More Thoughts on Gauge by Binka Schwan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
SMITTEN SOFTSPOT KNITTED HEART Pattern
Crochet Pattern craftzine.com SMITTEN SOFTSPOT KNITTED HEART By Lauren O’Farrell Mushy love stuff ahoy! It’s nearly Valentine’s Day — the time of the year when you bellow, “I HEART YOU!” with something handmade. Fancy stitching something squishy to profess your undying amour? Then it’s about time you met the Smitten Softspot, a handmade heart that only has eyes for its owner. Awwwwww. You can give him away, leave him somewhere for a random stranger to feel the love, or just keep All images copyright Lauren O’Farrell him to yourself. I won’t tell. MATERIALS, GAUGE, AND KEY Warning: Cannot be used as an alternative to human heart in transplant or sacrifice situations. » 15g DK acrylic yarn Size/Gauge It’s just not gory enough. in red Hold-in-your-hand size or » 15g DK acrylic yarn approximately 7" wide in white » US size 6 (4.5mm) Abbreviations Pattern knitting needles K = knit » Tapestry needle P = purl The Smitten Softspot is made with two sides, which you sew » 2 black safety eyes or M1 = make one (make a new together and stuff. You begin each side by making the two heart black yarn to embroider stitch between two stitches) lobes at the top, then joining both parts to make the main part eyes K2tog = knit two stitches of the heart. » Stuffing together » Fig leaf, wings, and Sts = stitches Step 1: Knit the heart lobes. cupid bow and arrow Cast on 4 sts with red yarn. (optional) to wear when Row 1 and every odd-numbered row to Row 23: Knit across. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
2021 Creative Activities Rules and Premiums
Aug. 26-Sept. 6, 2021 Creative Activities Superintendent..................................................................................................................... Curt Pederson, Shoreview, MN Board Member............................................................................................................................... Gail Johnson, Anoka, MN Secretary....................................................................................................................................... Arlene Restad, Eagan, MN Creative Activities Rules 1. ENTRIES. Open Monday, June 7. Entries close for all divisions Tuesday, Aug. 10, at 4:30 p.m. No exceptions. A. ONLINE REGISTRATION. All entries MUST be registered. Entries close on Tuesday, Aug. 10, at 4:30 p. m. No entries will be accepted after closing date. Errors or omissions must be registered within 10 days after fair closes. No entry fee required. 1. A confirmation will be sent to your email within 24 hours. Exhibitors must bring their registration confirmation during specified drop off dates and times for verification purposes only. A hard copy printed OR readily available to be viewed easily on a mobile device will be required at drop off. 2. Refer to the "How To Enter Exhibits" document for detailed information and entry procedures. Visit the Minnesota State Fair website to begin the registration process: competition.mnstatefair.org B. MAIL-IN REGISTRATION. Must be in our office (not postmarked) by Tuesday, Aug. 10, at 4:30 p.m. No entries will be accepted after closing date. All entries MUST be registered. Follow procedure below: 1. On an 8 1/2” x 11” sheet of paper. Must include 1) first name, last name, address and phone number; 2) list of class number(s) and description of entry for each exhibit. 2. Mail to: Competition Department - c/o: Creative Activities, Minnesota State Fair, 1265 Snelling Ave. N., St. Paul, MN 55108. -
3Needle Bind-Of
3Needle Bind-of The 3needle bind-off is a popular method for joining live stitches. Unlike Kitchener stitch it isn't invisible, but is fairly unnoticeable if the bind-off is worked with the right sides of the work together. Personally, I like to work this technique with the wrong sides of the work together, so that it becomes a feature of your knitting – it creates a strong, structured ridge that can look very effective and add additional detail to a piece. This bind-off is commonly used for seams where extra support is needed, for instance shoulder seams, where it's bulk helps give a garment shape and prolong the life of the seam. To do this bind-ff, you will need a spare needle, ideally slightly larger than the working needles, and some waste yarn, which would normally be the tail recently cut after knitting has finished. The amount of yarn needed will vary depending on your project, and 3 times the length of the seam to be joined is a good estimate. Because you are working a k2tog and a cast-off in one go, your work can get a bit tight, and a tight seam doesn't have much flexibility. This is why it is recommended that the 3rd needle be a slightly larger gauge than the working needles. In this example shown here, the 3needle bind-off is being worked as a decorative seam, so the wrong sides of the work are together. Also, the stitches on the back needle have been released from a provisional cast-on. -
Knitting Gauge Tutorial.Spub
Kniting Gauge Tutrial by Brenda Bel htp://www.ravelry.com/designers/brenda-bel htp://www.brendaabel.com Te Kniting Gauge Tutrial The Basics Recommended Tools & Supplies ☑ Knit a swatch that's at least 5 inches wide and 7 inches long. The larger your Metal ruler swatch, the more accurate your gauge Calculator (or pencil & paper) calculation will be. Main yarn Contrasting waste yarn ☑ Block and finish the swatch exactly as Blocking pins or wires (optional) you will block and finish the knitted article. If you are going to wash and dry the garment, you must also wash and dry the swatch before taking your gauge I believe gauge is the most important measurement. knitting concept because it is the sole principal that determines whether a knitted ☑ Measure the swatch to determine gauge item will be the right size when it is after blocking and finishing. finished. For an afghan, you have a bit of leeway in that a slightly smaller or slightly larger afghan is still acceptable. For a sweater however, a mere 1/8" inch difference between the pattern gauge and your knitting gauge is enough to cause an improper fit. If you've always believed that knitting a swatch is a waste of yarn, think again... you'll waste a lot more yarn knitting an entire sweater that ends up being 3" too small. All Original Content © 2004 Brenda A. Bell You may republish this content in any free publication or collection provided that is it accompanied by this copyright notice. This document was originally published at http:// knitfits.theotherbell.com/gauge-how-to.htm on July 22, 2004. -
Reconceptualizing the Inherent Distinctiveness of Product Design Trade Dress
Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship 1-1-1997 Reconceptualizing the Inherent Distinctiveness of Product Design Trade Dress Graeme Dinwoodie IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Law Commons Recommended Citation Graeme Dinwoodie, Reconceptualizing the Inherent Distinctiveness of Product Design Trade Dress, 75 N.C. L. Rev. 471 (1997). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/901 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. RECONCEPTUALIZING THE INHERENT DISTINCTIVENESS OF PRODUCT DESIGN TRADE DRESS GRAEME B. DINWOODIE* Traditionally, trademark rights subsisted in words or two- dimensionalpictoral images. Twenty years ago, courts recognized that a product's very design might also function as its trademark. To be accorded this status, however, the manufacturer must demonstrate that her product design identifies the source of her product-that the design is, in the trademark vernacular, "distinctive." In this Article, Professor Graeme Dinwoodie addresses the question of how to determine when a product shape or design identifies its source. In 1992, in Two Pesos v. Taco Cabana, the United States Supreme Court endorsed the assimilationof the principles governing the distinctiveness of word marks and non-verbal marks. -
Buying a Knitting Machine
Buying A Knitting Machine Step One: Decide which gauge machine you are going to buy Fine Gauge Needles are 3.5mm or 3.6mm apart and equate to 7 gauge. They knit yarns up to and including 3ply and some 4ply yarns. Pre-owned machines can be difficult to find as they weren’t sold in great numbers. Very few new machines around as they are no longer in production. Standard Gauge Needles are 4.5mm apart, 5.6 gauge. They knit yarns up to and including 4ply and some fine DK yarns. These machines are the most popular and easiest to find, new or pre-owned. Mid-gauge Needles are 6mm or 7mm apart, approx. 3.9 gauge and work well with DK yarns, including hand knit yarns. These machines often have plastic beds and limited patterning facilities. Chunky Gauge Needles are 9mm apart, 2.8 gauge and knit the DK, aran and light chunky weight yarns. Plastic bed machines are great starter machines for beginners. They are often cheaper than metal bed machines, but do not have the patterning facilities. All machines are over 1 metre in length and can be as long as 2 metres when all the accessories are added. Japanese plastic machines usually weigh around 4.5kg, whilst metal machines weigh in around 16kg. European machines are heavier still. You may wish to avoid a Passap if you are a complete beginner. They are generally regarded as being harder to learn (if you have experience of Japanese machines). You cannot see what you are knitting (it comes out underneath and between the two beds of needles) and their patterning is different. -
North Cascades Sweaterscapes
North Cascades Sweaterscapes Climbers find some of the world's most challenging ascents in the rugged Picket Range of Washington state.. We hope you will enjoy the challenge of knitting this sweater as well! An Intar sia Landscape Sweater design by Lynne & Douglas Barr Copyright ©2009 Lynne & Doug las Barr e-mail: [email protected] www.sweaterscapes.c om Instructions Finished Sweater Measurements Begin neck shaping on row 140. Chest: 39 (42,45) inches We recommend using short-row wrapping for the neck opening. It eliminates the seam between sweater and Length: 24 (26,28) inches neck rib and produces a neck opening with the proper Equipment stretch. #4 and #6 needles (or size needed to obtain gauge) Illustrated instructions can be viewed at Row Counter www.sweaterscapes.com. Bobbins Sweater Back Materials Using size 4 needle and White yarn, cast on 6(8,10) Green Mountain Spinnery yarns, 4 ounces/250 yard stitches. Then cast on 92(98,104) sts with Indigo yarn. skeins Rib in K2, P2 pattern for 2 inches, twisting the yarns when changing colors as when knitting intarsia. 4(4,5) oz Champlain Blue 8 oz Indigo Change to size 6 needles and follow sweater chart for 6 oz Light Grey the back. 6 oz Natural Grey Knit stitches on chart: 4 oz White small 9-106 medium 5-110 large 1-114 1 oz Blue Spruce Knit rows on chart: 1 oz Ivy small 17-171 medium 7-175 large 1-179 1 oz Blueberry 1 oz Aquamarine Finishing Gauge Weave in the ends from the intarsia knitting. -
40Th FREE with Orders Over
By Appointment To H.R.H. The Duke Of Edinburgh Booksellers London Est. 1978 www.bibliophilebooks.com ISSN 1478-064X CATALOGUE NO. 366 OCT 2018 PAGE PAGE 18 The Night 18 * Before FREE with orders over £40 Christmas A 3-D Pop- BIBLIOPHILE Up Advent th Calendar 40 with ANNIVERSARY stickers PEN 1978-2018 Christmas 84496, £3.50 (*excluding P&P, Books pages 19-20 84760 £23.84 now £7 84872 £4.50 Page 17 84834 £14.99 now £6.50UK only) 84459 £7.99 now £5 84903 Set of 3 only £4 84138 £9.99 now £6.50 HISTORY Books Make Lovely Gifts… For Family & Friends (or Yourself!) Bibliophile has once again this year Let us help you find a book on any topic 84674 RUSSIA OF THE devised helpful categories to make useful you may want by phone and we’ll TSARS by Peter Waldron Including a wallet of facsimile suggestions for bargain-priced gift buying research our database of 3400 titles! documents, this chunky book in the Thames and Hudson series of this year. The gift sections are Stocking FREE RUBY ANNIVERSARY PEN WHEN YOU History Files is a beautifully illustrated miracle of concise Fillers under a fiver, Children’s gift ideas SPEND OVER £40 (automatically added to narration, starting with the (in Children’s), £5-£20 gift ideas, Luxury orders even online when you reach this). development of the first Russian state, Rus, in the 9th century. tomes £20-£250 and our Yuletide books Happy Reading, Unlike other European countries, Russia did not have to selection. -
T.G.S.W. Library Catalogue
T.G.S.W. LIBRARY CATALOGUE AUTHOR FIRST NAME TITLE YR PUBLISHED BY TYPE SIZE Telos Art Publishing, Reference Art Textiles of the World:-Japan 1997 Winchester, G.B. books The British Wool Marketing British Sheep Breeds,Their Wool and Spinning Board, Isleworth Middlesex, Its Uses books G.B. Jeanne's list of Natural Dye Materials 1975 North Fork Press Dyeing books Weaving Tapestry -- A Woven Narrative 2012 Black Dog Publishing books Yarn Samples A. Jay and Abrams Building Craft Equipment 1976 Praeger Publishers Carol W. April 2016 T.G.S.W. LIBRARY CATALOGUE A. Jay and Building Craft Equipment: An Praeger Publishers, New Abrams 1976 Carol W. Illustrated Manual York Craft books Weaving Traditions of Highland Craft and Folk Museum, Los Weaving Adelson Takami L. and B. 1979 Bolivia Angelos, USA. books Adrosko Rita J. Natural Dyes and Home Dyeing Dyeing books Smithsonian Institution Adrosko Rita J. Natural Dyes in the United States 1968 Press Dyeing books Albers Josef Interaction of Colour 1977 Yale University Press Colour design Wesleyan University Press, Albers Anni On Designing 1971 Colour and Middletown,CON. design Albers Anni On weaving 1965 Weslyan University Press Weaving books Interweave Press, Alderman Sharon Handweavers Notebook 1990 Weaving Loveland,CO books Alderman Sharon Mastering Weave Structures 2004 Interweave press Weaving books April 2016 T.G.S.W. LIBRARY CATALOGUE Alderman & Sharon & Handwoven, Tailormade Interweave Press Wartenberger Kathryn Ontario Agriculture and Alex J.F. Ontario Weeds Food Ministry, Publication Switzer G.M. 505 Dyeing books Interweave Press, Loveland, Alexander Kathryn Spinning Energized Yarns 2012 DVD and CO. Videos Allard Mary Rug Making 1963 Chilton Company Designer’s Guide to Japanese Colour and Allen 2000 Jeanne Patterns 2 Chronicle Books design Interweave Press, Loveland, Amos Alden Big book of Handspinning 2001 Spinning CO. -
By Author As of 102711
THSG Library By Author As of 102711 100 3M 2004 Respirator Selection Guide 3M 532 A131n New Zealand Guide to Handmade Felt Abbott, Tim 364 A152m Multiple Harness Patterns From the Early 1700's (The Snavely Patterns) Able, Isable I. 095.4 A228w Weaving Traditions of Highland Bolivia Adelson, Lauri, and Takami 311 A242a American Loom: Plans for Making a 19th Century Loom Adrosko, Rita J. 120 A242n Natural Dyes and Home Dyeing Adrosko, Rita J. 361 A242w Weavers Draft Book and Clothiers Assistant, The Adrosko, Rita J. 367.2 WSN James Koehler Workshop: Hatching and Color Gradation Techniques for Tapestry Aiken, Roxanne 400 A294f Fiberarts Book of Wearable Art, The Aimone, Katherine Duncan 304 A325o Ojo de Dios - Eye of God Albaum, Charlet 331 A329o On Weaving Albers, Anni 022 A333u An Unthymely Death and Other Garden Mysteries Albert, Susan Wittig 022 A333i Indigo Dyeing Albert, Susan Wittig 351 A361m Mastering Weave Structures Alderman, Sharon 374 A361h Handweaver's Notebook, A Alderman, Sharon, and Wertenberger 376 A361h Handwoven, Tailormade Alderman, Sharon, and Wertenberger 401 C319g Good Houskeeping Needlecraft Encyclopedia, The Alice Carroll 333 A425w Weavers Way: Navajo Profiles, The Allen, Dodie 335 A426w Weaving Contemporary Rag Rugs Allen, Heather 400 ALF Late Victorian Needlework for Victorian Houses American Life Foundation 010 Ref Glossary of Wool Fabric Terms American Wool Council 300 AWC Weaving: A Timeless Craft American Wool Council 200 A525a Alden Amos Big Book of Handspinning, The Amos, Alden 002 A545n Needlecrafters' Travel Companion 4th Edition 2007-2009 Anderson, Audrey , and Swales 020 A545c Creative Spinning Weaving and Dyeing Anderson, Beryl 432 A545c Crewel Embroidery Anderson, F. -
Top-Down Raglan Pullover Lesson.Pdf
About Top-Down Raglan Pullovers the underarm is complete and the raglan piece joined to be worked in the round. The top-down raglan design is of "sea ms" are decreased to the neckline. From Continue increasing every other row until comparatively recent origin in terms of the top-down, the sleeve/body stitches are the piece is long/large enough to meet at swea ter design. Raglan construction was increased to the underarms and then th e the underarms. The sleeves/front/back arc created as a supplement to or replacement sleeves, front and back stitches separated separated at this point. Some designers have of the saddle shoulder sweater. See Suzanne and wo rked to the edgings as three separate the knitter work the sleeves first so they are Bryan's article "Raglan Sleeved Sweaters tubes. worked down to the wrist and finished off. from the Bottom Up" on page 46 for more Others instruct the knitter to work the body discussion o n the history of this design. Construct ion first and then the sleeves. In that instance, The hallmark of the raglan is the diagonal A top-down raglan is essentially a seamless the body is worked as a tube to the desired shaping lines moving from the top of the rectangular yoke. Once the math for gauge length and finished. Regardless of which neckline, to the underarm. Thus, the sleeve is complete, cast o n placing markers at is done first, some additional stitches may top is integrated into the neckline. This the four points dividing the back/sleeve/ be cast on for the underarms to reach the design eliminates the problem of excess front/sleeve (see Swatch 1) .