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From Literary Page to Musical Stage: Writers, Librettists, and Composers of Zarzuela and Opera in Spain and Spanish America (1875-1933)
From Literary Page to Musical Stage: Writers, Librettists, and Composers of Zarzuela and Opera in Spain and Spanish America (1875-1933) Victoria Felice Wolff McGill University, Montreal May 2008 A thesis submitted to McGill University in partial fulfillment of the requirement of the degree of PhD in Hispanic Studies © Victoria Felice Wolff 2008 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-53325-3 Our file Notre reference ISBN: 978-0-494-53325-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
An Approach to the Cuban Institutions That Treasure Document Heritage Related to Music
An Approach to the Cuban Institutions that Treasure Document Heritage Related to Music CUBA Obrapía No.509 entre Bernaza y Villegas/Habana Vieja CP10100 Teléfonos: 7861-9846/7 863-0052 Email: [email protected] Lic. Yohana Ortega Hernández Musicologist Head of the Archives and Library Odilio Urfé National Museum of Music 2 The first institution in Cuba which aimed at compiling, studying and disseminating the Cuban music heritage was the Institute for the Research on Folk Music (IMIF), created in 1949 by Odilio Urfé González together with a group of outstanding musicians. In 1963 the Institute became the Seminar for Popular Music (SMP) and in 1989, the Resource and Information Center on Cuban Music Odilio Urfé. In 2002, this institution merged its collections with the collections of the National Museum of Music (MNM) (officially created on September 9, 1971). The MNM is the most important institution in the country dedicated to the conservation, study and dissemination of the Cuban music heritage. Its collections are housed in the Archives and Library Odilio Urfé. Other institutions that in Cuba treasure documents related to music are the National Library José Martí in Havana, the Elvira Cape Library in Santiago de Cuba, the Center for the Research and Development of Cuban Music (CIDMUC); the Alejandro García Caturla Museum in Remedios and the Museum of Music Rodrigo Prats in Sagua la Grande, both in Villa Clara province; the Resource and Information Center on Music Argeliers León in Pinar del Río; the Center for Information and Documentation on Music Rafael Inciarte in Guantánamo and; the Museum of Music Pablo Hernández Balaguer in Santiago de Cuba. -
Bibliografia Cubana
Martí" MINISTERIO DE CULTURA "José BIBLIOGRAFIA CUBANA Nacional Biblioteca Cuba. BIBLIOTECA NACIONAL JOSE MARTI Martí" "José Nacional Biblioteca Cuba. Martí" "José Bibliografía Cubana Nacional Biblioteca Cuba. Martí" "José Nacional Biblioteca Cuba. MINISTERIO DE CULTURA BIBLIOTECA NACIONAL JOSE MARTI DEPARTAMENTO DE INVESTIGACIONES BIBLIOGRAFICAS BIBLIOGRAFIA CUBANAMartí" 198 1 "José Nacional BibliotecaTOMO II Cuba. LA HABANA 1983 AÑO DEL X X X ANIVERSARIO DEL MONCADA Martí" "José Nacional Biblioteca Cuba. COMPILADA POR Elena Graupera Juana Ma. Mont TABLA DE CONTENIDO Tabla de siglas y abreviaturas ........................................................ 7 QUINTA SECCION Carteles ............................................................................................... 15 Suplemento .................................................................................... 31 Catálogo de exposiciones ....................................................................Martí" 41 Suplemento .................................................................................... 58 Emisiones postales ................................................................................"José 61 Fonorregistros .................................................................................... 71 Suplemento...................................................................................... 80 Obras musicales ................................................................................ 82 Producción cinematográfica ........................................................... -
State of Ambiguity: Civic Life and Culture in Cuba's First Republic
STATE OF AMBIGUITY STATE OF AMBIGUITY CiviC Life and CuLture in Cuba’s first repubLiC STEVEN PALMER, JOSÉ ANTONIO PIQUERAS, and AMPARO SÁNCHEZ COBOS, editors Duke university press 2014 © 2014 Duke University Press All rights reserved Printed in the United States of America on acid-f ree paper ♾ Designed by Heather Hensley Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data State of ambiguity : civic life and culture in Cuba’s first republic / Steven Palmer, José Antonio Piqueras, and Amparo Sánchez Cobos, editors. pages cm Includes bibliographical references and index. isbn 978-0-8223-5630-1 (cloth : alk. paper) isbn 978-0-8223-5638-7 (pbk. : alk. paper) 1. Cuba—History—19th century. 2. Cuba—History—20th century. 3. Cuba—Politics and government—19th century. 4. Cuba—Politics and government—20th century. 5. Cuba— Civilization—19th century. 6. Cuba—Civilization—20th century. i. Palmer, Steven Paul. ii. Piqueras Arenas, José A. (José Antonio). iii. Sánchez Cobos, Amparo. f1784.s73 2014 972.91′05—dc23 2013048700 CONTENTS Introduction: Revisiting Cuba’s First Republic | 1 Steven Palmer, José Antonio Piqueras, and Amparo Sánchez Cobos 1. A Sunken Ship, a Bronze Eagle, and the Politics of Memory: The “Social Life” of the USS Maine in Cuba (1898–1961) | 22 Marial Iglesias Utset 2. Shifting Sands of Cuban Science, 1875–1933 | 54 Steven Palmer 3. Race, Labor, and Citizenship in Cuba: A View from the Sugar District of Cienfuegos, 1886–1909 | 82 Rebecca J. Scott 4. Slaughterhouses and Milk Consumption in the “Sick Republic”: Socio- Environmental Change and Sanitary Technology in Havana, 1890–1925 | 121 Reinaldo Funes Monzote 5. -
De La Zarzuela Española a La Zarzuela Cubana: Vida Del Género En Cuba
L Ángel hzie Vázquez Millares De la zarzuela española a la zarzuela cubana: vida del género en Cuba La investigación acerca del pasado teatral cubano es uno de los Research into Cuban theatrical history is one of (he cloudiest arcas of (he puntos más oscuros de la historiografía de la literatura y el teatro cuba- historiography of Cuban theatre and literature. There is no existing study of nos y, con referencia al caso especial de la zarzuela en Cuba, no existe (he special case of (he zarzuela in Cuba. This historiographical deficiency in ningún estudio monográfico dedicado a ella. Esta carencia historiográfi- no way reflects the historical reality. On the contrary, Cuba presents an in- ca no refleja en absoluto la realidad histórica. Ésta nos presenta, sin tense level of activity relating to zarzuela and dramatic music, which dates embargo, un cuadro con una actividad intensa relativa a la vida lírica y bach to the end of (he eighteenth century. The present article aims to methodi- zarzuelística que tiene sus orígenes a finales del s. XVIII. El presente tra- cally indicate the main lines of (he history of (he zarzuela in Cuba, bajo trata de señalar ordenadamente las líneas maestras por las que emphasizing the existence of two parallel histories: on (he one hand, Spanish discurrió la historia de la zarzuela en Cuba poniendo de relieve la exis- zarzuela in Cuba, whose reception is analysed, and on (he other, properly tencia de dos historias paralelas: por un lado la de la zarzuela española Cuban zarzuela itself. en Cuba, cuya recepción se analiza y, por otro lado, la de la propia zar- zuela cubana. -
PROGRAMA Ernesto Lecuona in Memoriam (125 Años De Su Nacimiento)
MARTES, 29 DE SEPTIEMBRE | 20:00 H – AUDITORIO “ÁNGEL BARJA” TROVA LÍRICA CUBANA Daina Rodríguez_soprano | Ana Miranda_alto | Nadia Chaviano_viola Flores Chaviano_guitarra y dirección PROGRAMA Ernesto Lecuona in memoriam (125 años de su nacimiento) EUSEBIO DELFÍN (1893-1995): Y tú qué has hecho? -bolero JULIO BRITO (1908-1968): El amor de mi bohío –guajira EDUARDO SÁNCHEZ DE FUENTES ELISEO GRENET (1893-1950): (1874-1944): La volanta Negro bembón/N. Guillén -son GONZALO ROIG (1890-1970): EMILIO GRENET (1901-1941): Ojos brujos -fantasía guajira Yambambó /N. Guillén -afro ERNESTINA LECUONA (1882-1951): GILBERTO VALDÉS (1905-1972): Tus besos de pasión -bolero Ogguere - canción de cuna afro MARGARITA LECUONA (1910-1981): RODRIGO PRATS (1909-1980): Babalú -motivo afrocubano Una Rosa de Francia -criolla bolero María Bailén: Chacone –romanza ERNESTO LECUONA (1895-1961): Aquella Tarde -criolla-bolero MOISÉS SIMONS (1889-1945): Siboney -tango congo El manisero -pregón María la O -romanza TROVA LÍRICA CUBANA rova Lírica Cubana fue fundada en España en 1992. Desde Manzanares el Real; Universidad de Salamanca; Festival Inter- entonces ha ofrecido recitales en numerosas instituciones: nacional Andrés Segovia, Fundación Botín de Santander o Casa Instituto Cervantes, Our Lady of Good Church de Nueva de Cantabria, y en ciudades como Florencia, Barcelona, Valencia, York, Centro Cultural Español de Miami; Centro Cultural de la Vi- Segovia, San Lorenzo del Escorial, Aranjuez o Gijón. lla, Centro Cultural Conde Duque, Sala Galileo, Casa del Reloj, Sa- cristía de los Caballeros de Santiago, Ateneo de Madrid; Clásicos Desde su fundación ha centrado su trabajo en la difusión en Verano de la Comunidad de Madrid, Castillo de Los Mendoza, del repertorio más selecto de la canción lírica cubana. -
Search the List of Unclaimed Child Support
UNCLAIMED CHILD SUPPORT AS OF 02/08/2021 TO RECEIVE A PAPER CLAIM FORM, PLEASE CALL WI SCTF @ 1-800-991-5530. LAST NAME FIRST NAME MI ADDRESS CITY ABADIA CARMEN Y HOUSE A4 CEIBA ABARCA PAULA 7122 W OKANOGAN PLACE BLDG A KENNEWICK ABBOTT DONALD W 11600 ADENMOOR AVE DOWNEY ABERNATHY JACQUELINE 7722 W CONGRESS MILWAUKEE ABRAHAM PATRICIA 875 MILWAUKEE RD BELOIT ABREGO GERARDO A 1741 S 32ND ST MILWAUKEE ABUTIN MARY ANN P 1124 GRAND AVE WAUKEGAN ACATITLA JESUS 925 S 14TH ST SHEBOYGAN ACEVEDO ANIBAL 1409 POSEY AVE BESSEMER ACEVEDO MARIA G 1702 W FOREST HOME AVE MILWAUKEE ACEVEDO-VELAZQUEZ HUGO 119 S FRONT ST DORCHESTER ACKERMAN DIANE G 1939 N PORT WASHINGTON RD GRAFTON ACKERSON SHIRLEY K ADDRESS UNKNOWN MILWAUKEE ACOSTA CELIA C 5812 W MITCHELL ST MILWAUKEE ACOSTA CHRISTIAN 1842 ELDORADO DR APT 2 GREEN BAY ACOSTA JOE E 2820 W WELLS ST MILWAUKEE ACUNA ADRIAN R 2804 DUBARRY DR GAUTIER ADAMS ALIDA 4504 W 27TH AVE PINE BLUFF ADAMS EDIE 1915A N 21ST ST MILWAUKEE ADAMS EDWARD J 817 MELVIN AVE RACINE ADAMS GREGORY 7145 BENNETT AVE S CHICAGO ADAMS JAMES 3306 W WELLS ST MILWAUKEE ADAMS LINDA F 1945 LOCKPORT ST NIAGARA FALLS ADAMS MARNEAN 3641 N 3RD ST MILWAUKEE ADAMS NATHAN 323 LAWN ST HARTLAND ADAMS RUDOLPH PO BOX 200 FOX LAKE ADAMS TRACEY 104 WILDWOOD TER KOSCIUSKO ADAMS TRACEY 137 CONNER RD KOSCIUSKO ADAMS VIOLA K 2465 N 8TH ST LOWER MILWAUKEE ADCOCK MICHAEL D 1340 22ND AVE S #12 WIS RAPIDS ADKISSON PATRICIA L 1325 W WILSON AVE APT 1206 CHICAGO AGEE PHYLLIS N 2841 W HIGHLAND BLVD MILWAUKEE AGRON ANGEL M 3141 S 48TH ST MILWAUKEE AGUILAR GALINDO MAURICIO 110 A INDUSTRIAL DR BEAVER DAM AGUILAR SOLORZANO DARWIN A 113 MAIN ST CASCO AGUSTIN-LOPEZ LORENZO 1109A S 26TH ST MANITOWOC AKBAR THELMA M ADDRESS UNKNOWN JEFFERSON CITY ALANIS-LUNA MARIA M 2515 S 6TH STREET MILWAUKEE ALBAO LORALEI 11040 W WILDWOOD LN WEST ALLIS ALBERT (PAULIN) SHARON 5645 REGENCY HILLS DRIVE MOUNT PLEASANT ALBINO NORMA I 1710 S CHURCH ST #2 ALLENTOWN Page 1 of 138 UNCLAIMED CHILD SUPPORT AS OF 02/08/2021 TO RECEIVE A PAPER CLAIM FORM, PLEASE CALL WI SCTF @ 1-800-991-5530. -
The Republic of Albania
Albania (The Republic of Albania) Department for Defence and Integration Policies Ministry of Defence (Ministria E Mbrojtjes) Address Rruga Bulevardi Deshmoret e Kombit , Tirana Tel. +355 422 6601 ext. 2137; 222 4974 Fax. +355 4 225 227; 234 162 Email [email protected] Contact person: Lieutenant Colonel Fadil Vucaj Tel. +355 423 6603 home tel./fax Mobile +355 682 146 039 SECTION IV - National Authorities IV.1 Algeria (The People's Democratic Republic of Algeria) Comité Interministériel chargé de la mise en oeuvre de la Convention sur l'interdiction de la mise au point, de la fabrication, du stockage et de l'emploi des armes chimiques et sur leur destruction Address Ministère de la Défense Nationale , Algiers Tel. +213 21 905 342 Fax. +213 21 905 322 Email [email protected] Contact person: Mr Missoum Ramla Position: Executive Secretary Inter-ministerial Committee for CWC, Algiers SECTION IV - National Authorities IV.2 Andorra (The Principality of Andorra) Department of Industry and Transport Ministry of Economy Address Camí de la Grau - Prat del Rull , Andorra la Vella Tel. + 376 875 600 Fax. + 376 875 662 Email [email protected] Contact person: Mr Ramon Reguant Aleix Position: Deputy Director SECTION IV - National Authorities IV.3 Antigua and Barbuda (Antigua and Barbuda) Attorney's General Chambers Address Government Complex, Queen Elizabeth Highway , Saint John's Tel. +1 268 462 8867 Fax. +1 268 462 2465 Email [email protected] Contact person: Mr Justin Simon Position: Attorney General SECTION IV - National Authorities IV.4 Argentina (The Argentine Republic) Autoridad Nacional para la Convención de Armas Quimicas, Comisión Interministerial, Decreto PEN 920/97, Ministerio de Relaciones Exteriores, Comercio Internacional y Culto Address Esmeralda no. -
' Avolls:V Snotslm Liv'tnsnoo Any Ottmo'lclio Nwno
8961 :INn!' avollS:v SNOtSlm lIV'tnSNOO aNY OttmO'lclIO Nwno o INJ)J:X Albania ..... " " " " " . 1 Algeria 1 Austria .. " " . " " " " " , " . 2. Belgium .......... " " , " '" r • " • 2 Bulgaria 3 Cambodia • •• " '" " \0 " , . 3 Canada 4 Ceylon ...................................................................... " " " 5 China 5 Congo (B razzaville) ................................................................................ 5 Cyprus .................. If " .. 6 Czechoslovakia ......................................................................... " . 6 Dahomey · " .. 7 Denmark '" , '" '" .. 7 Finland ..................... , " " .. " " " " " . 7 France .......................... ,. " ,. " ,. " " . 7-8-9 East Germany •••••••••••••••••••• " ••••••••• " ,. • , or .. 10 Ghana •••••••••••••••••••••• 4t •••••••••••••••••••• lII.lIIl11f11f11 ••• 11 Greece · " ,. ,. " " .. 11 Guinea • " III 1II ••••• 11 Hungary • " , ,. " " ., ••••••• " •• " /II • III • 11 Iceland • • " • " •• 1II " ••• " .. " " ..... " •••• " • fI •• " •••• " ••• " •• " " " • " .... " .. 12 India · " " ,. " " " .. " . " " . 12. Indonesia · " , " , . 12 Israel · " . 12 Italy · , " .. " . ,. " " " .. 13 Vatican ·.. " " " " " .. , " " .. 13 T• vamalca ..... ., •• #.# "~." ••••• " ••••••••••••• " •••••••• " . 14 Japan I -1 N~,.th Korea ............................................ " .. ., ...... ,,~ 14 Lebanon ................ '" , .. ,, , , , , , , ., , , , , , 15 Luxembourg . , , " , , , , , , , , , , " , . ,. " , , , , , , , , , , , " " , , , , , 15 Mali , , " .. " " " ...... -
The Origin and Development of Cuban Popular Music Genres And
THE ORIGIN AND DEVELOPMENT OF CUBAN POPULAR MUSIC GENRES AND THEIR INCORPORATION INTO ACADEMIC COMPOSITIONS by ALEJANDRO EDUARDOVICH FERREIRA (Under the Direction of Levon Ambartsumian) ABSTRACT In the sixteenth century, Cuba became the host of two very diverse and different cultures. Here, European and African traditions met on a neutral ground where the interchange of rhythms, melodies, and musical forms became inevitable. Over the centuries, this mutual interaction gave birth to genres such as the contradaza, danza, danzón, son, conga, habanera, güajira, criolla, and trova. Despite the fact that these genres were born as dance and popular music, their rhythms and style started to be incorporated into the most refined realm of academic compositions. The purpose of this study is to explain the origin and evolution of the above mentioned genres. Moreover, with the aid of the accompanying recording, I will explain how some Cuban composers participated in the creation and development of these genres. Furthermore, I will show how some other composers where influenced by these genres and the way in which these genres were incorporated in their compositions. INDEX WORDS: Cuban Music, Academic Cuban Compositions, Violin and Piano, Cuban Duo, contradaza, danza, danzón, son, conga, habanera, güajira, criolla, trova THE ORIGIN AND DEVELOPMENT OF CUBAN POPULAR MUSIC GENRES AND THEIR INCORPORATION INTO ACADEMIC COMPOSITIONS by ALEJANDRO EDUARDOVICH FERREIRA MASCARO B.M., Peruvian National Conservatory, Peru 1997 M.M., The University of Southern -
ARCHIGOS a Data Set on Leaders 1875–2004 Version
ARCHIGOS A Data Set on Leaders 1875–2004 Version 2.9∗ c H. E. Goemans Kristian Skrede Gleditsch Giacomo Chiozza August 13, 2009 ∗We sincerely thank several users and commenters who have spotted errors or mistakes. In particular we would like to thank Kirk Bowman, Jinhee Choung, Ursula E. Daxecker, Tanisha Fazal, Kimuli Kasara, Brett Ashley Leeds, Nicolay Marinov, Won-Ho Park, Stuart A. Reid, Martin Steinwand and Ronald Suny. Contents 1 Codebook 1 2 CASE DESCRIPTIONS 5 2.1 UNITED STATES OF AMERICA ................... 5 2.2 CANADA .................................. 7 2.3 BAHAMAS ................................. 9 2.4 CUBA .................................... 10 2.5 HAITI .................................... 14 2.6 DOMINICAN REPUBLIC ....................... 38 2.7 JAMAICA .................................. 79 2.8 TRINIDAD & TOBAGO ......................... 80 2.9 BARBADOS ................................ 81 2.10 MEXICO ................................... 82 2.11 BELIZE ................................... 85 2.12 GUATEMALA ............................... 86 2.13 HONDURAS ................................ 104 2.14 EL SALVADOR .............................. 126 2.15 NICARAGUA ............................... 149 2.16 COSTA RICA ............................... 173 2.17 PANAMA .................................. 194 2.18 COLOMBIA ................................. 203 2.19 VENEZUELA ................................ 209 2.20 GUYANA .................................. 218 2.21 SURINAM ................................. 219 2.22 ECUADOR ................................ -
First Critical Performing Edition of the Zarzuela Maria La O, by Ernesto Lecuona, Orchestrated by Felix Guerrero
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-1-2015 First Critical Performing Edition of the Zarzuela Maria la O, by Ernesto Lecuona, Orchestrated by Felix Guerrero Ivan A. del Prado University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Musicology Commons, and the Music Performance Commons Recommended Citation del Prado, Ivan A., "First Critical Performing Edition of the Zarzuela Maria la O, by Ernesto Lecuona, Orchestrated by Felix Guerrero" (2015). Dissertations. 171. https://aquila.usm.edu/dissertations/171 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi FIRST CRITICAL PERFORMING EDITION OF THE ZARZUELA MARIA LA O, BY ERNESTO LECUONA, ORCHESTRATED BY FELIX GUERRERO by Ivan del Prado Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts December 2015 ABSTRACT FIRST CRITICAL PERFORMING EDITION OF THE ZARZUELA MARIA LA O, BY ERNESTO LECUONA, ORCHESTRATED BY FELIX GUERRERO by Ivan del Prado December 2015 The First Critical Performing Edition of the Zarzuela Maria la O by Ernesto Lecuona (as orchestrated by Felix Guerrero), is the rescue of the complete score of one of the most important works by a Cuban composer. The complete but still unpublished original score to Maria la O will finally have a clear and accurate performing edition.