A Midsummer Night's Dream Adaptation by Francis Xavier Norton
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Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
183 Anti-Valentine's Day Songs (2015)
183 Anti-Valentine's Day Songs (2015) 4:24 Time Artist Album Theme Knowing Me Knowing You 4:02 Abba Gold Break up Lay All Your Love On Me 5:00 Abba Gold cautionary tale S.O.S. 3:23 Abba Gold heartbreak Winner Takes it All 4:55 Abba Gold Break up Someone Like You 4:45 Adele 21 Lost Love Turning Tables 4:08 Adele 21 broken heart Rolling in the Deep 3:54 Adlele 21 broken heart All Out Of Love 4:01 Air Supply Ulitimate Air Supply Lonely You Oughta Know 4:09 Alanis Morissette Jagged Little Pill broken heart Another heart calls 4:07 All American Rejects When the World Comes Down jerk Fallin' Apart 3:26 All American Rejects When the World Comes Down broken heart Gives You Hell 3:33 All American Rejects When the World Comes Down moving on Toxic Valentine 2:52 All Time Low Jennifer's Body broken heart I'm Outta Love 4:02 Anastacia Single giving up Complicated 4:05 Avril Lavigne Let Go heartbreak Good Lovin' Gone Bad 3:36 Bad Company Straight Shooter cautionary tale Able to Love (Sfaction Mix) 3:27 Benny Benassi & The Biz No Matter What You Do / Able to Love moving on Single Ladies (Put a Ring On It) 3:13 Beyonce I Am Sasha Fierce empowered The Best Thing I Never Had 4:14 Beyonce 4 moving on Love Burns 2:25 Black Rebel Motorcycle Club B.R.M.C. cautionary tale I'm Sorry, Baby But You Can't Stand In My Light Anymore 3:11 Bob Mould Life & Times moving on I Don't Wish You Were Dead Anymore 2:45 Bowling for Soup Sorry for Partyin' broken heart Love Drunk 3:47 Boys Like Girls Love Drunk cautionary tale Stronger 3:24 Britney Spears Opps!.. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat. -
José Lerma B
José Lerma b. 1971, Seville, Spain Lives and works in Chicago, IL, and San Juan, Puerto Rico EDUCATION 2003 CORE Residency Program, Glassell School, Museum of Fine Arts, Houston, TX 2003 Skowhegan School of Painting and Sculpture, ME Fortaleza 302 Residency Program, San Juan, Puerto Rico 2002 MFA, MA, University of Wisconsin, Madison, WI 1995 University of Wisconsin Law School, Madison, WI 1994 BA, Political Science, Tulane University, New Orleans, LA COLLECTIONS Whitney Museum of American Art, New York, NY Saatchi Collection, London, UK Museum of Fine Arts Houston, TX Milwaukee Art Museum, WI Chazen Museum of Art, Madison, WI Arario Collection, Seoul, South Korea Aby Rosen, New York, NY Phillip Isles, New York, NY Dakkis Joannou, Athens, Greece Fidelity Investments, NY Colección VAC, Valencia, Spain A. De la Cruz Collection, Puerto Rico Phillara Collection, Düsseldorf, Germany Colección Berezdivin, Santurce, Puerto Rico Colección Cesar y Mima Reyes, San Juan, Puerto Rico SOLO AND TWO-PERSON EXHIBITIONS 2019 José Lerma, Galería Leyendecker, Islas Canarias, Spain 2018 José Lerma – Io e Io, Diablo Rosso, Panama City, Republic of Panama 2017 Nunquam Prandium Liberum, Kavi Gupta, Chicago, IL The Last Upper, Brand New Gallery, Milan, Italy 2016 José Lerma: La Venida Cansa Sin Ti, Kemper Museum of Art, Kansas City, MO Museo de Arte Contemporaneo, San Juan, Puerto Rico Huevolution, Halsey McKay Gallery, East Hampton, NY Josh Reames & Jose Lerma, Luis De Jesus Los Angeles, Los Angeles, CA 2014 La Bella Crisis, Museum of Contemporary Art Detroit, -
Travel Writing 1700–1830 an Anthology
OXFORD WORLD’ S CLASSICS TRAVEL WRITING, 1700–1830 DURING the eighteenth century British travellers fanned out to every corner of the world, driven by diverse motives: scientific curi- osity, exploration, colonization, trade, diplomacy, and tourism, which began to flourish during this period. Those at home read voraciously in travel literature, which informed curious Britons about their nation’s activities overseas. The Empire, already estab- lished in the Caribbean and North America, was expanding in India and Africa and founding new outposts in the Pacific. Readers also enjoyed reports of travel closer to home: tours of the Continent and the British Isles themselves, whose beauty spots fuelled the rising fashion for picturesque and sublime scenery. Travel writing fed readers’ desire for adventure and exoticism and reinforced their pride in their nation’s achievements. It addressed scientific questions and gave philosophers food for thought. Political controversies were fought out in travel books, including the slavery question and the French Revolution debate. Above all, travellers’ descriptions of the wider world reveal their perception of themselves. Selected authors include Daniel Defoe, Joseph Addison, Mary Wortley Montagu, Samuel Johnson, James Boswell, James Cook, William Bartram, Mary Wollstonecraft, Dorothy Wordsworth, Walter Scott, Olaudah Equiano, Mungo Park, Ann Radcliffe, Matthew ‘Monk’ Lewis, and Frances Trollope. ELIZABETH A. BOHLS is Associate Professor of English at the University of Oregon. She is the author of Women Travel Writers and the Language of Aesthetics, 1716–1818, recently translated into Japanese, and of articles on travel writing and the novel. She is currently finishing a book on identity and place in writings from the colonial British Caribbean. -
DOLPHIN Dorothy Auchterloniedorothy
H Xrn The Ö O r* DOLPHIN "d X OROTHYAUCHTERLONIE Dorothy Auchterlonie Dorothy Auchterlonie, in ordinary life Mrs Dorothy Green, was born in Sunderland, England and educated partly in that country and partly in Australia, at the University of Sydney, where she distinguished herself in English and in Oriental History. For some years she was a reader and journalist and news editor with the News Service of the Australian Broad casting Commission. After her marri age to H. M. Green, she was for some time a housewife, and then in turn headmistress of a large girls’ school in Queensland, lecturer in English at Monash University, and senior lecturer at the Australian National University. Her special interests are in drama, poetry, and English prose. The present volume is her first since the publication of Kaleidoscope in 1940, but in the intervening years she has continued to contribute verse to journals such as Meanjin, Quadrant, Southerly, and London Letters. Her poetry is marked by its reflective in sight and its metaphysical passion on the one hand, and by its intense in volvement in contemporary life and political events on the other. Though her output is small she has made her mark as one of the outstanding poets of her time and country. A. D. H ope Jacket designed by Roderick Shaw $A2.50 This book was published by ANU Press between 1965–1991. This republication is part of the digitisation project being carried out by Scholarly Information Services/Library and ANU Press. This project aims to make past scholarly works published by The Australian National University available to a global audience under its open-access policy. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Courtly Love in Shakespeare's Sonnets and Plays
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-1921 Courtly love in Shakespeare's sonnets and plays. Rebbie Doty University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Doty, Rebbie, "Courtly love in Shakespeare's sonnets and plays." (1921). Electronic Theses and Dissertations. Paper 368. https://doi.org/10.18297/etd/368 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. UNIVERSITY OF LOUISVILlE COURTLY LOVE IN SHAKESPEARE'S SONNETS AND PIA YS. A Dissertation Submitted to the Faculty Of the Graduate School of Arts and Sciences In Partial Fulfillment of the Requirementa..1'or the Degree Of Master of Arts , Department of English , ! ": ':'"' . ~ ".,.- by "",) '}" , Rebbie Doty 1921 TABLE OF CONTENTS. -" , , ," Table of Contents. Chapter I. The System of Courtly Love. Page 1. Chapter II. Modifications of Courtly Love in the Age of" Elizabeth. 12. Chapter III. The Element of Courtly Love in Shakespeare's Sonnets and Plays. 24. " Sonnets. Love's Labour's Lost. " The Two"Gentlemen of Verona. Romeo and Juliet. A MidsUBner Night's Dream. The Merchant of ¥enice. The Taming of the Shrew. The MerrY'Wives of Windsor. Much Ado About Nothing. -
The Oxfordian Volume 21 October 2019 ISSN 1521-3641 the OXFORDIAN Volume 21 2019
The Oxfordian Volume 21 October 2019 ISSN 1521-3641 The OXFORDIAN Volume 21 2019 The Oxfordian is the peer-reviewed journal of the Shakespeare Oxford Fellowship, a non-profit educational organization that conducts research and publication on the Early Modern period, William Shakespeare and the authorship of Shakespeare’s works. Founded in 1998, the journal offers research articles, essays and book reviews by academicians and independent scholars, and is published annually during the autumn. Writers interested in being published in The Oxfordian should review our publication guidelines at the Shakespeare Oxford Fellowship website: https://shakespeareoxfordfellowship.org/the-oxfordian/ Our postal mailing address is: The Shakespeare Oxford Fellowship PO Box 66083 Auburndale, MA 02466 USA Queries may be directed to the editor, Gary Goldstein, at [email protected] Back issues of The Oxfordian may be obtained by writing to: [email protected] 2 The OXFORDIAN Volume 21 2019 The OXFORDIAN Volume 21 2019 Acknowledgements Editorial Board Justin Borrow Ramon Jiménez Don Rubin James Boyd Vanessa Lops Richard Waugaman Charles Boynton Robert Meyers Bryan Wildenthal Lucinda S. Foulke Christopher Pannell Wally Hurst Tom Regnier Editor: Gary Goldstein Proofreading: James Boyd, Charles Boynton, Vanessa Lops, Alex McNeil and Tom Regnier. Graphics Design & Image Production: Lucinda S. Foulke Permission Acknowledgements Illustrations used in this issue are in the public domain, unless otherwise noted. The article by Gary Goldstein was first published by the online journal Critical Stages (critical-stages.org) as part of a special issue on the Shakespeare authorship question in Winter 2018 (CS 18), edited by Don Rubin. It is reprinted in The Oxfordian with the permission of Critical Stages Journal. -
The Magic Casement : an Anthology of Fairy Poetry
THE MAGIC CASEMENT A BOOK OF FAERY POEMS GIVING GLIMPSES OF THE WORLD BEYOND THE CASEMENT: SELECTED AND ARRANGED WITH INTRODUCTION AND NOTES BY ALFRED NOYES Of THE UNIVERSITY/ or / sgALjf^ PHn REVO tyai/TTTO JM! KH l"| V'^^^W^IW\^5% 'V A Midsummer's Night: The Quarrel ANTHOLOGY P PAIRY POETRY DITED-WTnAflMDUCTIOH- ALFRED /10YES NOTE Ti/TY thanks are due to the authors and publishers whose !** kindness has permitted the use of copyright poems in this book: to Mr. Swinburne, Mr. Watts-Dunton, Mr. G. K. Chesterton (and Messrs. Dent), Mr. Rudyard Kipling, Mr. R. C. Lehmann (and the proprietors of Punch], Sir Theodore Martin (and Messrs. William Black- wood and Sons), Mrs. William Sharp (for extracts from " the poems of Fiona Macleod "), Mr. W. B. Yeats, and Dr. John Todhunter. ALFRED NOYES VII " AND IF THAT THE BOWLE OF CURDS AND CREAME WERE NOT DULY SET OUT FOR ROBIN GOOD-FELLOW, WHY, THEN, 'WARE OF BULL-BEGGARS, SPIRITS," ETC. " FROM GHOULIES AND GHOOSTIES, LONG- LEGGETY BfrASTIKS, AND THINGS THAT GO BUMP IN THE NIGHT, " GOOD LORD, DELIVER us ! Quaint Old Litany Vlll CONTENTS THE FAIRY LIFE PAGE I KNOW A BANK Wit/lam Shakespeare 3 THE URCHINS' DANCE John Ly/y 4 WHERE THE BEE SUCKS William Shakespeare 5 NURSLINGS OF IMMORTALITY "Percy Bysshe Shelley 6 NIMPHIDIA Michael Dray ton 7 MORGANA George Darky 3 1 PUCK'S SONG Rudyard Kipling 33 MODERN ELFLAND G. K. Chesterton 35 A FAIRY TALE Tom Hood 37 A FAIRY MUSTER George Darley 41 THE ELF-KING'S VICTORY R. -
The Antislavery Movement in Milwaukee and Vicinity, 1842-1860
/ THE ANTISLAVERY MOVEMENT IN MILWAUKEE AND VICINITY, 1842-1860 by William James Maher , B.S. A Thesis submitted to the Faculty of the Graduate School, Marquette University in Partial Fulfillment of the Re quirements for the Degree of Master of Arts Milwaukee, Wisconsin August, 1954 / j OE hIve all hoard or the famoue abollt1on iata Will iam Lloyd Cerri.on Gnd Thoodore Weld. But rev people know any- t h Ing obouttho ttlt ttlett men tn the movenlont:, theca o dld the actual work. The purposo of t hta popel" 18 to 'how th " role of the.o mon , lnolcn1f1cant on the notional 8ceno, but , very important on t he loeal l ovQl. This 1. tb tory of th abolitionist. 1n tho Mll"aukaearea, though at timos , for th lake of oontinuity, rorer enoe i8 made to state and notional 81tuations. 'any thanks to the Wheon.tn State Rhtorlcal Society for lnvalusble atd. h. ~ ooloty al.o mlcrofilmed the Olln manuscrlpt whioh 10 loportant 1n th tudy of th i.conain ant1alavery movement. Thi. nu.oript, hlddon 1n the arohlvrl of tho Western Reaerve " tstoria.l Society In ,Cleveland, (lhl0, . ~ J • brou~ht to my attention ~1 Dr. Pra nk J ames· Maher ( '" CONTENTS I • aene'ia ................. '. • • • 1 II. The ea.. or Caroline Quarll.. • • • • • •••• . , III. Emergence ................... 14 IV. Interlude • • • • • ••••• • • • • • • • • • 26 V. The Kansaa-Nebraska Bill and the Growth ot Republicanism • • • • • • • • •• )6 VI . "Freemen, to the Rescuel" • • • • • • • • • •• 50 Concluaion • • • • • • • • • • • • • • • • • • • 73 Bibliography • • • • • • • • • • • • • • • • • • 7' I PTrR I The years before the Ct vii war 1'0 oharQ eter1;:ecl by movements of !"efortl.