The Entire List of English and Thai Books for Indian Corner, CU

Total Page:16

File Type:pdf, Size:1020Kb

The Entire List of English and Thai Books for Indian Corner, CU (As of 12 June 2017) The Entire List of English and Thai books for Indian Corner, CU ______________________________________________________________ Total No. of Books in English Language: 337 Total No. of Books in Thai Language: 89 ______________________________________________________________ English ______________________________________________________________ A ______________________________________________________________ 1. Abbi, Anvita (ed.), Unwritten Languages of India (New Delhi: Sahitya Akademi, 2017). [ASC] 2. Abraham, Itty, How India Became Territorial: Foreign Policy, Diaspora, Geopolitics (Stanford: Stanford University Press, 2014). [EIB] 3. Abu'l-fazl, The History of Akbar, Volume 1 (Wheeler M. Thackston (Editor, Translator)) (Cambridge, Massachusetts: Harvard University Press, 2015). [EIB] 4. Abu'l-fazl, The History of Akbar, Volume 2 (Wheeler M. Thackston (Editor, Translator)) (Cambridge, Massachusetts: Harvard University Press, 2015). [EIB] 5. Adiga, Aravind, The White Tiger (New York: Fee Press, 2008). [EIB] 6. Ali, Ahmed, Twilight in Delhi: A Novel (New York: A New Directions Classic, 1994). [EIB] 7. Allen, Douglas, The Philosophy of Mahatma Gandhi for the Twenty-First Century (Plymouth: Lexington Books, 2008). [EIB] 8. Almond, Philip C., The British Discovery of Buddhism (Cambridge: Cambridge University Press, 2006). [EIB] 9. Ambedkar, B. R., Annihilation of Caste: The Annotated Critical Edition (London: Verso, 2016). [EIB] 10. Ambedkar, B. R., Buddha or Karl Marx (India: Charlies Technology, 2015). [EIB] 11. Ambedkar, B. R., The Buddha and His Dhamma: A Critical Edition (New Delhi: Oxford University Press, 2011). [EIB] 12. Ambedkar, B.R., Riddles in Hinduism (North Charleston, South Carolina: CreateSpace, 2008). [EIB] 13. Anand, Mulk Raj, Private Life of an Indian Prince (Uttar Pradesh: Harper Perennial, 2008). [EIB] 14. Anand, Mulk Raj, Untouchable (London: Penguin Classics, 2014). [EIB] 15. Aslam, Nadeem, Maps for Lost Lover (New York: Vintage, 2006). [EIB] 16. Atharvaveda Vol. 1 (translated by Tulsi Ram Swami) (Arsh Sahitya Prachar Trust: Delhi, 2013). [ASB] 17. Atharvaveda Vol. 2 (translated by Tulsi Ram Swami) (Arsh Sahitya Prachar Trust: Delhi, 2013). [ASB] 18. Aurobindo, Sri, Savitri (Pondicherry, India: Sri Aurobindo Ahram, 1993). [LS] ______________________________________________________________ B ______________________________________________________________ 19. Bajpai, Kanti P., and Pant, Harsh V., India’s Foreign Policy: A Reader (New Delhi: Oxford University Press, 2013). [EIB] 20. Bajpai, Kanti P., and Pant, Harsh V., India’s National Security: A Reader (New Delhi: Oxford University Press, 2013). [EIB] 21. Bajpai, Kanti, Basit, Saira, and Krishnappa, V., India’s Grand Strategy: History, Theory, Cases (New Delhi: Routledge, 2014). [EIB] 22. Bajwa, Rupa, The Sari Shop (New York: W.W. Norton & Company, 2005). [EIB] 23. Baldwin, Shauna Singh, What the Body Remembers (New York: Anchor Books, 2001). [EIB] 24. Basham, A. L. (ed.), The Illustrated Cultural History of India (New Delhi: Oxford University Press, 2008). [EIB] 25. Basham, A.L. (ed.), A Cultural History of India (New Delhi: Oxford University Press, 2017). [ASC] 26. Basu, Anustup, Bollywood in the Age of New Media: The Geo-televisual Aesthetic (Edinburgh: Edinburgh University Press, 2011). [EIB] 27. Bhagat, Chetan, 2 States: The Story of My Marriage (New Delhi, Rupa Publications India, 2013). [EIB] 28. Bhagavad Gita (London: Penguin Books, 2008). [EIB] 29. Bharavi, Arjuna and the Hunter (Peterson, Indira Viswanathan (Editor, translator)) (Cambridge, Massachusetts: Harvard University Press, 2016). [EIB] 30. Bhatia, Rajiv, India–Myanmar Relations: Changing Contours (New Delhi: Routledge, 2016). [SH] 31. Bhattacharyya, Benoytosh, The Indian Buddhist Iconography (New Delhi: Cosmo Publications, 2013). [EIB] 32. Blank, Jonah, Mullahs on the Mainframe: Islam and Modernity among the Daudi Bohras (Chicago: University of Chicago Press, 2001). [EIB] 33. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 1 (Kolkata: Advaita Ashrama, 2013). [RV] 34. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 2 (Kolkata: Advaita Ashrama, 2013). [RV] 35. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 3 (Kolkata: Advaita Ashrama, 2013). [RV] 36. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 4 (Kolkata: Advaita Ashrama, 2013). [RV] 37. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 5 (Kolkata: Advaita Ashrama, 2013). [RV] 38. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 6 (Kolkata: Advaita Ashrama, 2013). [RV] 39. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 7 (Kolkata: Advaita Ashrama, 2013). [RV] 40. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 8 (Kolkata: Advaita Ashrama, 2013). [RV] 41. Bodhasarananda, Swami (ed.), The Complete Works of Swami Vivekananda Volume 9 (Kolkata: Advaita Ashrama, 2011). [RV] 42. Bond, Ruskin, The Blue Umbrella (New Delhi: Red Turtle Rupa, 2015). [EIB] 43. Boo, Katherine, Behind the Beautiful Forevers: Life, Death and Hope in a Mumbai Undercity (New York: Random House Trade Paperbacks, 2014). [EIB] 44. Bose, Sugata, A Hundred Horizons: The Indian Ocean in the Age of Global Empire (Cambridge, Massachusetts: Harvard University Press, 2006). [EIB] 45. Brown, Judith M. and Parel, Anthony (eds), The Cambridge Companion to Gandhi (Cambridge: Cambridge University Press, 2011). [EIB] 46. Brown, Judith M., and Frykenberg, Robert Eric, Christians, Cultural Interactions, and India’s Religious Traditions (Grand Rapids, Michigan: William B. Eerdmans Publishing Company, 2002). [EIB] 47. Brown, Judith M., Gandhi and Civil Disobedience: The Mahatma in Indian Politics, 1928–1934 (New York: Cambridge University Press, 2008). [EIB] 48. Brown, Judith M., Gandhi: Prisoner of Hope (New Haven: Yale University Press, 1998). [EIB] 49. Brown, Judith M., Gandhi's Rise to Power: Indian Politics 1915-1922 (New York: Cambridge University Press, 2007). [EIB] 50. Brown, Judith M., Global South Asians: Introducing the modern Diaspora (Cambridge: Cambridge University Press, 2006). [EIB] 51. Brown, Judith M., Modern India: The Origins of an Asian Democracy (Oxford: Oxford University Press, 2013). [EIB] 52. Brown, Judith M., Windows into the Past: Life Histories and the Historian of South Asia (Indiana: University of Notre Dame Press, 2009). [EIB] 53. Bunce, Fredrick W., A Dictionary of Buddhist and Hindu Iconography (New Delhi: D.K. Printworld, 2001). [EIB] 54. Bunce, Fredrick W., Mudras in Buddhist and Hindu Practices: An Iconic Consideration (New Delhi: D.K. Printworld, 2009). [EIB] ______________________________________________________________ C ______________________________________________________________ 55. Chadha, Yogesh, Gandhi: A Life (Toronto: John Wiley & Sons, Inc., 1999). [EIB] 56. Chandra, Lokesh, Dictionary of Buddhist Iconography, Vol. 15 (New Delhi: Aditya Prakashan, 2005). [EIB] 57. Chary, M. Srinivas, The Eagle and the Peacock: US Foreign Policy toward India since Independence (Westport: Greenwood Press, 1995). [EIB] 58. Chatterjee, Partha, and Ghosh, Anjan (eds), History and the Present (New Delhi: Anthem Press, 2002). [EIB] 59. Chatterjee, Partha, Empire and Nation (New York: Columbia University Press, 2010). [EIB] 60. Chatterjee, Partha, Lineages of Political Society (New York: Columbia University Press, 2011). [EIB] 61. Chatterjee, Partha, The Black Hole of Empire: History of Global Practice of Power (Princeton: New Jersey: Princeton University Press, 2012). [EIB] 62. Chatterjee, Partha, The Nation and Its Fragments: Colonial and Post Colonial Histories (Princeton, New Jersey: Princeton University Press, 1993). [EIB] 63. Chatterjee, Partha, The Partha Chatterjee Omnibus: Nationalist Thought and the Colonial World: The Nation and its Fragments, A Possible India (New Delhi: Oxford University Press, 1999). [EIB] 64. Chatterjee, Partha, The Politics of the Governed: Reflections on Popular Politics in Most of the World (New York: Columbia University Press, 2004). [EIB] 65. Chaturvedi, Prem Sagar, Archeological Findings from the Homeland of Buddha (Delhi: Agam Kala Prakashan, 2013) [EIB] 66. Chaudhuri, Nirad C., The Autobiography of an Unknown Indian (New York: NYRB, 2001). [EIB] 67. Chauhan, Anuja, Those Pricey Thakur Girls (Uttar Pradesh: HarperCollins Publishers India, 2013). [EIB] 68. Cohen, Stephen P., and Dasgupta, Sunil, Arming without Aiming: India’s Military Modernization (Washington, D.C.: Brookings Institution press, 2013). [EIB] 69. Cohen, Stephen P., Shooting for a Century: The India-Pakistan Conundrum (Washington, D.C.: Brookings Institution Press, 2013). [EIB] 70. Cohen, Stephen Philip, India: Emerging Power (Washington, D.C.: Brookings Institution Press, 2001). [EIB] 71. Cooper, Darius, The Cinema of Satyajit Ray: Between Tradition and Modernity (New York: Cambridge University Press, 2000). [EIB] 72. Corbett, Jim, Man-Eaters of Kumaon (New Delhi: Oxford University Press, 2013). [EIB] 73. Cultural Heritage of India, Vol. I (Kolkata: The Ramakrishna Mission Institute of Culture, 2015). [BD] 74. Cultural Heritage of India, Vol. II (Kolkata: The Ramakrishna Mission Institute of Culture, 2015). [BD] 75. Cultural Heritage of India, Vol. III (Kolkata: The Ramakrishna Mission Institute of Culture, 2015). [BD] 76. Cultural Heritage of India, Vol. IV (Kolkata: The Ramakrishna Mission Institute of Culture, 2015).
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • Unit 34 the Indian Xnglish Novel
    UNIT 34 THE INDIAN XNGLISH NOVEL Structure Objectives Introduction Early lndian Writers in English Three Significant Novelists Post Independence Novelists Women Novelists Let Us Sum Up Answers to Self Check Exercises f 34.0 OBJECTIVES I This unit will deal with the lndian English novel. It will introduce you to the various phases of the development of the lndian English novel. To give you an overview of the development of the lndian English novel, we also give you a ' 'brief idea of the life and works of the major contributions to the development of this genre. By the end of the unit you will have a fair understanding of the phases in the development of the lndian English novel. 34.1 INTRODUCTION i 'The novel as a literary phenomenon is new to India. The novel came to life in I Rengal and then to other parts of India i.e. Madras and Bombay. Today lndian English novelists (whether living in India or abroad) are in the forefront I of New English Literatures worldwide. The names that immediately come to mind are Salman Rushdie, Vikram Seth, Amitabh Ghosh, Arundhati Roy, Upamanyu Chatterjee, Amit Chaudhari and from the older lot Anita Desai and Nayantara Sehgal. I 34.2 EARLY INDIAN WRITERS IN ENGLISH Rajmohan's Wife (I 864) was the first and only English novel that Bankim Chandra Chatterjee (1 838-94) wrote. 'Though Rajmohan 's Wife is not considered a very good novel, it established Bankim's place as the father of the novel in India. His novels Durgesh Nandini, Kapal Kundala, Vishmrik~ha, Krishana Kantar, Anandmath, Devi Chaudhrani along with others appeared between 1866 and 1886 and some of them appeared later in English versions.
    [Show full text]
  • ENGLISH ELECTIVE Directorate of Distance Education TRIPURA
    ENGLISH ELECTIVE BA [English] Fourth Semester Paper G4 Directorate of Distance Education TRIPURA UNIVERSITY Reviewer Deb Dulal Halder Assistant Professor, Kirori Mal College, Delhi University Authors Suchi Agrawal: Unit (1) © Suchi Agrawal, 2017 Prof Sanjeev Nandan Prasad: Unit (2.0-2.2) © Prof Sanjeev Nandan Prasad, 2017 Prateek Ranjan Jha: Units (2.3-2.4, 3, 4) © Reserved, 2017 Vikas Publishing House: Unit ( 2.5-2.10) © Reserved, 2017 Books are developed, printed and published on behalf of Directorate of Distance Education, Tripura University by Vikas Publishing House Pvt. Ltd. All rights reserved. No part of this publication which is material, protected by this copyright notice may not be reproduced or transmitted or utilized or stored in any form of by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the DDE, Tripura University & Publisher. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT. LTD. E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 • Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi 110 055 • Website: www.vikaspublishing.com • Email: [email protected] SYLLABI-BOOK MAPPING TABLE English Elective Syllabi Mapping in Book Unit I: Indian English Novel Unit 1: Indian English Novel: The R.K.
    [Show full text]
  • A Room of Their Own: Women Novelists 109
    A Room of their Own: Women Novelists 109 4 A Room of their Own: Women Novelists There is a clear distinction between the fiction of the old masters and the new novel, with Rushdie's Midnight's Children providing a convenient watershed. When it comes to women novelists, the distinction is not so clear cut. The older generation of women writers (they are a generation younger than the "Big Three") have produced significant work in the nineteen-eighties: Anita Desai's and Nayantara Sahgal's best work appeared in this period. We also have the phenomenon of the "late bloomers": Shashi Deshpande (b. 1937) and Nisha da Cunha (b. 1940) have published their first novel and first collection of short stories in the eighties and nineties respectively. But the men and women writers also have much in common. Women too have written novels of Magic Realism, social realism and regional fiction, and benefited from the increasing attention (and money) that this fiction has received, there being an Arundhati Roy to compare with Vikram Seth in terms of royalties and media attention. In terms of numbers, less women writers have been published abroad; some of the best work has come from stay-at- home novelists like Shashi Deshpande. Older Novelists Kamala Markandaya has published just one novel after 1980. Pleasure City (1982) marks a new direction in her work. The cultural confrontation here is not the usual East verses West, it is tradition and modernity. An efficient multinational corporation comes to a sleepy fishing village on the Coromandal coast to built a holiday resort, Shalimar, the pleasure city; and the villagers, struggling at subsistence level, cannot resist the regular income offered by jobs in it.
    [Show full text]
  • The Technique of Double Narration of R. K. Narayan's the Guide
    International Journal of Language and Literature, Vol. 1 No. 2, December 2013 37 The Technique of Double Narration of R. K. Narayan’s The Guide V. S SANKARA RAO CHINNAM. M.A, B.Ed., M. Phil.1 Abstract R. K. Narayan is one of the three important Indian novelists in English. Mulk Raj Anand and Raja Rao are the other two important novelists. Narayan’s novels deal with the life of average middle class man is very important. He looks at common life with a sense of realist humour. He criticizes with gentle irony the middle class hypocrisy. He looks at life with a curious interest. He is detached observe of our ordinary interest. The Guide attempts at reviving the ethnic cultures, traditions, beliefs and languages. He writes about a cross- section of the Indian society. His characters are drawn from a wide variety of situations. They are not rich, they are also not poor. They came from the typical middle class situations. They are also resourceful. They have enough common sense; they are keen observers of life. Their qualities are unfailing, strenuous hard work. They have a teeming sense of life. They are always hopeful participants in life. They are all born optimists. Narayan has employed a double narrative techniques, he uses the narrative techniques with purpose. He uses flash-back narrative technique. This makes Raju estimate his own personality. In this narration of past life, Raju shows enough honesty and sincerity. He portrays himself with great boldness. The Guide is one of Narayan’s most interesting and popular works and is told in a series of flashbacks.
    [Show full text]
  • (Cultural and Literary Contexts: Indian Literature in English ) 1. Identify The
    Paper 7 Other Literatures (Cultural and Literary Contexts: Indian Literature in English ) 1. Identify the author from the following, who has written ‘The Devil’s Wind’ which depicts the events of India’s First War of Independence, (1857) Mutiny . a) K Subba Rao b) Manohar Malgaonkar c) K S Venkataramani d) None of these Ans : Manohar Malgaonkar 2. Which of the following is not a work done by Vikram Seth ? a) A Suitable Boy b) Miguel Street c) The golden Gate d) All You Who Sleep Tonight Ans : Miguel Street 3. Which of the following is the full title of Aurobindo’s –Savitri ? a) Savitri-an Epic b) Savitri c) Savitri – A Poem in Three parts d) Savitri – A Legend and a Symbol Ans : Savitri – A Legend and a Symbol 4. Untouchable is a creation of … a) Rabindranath Tagore b) Bankim Chandra Chatterjee c) Mulk Raj Anand d) Prem Chand Ans : Mulk Raj Anand 5. I shall not hear the Nightingale was published in a) 1959 b) 1943 c) 1976 d) 1974 Ans : 1959 6. Which of the following is not written by Khuswant Singh? a) Sex, Scotch and Scholarship b) Truth, Love and Little Malice c) The Sunset Club d) A Rain of Rites Ans : A Rain of Rites 7. Who has written ‘Our Casurina Tree’, a splendid Keatsian Poem ? a) Aurobindo Ghosh b) Toru Dutt c) R. K. Narayan d) Swami Vivekananda Ans : Toru Dutt 8. Whose autobiography is entitled ‘My Father’s Son’? a) V S Naipaul b) R K Narayan c) Dom Moraes d) None of these Ans : None of these 9.
    [Show full text]
  • Unit 17 General Introduction to the Indian English Novel
    UNIT 17 GENERAL INTRODUCTION TO THE INDIAN ENGLISH NOVEL Structure 17.0 Objectives 17.1 Introduction 17.2 What is a Novel? 17.3 Aspects of the Novel. 17.3.1 Theme 17.3.2 Plot 17.3.3 Characterization 17.3.4 Point of View 17.3.5 Place and Time 17.3.6 Narration or Dramatization 17.3.7 Style 17.4 Types of Novels 17.4.1 Picaresque Novel$ 17.4.2 Gothic Novel 17.4.3 Epistolary Novel 17.4.4 Psychological Novel 17.4.5 Historical Novel 17.4.6 Regional Novel 17.4.7 Other typeslforms 17.5 The Rise of the Indian Novel in English 17.5.1 The Beginning 17.5.2 The Novel in the early 20* Century 17.5.3 Women's Writing 17.6 Shashi Deshpande 17.6.1 Shashi Deshpande as a Novelist 17.7 Glossary 17.8 Let Us Sum Up 17.9 Suggested Reading . 17.10 Answers to Exercises 17.0 OBJECTIVES The aim of this unit is to introduce you to the genre of the novel and trace its aspects. We also aim to familiarize you with the rise of the Indian novel in English. After studying this unit carefully and completing the exercises, you will be able to : outline the development of the novel and its types recognize its different aspects know the history of the Indian novel in English, and trace its development. 17.1 INTRODUCTION In this Block, we intend to introduce you to the genre of the novel, with special reference to Shashi Deshpande's The Binding Vine, prescribed in your course.
    [Show full text]
  • Middle Flight Ssm Journal of English Literature
    ISSN 2319 – 7684 MIDDLE FLIGHT SSM JOURNAL OF ENGLISH LITERATURE DEPARTMENT OF ENGLISH SUKUMAR SENGUPTA MAHAVIDYALAYA KESHPUR , PASCHIM MEDINIPUR PIN: 721150 , WEST BENGAL , INDIA Vol.-1 November 2012 No.-1 2 ISSN 2319 – 7684 MIDDLE FLIGHT SSM JOURNAL OF ENGLISH LITERATURE DEPARTMENT OF ENGLISH SUKUMAR SENGUPTA MAHAVIDYALAYA KESHPUR , PASCHIM MEDINIPUR PIN: 721150 , WEST BENGAL , INDIA Vol.-1 November, 2012 No.-1 3 MIDDLE FLIGHT SSM JOURNAL OF ENGLISH LITERATURE Advisory Editorial Board : 1. Professor Parbati Charan Chakraborty, Professor and Head (Ret.), Deptt. of English, The University of Burdwan & Visiting Professor of English , Aliah University, Kolkata 2. Professor Tirthankar Daspurkayastha, Professor of English and Head, Deptt. of English, Vidyasagar University 3. Professor Sankar Prasad Singha, Professor of English ,Vidyasagar University 4. Dr. Goutam Buddha Sural, Associate Professor & Head, Deptt. of English, Bankura Christian College (PG) and Visiting Fellow (2006), Bristol University (UK) 5. Dr. Binda Sharma, Associate Professor and Head, Deptt. of English, C.M.D. PG College, Bilaspur 6. Mr. Satyaki Pal, Associate Professor, Deptt. of English, Narendrapur Ramakrishna Mission Residential College (Autonomous) Editor-in-Chief: Dr. Debdas Roy, Assistant Professor (Senior Lecturer) and Head, Deptt. of English, S.S. Mahavidyalaya Published: November, 2012 ISSN: 2319 – 7684 Published By: Executive Committee, Sukumar Sengupta Mahavidyalaya Po. Keshpur, Dt. Paschim Medinipur, Pin: 721150 Ph: 03227-250861, Mail: [email protected] @ Reserved with Executive Committee, 2012 Price: Rs.100/ 4 Editorial The idea of launching a journal from so new a college and so small a department was just a straw in the wind. When the idea was in the embryo my Good Angel came to deliver a timely ‘commandment’: “Don’t go too near the sun”.
    [Show full text]
  • The Concept of Indianness in R.K. Narayan's the Guide
    THE DAWN JOURNAL VOL. 4, NO. 2, JULY - DECEMBER 2015 THE CONCEPT OF INDIANNESS IN R.K. NARAYAN’S THE GUIDE G.M.A. Christy ABSTRACT The Guide reveals the Indian way of life and also the culture and tradition of India. R.K. Narayan has used typical Indian characters and Indian atmosphere to portray Indian culture. The main characters of this novel are Raju, Rosie and Marco. R.K. Narayan has given a true social picture of India through ‘The Guide’. The traits of Indian manners and customs are also reflected in this novel. Hospitality of Indians is a well known trait all over the world. Narayan has given a clear picture of India at the time of narration without idealizing the country and he has not also condemned it. The poverty of India has been reflected with a personal touch of the author. The villagers are shown as suffering from poverty and ignorance and their illiteracy has been reflected as the root cause for all their sufferings. There are as gullible and kind hearted as any Indian village habitats. Keywords: Tourist Guide, Modern - type relationship, Illiterate habitats, Faith, Spiritual Guide. This paper aims at annotating the concept of Indianness in the novel The Guide by R.K. Narayan. The task has been taken to analyse the Indian characters and Indian atmosphere as presented by Narayan in this novel to exemplify the culture and tradition of India. In 1930’s three major Indian English novelists, Mulk Raj Anand, R. K. Narayan and Raja Rao based their novels on significant themes that they discovered such as emancipation from foreign rule, East – West relationship, the communal problems and the plight of untouchables, the landless poor and the economically exploited people.
    [Show full text]
  • The Indian English Novel of the New Millennium Also by Prabhat K
    The Indian English Novel of the New Millennium Also by Prabhat K. Singh Literary Criticism Z Realism in the Romances of Shakespeare Z Dynamics of Poetry in Fiction Z The Creative Contours of Ruskin Bond (ed.) Z A Passage to Shiv K. Kumar Z The Indian English Novel Today (ed.) Poetry Z So Many Crosses Z The Vermilion Moon Z In the Olive Green Z Lamhe (Hindi) Translation into Hindi Z Raat Ke Ajnabi: Do Laghu Upanyasa (Two novellas of Ruskin Bond – A Handful of Nuts and The Sensualist) Z Mahabharat: Ek Naveen Rupantar (Shiv K. Kumar’s The Mahabharata) The Indian English Novel of the New Millennium Edited by Prabhat K. Singh The Indian English Novel of the New Millennium, Edited by Prabhat K. Singh This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Prabhat K. Singh All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4951-0, ISBN (13): 978-1-4438-4951-7 For the lovers of the Indian English novel CONTENTS Preface ........................................................................................................ ix Chapter One ................................................................................................. 1 The Narrative Strands in the Indian English Novel: Needs, Desires and Directions Prabhat K. Singh Chapter Two .............................................................................................. 28 Performance and Promise in the Indian Novel in English Gour Kishore Das Chapter Three ...........................................................................................
    [Show full text]
  • Realism in R.K Narayan's “The Guide”
    International Journal of Research ISSN NO:2236-6124 REALISM IN R.K NARAYAN’S “THE GUIDE” K.YAZHINI II-M.A.ENGLISH, S.T.E.T. WOMEN’S COLLEGE S. JAYALAKSHMI, ASSISTANT PROFESSOR, P.G. DEPT. OF ENGLISH, S.T.E.T. WOMEN’S COLLEGE, MANNARGUDI ABSTRACT The aim of this paper is to reveal the ‘REALISM’ present in R.K. NARAYAN’S novel ‘THE GUIDE’. It was Narayan’s much acclaimed novel. The guide is considered by many to be his finest work. He is very well known for his realistic themes and concepts. His style is Simple, Realistic, and Poignant. R.K.NARAYAN always manifest the realism in his themes. So, that the readers can also relate them with the story very easily. The present article examines and analyses the realistic situations, characters, places, and languages, involved in this novel by the author. INTRODUCTION Narayan is a realistic. He presents before us the Malgudi, both the nature Malgudi and the city Malgudi and the Malgudians with all their characteristics, habits, strengths, weakness, evils, faith, and superstitions realistically. The realism of Narayan is fantastic. The human attitudes, individually differing in their environment, have been presented in the most-realistic manner by the artist. The strong point of ‘The Guide’ is its realistic narrative. But it cannot be said that it is purely realistic. Romance has been grafted on the stem of the realistic life of Raju. The gullibility of a superstitious mind of the country folks headed by Velan has also been realistically comprehended. R.K. Narayan depicts the realism which is something more than reportage.
    [Show full text]
  • The Shadow Lines by Amitav Ghosh
    AMITAV GHOSH: THE SHADOW LINES INTRODUCTION TO INDIAN WRITING IN ENGLISH The rise of the Indian Writing in English is, at the onset, to be located historically. The first connection that we should be looking at is the introduction of the English language as a medium of instruction in India and the introduction of English literature as a subject in the Universities. Macaulay’s Minute introduced in 1833 provided for the introduction of English as a medium of instruction with the claim that “the English tongue would be the most useful for our native subjects.” While presenting his famous minute, Macaulay admitted quite candidly that he had not read any of the Sanskrit and Arabic books and yet did not desist from making such a pronouncement: “…A single shelf of a good European library is worth the whole native literature of India and Arabia. …All the historical information which has been collected in the Sanskrit language is less than what may be found in the paltry abridgements used at preparatory schools of England…” India, thus became a kind of testing ground for the launch of English literature in the classroom at a time when English Universities were still steeped in the Latin and Greek classics. English was, as a result, introduced in educational institutions, Courts and offices thus dislodging the traditional use of Arabic and Sanskrit as a mode of communication and documentation. Lord William Bentick announced in 1835 that the government would “favour English Language alone” henceforth and would move towards “a knowledge of English literature and Science through the medium of English language alone.” The Wood Dispatch of 1854 proclaimed the establishment of the Universities at Bombay, Madras and Calcutta and thereafter made the English language accessible to students, professors and also the officials of Government offices.
    [Show full text]