Auguste Rodin
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A Passion for Rodin Set a Manhattan Couple on an Ambitious Collecting Journey& Covering the Past Century of Art History
dreamers creators A passion for Rodin set a Manhattan couple on an ambitious collecting journey& covering the past century of art history. By Margie Goldsmith • Photography by Billy Cunningham The collector looks up at his cast of “The Thinker.” Perhaps he is recalling what Rodin himself wrote about his sculpture: “The Thinker has a story. In the days long gone by I conceived the idea of the Gates of Hell. Before the door, seated on the rock, Dante thinking of the plan of the poem behind him ... all the characters from the Divine Comedy. This proj- ect was not realized. Thin ascetic Dante in his straight robe separated from all the rest would have been without meaning. Guided by my first inspiration I conceived another thinker, a naked man, seated on a rock, his fist against his teeth, he dreams. The fertile thought slowly elaborates itself within his brain. He is no longer a dreamer, he is a creator.” Rodin’s tale helps reveal why a boy from a small Mid- western town who became one of New York’s most suc- cessful fund managers would identify with a working-class sculptor whose masterpieces created a Rodin, “The Thinker,” conceived bronze bridge between 19th-century Romanticism and c. 1880 (this version was cast 20th-century Modernism. “I identify with the creativity and the before 1952), bronze with dark passion with which Rodin led his life,” says the collector, who brown and green patina. wishes to remain anonymous, as he continues to regard “The Charles Ephraim Burchfield, “Sultry Thinker.” “Look at the combination of strength, beauty and emo- Day” (right), 1957, watercolor on tional passion that Rodin manages to put in a lump of bronze. -
The Garment of Adam in Jewish, Muslim, and Christian Tradition
24 The Garmentof Adam in Jewish, Muslim, and ChristianTradition Stephen D. Ricks Although rarely occurring in any detail, the motif of Adam's garment appears with surprising frequency in ancient Jewish and Christian literature. (I am using the term "Adam's garment" as a cover term to include any garment bestowed by a divine being to one of the patri archs that is preserved and passed on, in many instances, from one generation to another. I will thus also consider garments divinely granted to other patriarchal figures, including Noah, Abraham, and Joseph.) Although attested less often than in the Jewish and Christian sources, the motif also occurs in the literature of early Islam, espe cially in the Isra'iliyyiit literature in the Muslim authors al ThaclabI and al-Kisa'I as well as in the Rasii'il Ikhwiin al ~afa (Epistles of the Brethren of Purity). Particularly when discussing the garment of Adam in the Jewish tradition, I will shatter chronological boundaries, ranging from the biblical, pseudepigraphic, and midrashic references to the garment of Adam to its medieval attestations. 1 In what fol lows, I wish to consider (1) the garment of Adam as a pri mordial creation; (2) the garment as a locus of power, a symbol of authority, and a high priestly garb; and (3) the garment of Adam and heavenly robes. 2 705 706 STEPHEN D. RICKS 1. The Garment of Adam as a Primordial Creation The traditions of Adam's garment in the Hebrew Bible begin quite sparely, with a single verse in Genesis 3:21, where we are informed that "God made garments of skins for Adam and for his wife and clothed them." Probably the oldest rabbinic traditions include the view that God gave garments to Adam and Eve before the Fall but that these were not garments of skin (Hebrew 'or) but instead gar ments of light (Hebrew 'or). -
Materials & Process
Sculpture: Materials & Process Teaching Resource Developed by Molly Kysar 2001 Flora Street Dallas, TX 75201 Tel 214.242.5100 Fax 214.242.5155 NasherSculptureCenter.org INDEX INTRODUCTION 3 WORKS OF ART 4 BRONZE Material & Process 5-8 Auguste Rodin, Eve, 1881 9-10 George Segal, Rush Hour, 1983 11-13 PLASTER Material & Process 14-16 Henri Matisse, Madeleine I, 1901 17-18 Pablo Picasso, Head of a Woman (Fernande), 1909 19-20 STEEL Material & Process 21-22 Antony Gormley, Quantum Cloud XX (tornado), 2000 23-24 Mark di Suvero, Eviva Amore, 2001 24-25 GLOSSARY 26 RESOURCES 27 ALL IMAGES OF WORKS OF ART ARE PROTECTED UNDER COPYRIGHT. ANY USES OTHER THAN FOR EDUCATIONAL PURPOSES ARE STRICTLY FORBIDDEN. 2 Introduction This resource is designed to introduce students in 4th-12th grades to the materials and processes used in modern and traditional sculpture, specifically bronze, plaster, and steel. The featured sculptures, drawn from the collection of the Nasher Sculpture Center, range from 1881 to 2001 and represent only some of the many materials and processes used by artists whose works of art are in the collection. Images from this packet are also available in a PowerPoint presentation for use in the classroom, available at nashersculpturecenter.org. DISCUSS WITH YOUR STUDENTS Artists can use almost any material to create a work of art. When an artist is deciding which material to use, he or she may consider how that particular material will help express his or her ideas. Where have students seen bronze before? Olympic medals, statues… Plaster? Casts for broken bones, texture or decoration on walls.. -
Having Had the Opportunity This Summer, During a Short Stay In. Sweden and Denmark, of Being Present at the International Congre
II. E INTERNATIONANOTICTH F O E L CONGRES F PREHISTORIO S C ARCHAEOLOGY HELD AT STOCKHOLM IN AUGUST 1874. BY B. W. COCHRAN PATRICK, ESQ., B.A., LL.B., P.S.A. SCOT. opportunite Havinth d gha y this summer, durin gshora t stay in. Sweden and Denmark, of being present at the International Congress of Archaeo- logists at Stockholm, in August, possibly the following brief notice of it, written at the time, may he of interest to some of the members of the Society. The meetin lase th te sevent f seasogth o s hnwa whic s beehha n held. The object of the Congress is to bring together archaeologists from every worlde parth f discuso to t , s subject antiquariaf so n interest connected with prehistoric man. Paper e member th reae e Congres y ar th sb d f o s s on these subjectsgeneralle ar d an ,arrangeo ys d that they have referenco et countre th timee whichn yi meetinth e r th , fo , g takes place. By a standing rule all the papers are written, and public discussion 1 Scotchron. lib. xiii. cap. 42, vol. ii. p. 327. ON THE INTERNATIONAL CONGRESS HELD AT STOCKHOLM. 103 take's place in French. It has been arranged that the next meeting shall take place at Buda-Pesth. In. many respects the meeting of last year has been the most successful which has been held, and besides nearly a thousand Swedes and Norwe- gians, about four hundred foreign members were present. The Congress was opened on the 7th of August. -
$262,865,000 the City of Philadelphia, Pennsylvania General Obligation Refunding Bonds, Series 2017
NEW ISSUE—BOOK-ENTRY ONLY RATINGS: Fitch: “A-” Moody’s: “A2” / “A2” (Insured Bonds) S&P: “A+” / “AA” (Insured Bonds) See “RATINGS” herein. In the opinion of Co-Bond Counsel, interest on the 2017 Bonds will be excluded from gross income for federal income tax purposes under existing statutes, regulations, rulings and court decisions, subject to the conditions described in “TAX MATTERS” herein. In addition, interest on the 2017 Bonds will not be treated as an item of tax preference under Section 57 of the Internal Revenue Code of 1986, as amended (the “Code”), for purposes of the individual and corporate alternative minimum taxes; however, under the Code, such interest may be subject to certain other taxes affecting corporate holders of the 2017 Bonds. Under the existing laws of the Commonwealth of Pennsylvania, interest on the 2017 Bonds will be free from Pennsylvania personal income taxation and Pennsylvania corporate net income taxation but such exemption does not extend to gift, estate, succession or inheritance taxes or any other taxes not levied or assessed directly on the 2017 Bonds or the interest thereon. For a more complete discussion, see “TAX MATTERS” herein. $262,865,000 THE CITY OF PHILADELPHIA, PENNSYLVANIA GENERAL OBLIGATION REFUNDING BONDS, SERIES 2017 Dated: Date of Delivery Due: August 1, as shown on inside cover page Defined Terms. All capitalized terms that are not otherwise defined on this cover page have the meanings provided to such terms in this Official Statement. The 2017 Bonds. The City of Philadelphia, Pennsylvania (the “City”), a corporation, body politic and city of the first class existing under the laws of the Commonwealth of Pennsylvania, is issuing the above-referenced bonds (the “2017 Bonds”). -
Craft Production: Ceramics, Textiles, and Bone
OUP CORRECTED PROOF – FINAL, 06/04/2013, SPi c h a p t e r 2 6 craft production: ceramics, textiles, and bone j o a n n a s o f a e r , l i s e b e n d e r j ø r g e n s e n , a n d a l i c e c h o y k e I n t r o d u c t i o n Th e Bronze Age witnessed an unprecedented fl owering of craft activity. Th roughout the period there were developments in decorative motifs, techniques, and skill with distinctive emphasis on the pleasing aesthetic through intricately elaborated objects made of a wide range of contrasting materials. Th ese include metal, clay, bone, textiles, wood, bark, horn, antler, ivory, hide, amber, jet, stone, fl int, reeds, shell, glass, and faience, either alone or in combination. Yet this period precedes the development of the state and urbanism, in which the creation of art became recognized as a distinct activity. Although the Bronze Age was a period of common cultural values across Europe, craft s were performed in regionally specifi c ways leading to diversity of practice. Local develop- ments in metalworking are well understood, but a frequent emphasis on metalworking has oft en been to the detriment of other craft s, some of which played a major role in everyday life. Th is chapter examines craft production in three contrasting materials that would have been widespread in the Bronze Age: ceramics, textiles, and bone. -
Leisure Pass Group – Go Philadelphia Explorer Pass
Leisure Pass Group – Go Philadelphia Explorer Pass - Philadelphia PA For up-to-date information on available attractions, check out: gocity.com/philadelphia/en-us/EXP-Guide Save up to 55% on admission to over 30 top attractions for one low price, including the Hop-On Hop-Off Big Bus Philadelphia Tour, Eastern State Penitentiary, Franklin Institute Science Museum, and more with a Go Philadelphia Explorer Pass. Create your own itinerary and enjoy the flexibility to choose attractions as you go and do as much as you want each day. Choose 3, 4, 5, or 7 attractions and pay nothing at the gate. Take up to 30 days after your first visit to use your pass. Choose from the following attractions: Pennsylvania Academy of Fine Arts National Constitution Center Academy of Natural Science National Liberty Museum Adventure Aquarium National Museum of American Jewish History African American Museum Philadelphia Museum of Art History in HD Walking Tour Big Bus Philadelphia – Hop-on Hop-off Tours Barnes Foundation Philadelphia Zoo Battleship New Jersey Museum & Memorial The Simeone Foundation Automotive Museum Betsy Ross House Penn Museum Brandywine River Museum of Art Rodin Museum Christ Church Burial Ground Independence Tour City Hall Tower & Observation Deck Museum of the American Revolution Eastern State Penitentiary LegoLand Discovery Center Philadelphia Franklin Institute Science Museum Franklin Footsteps Walking Tour Ghost Tour of Philadelphia Italian Market Immersion Tour Dark Philly Adult Night Tour History & Cheesesteak -
Bible Teaching
The Friendly Companion Electronic Version - Index for January1965- March 2017 This is the index for the period from January 1965 – March 2017. The index can be searched in Adobe Reader, as can an individual magazine or all the magazines in one period. Use the ‘Edit’ menu, then search. To go directly to a yearly volume, click on the links below. Use the ‘Page Up’/’Page Down’ keys or the bookmarks to the left to navigate through the index. Clicking on a link next to an index entry will take you directly to the magazine page requested. To return to the opening page, click here: Return to Opening Page. 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 FRIENDLY COMPANION INDEX 1965-2017 Addresses/Sermons Title Source/Author Year/Page Short of Money Ashdown, E. 1985/136 Halloween? Or Reformation Day? Beeke, J.R. 1985/188 An Address Broome, L.R. 1976/9 Funeral Sermon Broome, L.R. 1976/148 Christianity and Creation Dawson, Colin 1977/105 Time Farley, Vernon 1965/69 Funeral Address Jupp, R.S. 1985/91 Centenary Address Ramsbottom, 1966/203 B.A. The Speaker (of House of Commons) Thomas, George 1977/56 Eternity Wallis, A.E. 1965/104 3 Articles – Allegorical Articles – Allegorical Title Source/Author Year/Page Original Sin Anonymous 2010/90 Some Men are like Pigs Anonymous 2010/172 The Way to Conquer Anonymous 1992/195 “Honourable Minu” - An Barker, William H. -
Greek Sculpture and the Four Elements Art
University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Sculpture and the Four Elements Art 7-1-2000 Greek Sculpture and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgs Part of the History of Art, Architecture, and Archaeology Commons Benson, J.L., "Greek Sculpture and the Four Elements [full text, not including figures]" (2000). Greek Sculpture and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgs/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Sculpture and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire About this book This is one part of the first comprehensive study of the development of Greek sculpture and painting with the aim of enriching the usual stylistic-sociological approaches through a serious, disciplined consideration of the basic Greek scientific orientation to the world. This world view, known as the Four Elements Theory, came to specific formulation at the same time as the perfected contrapposto of Polykleitos and a concern with the four root colors in painting (Polygnotos). All these factors are found to be intimately intertwined, for, at this stage of human culture, the spheres of science and art were not so drastically differentiated as in our era. The world of the four elements involved the concepts of polarity and complementarism at every level. -
Who's Who at the Rodin Museum
WHO’S WHO AT THE RODIN MUSEUM Within the Rodin Museum is a large collection of bronzes and plaster studies representing an array of tremendously engaging people ranging from leading literary and political figures to the unknown French handyman whose misshapen proboscis was immortalized by the sculptor. Here is a glimpse at some of the most famous residents of the Museum… ROSE BEURET At the age of 24 Rodin met Rose Beuret, a seamstress who would become his life-long companion and the mother of his son. She was Rodin’s lover, housekeeper and studio helper, modeling for many of his works. Mignon, a particularly vivacious portrait, represents Rose at the age of 25 or 26; Mask of Mme Rodin depicts her at 40. Rose was not the only lover in Rodin's life. Some have speculated the raging expression on the face of the winged female warrior in The Call to Arms was based on Rose during a moment of jealous rage. Rose would not leave Rodin, despite his many relationships with other women. When they finally married, Rodin, 76, and Rose, 72, were both very ill. She died two weeks later of pneumonia, and Rodin passed away ten months later. The two Mignon, Auguste Rodin, 1867-68. Bronze, 15 ½ x 12 x 9 ½ “. were buried in a tomb dominated by what is probably the best The Rodin Museum, Philadelphia. known of all Rodin creations, The Thinker. The entrance to Gift of Jules E. Mastbaum. the Rodin Museum is based on their tomb. CAMILLE CLAUDEL The relationship between Rodin and sculptor Camille Claudel has been fodder for speculation and drama since the turn of the twentieth century. -
Daysentertained This Summer Out
SIGHTS • ARTS • SHOPPING • EATING • ENTERTAINMENT • MAPS LONDON THE FREE OFFICIAL MONTHLY GUIDE • AUGUST 2018 PLANNER PLUS • residences Royal • Desserts and ice cream SUPER 20 ways to keep kids and adults daysentertained this summer out CAN YOU KICK IT? The capital’s greatest football stadiums MAKING US PROUD Join Pride festivals across the country FIND YOUR +++++ ‘IT IS OUT OF THIS WORLD, IT’S MAGIC, AND IT’S A HIT’ THE TIMES CHECK DAILY FOR LATE-RELEASE TICKETS PALACE THEATRE, LONDON www.HarryPotterThePlay.com TM & © HPTP. Harry Potter ™ WBEI THE MAYOR’S LETTER Welcome to London this August Welcome to the capital this month. As ever, our city is full of exciting events and great things to see. Buckingham Palace is, of course, one of the world’s most recognisable buildings, but have you ever wanted to see inside? Throughout August you can do so as the palace has its annual Summer Opening. The BBC Proms are a British institution and this month there is a programme of musical performances for people of all ages. As well as limited £6 ‘Promming’ tickets, there are free places available at many events, including concerts at the Royal Albert Hall. This is the month when the Notting Hill Carnival enlivens the streets of west London. Join millions of Londoners as they dance alongside a parade bursting with colour and incredible costumes. Whether you come for the music or stay for the food, carnival is an experience like no other. Whichever way you choose to spend your time in London, I hope you have a fantastic visit! FIND YOUR LONDON Sadiq Khan PLANNER Mayor of London Visit our site for competitions www.london Twitter: @LondonPlanner planner.com Facebook: LondonPlannerMag Instagram: LondonPlanner AUGUST 2018 | 3 “ We enjoyed every minute of the tour, especially with our very funny tour guide. -
Rodin Biography
Contact: Norman Keyes, Jr., Director of Media Relations Frank Luzi, Press Officer (215) 684-7864 [email protected] AUGUSTE RODIN’S LIFE AND WORK François-Auguste-René Rodin was born in Paris in 1840. By the time he died in 1917, he was not only the most celebrated sculptor in France, but also one of the most famous artists in the world. Rodin rewrote the rules of what was possible in sculpture. Controversial and celebrated during his lifetime, Rodin broke new ground with vigorous sculptures of the human form that often convey great drama and pathos. For him, beauty existed in the truthful representation of inner states, and to this end he often subtly distorted anatomy. His genius provided inspiration for a host of successors such as Henri Matisse, Constantin Brancusi and Henry Moore. Unlike contemporary Impressionist Paul Cézanne---whose work was more revered after his death---Rodin enjoyed fame as a living artist. He saw a room in the Metropolitan Museum of Art in New York dedicated to his work and willed his townhouse in Paris, the Hôtel Biron, to the state as a last memorial to himself. But he was also the subject of intense debate over the merits of his art, and in 1898 he attracted a storm of controversy for his unconventional monument to French literary icon Honoré de Balzac. MAJOR EVENTS IN RODIN’S LIFE 1840 November 12. Rodin is born in Paris. 1854 Enters La Petite École, a special school for drawing and mathematics. 1857 Fails in three attempts to be admitted at the prestigious École des Beaux-Arts.