Tellability, Frame and Silence
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Sounds of War and Peace: Soundscapes of European Cities in 1945
10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death. Exploiting to the full methodologies and research tools developed in the fields of sound and soundscape studies, the Sounds of War and Peace authors analyse their reflections on autobiographical texts and art. The studies demonstrate the role urban sounds played in the inhabitants’ forging a sense of 1945 Soundscapes of European Cities in 1945 identity as they adapted to new living conditions. The chapters also shed light on the ideological forces at work in the creation of urban sound space. Sounds of War and Peace. War Sounds of Soundscapes of European Cities in Volume 10 Eastern European Studies in Musicology Edited by Maciej Gołąb Renata Tańczuk is a professor of Cultural Studies at the University of Wrocław, Poland. Sławomir Wieczorek is a faculty member of the Institute of Musicology at the University of Wrocław, Poland. Renata Tańczuk / Sławomir Wieczorek (eds.) · Wieczorek / Sławomir Tańczuk Renata ISBN 978-3-631-75336-1 EESM 10_275336_Wieczorek_SG_A5HC globalL.indd 1 16.04.18 14:11 10 This book vividly evokes for the reader the sound world of a number of Eu- Renata Tańczuk / Sławomir Wieczorek (eds.) ropean cities in the last year of the Second World War. It allows the reader to “hear” elements of the soundscapes of Amsterdam, Dortmund, Lwów/Lviv, Warsaw and Breslau/Wrocław that are bound up with the traumatising experi- ences of violence, threats and death. -
Abstract Why We Turn the Page: a Literary Theory Of
ABSTRACT WHY WE TURN THE PAGE: A LITERARY THEORY OF DYNAMIC STRUCTURALISM Justin J. J. Ness, Ph.D. Department of English Northern Illinois University, 2019 David J. Gorman, Director This study claims that every narrative text intrinsically possesses a structure of fixed relationships among its interest components. The progress of literary structuralism gave more attention to the static nature of what a narrative is than it did to the dynamic nature of how it operates. This study seeks to build on the work of those few theorists who have addressed this general oversight and to contribute a more comprehensive framework through which literary critics may better chart the distinct tensions that a narrative text cultivates as it proactively produces interest to motivate a reader’s continued investment therein. This study asserts that the interest in narrative is premised on three affects— avidity, anxiety, and curiosity—and that tensions within the text are developed through five components of discourse: event, description, dialog, sequence, and presentation. NORTHERN ILLINOIS UNIVERSITY DEKALB, ILLINOIS MAY 2019 WHY WE TURN THE PAGE: A LITERARY THEORY OF DYNAMIC STRUCTURALISM BY JUSTIN J. J. NESS ©2019 Justin J. J. Ness A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH Dissertation Director: David J. Gorman ACKNOWLEDGMENTS David Gorman, the director of my project, introduced me to literary structuralism six years ago and has ever since challenged me to ask the simple questions that most people take for granted, to “dare to be stupid.” This honesty about my own ignorance was—in one sense, perhaps the most important sense—the beginning of my life as a scholar. -
02955 the Aesthetics of Violence OA
Political Violence and the Tellability of Tales Frode Helmich Pedersen It is a common perception that stories of sex and violence sell, and that it is therefore only to be expected that journalists and editors will, as a rule, favor stories about violence over narratives of a less dramatic kind. Not all stories of violence are equally publishable, however. Some stories of violence are intuitively understood to be “ft to print,” as the slogan goes, whereas others are, for a variety of reasons, deemed unsuitable for publication. How can we go about investigating this phenomenon? To what extent is it possible to ascertain the mechanisms that determine which stories of political violence are covered by Western news media and which are most likely ignored or suppressed? Two approaches to these questions come to mind. Te frst is the media critique put forward by Noam Chomsky and Edward Herman in their 1988 book Manufacturing Consent, where the central thesis is that the news stories that make the headlines in the established US press are the ones that tend to serve the interests of US state and corporate power. Te second approach 83 the aesthetics of violence is Slavoj Žižek’s critical analysis of the phenomenon of violence in his book Violence. Six sideways refections (2009), where his distinction between “subjective” and “objective” violence is of particular relevance to the question outlined above. While both of these approaches (which are primarily con- cerned with questions of ideology) are useful tools in any analysis of how Western news media cover cases of violence, they lack a theoretical perspective of the story format, which is almost always the form in which an individual phenomenon of violence is repre- sented and circulated. -
Greger-2 Korr
The Book and Its Narratives 1 2 Örebro Studies in Literary History and Criticism 1 GREGER ANDERSSON The Book and Its Narratives: A Critical Examination of Some Synchronic Studies of the Book of Judges 3 © Greger Andersson, 2001 Titel: The Book and Its Narratives: A Critical Examination of Some Synchronic Studies of the Book of Judges Utgivare: Universitetsbiblioteket 2001 www.oru.se/ub/publikationer/index.html Skriftserieredaktör: Joanna Israelsson-Kempinska Redaktör: Heinz Merten Tryck: Parajett, Landskrona 04/2001 Tryck, omslag: Trio Tryck, Örebro 04/2001 issn 1650-5840 isbn 91-7668-276-5 4 Abstract 11 Preface 12 1. INTRODUCTION I. Introduction 13 A Search for a Meaningful and Interpretable Text 13 The Book of Judges as Literature 15 The Book and the Narratives 16 A Topic for a Literature Department 17 Method 18 Interpretation – A Difficult Concept 18 A Specific Language Game 19 Material 20 The Book of Judges and the Deuteronomistic History 21 The Book of Judges 22 Two Problems for the Common Reader and for the 24 Professional Interpreter of the Book Disposition 25 Chapters II–IV 25 Chapters V–VIII 26 II. THE STORY ABOUT EHUD – A SIMPLE NARRATIVE? II. The Story about Ehud – A Simple Narrative? 35 Some Comments on the Text 35 Chapter 3:12–17 35 Chapter 3:18–26 37 Chapter 3:27–30 39 A Simple Story 39 Fiction or History? 40 A “Narration-Narrative” 40 The Narrative and the Larger Text 42 Synchronic Scholars 43 The Narrative Displays a Theme in the Larger Text 43 The Narrative Is Transformed into an Episode 44 Within a Larger Narrative 5 Is Ehud an Antihero? 45 The Narrative Displays a Hermeneutic Discussion 46 How Should These Divergent Interpretations Be Explained? 46 The Interpretations of the Synchronists Cannot Be Synthesized 47 How Can These Interpretations Be Evaluated and Explained? 47 How Can the View That Ehud Is an Antihero Be Explained? 47 A Narrative Integrated into a Larger Text 48 III. -
Unpacking the Narrative-Argumentative Conundrum: Story Credibility Revisited
University of Windsor Scholarship at UWindsor OSSA Conference Archive OSSA 12: Evidence, Persuasion & Diversity Jun 4th, 9:00 AM - 10:00 AM Unpacking the narrative-argumentative conundrum: story credibility revisited Jarmila Bubikova-Moan Kristiania University College Follow this and additional works at: https://scholar.uwindsor.ca/ossaarchive Part of the Education Commons, and the Philosophy Commons Bubikova-Moan, Jarmila, "Unpacking the narrative-argumentative conundrum: story credibility revisited" (2020). OSSA Conference Archive. 5. https://scholar.uwindsor.ca/ossaarchive/OSSA12/Thursday/5 This Paper is brought to you for free and open access by the Conferences and Conference Proceedings at Scholarship at UWindsor. It has been accepted for inclusion in OSSA Conference Archive by an authorized conference organizer of Scholarship at UWindsor. For more information, please contact [email protected]. Unpacking the Narrative-Argumentative Conundrum: Story Credibility Revisited JARMILA BUBIKOVA-MOAN School of Health Sciences Kristiania University College PO Box 1190 Sentrum N – 0107 Oslo Norway [email protected] Abstract: Building on a view of both narration and argumentation as dynamic concepts, the aim of this paper is to argue that story credibility remains a core issue in the debate on the argumentative quality of narratives, yet one that the dynamic perspective has not interrogated in sufficient detail. To illustrate, I will draw on empirical examples from research interviews with adult migrants to Norway on their learning and using Norwegian as a second language. Keywords: Context, discourse analysis, evidence, narrative argument, narrative positioning, story credibility, story plausibility 1. Introduction Since Kvernbekk’s (2003) “first stab” at unpacking the argumentative quality of narratives, there has been a remarkable upsurge of philosophical interest in the topic (Govier, 2013; Govier & Ayers, 2012; Kvernbekk & Bøe-Hansen, 2017; Olmos, 2013, 2014, 2017; Tindale, 2017). -
Rok III 2011
Rocznik Instytutu Polonistyki Stosowanej Wydziału Polonistyki UW Rok III 2011 Kultura popularna − części i całości Narracje w kulturze popularnej WARSZAWA 2011 Redaktor naczelny Józef Porayski-Pomsta Sekretarz redakcji Ewa Wolańska Komitet redakcyjny Stanisław Dubisz, Stanisław Gajda, Bogdan Owczarek, Józef Porayski-Pomsta (przewodniczący), Elżbieta Sękowska, Ewa Wolańska (sekretarz), Zofia Zaron, Halina Zgółkowa Redakcja tomu Bogdan Owczarek Joanna Frużyńska Współpraca Bartłomiej Fabiszewski Kamila Tuszyńska Recenzenci tomu Opracowanie redakcyjne streszczeń w języku angielskim Danuta Przepiórkowska Korekta Urszula Krzysiak Katarzyna Sałkiewicz Adres redakcji Instytut Polonistyki Stosowanej Wydział Polonistyki Uniwersytetu Warszawskiego ul. Krakowskie Przedmieście 26/28 00-927 Warszawa e-mail: [email protected] Copyright by Instytut Polonistyki Stosowanej Wydział Polonistyki UW Warszawa 2011 ISSN 2080-5853 Wydanie publikacji sfinansowane przez Wydział Polonistyki UW ze środków na badania naukowe Projekt okładki Dariusz Górski Skład i łamanie Małgorzata Kula Druk i oprawa Zakład Graficzny Uniwersytetu Warszawskiego, zam. 1319/2011 SPIS TREŚCI BOGDAN OWCZAREK: Wstęp .................................................................................... 7 STRATEGIE NARRACJI BOGDAN OWCZAREK: Narracyjność literatury popularnej ...................................... 11 JAKUB Z. LICHAŃSKI: Literatura popularna i sztuka opowiadania: glosy .............. 20 ADAM MAZURKIEWICZ: Teksty kultury cyberpunkowej w systemie rozrywkowym 30 LIDIA GĄSOWSKA: -
Narrative Structure and Characters in the Nanzi Stories of Curacao: a Discourse Analysis
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 Narrative Structure and Characters in the Nanzi Stories of Curacao: a Discourse Analysis. Joke Maaten Mondada Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Mondada, Joke Maaten, "Narrative Structure and Characters in the Nanzi Stories of Curacao: a Discourse Analysis." (2000). LSU Historical Dissertations and Theses. 7214. https://digitalcommons.lsu.edu/gradschool_disstheses/7214 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Crimes Against the People – a Sui Generis Socialist International Crime?
Journal of the History of International Law 21 (2019) 299–329 JHIL brill.com/jhil Crimes against the People – a Sui Generis Socialist International Crime? Tamás Hoffmann Centre for Social Sciences Institute for Legal Studies, Magyar Tudomanyos Akademia, Budapest [email protected] Received: 16 March 2018; Revised: 20 July 2018; Accepted: 28 September 2018; published online: 01 July 2019 Abstract Crimes against humanity is one of the core crimes in international criminal law, whose existence is treated as a natural reaction to mass atrocities. This idea of linear prog- ress is challenged by this article, which demonstrates that in post-Second World War Hungary an alternative approach was developed to prosecute human rights violation committed against civilian populations. Even though this concept was eventually used as a political weapon by the Communist Party, it had long-lasting effects on the pros- ecution of international crimes in Hungary. Keywords international criminal law – crimes against humanity – international crimes – Hungary 1 Introduction – Enforcement of Humanity as a Cosmopolitan Value The history of international law is often presented as a linear story of progress where international catastrophes inevitably lead to eventual breakthroughs in © Tamás Hoffmann, 2019 | doi:10.1163/15718050-12340113 This is an open access article distributed under the terms of the CC BY-NC-NDDownloaded 4.0 License. from Brill.com09/24/2021 10:13:16AM via free access 300 Hoffmann legal regulation.1 In this vein, the creation of the category of crimes against humanity is repeatedly portrayed as a natural result of the effort to criminalize crimes committed against civilian populations during World War II. -
From Stockholm to Tallinn the North Between East and West Stockholm, Turku, Helsinki, Tallinn, 28/6-6/7/18
CHAIN Cultural Heritage Activities and Institutes Network From Stockholm to Tallinn the north between east and west Stockholm, Turku, Helsinki, Tallinn, 28/6-6/7/18 Henn Roode, Seascape (Pastose II, 1965 – KUMU, Tallinn) The course is part of the EU Erasmus+ teacher staff mobility programme and organised by the CHAIN foundation, Netherlands Contents Participants & Programme............................................................................................................2 Participants............................................................................................................................3 Programme............................................................................................................................4 Performance Kalevala..............................................................................................................6 Stockholm................................................................................................................................10 Birka...................................................................................................................................11 Stockholm...........................................................................................................................13 The Allah ring.......................................................................................................................14 The Vasa.............................................................................................................................15 -
Ethnic and Linguistic Context of Identity: Finno-Ugric Minorities
ETHNIC AND LINGUISTIC CONTEXT OF IDENTITY: FINNO-UGRIC MINORITIES Uralica Helsingiensia5 Ethnic and Linguistic Context of Identity: Finno-Ugric Minorities EDITED BY RIHO GRÜNTHAL & MAGDOLNA KOVÁCS HELSINKI 2011 Riho Grünthal, Magdolna Kovács (eds): Ethnic and Linguistic Context of Identity: Finno-Ugric Minorities. Uralica Helsingiensia 5. Contents The articles in this publication are based on presentations given at the sympo- sium “Ethnic and Linguistic Context of Identity: Finno-Ugric Minorities” held at the University of Helsinki in March, 2009. Layout, cover Anna Kurvinen Riho Grünthal & Magdolna Kovács Cover photographs Riho Grünthal Introduction 7 Map on page 269 Arttu Paarlahti Maps on pages 280, 296, and 297 Anna Kurvinen Johanna Laakso Being Finno-Ugrian, Being in the Minority ISBN 978-952-5667-28-8 (printed) – Reflections on Linguistic and Other Criteria 13 ISBN 978-952-5667-61-5 (online) Orders • Tilaukset Irja Seurujärvi-Kari ISSN 1797-3945 Tiedekirja www.tiedekirja.fi “We Took Our Language Back” Vammalan Kirjapaino Oy Kirkkokatu 14 [email protected] – The Formation of a Sámi Identity within the Sámi Sastamala 2011 FI-00170 Helsinki fax +358 9 635 017 Movement and the Role of the Sámi Language from the 1960s until 2008 37 Uralica Helsingiensia Elisabeth Scheller Uralica Helsingiensia is a series published jointly by the University of Helsinki Finno-Ugric The Sámi Language Situation Language Section and the Finno-Ugrian Society. It features monographs and thematic col- in Russia 79 lections of articles with a research focus on Uralic languages, and it also covers the linguistic and cultural aspects of Estonian, Hungarian and Saami studies at the University of Helsinki. -
Personal Narratives and Public Trauma in Post-Katrina New Orleans
“They probably got us all on the news”: Personal Narratives and Public Trauma in Post-Katrina New Orleans DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Katherine Greene Parker Horigan Graduate Program in English The Ohio State University 2013 Dissertation Committee: Professor Amy Shuman, Advisor Professor Ray Cashman Professor Wendy Hesford Professor Maurice Stevens Copyright by Katherine Greene Parker Horigan 2013 Abstract Although stories and images of suffering during Hurricane Katrina saturated public discourse in 2005, the fundamental failures of communication that characterize this catastrophe remain undertheorized—especially the ease with which some stories have been accepted and others ignored. My dissertation brings together representations of the storm’s darkest moments, narrated by eyewitnesses, then shared in a broad spectrum of genres and rhetorical situations. Examining contexts of production, circulation, and reception, I demonstrate that the ways in which survivors’ personal stories are shared with larger audiences can either confirm or confound stereotypical representations of the narrators’ communities, with material consequences for their immediate aid and ongoing recovery. The approaches that drive my analysis include ethnography of communication and narrative performance, critical discourse analysis, rhetorical analysis of life writing, critical race theory, and critical theories of trauma. This project examines Katrina in a new light, focusing on the representational tactics of survivors and the processes by which their narratives are recognized or rejected. Beyond that, this study contributes to current theoretical understandings about how different communicative contexts and rhetorical situations shape the knowledge that is created about trauma and recovery. -
The Finnish War-Responsibility Trial, 1945–1946
Historical Origins of International Criminal Law: Volume 2 Morten Bergsmo, CHEAH Wui Ling and YI Ping (editors) E-Offprint: Immi Tallgren, “Martyrs and Scapegoats of the Nation? The Finnish War-Responsibility Trial, 1945–1946”, in Morten Bergsmo, CHEAH Wui Ling and YI Ping (editors), Historical Origins of International Criminal Law: Volume 2, FICHL Publication Series No. 21 (2014), Torkel Opsahl Academic EPublisher, Brussels, ISBN 978-82-93081-13-5. First published on 12 December 2014. This publication and other TOAEP publications may be openly accessed and downloaded through the website www.fichl.org. This site uses Persistent URLs (PURL) for all publications it makes available. The URLs of these publications will not be changed. Printed copies may be ordered through online distributors such as www.amazon.co.uk. © Torkel Opsahl Academic EPublisher, 2014. All rights are reserved. 36 ______ Martyrs and Scapegoats of the Nation? The Finnish War-Responsibility Trial, 1945–1946 Immi Tallgren* 36.1. Why and How to Write about the Finnish War-Responsibility Trial Today? In place of a complicated empirical world, men hold to a relatively few, simple, archetypal myths, of which the conspiratorial enemy and the omnicompetent hero-savior are the central ones. In consequence, people feel assured by guidance, certainty and trust rather than paralyzed by threat, bewilderment, and unwanted personal responsibility for making judgements.1 For the political historian Karl Deutsch, a nation is “a group of people united by a mistaken view about the past and a hatred of their neighbours”. Accounts of the past are one of the ways in which individuals and communities construct their identity.