Borrelli's Top 100 Films

Total Page:16

File Type:pdf, Size:1020Kb

Borrelli's Top 100 Films Borrelli’s Top 100 films (2007) Here is Blade staff writer Chris Borrelli's 2007 list of the Top 100 Movies 100. Children of Men (2006) 51. Rio Bravo (1959) 99. It’s a Wonderful Life (1946) 50. Blow Out (1981) 98. Die Hard (1988) 49. The Fog (1979) 97. Five Easy Pieces (1970) 48. Taxi Driver (1976) 96. My Own Private Idaho (1991) 47. Before Sunset (2004) 95. Casablanca (1942) 46. Paths of Glory (1957) 94. A History of Violence (2005) 45. Finding Nemo (2003) 93. A.I. Artificial Intelligence (2001) 44. Nothing But a Man (1964) 92. Primary (1960) 43. Night of the Hunter (1955) 91. Eternal Sunshine of the Spotless Mind (2004) 42. The Last Waltz (1978) 90. Dog Day Afternoon (1975) 41. There’s Something About Mary (1998) 89. The Man Who Shot Liberty Valance (1962) 40. Our Hospitality (1923) 88. Straight Time (1978) 39. Double Indemnity (1944) 87. Star Wars: Episode V —The Empire Strikes 38. Blue Collar (1978) Back (1980) 37. Swing Time (1936) 86. E.T. (1982) 36. Magnolia (1999) 85. Bonnie and Clyde (1967) 35. Sweet Smell of Success (1957) 84. Fat City (1972) 34. Some Like it Hot (1959) 83. The 40-Year-Old Virgin (2005) 33. Raiders of the Lost Ark (1981) 82. Duck Soup (1933) 32. Dazed and Confused (1993) 81. Unforgiven (1992) 31. Grey Gardens (1975) 80. A Streetcar Named Desire (1951) 30. Goodfellas (1990) 79. Lawrence of Arabia (1962) 29. My Darling Clementine (1946) 78. Chinatown (1975) 28. Vertigo (1958) 77. Night of the Living Dead (1968) 27. Out of Sight (1998) 76. Short Cuts (1993) 26. Sunrise (1927) 75. On the Waterfront (1954) 25. All About Eve (1950) 74. Close Encounters of the Third Kind (1977) 24. When the Levees Broke (2006) 73. Invasion of the Body Snatchers (1956) 23. Bringing Up Baby (1938) 72. Out of the Past (1947) 22. Killer of Sheep (1977) 71. The Lord of the Rings: The Return of the King 21. The Awful Truth (1937) (2003) 20. Hail the Conquering Hero (1944) 70. Rebel Without a Cause (1955) 19. The Big Red One (1980) 69. King Kong (1933) 18. Heat (1996) 68. McCabe & Mrs. Miller (1971) 17. Faces (1968) 67. The Lady Eve (1941) 16. The Third Man (1949) 66. Strangers on a Train (1951) 15. Citizen Kane (1941) 65. Red River (1948) 14. Dr. Strangelove (1964) 64. Point Blank (1967) 13. Singin’ in the Rain (1952) 63. Fast, Cheap, & Out of Control (1997) 12. Manhattan (1979) 62. Bull Durham (1988) 11. Sherlock Jr. (1924) 61. Pinocchio (1940) 10. Mean Streets (1973) 60. Ace in the Hole (1951) 9. Election (1999) 59. Annie Hall (1977) 8. His Girl Friday (1940) 58. Sunset Boulevard (1950) 7. Halloween (1978) 57. Lost in Translation (2003) 6. Nashville (1975) 56. Trouble in Paradise (1932) 5. The Godfather, Parts I and II (1972, 1974) 55. The Haunting (1963) 4. Force of Evil (1948) 54. The Searchers (1956) 3. Meet Me in St. Louis (1944) 53. Badlands (1973) 2. Do the Right Thing (1989) 52. Notorious (1946) 1. Jaws (1975).
Recommended publications
  • Introduction to Screenwriting 1: the 5 Elements
    Introduction to screenwriting 1: The 5 elements by Allen Palmer Session 1 Introduction www.crackingyarns.com.au 1 Can we find a movie we all love? •Avatar? •Lord of the Rings? •Star Wars? •Groundhog Day? •Raiders of the Lost Ark? •When Harry Met Sally? 2 Why do people love movies? •Entertained •Escape •Educated •Provoked •Affirmed •Transported •Inspired •Moved - laugh, cry 3 Why did Aristotle think people loved movies? •Catharsis •Emotional cleansing or purging •What delivers catharsis? •Seeing hero undertake journey that transforms 4 5 “I think that what we’re seeking is an experience of being alive ... ... so that we can actually feel the rapture being alive.” Joseph Campbell “The Power of Myth” 6 What are audiences looking for? • Expand emotional bandwidth • Reminder of higher self • Universal connection • In summary ... • Cracking yarns 7 8 Me 9 You (in 1 min or less) •Name •Day job •Done any courses? Read any books? Written any screenplays? •Have a concept? •Which film would you like to have written? 10 What’s the hardest part of writing a cracking screenplay? •Concept? •Characters? •Story? •Scenes? •Dialogue? 11 Typical script report Excellent Good Fair Poor Concept X Character X Dialogue X Structure X Emotional Engagement X 12 Story without emotional engagement isn’t story. It’s just plot. 13 Plot isn’t the end. It’s just the means. 14 Stories don’t happen in the head. They grab us by the heart. 15 What is structure? •The craft of storytelling •How we engage emotions •How we generate catharsis •How we deliver what audiences crave 16
    [Show full text]
  • HOLLYWOOD – the Big Five Production Distribution Exhibition
    HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
    [Show full text]
  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
    [Show full text]
  • Hunchback LIBVB.Pdf
    THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) .
    [Show full text]
  • Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
    1 COM 321, Documentary Form in Film, Television, & Interactive Media 1/27/17 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anderson, Paul Junun, 2015 Boogie Nights, 1997 Thomas There Will be Blood, 2007 The Master, 2012 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Antonioni, Ragazze in bianco, 1949 L’Avventura, 1960 Michelangelo Chung Kuo – Cina, 1972 La Notte, 1961 Italy L'Eclisse, 1962 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Berlinger, Joe Brother’s Keeper, 1992 Book of Shadows: Blair Witch 2, 2000 US The Paradise Lost Trilogy, 1996-2011 Facing the Wind, 2015 (all with Bruce Sinofsky) Berman, Shari The Young and the Dead, 2000 The Nanny Diaries, 2007 Springer & Pulcini, Hello, He Lied & Other Truths from Cinema Verite, 2011 Robert the Hollywood Trenches, 2002 Girl Most Likely, 2012 US American Splendor, 2003 (hybrid) Wanderlust, 2006 Blitz, Jeffrey Spellbound, 2002 Rocket Science, 2007 US Lucky, 2010 The Office, 2006-2013 (TV) Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man,
    [Show full text]
  • Durham: City of Champions
    TWO DAY ITINERARY Where great things happen Durham: City of Champions Durham is home to national championships, hall of fame coaches, and the backdrop for the movie Bull Durham. While visitors do not go wanting for teams to root for or sporting events to attend, they also have opportunity to get active in Durham’s many recreation DAY 1 Located in Downtown Durham at Durham Central Park (501 Foster St), the skatepark is on the Rigsbee St side Durham Central Park Skatepark 501 Foster St, Durham, NC 27701 | (919) 682-2800 | www.durhamcentralpark.org/park-info/skate-park 1 markschuelerphoto.com 1 Start downtown with a visit to the Durham Central Park Skatepark. This 10,000-sq-ft. state-of- the-art park features a fl oating quarter pipe, three stairwells with handrails and an eight-foot trog bowl among other skater favorites. Helmets and pads are required! (Allow one hour) From Downtown Rigsbee St head south to W Chapel Hill St, turn left; follow and turn left onto 15-501 N Roxboro St; take the next right onto Hwy 98 E Holloway St (10 mins) (N) Wheels Fun Park 2 715 N Hoover Rd, Durham, NC 27712 | (919) 598-1944 | www.wheelsfunparkdurham.com Kids will go nuts for the attractions at Wheels Fun Park. From go-karts and mini golf to 4 1 (DT) batting cages and a roller skating rink, there are plenty of activities to keep the whole family 2 entertained. Open M-F 10am-9pm, F-Sa 10am-10pm, Su 1pm-7pm. (Allow 1-2 hours) (WC) (E) 3 Return to Hwy 98 and take Hwy 70 S to S Miami Blvd; take a right onto Ellis Rd, then first right onto (SE) Cash/Stage Rd (10 mins) (SW) DPR Ropes Course 1814 Stage Rd, Durham, NC 27703 DCVB Planning Assistance 3 (919) 560-4405 | www.durhamnc.gov The Durham Convention & Visitors Bureau sales and services staff are ready to help make The Discovery High Ropes Course pushes your visit to Durham a success.
    [Show full text]
  • 200505 Press Pack
    THE WORKERS CUP WORLD PREMIERE – SUNDANCE FILM FESTIVAL World Cinema Documentary Competition International Sales: Autlook Film Sales Salma Abdalla, salma@autlookfilms.com US Sales: Passion River Films Mat Levy, [email protected] Contact the filmmakers: theworkerscupfi[email protected] Film Website: www.theworkerscupfilm.com Facebook: @theworkerscupfilm | Twitter: @workerscup Running Time: 1:28:36 Country of Production: United Kingdom | Film Completion: January, 2017 Languages: English, Nepali, Malayalam, Twi, Ga, Hindi, Arabic | Subtitles: English Shooting Format: HD | Screening Format: DCP | Sound Format: 5.1 Press Materials available for download from www.theworkerscupfilm.com/press LOGLINE Inside the labor camps of Qatar, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own. SHORT SYNOPSIS The Workers Cup is set inside the labor camps of Qatar, where the World Cup is being built on the backs of 1.6 million migrant workers. The film follows a team of laborers living a real-life version of fantasy football. By day they sweat to build the World Cup; by night they compete in a “workers welfare” football tournament, playing in the same stadiums that will one day host the world’s greatest players. We join one team of men from Nepal, India, Ghana, and Kenya whose only common ground is their love for football. Each match offers them a momentary escape from the homesickness and isolation they endure as the lowest class in the world’s richest country. LONG SYNOPSIS In 2022, Qatar will host the biggest sporting event in the world, the FIFA World Cup.
    [Show full text]
  • Transcript Sidney Lumet
    TRANSCRIPT A PINEWOOD DIALOGUE WITH SIDNEY LUMET Sidney Lumet’s critically acclaimed 2007 film Before the Devil Knows You’re Dead, a dark family comedy and crime drama, was the latest triumph in a remarkable career as a film director that began 50 years earlier with 12 Angry Men and includes such classics as Serpico, Dog Day Afternoon, and Network. This tribute evening included remarks by the three stars of Before the Devil Knows Your Dead, Ethan Hawke, Marissa Tomei, and Philip Seymour Hoffman, and a lively conversation with Lumet about his many collaborations with great actors and his approach to filmmaking. A Pinewood Dialogue with Sidney Lumet shooting, “I feel that there’s another film crew on moderated by Chief Curator David Schwartz the other side of town with the same script and a (October 25, 2007): different cast, and we’re trying to beat them.” (Laughter) “You know, trying to wrap the movie DAVID SCHWARTZ: (Applause) Thank you, and ahead of them. It’s like a race.” I remember welcome, everybody. Sidney Lumet, as I think all saying that “you know if this movie works, then of you know, has received a number of salutes I’m going to have to rethink my whole idea of and awards over the years that could be process, because I can not imagine that this will considered lifetime achievement awards—which work!” (Laughter) I’ve never seen such a might sometimes imply that they’re at the end of deliberate—I’m going to steal your words, Phil, their career. But that’s certainly far from the case, but—a focus of energy, and use of energy.
    [Show full text]
  • Movie Store Collections- Includes Factory Download Service
    Kaleidescape Movie Store Collections- Includes Factory Download Service. *Content Availability Subject to Change. Collection of 4K Ultra HD & 4K HDR Films Academy Award Winners- Best Picture Collection of Family Films Collection of Concerts Collection of Best Content from BBC Our Price $1,250* Our Price $1,450* Our Price $2,450* Our Price $625* Our Price $650* MSCOLL-UHD MSCOLL-BPW MSCOLL-FAM MSCOLL-CON MSCOLL-BBC 2001: A Space Odyssey 12 Years a Slave Abominable Adele: Live at the Royal Albert Hall Blue Planet II A Star Is Born A Beautiful Mind Aladdin Alicia Keys: VH1 Storytellers Doctor Who (Season 8) Alien A Man for All Seasons Alice in Wonderland Billy Joel: Live at Shea Stadium Doctor Who (Season 9) Apocalypse Now: Final Cut All About Eve April and the Extraordinary World Celine Dion: Taking Chances World Tour - The Concert Doctor Who (Season 10) Avengers: Endgame All Quiet on the Western Front Babe Eagles: Farewell 1 Tour — Live from Melbourne Doctor Who (Season 11) Avengers: Infinity War All the King's Men Back to the Future Elton John: The Million Dollar Piano Doctor Who Special 2012: The Snowmen Baby Driver Amadeus Back to the Future Part II Eric Clapton: Slowhand at 70 - Live at the Royal Albert Hall Doctor Who Special 2013: The Day of the Doctor Blade Runner 2049 American Beauty Back to the Future Part III Genesis: Three Sides Live Doctor Who Special 2013: The Time of the Doctor Blade Runner: The Final Cut An American in Paris Beauty and the Beast Hans Zimmer: Live in Prague Doctor Who Special 2014: Last Christmas Blue Planet II Annie Hall Cars INXS: Live Baby Live Doctor Who Special 2015: The Husbands of River Song Bohemian Rhapsody Argo Cars 2 Jackie Evancho: Dream with Me in Concert Doctor Who Special 2016: The Return of Doctor Mysterio Chinatown Around the World in 80 Days Cars 3 Jeff Beck: Performing This Week..
    [Show full text]
  • A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
    PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score.
    [Show full text]
  • F. Scott Fitzgerald the Stand
    Fiction Songs The Great Gatsby – F. Scott Fitzgerald “Change is Gonna Come” – Sam Cooke The Stand - Stephen King “Oh Holy Night” – Adolph Adam Things Fall Apart – Chinua Achebe “Come as You Are” – Nirvana Brave New World – Aldous Huxley “Paper Tiger” – Beck The Alchemist – Paulo Coelho “Sweet Child O’ Mine” – Guns N Roses Nineteen Eighty Four – George Orwell “Amazing Grace” – John Newton Of Mice and Men – John Steinbeck “Father and Son” – Cat Stevens The Road – Cormac McCarthy “Go or Go Ahead” – Rufus Wainright The Lovely Bones – Alice Sebold “And Justice For All” – Metallica The Fountainhead – Ayn Rand “In My Life” – The Beetles Non-fiction Movies A Brief History of Time – Stephen Hawking The Godfather – Francis Ford Coppola My Life in Art – Konstantin Stanislavsky Magnolia – Paul Thomas Anderson The Singularity is Near – Ray Kurzweil It’s a Wonderful Life – Frank Capra The Tipping Point – Malcolm Gladwell Being John Malkovich – Spike Jonze Bossypants – Tina Fey Life is Beautiful – Roberto Benigni Revelation – John (The One Who Jesus Loved) Gone With the Wind – Victor Fleming The Supernatural Worldview – Cris Putnam Lost in Translation – Sophia Coppola Relativity – Albert Einstein Eternal Sunshine of the Spotless Mind – In Cold Blood – Truman Capote Michel Gondry Exodus – Moses The Sting – George Roy Hill The Little Princess – Walter Lang Children’s Books Documentaries The Giving Tree – Shel Silverstein Grey Gardens – Ellen Hoyde, Albert Maysles The Chronicles of Narnia series– C.S. Lewis The Imposter – Bart Layton Every Amelia Bedelia – Peggy/Herman Parish Hoop Dreams – Steve James Charlotte’s Web – E.B. White Fahrenheit 911 – Michael Moore The Cat in the Hat – Dr.
    [Show full text]
  • All About Eve
    All About Eve Education Resource All About Eve, Joseph L. Mankiewicz, USA, 1950, 138 Mins FREE FOR EDUCATIONAL USE - Education Resource- All About Eve Page 2 FREE FOR EDUCATIONAL USE - Education Resource- All About Eve Page 3 CONTENTS About this Resource .................................................................................................................................... 5 Introduction .................................................................................................................................................. 5 Some background ........................................................................................................................................ 6 Mankiewicz as Auteur .................................................................................................................................. 7 'The Award’ ................................................................................................................................................... 9 The Style ...................................................................................................................................................... 11 Genre ........................................................................................................................................................... 13 Black and White Cinematography ............................................................................................................ 14 Editing ........................................................................................................................................................
    [Show full text]