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Sauces Reconsidered
SAUCES RECONSIDERED Rowman & Littlefield Studies in Food and Gastronomy General Editor: Ken Albala, Professor of History, University of the Pacific ([email protected]) Rowman & Littlefield Executive Editor: Suzanne Staszak-Silva ([email protected]) Food studies is a vibrant and thriving field encompassing not only cooking and eating habits but also issues such as health, sustainability, food safety, and animal rights. Scholars in disciplines as diverse as history, anthropol- ogy, sociology, literature, and the arts focus on food. The mission of Row- man & Littlefield Studies in Food and Gastronomy is to publish the best in food scholarship, harnessing the energy, ideas, and creativity of a wide array of food writers today. This broad line of food-related titles will range from food history, interdisciplinary food studies monographs, general inter- est series, and popular trade titles to textbooks for students and budding chefs, scholarly cookbooks, and reference works. Appetites and Aspirations in Vietnam: Food and Drink in the Long Nine- teenth Century, by Erica J. Peters Three World Cuisines: Italian, Mexican, Chinese, by Ken Albala Food and Social Media: You Are What You Tweet, by Signe Rousseau Food and the Novel in Nineteenth-Century America, by Mark McWilliams Man Bites Dog: Hot Dog Culture in America, by Bruce Kraig and Patty Carroll A Year in Food and Beer: Recipes and Beer Pairings for Every Season, by Emily Baime and Darin Michaels Celebraciones Mexicanas: History, Traditions, and Recipes, by Andrea Law- son Gray and Adriana Almazán Lahl The Food Section: Newspaper Women and the Culinary Community, by Kimberly Wilmot Voss Small Batch: Pickles, Cheese, Chocolate, Spirits, and the Return of Artisanal Foods, by Suzanne Cope Food History Almanac: Over 1,300 Years of World Culinary History, Cul- ture, and Social Influence, by Janet Clarkson Cooking and Eating in Renaissance Italy: From Kitchen to Table, by Kath- erine A. -
From-Pottage-To-Peacock.Pdf
2 From Pottage to Peacock: A Guide to Medieval Food Nicol Valentin Historyunfettered.com 3 4 In the beginning . There was food, and the food was tasty. Wine from Palestine, olive oil from Spain, tableware from Gaul: these were the things coming into Britain before the fall of Rome. In fact, thanks to the Romans, the British were introduced to a large selection of vegetables like garlic, onions, leeks, cabbages, turnips, asparagus, and those beloved peas. Spices like pepper, nutmeg, and ginger were introduced too. Things were grand, and then in 410 the Romans left. The world became fragmented. Towns disappeared, villas were abandoned, and society was in the midst of catastrophic collapse. No one had time to worry about imported wine or fancy spices. Slowly, however, pockets of stability returned. Chaos turned to order, and someone said, !I think it"s time for a really great dinner.# 5 First, the Bad Stuff ! Unfortunately, food was never a certainty in the medieval world. Starvation was always a possibility, no matter who you were. Crops failed, fields flooded, animals caught diseases, and any of these things could leave your table empty. Sometimes you got hit with more than one calamity. Even in the best conditions, you could still starve. If you found yourself in a town under siege, your choices were to surrender to a quick death by hanging or a slow one by starvation. Neither seems very appealing. If the crops were good and no one was knocking down your door with sword and ax, there was still more to watch out for. -
Olive Cocktail 4,5€ Crispy Fried Potatoes 3
Olive cocktail 4,5€ Crispy fried potatoes 3€ Our “bravas” 6,5€ “Cannoli” stuffed with baked iberian bacon 7,5€ Iberian Ham with toasted Catalan bread with tomato 16€ Flavored Hummus 6€ Muhammara (Slightly spiced Syrian Red Hummus) 6€ Futomakis: 2 Mediterranean, 2 Japanese (vegan) 8,5€ Homemade Guacamole 8,5€ Crepizza stuffed with cooked Mediterranean vegetables 7,5€ Low-temperature cooked free-range egg served on a basis of truffled potato parmentier 7€ TrufFle raviolis with foie sauce 9€ Mini croquettes stuffed with roasted meat 8€ Spinach croquettes or “gorgonzola” and walnut croquettes 8€ Cured Foie Can Marc style 9€ Cantabrian 000 anchovies served on toasted bread with tomato 12€ Deconstruction of Galician style octopus 10,5€ Scallops with strawberry chutney and wasabi 11€ Diced cod conFit with black garlic aioli 10,5€ Red tuna tartare, strawberries, wakame and black sesame 11,5€ Low-temperature cooked veal cheek with “ratafía” sauce 10,5€ Chicken breast medallions served on a vegetable pickle sauce and pinneaple chutney 8,5€ Galician beef mini burguer with Flavored onion 8€ Mini burguer of iberian pork loin and goat cheese with acid apple 8€ An assortment of chocolate textures 7,5€ (Brownie, crispy crushed cacao, creamy chocolate fudge and light foamy mousse) “Rus” (typical Catalan cake) and moscatell shot 8€ “Bisbalenc” (typical Catalan cake) and garnatxa shot 8€ Ice Creams and Sorbets by Sandro Desii: - Mascarpone with raspberries / Tangerine (vegan) / KéFir with pear 6€ - Chocolate with olive oil (vegan) / Lemon and basil (vegan) / Mexican Vanilla 5€ Bread 1,5€ Toasted catalan 3,5€ bread with tomato *important information for people with allergies or nutritional intolerances Ask our staff for the menu with extra information of all dishes and cocktails served at our establishment. -
Renaissance Food from Rabelais to Shakespeare
RENAISSANCE FOOD FROM RABELAIS TO SHAKESPEARE Renaissance Food from Rabelais to Shakespeare Culinary Readings and Culinary Histories Edited by JOAN FITZPATRICK Loughborough University, UK ASHGATE © The editor and contributors 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Joan Fitzpatrick has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA www.ashgate.com British Library Cataloguing in Publication Data Renaissance food from Rabelais to Shakespeare: culinary readings and culinary histories. 1. Food habits - Europe - History - 16th century. 2. Food habits - Europe - History- 17th century. 3. Food habits in literature. 4. Diet in literature. 5. Cookery in literature. 6. Food writing - Europe - History 16th century. 7. Food writing - Europe - History 17th century. 8. European literature Renaissance, 1450-1600 - History and criticism. 9. European literature - 17th century - History and criticism. 1. Fitzpatrick, Joan. 809.9'33564'09031-dc22 Library of Congress Cataloging-in-Publication Data Renaissance food from Rabelais to Shakespeare: culinary readings and culinary histories I edited by Joan Fitzpatrick. p.cm. Includes bibliographical references and index. ISBN 978-0-7546-6427-7 (alk. paper) 1. European literature-Renaissance, l450-1600-History and criticism. 2. Food in literature. 3. Food habits in literature. -
Colonial Receipts
Foods & Feasts of Colonial Virginia Jamestown Settlement & American Revolution Museum at Yorktown November 28-30, 2019 & November 26-28, 2020 Colonial Receipts 17th-Century Recipes Period dishes prepared by historical interpreters in Jamestown Settlement’s outdoor re-creations of a Powhatan Indian village and 1610-14 English fort The Lord of Devonshire his Pudding Take manchet and slice it thin, then take dates the stones cut out, & cut in pieces, & reasins of the Sun the stones puld out, & a few currance, & marrow cut in pieces, then lay your sippets of bread in the bottome of your dish, then lay a laying of your fruit & mary on the top, then antoher laying of sippets of briad, so doo till your dish be full, then take crame & three eggs yolds & whites, & some Cynamon & nutmeg grated, & some sugar, beat it all well together, & pour in so much of it into the dish as it will drinke up, then set it into the oven & bake it. Elinor Fettiplace’s Receipt Book, 1604 A blood pudding Take the blood of hog whilst it is warm, and steep it in a quart, or more, of great oatmeal grits, and at the end of three days with your hands take the greits out of the blood, and drain them clean; then put to those grits more than a quart of the best cream warmed on the fire; then take mother of thyme, parsley, spinach, succory, endive, sorrel, and strawberry leaves, of each a few chopped exceeding small, and mix them with the grits, and also a little fennel seed finely beaten; then add a little pepper, cloves and mace, salt, and great store of suet finely shred, and well beaten; then therewith fill your farmes, and boil them, as hath been before described. -
Staging Domesticity Household Work and English Identity in Early Modern Drama
Staging Domesticity Household Work and English Identity in Early Modern Drama Wendy Wall PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011±4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org ÿC Wendy Wall 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Times 10/12 pt. System LATEX2ε [TB] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Wall, Wendy, 1961± Staging domesticity: household work and English identity in Early Modern drama/ Wendy Wall. p. cm. ± (Cambridge studies in Renaissance literature and culture; 41) Includes bibliogriphical references and index. ISBN 0 521 80849 9 1. English drama ± Early modern and Elizabethan, 1500±1600 ± History and criticism. 2. English drama ± 17th century ± History and criticism. 3. Domestic drama, English ± History and criticism. 4. Housekeeping in literature. 5. Cookery in literature. 6. Women in literature. 7. Home in literature. -
Invention of the Modern Cookbook This Page Intentionally Left Blank Invention of the Modern Cookbook
Invention of the Modern Cookbook This page intentionally left blank Invention of the Modern Cookbook Sandra Sherman Copyright 2010 by Sandra Sherman All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Sherman, Sandra. Invention of the modern cookbook / Sandra Sherman. p. cm. Includes bibliographical references and index. ISBN 978-1-59884-486-3 (hard copy : alk. paper) — ISBN 978-1-59884-487-0 (ebook) 1. Cookery. 2. Cookery, British—History. 3. Food habits—Great Britain—History. 4. Cookery, American—History. 5. Food habits—United States—History. I. Title. TX652.S525 2010 641.5973—dc22 2010005736 ISBN: 978-1-59884-486-3 E-ISBN: 978-1-59884-487-0 141312111012345 This book is also available on the World Wide Web as an eBook. Visit www.abc-clio.com for details. Greenwood Press An Imprint of ABC-CLIO, LLC ABC-CLIO, LLC 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper Manufactured in the United States of America The publisher has done its best to make sure the instructions and/or recipes in this book are consistent with their seventeenth- and eighteenth-century originals. How- ever, they are included mainly for illustrative purposes; users should apply judgment and experience when preparing recipes, especially parents and teachers working with young people. -
HISTORY of the JEWS in ITALY the Jews of Italy Have Strong Bi
HISTORY OF THE JEWS IN ITALY The Jews of Italy have strong bi-cultural roots dating back to the second century BCE, when many Israelites, under the leadership of Judah Maccabeus, left the land of Israel to go the "Eternal City" (Rome). They also settled in Naples and in various localities in the southern part of the peninsula. Jews in pre- Christian Rome were very active in proselytizing their faith. It was not until the Jewish revolts in 132 CE, culminating in the destruction of the Second Temple in Jerusalem in 70 CE, that the Jewish-Roman alliance was broken and the Jews were forced into slavery. Approximately 10,000 Jews were transported to Rome to be used as work hands to help build the Coliseum. This image of history remains frozen in time for all to see in the ’Arch of Titus,’ where the Roman victory over the Jews is etched in stone. Although enslaved, the Jewish population in Rome flourished. Thirteen synagogues and numerous Jewish cemeteries were built. Many Jewish communities were established in southern and northern cities in Italy as well, such as Taranto, Ferrara and Milan. Nevertheless, many Romans despised the Jews and considered their rituals to be barbaric. Throughout history, the status of Italy’s Jews depended largely on who was in control of either the Roman Empire or the Church. The endorsement of Christianity as a ’legal’ religion in 313 CE by the Emperor Constantine marked a transition for Italy’s Jews from an era of acceptance to one of discrimination. The situation for the Jews worsened in 380 CE, when the Edict of Tessa Lonica of Teodosia recognizing Christianity as the official religion of the Empire was enacted, with very little tolerance for Judaism or other religions. -
Documentation(Pdf)
To keep artichocks all the yeare. Take your artichocks & put them on the fire, in could water, let them boyle two walmes, to fifie you much take a quarter of a pound of allome, & a some small wort, & put into it then let it boyle, two walmes more, then take out the artichocks, & let them cole, then put into the licor two handfuls of nettles & boyle them in the licor, then straine it & let it stand till it be cold, then put it to the Artichocks, & in the putting in put a quart of veriuice to it, let them bee two or three dayes gathered afore you doe them & when you spend them, wash them in hot water, before you boyle them.1 From The Complete Receipt Book of Ladie Elynor Fetiplace, 1604 My Translation: Take your artichokes & put them on the fire, in cold water, let them boil two walmes, to 50 you take a quarter of a pound of alum, & some small wort & put into it then let it boil two walmes more, then take out the artichokes & let them cool, then put into the liquid two handfuls of nettles & boil them in the liquid, then strain it & let it stand till it be cold, then put into it the artichokes, & in the putting in put a quart of verjuice to it, let them be two or three days gathered before you do them & when you use them, wash them in hot water, before you boil them. My Recipe: Prepare your artichokes (clip off leaves, remove chokes). Place in cold water with a little acid/lemon juice to prevent discoloration. -
The Material Culture of Shakespeare's England
The Material Culture of Shakespeare’s England: a study of the early modern objects in the museum collection of the Shakespeare Birthplace Trust by Peter Hewitt A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts and Law University of Birmingham 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis investigates the material culture of early modern England as reflected in the object collections of the Shakespeare Birthplace Trust in Stratford-upon-Avon. The collection consists of nearly 300 objects and six buildings dating from the period 1500-1650 representing ‗the life, work and times of William Shakespeare‘, with a particular emphasis on domestic and community life in Shakespeare‘s Stratford. Using approaches from museum studies and material culture studies together with historical research, this thesis demonstrates how objects add depth and complexity to historical and museological narratives, and presents a range of unique and never before examined material sources for the study of the social and cultural history of the period. -
To Make a Tarte of Cheese (From 'A Proper New
To Make a Tarte of Cheese (from ‘A Proper new booke of cokerye’ aka ‘Margaret Parker’s cookery book’ 1557) Take hard cheese and cut it into slices, and put it in fresh water or in sweet milk for three hours. Then take it out and break it up in a mortar until it is in small pieces. Strain through strainer with the yolks of five eggs, season with sugar and sweet butter, and bake To Make a Tarte of Prunes (from ‘The Good Housewife’s Jewel’ by Thomas Dawson 1597) Put your prunes into a pot, and put in red wine or claret wine, and a little faire water, and stirre them now and then, and when they be boiled enough, put them into a bowl, and straine them with sugar, cinnamon and ginger. Fygey or Figgy Pudding. (from ‘Forme of Cury’ the oldest collection of recipes in English c.1400) “Take Almande blanched; grynde hem and braw hem up with water and wyne; quarter figs, hole raisins. Cast perto powder ginger and hony clarified; seep it wel and salt it, and seve forth.” Half cup each of water, ground almonds, white wine (or Madeira if you want a richer taste) one cup of chopped, dried and stoned figs one cup whole raisins 2 tablespoons honey half tablespoon powdered ginger (fresh if you prefer a bit of a kick) quarter of a teaspoon of salt Mix the wine with the almonds over a medium heat until it becomes a paste. Mix in the rest of the liquid. Let the mixture combine further for a few minutes over a low heat then add the figs, raisins, honey, ginger, salt and bring to the boil, stirring all the time. -
How to Open a Restaurant the Modern Restaurateur’S Guide to Starting & Growing a Restaurant Business Alison Arth
How to Open a Restaurant The Modern Restaurateur’s Guide to Starting & Growing a Restaurant Business Alison Arth OpenTable - How to Open a Restaurant 1 Table of Contents 50 Introduction 4 How to Create a Brand 55 How to Write a Business Plan 5 How to Design Your Restaurant Construction 55 Why Writing A Business Plan Is Not Optional 5 Kitchen Design 57 What Your Business Plan Should Cover 8 Interior Design Building a Pitch Deck 11 58 62 How to Fund Your Restaurant 14 In the Weeds: Amanda Cohen Setting Up Your Business 14 How to Order and Purchase 64 Overview of Common Business Structures 15 What Do You Need? 64 Figuring Out How Much Money You Need 16 Key Considerations 65 Structuring Investor Payback & Ownership 17 Post-Opening Ordering & Purchasing 67 What to Expect from the Fundraising Process 20 69 More Financing Options 21 How to Build Your Team Recruit the Right People 73 How to Identify Locations, Choose a Interviewing 74 Site & Negotiate Your Lease 27 Assembling Your Team 75 Location vs. Site 27 78 Choosing a Site 29 How to Train Your Team How to Negotiate Your Lease 33 Start Early 78 Classroom Training 79 In the Weeds: Aaron London 40 Prepare Written Materials 82 How to Deal with Legal Regulations 42 Preview Events 83 Licenses, Permits, Inspections & Certificates 45 In the Weeds: Sean Heather 87 TEST CASE: Chez Ruth 46 OpenTable - How to Open a Restaurant 2 Table of Contents cont’d How to Create Your Menu 88 How to Create Buzz 106 Start with Trust 88 Get Your Story Straight 106 Art vs.