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Daysentertained This Summer Out
SIGHTS • ARTS • SHOPPING • EATING • ENTERTAINMENT • MAPS LONDON THE FREE OFFICIAL MONTHLY GUIDE • AUGUST 2018 PLANNER PLUS • residences Royal • Desserts and ice cream SUPER 20 ways to keep kids and adults daysentertained this summer out CAN YOU KICK IT? The capital’s greatest football stadiums MAKING US PROUD Join Pride festivals across the country FIND YOUR +++++ ‘IT IS OUT OF THIS WORLD, IT’S MAGIC, AND IT’S A HIT’ THE TIMES CHECK DAILY FOR LATE-RELEASE TICKETS PALACE THEATRE, LONDON www.HarryPotterThePlay.com TM & © HPTP. Harry Potter ™ WBEI THE MAYOR’S LETTER Welcome to London this August Welcome to the capital this month. As ever, our city is full of exciting events and great things to see. Buckingham Palace is, of course, one of the world’s most recognisable buildings, but have you ever wanted to see inside? Throughout August you can do so as the palace has its annual Summer Opening. The BBC Proms are a British institution and this month there is a programme of musical performances for people of all ages. As well as limited £6 ‘Promming’ tickets, there are free places available at many events, including concerts at the Royal Albert Hall. This is the month when the Notting Hill Carnival enlivens the streets of west London. Join millions of Londoners as they dance alongside a parade bursting with colour and incredible costumes. Whether you come for the music or stay for the food, carnival is an experience like no other. Whichever way you choose to spend your time in London, I hope you have a fantastic visit! FIND YOUR LONDON Sadiq Khan PLANNER Mayor of London Visit our site for competitions www.london Twitter: @LondonPlanner planner.com Facebook: LondonPlannerMag Instagram: LondonPlanner AUGUST 2018 | 3 “ We enjoyed every minute of the tour, especially with our very funny tour guide. -
ANNUAL REPORT 2013 BOARD of TRUSTEES 5 Letter from the Chair
BOARD OF TRUSTEES 2 LETTER FROM THE CHAIR 4 A STRATEGIC VISION FOR THE 6 PHILADELPHIA MUSEUM OF ART A YEAR AT THE MUSEUM 8 Collecting 10 Exhibiting 20 Learning 30 Connecting and Collaborating 38 Building 48 Conserving 54 Supporting 60 Staffing and Volunteering 70 A CALENDAR OF EXHIBITIONS AND EVENTS 75 FINANCIAL STATEMENTS 80 COMMIttEES OF THE BOARD OF TRUSTEES 86 SUPPORT GROUPS 88 VOLUNTEERS 91 MUSEUM STAFF 94 BOARD OF TRUSTEES TRUSTEES EMERITI TRUSTEES EX OFFICIO OFFICERS Peter A. Benoliel Hon. Tom Corbett Constance H. Williams Jack R Bershad Governor, Commonwealth Chair, Board of Trustees Dr. Luther W. Brady, Jr. of Pennsylvania and Chair of the Executive Committee Helen McCloskey Carabasi Hon. Michael A. Nutter Mayor, City of Philadelphia H. F. (Gerry) Lenfest Hon. William T. Raymond G. Perelman Coleman, Jr. Hon. Darrell L. Clarke Chairs Emeriti Ruth M. Colket President, City Council Edith Robb Dixon Dennis Alter Hannah L. Henderson Timothy Rub Barbara B. Aronson Julian A. Brodsky B. Herbert Lee The George D. Widener Director and Chief David Haas H. F. (Gerry) Lenfest Executive Officer Lynne Honickman Charles E. Mather III TRUSTEES Victoria McNeil Le Vine Donald W. McPhail Gail Harrity Vice Chairs Marta Adelson Joan M. Johnson David William Seltzer Harvey S. Shipley Miller President and Chief Operating Officer Timothy Rub John R. Alchin Kenneth S. Kaiserman* Martha McGeary Snider Theodore T. Newbold The George D. Widener Dennis Alter James Nelson Kise* Marion Stroud Swingle Lisa S. Roberts Charles J. Ingersoll Director and Chief Barbara B. Aronson Berton E. Korman Joan F. Thalheimer Joan S. -
More Wanderings in London E
1 MORE WANDERINGS IN LONDON E. V. LUCAS — — By E. V. LUCAS More Wanderings in London Cloud and Silver The Vermilion Box The Hausfrau Rampant Landmarks Listener's Lure Mr. Ingleside Over Bemerton's Loiterer's Harvest One Day and Another Fireside and Sunshine Character and Comedy Old Lamps for New The Hambledon Men The Open Road The Friendly Town Her Infinite Variety Good Company The Gentlest Art The Second Post A Little of Everything Harvest Home Variety Lane The Best of Lamb The Life of Charies Lamb A Swan and Her Friends A Wanderer in Venice A W^anderer in Paris A Wanderer in London A Wanderer in Holland A Wanderer in Florence Highways and Byways in Sussex Anne's Terrible Good Nature The Slowcoach and The Pocket Edition of the Works of Charies Lamb: i. Miscellaneous Prose; II. Elia; iii. Children's Books; iv. Poems and Plays; v. and vi. Letters. ST. MARTIN's-IN-THE-FIELDS, TRAFALGAR SQUARE MORE WANDERINGS IN LONDON BY E. V. LUCAS "You may depend upon it, all lives lived out of London are mistakes: more or less grievous—but mistakes" Sydney Smith WITH SIXTEEN DRAWINGS IN COLOUR BY H. M. LIVENS AND SEVENTEEN OTHER ILLUSTRATIONS NEW YORK GEORGE H. DORAN COMPANY L'Jz Copyright, 1916, By George H. Doran Company NOV -7 1916 PRINTED IN THE UNITED STATES OF AMERICA ICI.A445536 PREFACE THIS book is a companion to A Wanderer in London^ published in 1906, and supplements it. New editions, bringing that work to date, will, I hope, continue to appear. -
Contents Page
Contents Preface ............................................................................................................................................... 25 January 1 ‘Another Year is Dawning’ (Frances Ridley Havergal, 1836-1879) ................................................................................... 26 Women in the New Testament January 2 Woman of the Word (Mary, 1st century) .................................................................................................................... 28 January 3 First Two Women to Know Jesus as Lord (Elizabeth and Anna, 1st century) .......................................................................................... 29 January 4 Spreading the Good News of Jesus (Samaritan woman, 1st century) ............................................................................................. 30 January 5 Tale of Two Sisters (Mary and Martha, 1st century) ...............................................................................................31 January 6 First to See the Risen Lord (Mary Magdalene, 1st century) ................................................................................................32 January 7 First European Convert (Lydia, 1st century) .....................................................................................................................33 January 8 Aquila’s Wife and Fellow Worker with Paul (Priscilla, 1st century) ............................................................................................................... 34 January -
Anne Steele and Her Spiritual Vision
Anne Steele and Her Spiritual Vision Anne Steele and Her Spiritual Vision: Seeing God in the Peaks, Valleys, and Plateaus of Life Priscilla Wong Reformation Heritage Books Grand Rapids, Michigan Anne Steele and Her Spiritual Vision © 2012 by Priscilla Wong All rights reserved. No part of this book may be used or reproduced in any man ner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. Direct your requests to the publisher at the following address: Reformation Heritage Books 2965 Leonard St. NE Grand Rapids, MI 49525 616-977-0889 / Fax 616-285-3246 [email protected] www.heritagebooks.org Printed in the United States of America 12 13 14 15 16 17/10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Wong, Priscilla. Anne Steele and her spiritual vision : seeing God in the peaks, valleys, and plateaus of life / Priscilla Wong. p. cm. Includes bibliographical references (p. ). ISBN 978-1-60178-185-7 (pbk. : alk. paper) 1. Steele, Anne, 1717-1778. 2. Baptists—England—Biography. 3. Hymn writers—England—Biography. 4. Baptists—Hymns—History and criticism. I. Title. BV330.S74W66 2012 286’.1092—dc23 [B] 2012027489 For additional Reformed literature, request a free book list from Reformation Heritage Books at the above regular or e-mail address. Contents Foreword................................................ vii Acknowledgments........................................ ix 1. Introduction: Seeing God in the Circumstances of Life ..... 1 2. The Glory of God in Creation........................... 11 3. Faith in the Face of Suffering ........................... 51 4. Hope in the Promised Glory........................... -
National Holocaust Memorial & Learning Centre
NATIONAL HOLOCAUST MEMORIAL & LEARNING CENTRE PROOF OF EVIDENCE (APPENDICES) HERITAGE TOWN AND COUNTRY PLANNING ACT 1990 CALL-IN INQUIRY DR CHRIS MIELE IHBC MRTPI APPLICATION REFERENCE: 19/00114/FULL SEPTEMBER 2020 Page 1 of 54 APPENDICES APPENDIX 1.0 CM LIST OF PUBLICATIONS APPENDIX 2.0 VISUAL MATERIAL APPENDIX 3.0 EXTRACT FROM SUPREME COURT VOLUME APPENDIX 4.0 COMMENTS ON DR GERHOLD’S SUBMISSION 2 Page 2 of 54 APPENDIX 01 CM LIST OF PUBLICATIONS 4 Page 3 of 54 ■ “The Battle for Westminster Hall”, Architectural Published Works History (British Society of Architectural Historians) ■ ‘The Mystery of Ashpitel’s Notebook, Georgian vol. 41 (1998), pp. 220-244. Group Journal, 2016. ■ ‘Robert Adam, Marlborough House and Mrs ■ ‘E A Freeman and the Culture of Gothic Revival’ in Fitzherbert: “The First Architect of the World in Bremner and Conlin, Making History (OUP, 2016) Brighton”’, Sussex Archaeological Collections, vol. ■ ‘Scenes of Clerical Life: the Young Scott’, in G G 136 (1998), pp. 149-175. Scott RA, ed by P Barnwell (Shaun Tyas, ■ “Real Antiquity and the Ancient Object”, in The forthcoming). Study of the Past in the Victorian Age, ed. V Brand, ■ ‘Community Heritage’ and other Victorian Myths: intro. By Chris Brooks, Oxbow Monographs no. 73 Reflections on the English Experience’, ed. Melanie (1998), pp. 103-125. Hall, The History of Preservation: International ■ Morris on Architecture, ed by C Miele (Sheffield, Perspectives (Ashurst, 2013). 1997). A collection of William Morris’ lectures on ■ Forgotten, Lost and Restored, joint author building and architecture, with a critical (Hackney Society, 2012). introduction and annotations. ■ ‘Gothic Sign. -
'Reforming Academicians', Sculptors of the Royal Academy of Arts, C
‘Reforming Academicians’, Sculptors of the Royal Academy of Arts, c.1948-1959 by Melanie Veasey Doctoral Thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy of Loughborough University, September 2018. © Melanie Veasey 2018. For Martin The virtue of the Royal Academy today is that it is a body of men freer than many from the insidious pressures of fashion, who stand somewhat apart from the new and already too powerful ‘establishment’.1 John Rothenstein (1966) 1 Rothenstein, John. Brave Day Hideous Night. London: Hamish Hamilton Ltd., 1966, 216. Abstract Page 7 Abstract Post-war sculpture created by members of the Royal Academy of Arts was seemingly marginalised by Keynesian state patronage which privileged a new generation of avant-garde sculptors. This thesis considers whether selected Academicians (Siegfried Charoux, Frank Dobson, Maurice Lambert, Alfred Machin, John Skeaping and Charles Wheeler) variously engaged with pedagogy, community, exhibition practice and sculpture for the state, to access ascendant state patronage. Chapter One, ‘The Post-war Expansion of State Patronage’, investigates the existing and shifting parameters of patronage of the visual arts and specifically analyses how this was manifest through innovative temporary sculpture exhibitions. Chapter Two, ‘The Royal Academy Sculpture School’, examines the reasons why the Academicians maintained a conventional fine arts programme of study, in contrast to that of industrial design imposed by Government upon state art institutions for reasons of economic contribution. This chapter also analyses the role of the art-Master including the influence of émigré teachers, prospects for women sculpture students and the post-war scarcity of resources which inspired the use of new materials and techniques. -
Dissenting from Edward Young's Night Thoughts: Christian Time and Poetic Metre in Anne Steele's Graveyard Poems
Dissenting from Edward Young’s Night Thoughts: Christian Time and Poetic Metre in Anne Steele’s Graveyard Poems KATARINA STENKE Abstract: Although the Particular Baptist poet Anne Steele (1718 -1778 ) is little known today, this article argues that her poems on time and death offer valuable insights into wider religio-poetical representations of time in the mid-eighteenth century. Her verse both responds to and departs from the conventions of graveyard poetry as exemplified by Edward Young’s Night Thoughts (1742 -6), demonstrating close engagement with this popular subgenre as well as an intelligent critique of its devotional poetics. As such, Steele’s writing foregrounds yet also problematises emerging distinctions between writing and religion, and thus argues for new methodologies in religious and literary history. Keywords: Edward Young, Anne Steele, graveyard poetry, gender, history of time, history of religion, history of poetry and poetics, eighteenth-century nonconformity Little Monitor, by thee Let me learn what I should be; Learn the round of life to fill, Useful and progressive still. Thou canst gentle hints impart How to regulate the heart: When I wind thee up at night, Mark each fault, and set thee right: Let me search my bosom too, And my daily thoughts review; Mark the movement of my mind, Nor be easy when I find Latent errors rise to view, Till all be regular and true.1 These lines first appeared in print under the title ‘To My Watch’ in the 1780 three-volume edition of Poems on Subjects Chiefly Devotional, a collection of hymns, poems and prose meditations by the Particular Baptist author Anne Steele (1718-1778). -
The Intersection Between Nationalism and Religion in The
ABSTRACT Title of Document: The Intersection Between Nationalism and Religion: The Burghers of Calais of Auguste Rodin in the French Third Republic Jung-Sil Lee, Doctor of Philosophy, 2009 Directed By: Professor June Hargrove, Department of Art History and Archaeology As a republican, Auguste Rodin (1840-1917) conveyed political ideology in his public sculpture, but due to his interest in religion and spirituality, his interpretations differed from contemporary artists. He grafted national myths and symbols onto Catholicism and its rituals to facilitate the sacralization of the Republic. Yet, the tension between Catholicism and republicanism in his work persisted because of his religiosity and his adherence to secularism. Rodin’s conflict and compromise between the two fields were not only his personal dilemma, but also that of the Third Republic. This dissertation focuses on how Rodin internalized republican ideology in his public sculpture, and how he appropriated Catholic ritual to promote political messages. In spite of the republican government’s constant struggle to separate from Catholic domination, Catholicism was so deeply imbedded in French culture, Rodin recognized this complex paradigm which he co-opted to construct an ideological matrix for his public work. Aware of the powerful social role of religion, the First Republic tried to create a new religion based on deistic tradition, The Cult of Supreme Being, to unite all French people who were severely divided by factions, languages, and regionalism. This precedent tradition further proved the importance of religion’s social reach in constructing national sentiment. Based on research in Rodin museums in Paris and Meudon in 2004 and 2007, this study examines how Rodin merged Catholic practices and contemporary social ideologies into the fiber of nationalist identity that served to reconcile political oppositions in France and to heal wounded civic pride after the French defeat in the Franco-Prussian War. -
Rodin 100 Years Rodin in the Cleveland Museum of Art Rodin—100 Years William H
Rodin 100 Years Rodin in the Cleveland Museum of Art Rodin—100 Years William H. Robinson, Senior Curator of Modern Art Julie Dansereau-Tackett, Doctoral Fellow, Case Western Reserve University Auguste Rodin (1840–1917) is widely regarded as the founder of modern sculpture and one of the most consequential figures in the history of art. Inspired by great artists of the past, espe- cially Michelangelo, Rodin viewed the human form as the ideal vehicle for conveying inner emotion and complex symbolic 3 Rodin—100 Years thought. Through hollows and mounds, light and darkness, his muscular forms seem to vibrate with inner life. Rodin’s 5 Building a Collection willingness to experiment, combined with his ability to convey both physical and psychological forces, revived sculpture from 10 Who Bombed The Thinker? stale academic conventions and brought the medium to new 19 The Life and Career of Auguste Rodin heights. The exhibition Rodin—100 Years commemorates the 26 Rodin in the CMA Collection: Checklist centennial of Rodin’s death through the display of selected highlights from the museum’s collection of over forty works 28 Suggested Reading by the French master. Of particular importance are sculptures acquired directly from the artist, including an exceptionally fine cast of The Age of Bronze and the monumental Thinker at the museum’s south entrance. As a participating member of Cen- tenaire Auguste Rodin—an international series of installations, traveling exhibitions, and programs—the CMA is sharing its magnificent Rodin collection with new audiences and scholars worldwide (see www.rodin100.org or #Rodin100). Published on the occasion © 2017 The Cleveland reproduced in any form or Produced by the Cleveland The Cleveland Museum of of the exhibition Rodin—100 Museum of Art. -
The Fragment As a Manifestation of Non-Finito in Auguste Rodin's
The Fragment as a Manifestation of Non-Finito in Auguste Rodin’s Oeuvre A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of the Arts By Sarah Bartram May, 2016 Thesis written by Sarah Bartram B.A., The University of Akron, 2014 M.A., Kent State University, 2016 Approved by _____________________________________ Albert Reischuck, MA, Advisor ____________________________________ Christine Havice, Ph.D., Director, School of Art _____________________________________ John R. Crawford-Spinelli, Ed.D., Dean, College of Arts TABLE OF CONTENTS LIST OF FIGURES…………………………………..…………………………………..iv ACKNOWLEDGEMENTS...……………………………………………………………vii I. INTRODUCTION……………..………………………………………………………..1 II. NON-FINITO, MICHELANGELO, AND RODIN’S WORKSHOP………………….6 III. THE AMPUTATED FORM……………………………………..………………..…19 IV. THE ISOLATED BODY PART.…………………………………………………....30 V. ASSEMBLAGES………………………………..……………………………………39 VI. CONCLUSION………………………………………………………………………55 BIBLIOGRAPHY………………………………………………………………………..56 FIGURES……………………………………………………………………..………….61 iii LIST OF FIGURES Figure Artist, Title, Date Page 1. Auguste Rodin, The Walking Man,1907,………………………………………...…..60 2. Auguste Rodin, Danaïd,1889. ……………………………………………………....60 3. Auguste Rodin, Fugit Amor, ca. 1885, Marble carved ca. 1892-1894………..…......61 4. Auguste Rodin, I Am Beautiful, modeled 1885……………………………………...61 5. Auguste Rodin, St. John the Baptist, 1878……………………………………..……62 6. Auguste Rodin, The Shade, modeled 1881-1886…………………………………….62 -
Camille Claudel: the Struggle For
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace CAMILLE CLAUDEL: THE STRUGGLE FOR ARTISTIC IDENTITY A THESIS IN Art History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by JULIE MARIE STENGLE M.B.A, University of Missouri-Kansas City, 2012 B.S.B.A., Oklahoma State University, 2005 Kansas City, Missouri 2014 © 2014 JULIE MARIE STENGLE ALL RIGHTS RESERVED CAMILLE CLAUDEL: THE STRUGGLE FOR ARTISTIC IDENTITY Julie Marie Stengle, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2014 ABSTRACT During Camille Claudel’s lifetime, she pursued a career that was largely defined in terms of Auguste Rodin. This perspective of her work may be seen most notably in the reactions to her sculpture L’Âge Mûr . This work was interpreted as an allegory of two women’s struggle for one man – the artist Rodin. The sculpture depicts an old woman on the left and at the apex, who leads away a middle-aged man. Reaching toward him is a young woman, appearing on bended knee. Claudel intended L’Âge Mûr to be the means for her to develop into an independent artist. The success of this ambitious sculptural group would also have meant a certain amount of financial independence and stability. However, the reception was not as she expected. Scholars interpreted the work within the narrow parameters of her relationship with Rodin despite the presence of themes of destiny and fate.