DOCSLIB.ORG

Maquetacišn 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Maquetacišn 1 Fecha de elaboración Noviembre 2005 Realización: Dirección General de Organización de las Prestaciones Sanitarias. Consejería de Salud y Servicios Sanitarios del Principado de Asturias. Consejo de la Juventud del Principado de Asturias Comité Ciudadano AntiSIDA de Asturias Festival Internacional de Cine de Gijón Edita y distribuye: Programa de Prevención y Atención a las Personas Afectadas por el VIH-SIDA en Asturias (PAVSA). Consejería de Salud y Servicios Sanitarios del Principado de Asturias. Autores: Héctor Taboada. Comité Ciudadano AntiSIDA de Asturias Mercedes García Ruiz. Consejo de la Juventud del Principado de Asturias Mª Dolores Rubio. Programa de Prevención y Atención a las Personas Afectadas por el VIH-SIDA en Asturias (PAVSA). Consejería de Salud y Servicios Sanitarios del Principado de Asturias. Rafael Cofiño Fernández. Programa de Prevención y Atención a las Personas Afectadas por el VIH-SIDA en Asturias (PAVSA). Consejería de Salud y Servicios Sanitarios del Principado de Asturias. Colaboraciones: José Luis Cienfuegos: Festival Internacional de Cine de Gijón José Luís García. Festival Internacional de Cine de Gijón Oscar Suárez García. Consejo de la Juventud del Principado de Asturias Rosario Hernández Alba. Consejería de Salud y Servicios Sanitarios del Principado de Asturias. Natalia Álvarez González, Laura Casielles Hernández Agradecimientos: Alvaro Pastor, SIDA Studi, Staff Festival Internacional de Cine de Gijón, Incite Pictures, Ayuntamiento de Gijón Diseño: Jorge Lorenzo Diseño y Comunicación Visual Depósito Legal: AS-5176/05 ÍNDICE Entrada 7 Utilización de esta Guía 11 Algunas recomendaciones para educadores y educadoras (metodología) 15 El VIH-SIDA en 71 películas 21 Cuatro películas clave VIH-SIDA 47 Otras películas sobre VIH-SIDA 69 Otras películas que pueden encontrarse tratando la temática del VIH/SIDA 73 Índice palabras clave 79 Índice duración películas 87 Índice calificación por edades 89 Webs de Interés 91 Bibliografía seleccionada 93 Sugerencias 95 "La fotografía es la verdad. El cine es la verdad veinticuatro veces por segundo" "Photography is the truth. Cinema is the truth twenty-four times a second." Jean Luc Godard ENTRADA / INTRO Nos encanta el cine. Nos encanta cre- We love films. We love to grow, live cer, vivir y soñar viendo cine. Nuestra and dream watching films. Our senti- educación sentimental ha venido for- mental education has been built by jándose en cientos (¿miles?) de hundreds (thousands?) of hours sit- horas, sentados absortos delante de ting still in front of a screen. And our una pantalla. Y se ha afianzado nues- better or worst temperament has tro mejor o peor carácter en muchas, been strengthened through lots and muchas horas posteriores: pensando, lots of the following hours: thinking, rememorando, imaginando otros fina- remembering, imagining different les, deseando segundas partes. endings, wishing for second parts. Gracias al cine nos hemos enamorado Thanks to films we have fallen in y desenamorado, hemos inventado, love and lost that love, we have reído, llorado, sorbido los mocos, cedi- invented, laughed, cried, sobbed, lent do pañuelos, transgredido fronteras tissues, transgressed geographic and geográficas y cutáneas. Nos hemos skin frontiers. We have been surpri- sorprendido con la luz, hemos visita- sed by the light, we have visited cities do ciudades a las que nunca volvere- we will never come back to because mos porque nunca hemos estado allí, we have never been there, we have hemos sentido algo parecido a la nos- experienced something a lot like nos- talgia, hemos evocado nombres, situa- talgia; we have called forth names, ciones y lugares. situations and places. El cine conforma, con plena seguri- Films conform, pretty sure, a great dad, un componente espectacular de component of our personality and our nuestra personalidad y nuestros valo- securities, of our dreams and beliefs. res, de nuestros sueños y nuestras We can not refer to scientific studies ENTRADA 7 creencias. No podemos referir estu- in keeping with custom because they rio del Festival de Cine más apasio- our country nowadays. dios científicos al uso porque no los don't exist and because, luckily, it is nante y renovador que actualmente To play with figures and numbers - hay y porque afortunadamente siem- always good to leave some things se desarrolla en nuestro país. our obsession- we have collected the pre es bueno dejar algunas cosas sin without measures and part horizons Por jugar con cifras -nuestra obse- average time the films last. 110 minu- medir y ceder horizontes al misterio. with mystery. Because of that, we sión- hemos recogido el tiempo tes, approximately. In this average Por ello de antemano adelantamos want to state beforehand that the medio que duran todas las películas. time that a single film's watching que el impacto en la educación o en impact in education or health this Unos 110 minutos aproximadamente. lasts 1000 new infections will have la salud que pueda tener esta Guía va guide can have is going to be difficult En ese tiempo medio que dura el appeared in the world. In 110 minu- a ser difícil de aprehender en núme- to detain in numbers or graphics. visionado de una sola película habrán tes, about 700 people will have died. ros o en gráficos. But we love films. Even more if they aparecido en el mundo 1000 nuevas Of these new infections, it will be a Pero nos encanta el cine. Y más aún have, in their background, stories of infecciones. En 110 minutos habrán derisory percentage what will accede si detrás lleva historias de hombres y men and women like the stories of fallecido cerca de 700 personas. De to a retroviral treatment that impro- mujeres como las historias de hom- men and women gathered in this esas nuevas infecciones será un por- ves their life standard and expectati- bres y mujeres que se recogen en handful of pages. We collect therefore centaje irrisorio el que podrá tener ve. The presentation of the guide the este puñado de páginas. Recogemos sad, hopeful, happy, disheartening acceso a un tratamiento antirretrovi- 1st December 2005, World Day of the por ello historias tristes, esperanza- stories. But all of them positive. ral que mejore su calidad y su espe- Fight Against AIDS, is therefore not doras, alegres, descorazonadoras. Stories to get touched and grow. ranza de vida. La presentación de la accidental. Pero todas ellas historias positivas. The work captured in the guide has Guía el día 1 de diciembre del 2005, The final aim is, then, to enjoy and Historias para emocionarnos y crecer. been possible thanks to Hector Día Mundial de la Lucha contra el watch films, and the Guide to be a El trabajo recogido en la guía ha sido Taobada, companion in the Asturian SIDA, no es por tanto casualidad. tool to enjoy watching films. But, posible gracias a Héctor Taboada, Civic Committee AntiAIDS. Hector El objetivo final es por tanto disfrutar above all, a tool to reduce the number compañero del Comité Ciudadano has already been described in the y ver cine y que la Guía sea una of new infections so that some of the AntiSIDA de Asturias. Héctor ya ha first paragraph or this introduction. herramienta para disfrutar viendo stories told here are not repeated sido descrito en el primer párrafo de Thanks to his meticulous and cons- cine. Pero sobre todo una herramien- anymore. Films and emotion. To esta introducción. Gracias a su traba- cientious work it has been possible to ta para disminuir el número de nue- watch, to listen and to grow. Read and jo meticuloso y concienzudo ha sido compile the whole catalogue of films vas infecciones y que algunas de las see. posible recopilar todo el catálogo de about HIV and AIDS (about people historias que aquí se cuentan no películas sobre VIH y Sida (sobre with HIV and AIDS) included in the vuelvan a repetirse. Cine y emoción. Rafael Cofiño Fernández personas con VIH y Sida) incluido en Guide. The second great architect of Mirar, escuchar y crecer. Lean y vean. Coordinator of the Program of Prevention and la Guía. La segunda gran artífice de the Guide has been Mercedes Garcia, Attention to People affected by HIV-AIDS in la Guía ha sido Mercedes García, del from the Youth Council of the Asturias (PAVSA) Rafael Cofiño Fernández Ministry Of Health and Sanitary Services of the Consejo de la Juventud del Principado de Asturias. Her expe- Coordinador del Programa de Prevención y Principado de Asturias Principado de Asturias. Su experien- rience in prevention of HIV and edu- Atención a las Personas Afectadas por el VIH- cia en la prevención de VIH y educa- cation about sexuality in young SIDA en Asturias (PAVSA) Consejería de Salud y Servicios Sanitarios del ción sobre sexualidad en jóvenes, su people, her previous work about edu- Principado de Asturias trabajo previo sobre educación y VIH cation and HIV through films, gives a través del cine, da consistencia methodological consistence and metodológica y entusiasmo al trabajo enthusiasm to Hector's compilation de catalogación de Héctor. work. El trabajo de todo el equipo del The work of the whole team of the Festival Internacional de Cine de Gijon International Film Festival Gijón (y especialmente del equipo de (specially the team of Enfants Enfants Terribles) ha sido imprescin- Terribles) has been essential to get dible para conseguir la distribución, the distribution, the impact, and el impacto y dar los primeros pasos make our first steps in using the en la utilización de la Guía como una Guide as an educational tool. For us, herramienta de educación. Para nos- it has been a true honour to appear otros ha sido un verdadero honor in a corner of the most exciting and aparecer en una esquina del escena- renewing Film Festival developed in 8 CINE, EMOCIÓN Y VIH INTRO 9 “El cine es un espejo pintado” Ettore Scola UTILIZACIÓN DE ESTA GUÍA / USING THIS GUIDE ¿Qué hemos pretendido con la ela- What did we seek to with the edi- boración de “Cine, Emoción y VIH”? tion of “Films, Emotion and HIV”? 1.
Load more

Recommended publications
  • The Perfect Son Synopsis
    The Perfect Son Theo (David Cubitt – Medium, Traders, Ali), a thirty-year-old writer fresh out of rehab and struggling to put his life together, resurfaces in time for his father’s funeral. After having avoided the family for years, he is now reunited with his older more responsible brother Ryan (Colm Feore – The Red Violin, The Borgias, Amazing Spiderman 2), a conservative lawyer. At best unreliable in the past, Theo now makes an effort to rebuild the relationships he destroyed particularly with his ex-girlfriend, Sarah (Chandra West – Played, Salton Sea), a driven medical intern. A night of drunken passion ensues, but Sarah still has her doubts and their relationship remains on the rocks. Meanwhile the estranged brothers are forced to deal with one another but the same divisions are strong and the same old rivalries remain. Then by accident, Theo discovers one of Ryan secrets – Ryan is gay and is dying of AIDS. Suddenly, things change and Theo is drawn into Ryan’s life, discovering a person he barely knew; an unexpectedly loving and galvanizing relationship begins. What does it take to reconcile a lifetime of differences? The Perfect Son explores the meaning of responsibility and the challenge of overcoming the past. Alternating between humorous and deeply moving moments, this is ultimately an intimate chamber piece featuring inspiring performances by two of Canada’s best actors. Feore mixes an arrogant coolness with a sweet vulnerability and Cubitt’s charisma radiates. The Perfect Son is a journey that deals with attaining acceptance within the most inescapable social group of all – the family.
    [Show full text]
  • NNF2008 – Nordic Co-Production and Finance Market
    A Discovery of Strangers SYNOPSIS: A FIRST CONTACT STORY, A Discovery of Strangers is a tale of trust and innocence, greed and honour set in the mystical and terrifying primal Arctic wilderness. It follows the thousand- mile trek of these courageous explorers, who like modern day astronauts, risk their lives to discover the unknown but when the exploration fails, it is the Dene upon whom Franklin and his men rely for their very survival LEONARD FARLINGER is a writer/director. His latest feature All Hat was written by novelist Brad Smith and premiered at the Toronto Film Festival 2007 and is currently in release. He produced the feature films, Otto; or Up with Dead People and Monkey Warfare. He directed the Gemini – winning MOW, In The Dark, starring Kathleen Robertson about Montreal’s famous LSD experiments. A three- time Genie Nominee for best short film, he is a graduate of the Canadian Film Center. His first NEW NORDIC FILMS 2008 feature, The Perfect Son was nominated for two Best Actor Genies and premiered at the Toronto International Film Festival in 2001. He is currently writing three feature films including adaptations NORDIC of the best-selling novels A Discovery of Strangers by Rudy Wiebe and Saigon by Anthony Grey. CO-PRODUCTION PROJECTS JENNIFER JONAS is a literature grad from McGill and Cambridge who left academia after her first film experience on Quest for Fire. Her latest feature film Toronto Stories is now in post production. She has just completed Bruce LaBruce’s gay zombie movie Otto; or Up With Dead People had its world premiere at Sundance and Berlin 2008.
    [Show full text]
  • Leslie, My Name Is Evil
    E1 Entertainment presents A New Real Films Production A Masculine‐Feminine Film Leslie, My Name Is Evil Directed by Reginald Harkema Producers: Jennifer Jonas and Leonard Farlinger An Official Selection of the 2009 Toronto International Film Festival, Vanguard Section www.lesliemynameisevil.com TIFF US Press Contact: Producer Contact: mPRm Public Relations New Real Films Inc. Alice Zou, [email protected] 669 Shaw St. Toronto Inter‐Continental Hotel Toronto, ON 220 Bloor Street West, Suite 325 M6G 3L8 Ph: 416‐960‐5200 Office: 416‐536‐1696 Cell 213‐359‐5775 [email protected] SYNOPSIS As the ‘60s rolled to a close, the United States was at the threshold of a turbulent time in history. President Nixon was in the White House and the U.S. was at war in Vietnam. The image of the picture‐perfect, stay‐at‐home housewife with the ideal husband and family was being threatened. Forces of change—a sexual revolution, the use of hallucinogenic drugs and a new founded challenge to authority—had crept into family rooms and dinning table conversations. Raised in a traditional Christian family, Perry leads a sheltered life, always doing what is expected of him. He has a wonderful virgin Christian girlfriend, Dorothy. He attends church with his family on Sundays and enjoys family dinners. He is following a career path that will prevent him from being drafted to fight in Vietnam. As a chemist he is book smart and company driven, but doesn’t know the harsh realities of the world. Everything he believes in is challenged the day he is chosen to be a jury member in a hippie death cult murder trial, where the defendant on trial is a strikingly beautiful woman named Leslie.
    [Show full text]
  • Katarina Chovanec Head of Hair Department - Hair
    Katarina Chovanec Head of Hair Department - Hair Selected Credits: Head of Hair Department Designated Survivor Producer: Jon Feldman, Jeff Melvoin, David 2016-2017 The Mark Gordon Company Guggenheim Television Series Director: Various Production Manager: Diane Macke Production Designer: Franco De Cotiis Cast: Kiefer Sutherland, Natascha McElhone, Hannah Wells, Seth Wright Head of Hair Department Orphan Black, Season 4 Producer: John Fawcett, Graeme Manson, 2015 - 2016 Orphan Black IV Productions Ivan Schneeberg, David Fortier, Claire Television Series Limited Welland Director: Various Production Manager: James Crouch Director of Photography: Aaron Morton Production Designer: John Dondertman Head of Hair Department The Secret Life of Mrs. Claus Producer: Frank Siracusa, Andrea Raffaghello 2015 Secret Life Productions Inc Director: Craig Pryce Television Movie Production Manager: Andrea Raffaghello Director of Photography: Boris Mojsovski Production Designer: Rupert Lazarus Head of Hair Department Born To Be Blue Producer: Jennifer Jonas, Leonard Farlinger, 2014 BTB Blue Productions Ltd. Robert Budreau Feature Director: Robert Budreau Production Manager: Avi Federgreen Head of Hair Department Lost Girl, Season 5 Producer: Jay Firestone, Vanessa Piazza, Bo Series 5 Inc. Wendy Grean Television Series Director: Various Production Manager: James Crouch Head of Hair Department Bomb Girls Producer: John Calvert Bomb Girls MOW Productions Director: Jerry Ciccoriti Television Movie Production Manager: Sandra Lum Lock Head of Hair Department Bomb
    [Show full text]
  • GERONTOPHILIA Gerontophilia: (Jə-Rän-To-Fil-E-Ə) Noun – the Love Or Sexual Preference for the Elderly
    Strand Releasing presents A FILM BY BRUCE LABRUCE GERONTOPHILIA Gerontophilia: (jə-rän-to-fil-e-ə) noun – the love or sexual preference for the elderly. Starring: Pier-Gabriel Lajoie, Walter Borden, Katie Boland, Marie-Hélène Thibault PRELIMINARY PRESS NOTES Official Selection: Toronto International Film Festival 2013 Venice International Film Festival 2013 Montreal Festival of New Cinema 2013 Country of Origin: Canada Format: DCP/2.35/Color Sound Format: 5.1 Running Time: 82 minutes Genre: Comedy/Romance Not Rated In English National Press Contact: Jenna Martin / Marcus Hu Strand Releasing Phone: 310.836.7500 [email protected] [email protected] Please download photos from our website: http://strandreleasing.com/films/gerontophilia/ SYNOPSIS In this wry “reverse Lolita” tale, 18-year-old Lake discovers he has an unusual attraction for the elderly. Fate lands him a job at an assisted-living facility where he develops an intimate relationship with Mr. Peabody. Upon discovering that the clients are being over-medicated to make them more manageable, Lake weans Mr. Peabody off his medication and helps him escape, resulting in a road trip that deepens their bond. The always-provocative Bruce LaBruce returns with a delicately perverse romantic comedy that is both darkly humorous and emotionally heartfelt. INTERVIEW WITH BRUCE LABRUCE How did you come to the idea of a romance between a young man and an elderly? Over the years I’ve encountered a number of young people with very specific fetishes involving relationships with much older people, and it’s always intrigued me. I’ve been told stories, most often by younger men, of their first sexual experience having been with a man in his sixties or older, and there always seemed to be a pedagogical aspect to the relationship, as well as a deep affection.
    [Show full text]
  • Download Films in Our Home
    Prepared by Directors Guild of Canada, Producers Roundtable of Ontario, Writers Guild of Canada, Ryerson University Publication Date: November 29, 2018 www.focusonfeatures.ca 2 | focusonfeatures.ca Acknowledgments Funding for this study was provided by Ontario Creates, Telefilm Canada, The Harold Greenberg Fund, the Directors Guild of Canada (National and Ontario) and the Producers Roundtable of Ontario (PRO). Any opinions, findings, conclusions, or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of Ontario Creates, Telefilm Canada, the Government of Ontario, or the Government of Canada. The Governments of Ontario and Canada and their agencies are in no way bound by the recommendations contained in this document. 3 | focusonfeatures.ca Table of Contents Foreword 4 Executive Summary 8 Introduction 13 Methodology 15 Ontario Feature Film Landscape 17 Historical Context for the Ontario Feature Film Sector 21 Issue Topics 24 What is a Feature Film? 25 Screenwriter, Director and Producer roles 27 Career Path and Professional Development 29 Training 29 Mentorship 31 Talent Pool 32 Turnover of Decision Makers 33 Career Sustainability 34 Diversity 35 Development and Production 38 Development 38 Production Financing 39 Production Challenges 43 Marketing and Reaching Audiences 45 Promotion 45 Distribution 47 Archival 49 Case Studies of Three Ontario Feature Films 50 Jean of the Joneses 51 Maudie 52 Mean Dreams 54 Suggested Next Steps and Conclusion 56 Suggested Next Steps 57 Suggestions
    [Show full text]
  • Take This Waltz: Behind the Scenes from Tiff to Screen
    ® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. FALL 2011 TAKE THIS WALTZ: BEHIND THE SCENES FROM TIFF TO SCREEN PLAYBACK’S 2011 FILM & TV HALL OF FAME •• 10 TO WATCH ASTRAL TURNS 50 • GEMINIS PPB.Cover.Tiff.inddB.Cover.Tiff.indd 1 226/08/116/08/11 33:52:52 PPMM &21*5$78/$7,216 $675$/21<285WK$11,9(56$5< 7+$1.<28)25<285&217,18('68332572) 285%86,1(667+528*+2877+(<($56 :(/22.)25:$5'720$1<025( PPB.19704.eOne.Ad.inddB.19704.eOne.Ad.indd 1 225/08/115/08/11 22:24:24 PPMM TORONTO INTERNATIONAL FILM FESTIVAL 2011 table of contents Director David Cronenberg on set during the fi lming of A Dangerous Method 9 Opening credits 31 Geminis 52 Special awards The Hot or Not list, #altgeminis and Allan Hawco and Adam Barken are Crafting nominations: The Kennedys Microsoft’s crazy new ad tech honoured for their standout and Stargate Universe crews talk Chanel accomplishments and George and alien workshops 12 TIFF 2011 Stroumboulopoulos gets the inaugural Show diaries: Producers, creators, humanitarian nod Film diary writers and directors share the stories Behind the scenes with Sarah Polley’s of how Republic of Doyle, Todd and the 56 10 to Watch Take This Waltz cast and crew Book of Pure Evil and Call Me Fitz came From all corners in the industry, a crop to life The evolution of indie marketing of fresh up-and-coming talent to keep From fi nger puppets to press an eye out for in the year ahead kits, Canadian fi lmmakers and 40 Hall of Fame distributors talk marketing indies Playback welcomes Pierre Juneau, 62 The Back Page Denis Héroux, Frédéric Back, Roger
    [Show full text]
  • GERONTOPHILIA Gerontophilia: (Jə-Rän-To-Fil-E-Ə)- - Noun - the Love Or Sexual Preference for the Elderly
    GERONTOPHILIA Gerontophilia: (jə-rän-to-fil-e-ə)- - noun - the love or sexual preference for the elderly. Pier-Gabriel Lajoie Walter Borden Katie Boland Marie-Hélène Thibault FILMOPTION INTERNATIONAL presents a 1976 PRODUCTIONS / NEW REAL FILMS production GERONTOPHILIA A FILM BY BRUCE LABRUCE 82 minutes / Color / 2.35 / HD / 2013 SYNOPSIS 18-year-old Lake has a sweet activist girlfriend, but one day discovers he has an unusual attraction for the elderly. Fate conspires to land him a job at a nursing home where he develops a tender relationship with Mr. Peabody. Discovering that the patients are being over-medicated to make them easier to manage, Lake decides to wean Mr. Peabody off this medication and help him escape, resulting in a humorous and heartfelt road trip that strengthens their bond. The always provocative Bruce LaBruce is back with a new romantic comedy (of sorts). INTERVIEW WITH BRUCE LABRUCE How did you come to the idea of a romance between a young man and an elderly? Over the years I’ve encountered a number of young people with very specific fetishes involving relationships with much older people, and it’s always intrigued me. I’ve been told stories, most often by younger men, of their first sexual experience having been with a man in his sixties or older, and there always seemed to be a pedagogical aspect to the relationship, as well as a deep affection. Sometimes it’s a one time thing, but sometimes the fetish seems to persist. I also made a film, Hustler White, about male prostitutes and their relationships to their often much older johns.
    [Show full text]
  • Ethan Hawke Carmen Ejogo Callum Keith Rennie
    KinoVista présente une production New Real Films / Lumanity Productions / Black Hangar Studios / Productivity Media BORN TO BE BLUE un film écrit & réalisé par Robert Budreau avec Ethan Hawke Carmen Ejogo Callum Keith Rennie Durée : 1h37 - Royaume-Uni / Canada / Etats-Unis - 2015 SORTIE LE 11 JANVIER 2017 Distribution : Relations presse : KINOVISTA BOSSA-NOVA / Michel Burstein 6, villa de Ségur - 75007 Paris 32 bd St Germain - 75005 Paris Tél. 01 44 59 60 15 Tél. 01 43 26 26 26 [email protected] [email protected] www.Kinovista.com www.bossa-nova.info SYNOPSIS Afin de lui rendre hommage, un producteur de Hollywood propose à Chet Baker, le légendaire trompettiste de jazz des années 1960, de tenir le premier rôle dans un long métrage consacré à sa vie. Pendant le tournage, Chet tombe éperdument amoureux de Jane, sa partenaire afro-américaine. Malheureusement, la production est arrêtée le jour où, sur un parking, Chet est passé à tabac. Anéanti, les mâchoires fracassées, l'artiste se replie sur lui- même, et son passé ravive ses démons. Jane réussit néanmoins à le convaincre d'aller de l'avant, de rester sobre et, grâce à la musique, de regagner la reconnaissance de ses pairs… NOTES DE PRODUCTION LES ORIGINES DU FILM Auteur et réalisateur, Robert Budreau est à l’origine du projet Born To Be Blue. Son premier court-métrage expérimental en noir & blanc conçu en 2003 contenait déjà les germes du concept développé par Budreau dans son long-métrage, à savoir mélanger une esthétique onirique avec une narration jazz. Bien que fan de jazz depuis de longues années, ce n’est qu’il y a cinq ans que Budreau découvrit l’histoire de la vie privée de Chet Baker, et s’aperçut qu’elle trouvait écho dans les thématiques récurrentes de ses films, celle de personnages masculins cherchant l’amour et la rédemption.
    [Show full text]
  • 16Th Edition
    16TH EDITION OUR FILMS IN OUR SCHOOLS II CELEBRATING FILM EVERYWHERE We’re finally back to the big screen, but we never stopped showing your favourite films along the way. We believe the magic of movies continues to inspire anywhere. Whether you’re visiting us or watching from home, enjoy the unforgettable stories while they move you. 1 ACKNOWLEDGMENT OF INDIGENOUS TERRITORY REEL CANADA’s offices are located on the treaty lands and territory of the Mississaugas of the Credit First Nation, which is also the traditional territory of the Anishinaabe, Haudenosaunee and Huron Wendat nations. This territory is subject to the Dish With One Spoon Covenant, a sacred agreement between the Haudenosaunee Confederacy, the Anishinaabe, and allied nations to peaceably share and care for the land and waters of the Great Lakes regions. REEL CANADA also conducts activities and presents programming across Canada. We acknowledge the treaty lands and traditional territories of Indigenous nations across the country. We acknowledge that the relationship between these Indigenous nations and their lands has existed since time immemorial and is ongoing. We make these acknowledgments as a sign of respect, in the spirit of reconciliation, and in recognition of Indigenous sovereignty. TABLE OF CONTENTS Who We Are p. 4 Message from the Founders p. 10 Our Team p. 11 Letters p. 12 Guests, Educational Partners & Consultants p. 16 Feature Films p. 19 Elementary School Programme p. 55 Canada On TV p. 56 Short Films p. 61 2020 Catalogue Additions p. 71 Reference Guide p. 73 Festival Partners, Donors and Supporters p. 102 Index p.
    [Show full text]
  • Otto; Or, up with Dead People
    Otto; or, Up with Dead People A movie by Bruce LaBruce An Existential Crisis Production Written and directed by Bruce LaBruce Germany/Canada 2008 Original version (english) · 94 minutes Official entry Sundance 2008 Internationale Filmfestspiele Berlin 2008, Panorama International Independent Filmfestival Istanbul 2008 International Independent Filmfestival Mexico City 2008 International Independent Filmfestival Buenos Aires 2008 International Filmfestival Belfast 2008 Synopsis A young zombie named Otto appears on a remote highway. He has no idea where he came from or where he is going. After hitching a ride to Berlin and nesting in an abandoned amusement park, he begins to explore the city. Soon he is discovered by underground filmmaker Medea Yarn, who begins to make a documentary about him with the support of her girlfriend, Hella Bent, and her brother Adolf, who operates the camera. Meanwhile, Medea is trying to finish "Up with Dead People," the epic political-porno-zombie movie that she has been working on for years. She convinces its star, Fritz Fritze, to allow the vulnerable Otto to stay in his guest bedroom. When Otto discovers that there is a wallet in his back pocket that contains information about his past, before he was dead, he begins to remember a few details, including memories of his ex-boyfriend, Rudolf. He arranges to meet him at the schoolyard where they met, with devastating results. Cast Otto Jey Crisfar Fritz Fritze !Marcel Schlutt! Young Man in Hooded Sweatshirt Nicholas Fox Ricciardi Man in a Suit and Hat !Keith
    [Show full text]
  • Venice Gap-Financing Market Venice 3—5.09.2021
    VENICE GAP-FINANCING MARKET VENICE 3—5.09.2021 VENICE GAP-FINANCING MARKET 3—5.09.2021 LABIENNALE.ORG VENICEPRODUCTIONBRIDGE.ORG 78. Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia Venice Gap-Financing Market La Biennale di Venezia Director General Fiction and Documentary and its collaborators for Andrea Del Mercato Feature Films and VR Immersive Book of Projects Story Projects Valentina Bellomo Artistic Director Allegra Bell of the Cinema Department Consultants Erika Giorgianni Alberto Barbera Eva Morsch Kihn Lara González Lobo Lucas Rosant Mariachiara Manci Venice Production Bridge Michel Reilhac Chiara Marin Pascal Diot Liz Rosenthal Alessandro Mezzalira Savina Neirotti Nikolas Montaldi Collaborators Tommaso Priante [email protected] Violeta Bava labiennale.org Paolo Bertolin veniceproductionbridge.org Francesco Giai Via Audrey Pacart Main Broadcaster Thanks to Db Logic S.r.l. Festival Scope Venice Gap-Financing Market for 2021 has been edited using the information assembled by July 21st, 2021. The Venice Production Bridge may not be held responsible for possible errors. THE VENICE PRODUCTION BRIDGE WELCOMES THE 57 SELECTED TEAMS AND THEIR PROJECTS TO THE 8TH EDITION OF THE VENICE GAP-FINANCING MARKET. While we are not yet out of the pandemic, we are now more confident that, thanks to the vaccination, we will soon be able to leave this particular period behind. The Venice Gap-Financing Market (VGFM), which has been constantly adjusting itself to follow the evolution of the industry with the long-term aim of enabling producers and directors to complete their projects, has now more than ever the will to contribute to the restart of the film and VR worlds.
    [Show full text]