Fairies PUCK, or ROBIN GOODFELLOW, head fairy to Oberon PEASEBLOSSOM, fairy COBWEB, fairy MOTH, fairy MUSTARDSEED, fairy PROLOGUE, PYRAMUS, THISBY, WALL, MOONSHINE, LION are presented by: QUINCE, BOTTOM, FLUTE, SNOUT, STARVELING, AND SNUG Other Fairies attending their King and Queen Attendants on Theseus and Hippolyta UNIT 1 (To begin as the audience approaches the gates of our world) PUCK If we shadows shall offend, Think but this, and all will mend, That you will but slumber here While these visions do appear. And this weak and idle theme, No more yielding but a dream! A knock of Puck’s creation, a knock back in response. The gates open. PROLOGUE (to be developed with moment work) The fairies grant the human spectators the gift of sight. The audience enters a room that was once a theatre, but is now overrun by nature in her various forms. The fairies play. The child sleeps. The Lovers sleep, hands locked together. A woman of light blesses the space. The roles are given. The sleeping wake and depart. The storm approaches.
    [Show full text]
  • The Double in Late Nineteenth-Century Italian Literature: Readings in Fogazzaro and His Contemporaries
    The Double in Late Nineteenth-Century Italian Literature: Readings in Fogazzaro and His Contemporaries Samuel Fleck Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Samuel Fleck All rights reserved ABSTRACT The Double in Late Nineteenth-Century Italian Literature: Readings in Fogazzaro and His Contemporaries Samuel Fleck This dissertation is organized around main axes: the literary and critical concept of the Double and the analysis of Antonio Fogazzaro’s 1881 novel, Malombra, in which the Double plays a complex thematic role. In the first chapter, I address the concept of the Double as a critical category, assessing its meaning across three different levels of reality: in terms of the cultural specificity of the representation (the nineteenth century and Romantic literature), in terms of the theoretical approach (whether it is construed as a transcendental figure, as in Freudian theory, or a transgressive figure, as in Jungian theory, etc.) and in terms of its placement relative to the other themes in the text. In the second chapter, I take up the analysis of three Italian texts from the second half of the nineteenth century which privilege the theme of the Double and invest it with idiosyncratic meaning: Uno spirito in un lampone by Iginio Ugo Tarchetti (1867), Due anime in un corpo by Emilio de Marchi (1877) and Le storie del castello di Trezza by Giovanni Verga (1875). My reading of these texts draws on diverse psychoanalytic perspectives, namely those of Jung, Lacan and Abraham and Torok.
    [Show full text]
  • IN MODERN STANDARD THAI 1 by Feter Bee
    kan IN MODERN STANDARD THAI 1 by Feter Bee The subject of these investigations2 is the word kan found in the predicate of Thai sentences following the main verb or as the closure component of a number of adverbial expressions. Just what part kan plays in the predicate will be discussed later. The first task is to ensure tha t the word is clearly identified and clearly distinguished from any homophones. At the outset it is helpful to point out that what is here called a word is in other authors called a particle3. This is an issue of terminology which will also be left until later in the discussion, but what should be mentioned at this point is that it is one and the same kan that we speak of. As for homophones, if we appeal to dictionaries we shall leave no doubt as to what the subject for discussion is and, moreover, we shall also have a starting-point in a common-sense state­ ment about what kind of a word kan is and what meanings it is capable of having. Word-class in dictionary terms gives us a start on syntax; definition in dictionary terms gives us a start on lexis . Let us appeal first to PRB4. There are two numbered main-entries. The second, classed as verb, cannot possibly be the one we have in mind5• We therefore specify which is the relevant meaning from a variety of sub-entries under Number 1 with the following classes: pronoun, verb 1) 'Modern Standard Thai' is meant to cover both spoken and written styles.
    [Show full text]
  • The Lovers' Well Robin Holloway
    THE LOVERS' ROBIN WELL HOLLOWAY Clare Lloyd-Griffiths soprano Kate Symonds-Joy mezzo-soprano James Robinson tenor Simon Wallfisch baritone Edward Rushton, William Vann piano ROBIN THE LOVERS' HOLLOWAY (b. 1943) WELL Souvenirs de Monsalvat (1984) Clare Lloyd-Griffiths soprano (tracks 1 & 19) 10 Introduction: Lento solenne – [2:16] Kate Symonds-Joy mezzo-soprano (tracks 1–9 & 19) 11 Sin, Guilt & Suffering [2:54] James Robinson tenor (tracks 1 & 19) 12 Parsifal & Herzeleide [2:26] Simon Wallfisch baritone (tracks 1, 18 & 19) 13 Flowermaidens – [3:47] 14 Kundry, Kiss, Mystic Marriage [5:42] Edward Rushton piano (tracks 2–18) 0:00 Kundry lies in sultry splendour. 0:13 Enter Parsifal. 0:25 She perceives him. William Vann piano (tracks 1, 10–17 & 19) 0:32 Parsifal gazes in wondering astonishment … 0:41 … and perceives Kundry. 0:55 She dances for him. 1:45 Parsifal is puzzled … 1:51 … and pained. 1:55 She bids him relax, and make himself at home. 2:01 She tells him the tale of Herzeleide. 2:22 She dances for him again. 2:57 Thoughts of Herzeleide mingle with his growing desire for Kundry. 1 The Zodiac Song (2017) [5:47] 3:30 A passionate quivering … 3:39 a dark passage … 4:12 they emerge from the obscurity 4:26 … and dance together. 5:11 The marriage, in the Chapel of the Grail at Monsalvat, Three Songs to poems by Edmund Waller (2007) of Parsifal and Kundry. 2 On a Girdle [2:00] 15 Pastorale [4:32] 3 Go, lovely Rose [3:25] 16 Intermezzo – [0:58] 4 Old Age [2:54] 17 Pentecost Sarabande [4:35] A Medley of Nursery Rhymes and Conundrums (1986) 18
    [Show full text]
  • June 8-14, 2017
    JUNE 8-14, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Proudly presents in Fort Wayne, Indiana ON SALETICKETS FRIDAY ON SALE JUNE NOW! 2 ! ONTICKETS SALE FRIDAYON SALE NOW! JUNE 2 ! ONTICKETS SALE FRIDAY ON SALE NOW! JUNE 2 ! ProudlyProudly presents inpresents Fort Wayne, in Indiana Fort Wayne, Indiana 7KH0RWRU&LW\0DGPDQ5HWXUQV7R)RUW:D\QH ONON SALE SALE NOW! NOW! ON SALEON NOW! SALE NOW!ON SALE NOW! ON SALEON SALE NOW! NOW! ON SALE NOW! WEDNESDAY SEPTEMBER 20, 2017 • 7:30 PM The Foellinger Outdoor Theatre GORDON LIGHTFOOT TUESDAY AUGUST 1, 2017 • 7:30 PM 7+856'$<0$<30 7+856'$<0$<30Fort Wayne, Indiana )5,'$<0$<30THURSDAY)5,'$<0$<30 AUGUST 24,78(6'$<0$<30 2017 • 7:30 PM 78(6'$<0$<30 The Foellinger Outdoor Theatre THE FOELLINGER OUTDOOR THEATRE The Foellinger Outdoor TheatreThe Foellinger TheThe Outdoor Foellinger Foellinger Theatre Outdoor OutdoorThe Foellinger Theatre Theatre Outdoor TheatreThe Foellinger Outdoor Theatre Fort Wayne, Indiana FORT WAYNE, INDIANA Fort Wayne, Indiana Fort Wayne, IndianaFortFort Wayne, Indiana IndianaFort Wayne, Indiana Fort Wayne, Indiana ON SALE ONON NOW!SALE SALE NOW! NOW! ON SALE ON NOW! SALE ON NOW! SALE ON SALE NOW!ON NOW! SALE NOW! ONON SALE SALEON NOW! SALE NOW! NOW!ON SALE NOW!ON SALE ON SALE NOW! NOW! 14 16 TOP 40 HITS Gold and OF GRAND FUNK MORE THAN 5 Platinum TOP 10 HITS Records 30 Million 2 Records #1 HITS RAILROAD! Free Movies Sold WORLDWIDE THURSDAY AUGUST 3, 2017 • 7:30 PM Tickets The Nut Job Wed June 15 9:00 pm MEGA HITS 7+856'$<$8*867307+856'$<$8*86730On-line By PhoneTUESDAY SEPTEMBERSurly, a curmudgeon, 5, 2017 independent • 7:30 squirrel PM is banished from his “ I’m Your Captain (Closer to Home)” “ We’re An American Band” :('1(6'$<$8*86730:('1(6'$<$8*86730 “The Loco-Motion”)5,'$<-8/<30)5,'$<-8/<30 “Some Kind of Wonderful” “Bad Time” www.foellingertheatre.org (260) 427-6000 park and forced to survive in the city.
    [Show full text]
  • 'The Medieval Housebook and Elias's “Scenes from the Life of a Knight”: a Case
    1 2 Published by The Norbert Elias Foundation J.J. Viottastraat 13 1017 JM Amsterdam Board: Johan Goudsblom, Herman Korte Stephen Mennell Secretary to the Foundation: EsterWils Tel: & Fax: +31 20 671 8620 Email: [email protected] http://norberteliasfoundation.nl/ Free eBook 2015 http://www.norberteliasfoundation.nl/docs/pdf/Medievalhousebook.pdf Printed by the University of Leicester 3 The Medieval Housebook and Elias’s ‘Scenes from the Life of a Knight’: A case study fit for purpose? Patrick Murphy Contents1 Part 1: The Elias thesis in outline 1. Introduction 2. Why was Elias attracted to The Medieval Housebook? 3. Elias’s selection and interpretation of the drawings Part 2: Elias as a point of departure 4. Focus on the artist, with the patron in absentia 5. A presentational farrago 6. A possible case of intellectual amnesia Part 3: Moving beyond Elias 7. An overview of the housebook figuration 8. Naming the manuscript: Its appearance and form 9. What’s in a picture? Attribution and interpretation 10. Reconstituting the housebook: Problems and pitfalls 11. Is it a book? 12. The precious, the mundane and the commonplace Part 4: Moving further beyond Elias 13. Elusive timelines 14. Excurses on Swabia in the later Middle-Ages 15. Backwater or whirlpool: Aggressive resentment or nostalgia? 16. The quest to identify the Master 17. From Master to patron 18. In search of Elias’s benchmarks Part 5: Climbing out on a limb 19. Artistic empathy or, could it be ridicule? Part 6: Conclusion 20. Were the housebook drawings fit for purpose? 21. Involvement
    [Show full text]