A N O U N C E O F P R E V E N T I
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cambridge Companion Shakespeare on Film
This page intentionally left blank Film adaptations of Shakespeare’s plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare’s plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives:as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare’s women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong cov- erage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided. Russell Jackson is Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute, University of Birmingham. He has worked as a textual adviser on several feature films including Shakespeare in Love and Kenneth Branagh’s Henry V, Much Ado About Nothing, Hamlet and Love’s Labour’s Lost. He is co-editor of Shakespeare: An Illustrated Stage History (1996) and two volumes in the Players of Shakespeare series. He has also edited Oscar Wilde’s plays. THE CAMBRIDGE COMPANION TO SHAKESPEARE ON FILM CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Old English The Cambridge Companion to William Literature Faulkner edited by Malcolm Godden and Michael edited by Philip M. -
Ellsworth American Feb
Ciic vCllsmartl) American 1 c wk. s wk*. < IS IIBLIMIKD tT I Inch, (10 0 S inches, M 00 1: I. LSWOUTH M E. column, it 00 i column, 190 10 BY THE Univ.'i Cv.iaty PibUsfiittj CiiiTia y ■Vrm« of S«l»«rri|*tioii. .. .:«|.v li |IU|.| uitUinlliiss? nionUis.(It ug n»t paid within three months,.2 25 paid ;■ t the ni! o! the year.2 50 v pipe w ill be discontinued until all arrear .-in* paid, except at the publisher’s option— u 1 am r-nn wi-hing his paper stopped, must w n.-i «• thereof at the expiration of the term vr h et her previous notice has been given or not. -»-——- Til, n. Wilt IljiOiJ. till a ted Arabella, seeing that Frank at and before weeks went we had mo lie is many by and lias been from the I 1 least was in first, Heaven should come to them and offer lit life on downright earnest. come to regard him as our hand 1 the frontier, look at the otic children mix with Protestant chil- iiusiness ifarbs right simply Ralph Strong, the truest and to assist them in lives ! {Jottrn. I the ol dred, and are b L “Kerosene oil, for instance,” said man. Arabella consulted him on all best curing ignorance soHics and sailors, taught hv and wi.-e ; man I have ever known.” and sin from which good the of the world, would women Protestant mothcr-m-law aggravating!)’. matters of business, ami Grace and I And all I they say— are excluded, and what teachers, they lose their pr, Arabella's arguments failed “We have the the I'lie I'lUwortli tmrrluui “And such swarms of greatest possible a judices against Protestant Church mosquitoes,” were his advice to respect tendency to de ex- The Whitby Smack. -
Concert: Ithaca College Symphony Orchestra Jeffrey Grogan
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 10-6-2005 Concert: Ithaca College Symphony Orchestra Jeffrey Grogan Ithaca College Symphony Orchestra Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Grogan, Jeffrey and Ithaca College Symphony Orchestra, "Concert: Ithaca College Symphony Orchestra" (2005). All Concert & Recital Programs. 4625. https://digitalcommons.ithaca.edu/music_programs/4625 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE SCHOOL OF MUSIC ITHACA COLLEGE SYMPHONY ORCHESTRA Jeffrey D. Grogan, conductor Ford Hall Thursday, October 6, 2005 · 8:15 p.m. ITHACA PROGRAM What is, and What Should Be Jason K. Nitsch Symphonic Dances from West Side Story Leonard Bernstein (1918-1990) INTERMISSION Excerpts from Romeo and Juliet, Suites 1 & 2 Sergei Prokofiev (1891-1953) The Montagues and the Capulets The Young Juliet Minuet Masks The Balcony Scene The Death of Tybalt Romeo at the Grave of Juliet Photographic, video, and sound recording and/or transmitting devices are not permitted in the Whalen Center- concert halls. Please turn offall cell phone ring tones. PROGRAM NOTES What Is, and What Should Be Jason K. Nitsch Jason K. Nitsch is a native of Houston, Texas and a graduate of the Baylor University School of Music, earning a Bachelor's Degree in Music Education with an emphasis in Percussion Studies. Jason was a student of ) Michael Haithcock, Jeffrey Grogan, Jerry Luckhardt, and Dr. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
New Jersey Department of Environmental Protection Water Resource Management
NJ Department of Environmental Protection Water Monitoring and Standards Bureau of Marine Water Monitoring COOPERATIVE COASTAL MONITORING PROGRAM 2016 Summary Report May 2017 COOPERATIVE COASTAL MONITORING PROGRAM 2016 Summary Report New Jersey Department of Environmental Protection Water Resource Management Division of Water Monitoring and Standards Bruce Friedman, Director Bureau of Marine Water Monitoring Bob Schuster, Bureau Chief May 2017 Report prepared by: Virginia Loftin, Program Manager Cooperative Coastal Monitoring Program Bureau of Marine Water Monitoring Cover Photo – New Jersey Coastline (photo by Steve Jacobus, NJDEP) Introduction The Cooperative Coastal Monitoring Program (CCMP) is coordinated by the New Jersey Department of Environmental Protection’s Bureau of Marine Water Monitoring. The CCMP assesses coastal water quality and investigates sources of water pollution. The information collected under the CCMP assists the DEP in responding to immediate public health concerns arising from contamination in coastal recreational bathing areas. Agencies that participate in the CCMP perform sanitary surveys of beach areas and monitor concentrations of bacteria in nearshore ocean and estuarine waters to assess the acceptability of these waters for recreational bathing. These activities and the resulting data are used to respond to immediate public health concerns associated with recreational water quality and to eliminate the sources of fecal contamination that impact coastal waters. Funding for the CCMP comes from the NJ Coastal Protection Trust Fund and the United States Environmental Protection Agency (EPA) Beaches Environmental Assessment and Coastal Health (BEACH) Act grants. BEACH Development and Implementation grants were awarded in the years 2001 through 2016. DEP designs the beach sampling and administers the communication, notification and response portion of the CCMP. -
F' F LJ Monmouth County New Jersey 13- Kg'af\IS
Bayshore Communities HABS No. NJ-1001 New Jersey Coastal Heritage Trail Between State Route 36 and shoreline µABS on South side of Raritan Bay Keansburg Vicinity f' f LJ Monmouth County New Jersey 13- kG'Af\IS. ~ l- PHOTOGRAPHS WRITTEN HISTORICAL ~N DESCRIPTIVE DATA Historic American Buildings Survey National Park Service Department of Interior Washington, D.C. 20013-7127 HA55 NY tr~~.V,. HISTORIC AMERICAN BUILDINGS SURVEY I- BA YSHORE COMMUNITIES HABS No: NJ-1001 Location: Including Towns of Atlantic Highlands, Highlands, Keansburg, Keyport, Matawan, Port Monmouth, South Amboy and Union Beach. New Jersey Coastal Heritage Trail, Between State Route 36 and shoreline on South side of Raritan Bay, Monmouth County, New Jersey. Significance: The Bayshore region is significant for its early commercial history, as a principle point of trans-shipment of goods being brought to and from the interior. The shipping industry greatly benefitted from the Bayshore region's close proximity to New York. Among the industries which prospered in the region were brick and coal production, canning industries, boat building, fishing and oystering. As summering became popular the towns of the Bayshore region also developed into summer resorts, particularly convenient for visitors from New York. History: The term "Bayshore" loosely refers to the string of communities along Raritan and Sandy Hook bays, which have been referred to as "still-water" ports and resorts because they do not face the Atlantic surf. Earlier, trails of the Lenape Indians crossed this area, leaving shell-mounds testifying to their appetites for oysters, a creature whose presence also shaped these villages in modern times, proving to be a successful industry. -
Amendment to the Beachway Avenue Waterfront Redevelopment Plan
Insert Picture (7.5” x 8.75”) Amendment to the Beachway Avenue Waterfront Redevelopment Plan Block 184, Lots 1, 3, and Part of 3.01 Borough of Keansburg Monmouth County, New Jersey {00031724;v1/ 16-044/012} Amendment to the Beachway Avenue Waterfront Redevelopment Plan Block 184, Lots 1 & 3, and part of 3.01 Borough of Keansburg Monmouth County, New Jersey First Reading / Introduction: May 17, 2017 Endorsed by Planning Board: Second Reading / Adoption: Prepared for: Prepared by: T&M Associates Borough of Keansburg 11 Tindall Road Monmouth County, New Jersey Middletown, NJ 07748 Stan Slachetka, P.P., AICP NJ Professional Planner No.: LI-03508 The original of this document was signed and sealed in accordance with New Jersey Law Amendment to the Beachway Avenue Waterfront Redevelopment Plan Borough of Keansburg, Monmouth County, New Jersey Table of Contents Introduction .................................................................................................................................. 1 Redevelopment Plan Amendment ............................................................................................ 2 Section 1. Introduction ............................................................................................................ 2 Section 2. The Public Purpose ................................................................................................ 4 2.1 Goals and Objectives ................................................................................................. 4 2.2 Relationship to Local Objectives -
(Pdf) Download
Co-producers Grand Théâtre de Luxembourg, Teatro Victoria Eugenia de San Sebastián, Opéra de Reims, Centre Chorégraphique National d'Aquitaine en Pyrénées- Atlantiques Malandain Ballet Biarritz. music Hector Berlioz In partnership with choreography Thierry Malandain Teatro Romano de Vérone, Festival Le Temps d’Aimer costumes Jorge Gallardo de Biarritz, Théâtre production manager, Olympia d’Arcachon. lighting design Jean-Claude Asquié Preview 26 août 2010, costumes design Véronique Murat Festival de Vérone Première 11 septembre 2010 à Biarritz, dans le cadre du Festival Le Temps d’Aimer Ballet for 18 dancers Lenght : 75’ Roméo et Juliette I Malandain Ballet Biarritz Foreword The idea came to me in Italy, as I discovered Romeoand Juliet the catacombs of the Franciscan monastery in Palermo. They were dug in the 16th Century so- a dream that was lely for the monks; but, up until the 19th Cen- tury, to be buried there was considered to be a mark of prestige by the Sicilian aristocracy. In too beautiful their will, the applicants asked to be kept there with a certain type of clothing or even to be changed into other clothes from time to time. Nowadays, reflecting more or less the universal n 1966, Maurice Béjart was one of the first nature of death, these catacombs offer not only I choreographers to stage Hector Berlioz's the spectacle of embalmed bodies, but also of Romeo and Juliet and it should be remembered stacked coffins. that during the finale, a cry was heard: Make“ love, not war!” This highly evangelical slogan is still valid, and so the ballet takes place in a climate of religious fervour. -
Raritan Bay Report 2016
Two States – One Bay A bi-state conversation about the future of Raritan Bay Bill Schultz/Raritan Riverkeeper Bill Schultz/Raritan Introduction The Two States: One Bay conference, convened on June 12, 2015 by the Sustainable Raritan River Initiative (SRRI) at Rutgers University and the New York-New Jersey Harbor & Estuary Program (HEP), brought together more than 200 representatives from federal, state and local governments, educational institutions, non-profit organizations, and businesses to focus on Raritan Bay. During plenary and working sessions where regional and bi-state issues and cooperation were the primary focus, conference participants examined the key topic areas of water quality, climate resiliency, habitat conservation and restoration, fish and shellfish management, and public access. This report identifies the insights and opportunities raised at the conference, including possible strategies to address ongoing bi-state challenges to ensure the stewardship and vitality of Raritan Bay. The Sustainable Raritan River Initiative and the New York-New Jersey Harbor & Estuary Program invite stakeholders from both New York and New Jersey to join us in taking next steps towards greater bi-state cooperation in addressing the challenges facing Raritan Bay. Overview Raritan Bay, roughly defined as the open waters and shorelines from the Verrazano-Narrows Bridge to the tidal reach of the Raritan River at New Brunswick, New Jersey, and out to Sandy Hook, provides important habitat, fishery resources, and recreational benefits to the New York and New Jersey region. These resources are enjoyed by more than one million nearby residents of the two states, as well as many annual visitors from outside the region. -
1 Shakespeare and Film
Shakespeare and Film: A Bibliographic Index (from Film to Book) Jordi Sala-Lleal University of Girona [email protected] Research into film adaptation has increased very considerably over recent decades, a development that coincides with postmodern interest in cultural cross-overs, artistic hybrids or heterogeneous discourses about our world. Film adaptation of Shakespearian drama is at the forefront of this research: there are numerous general works and partial studies on the cinema that have grown out of the works of William Shakespeare. Many of these are very valuable and of great interest and, in effect, form a body of work that is hybrid and heterogeneous. It seems important, therefore, to be able to consult a detailed and extensive bibliography in this field, and this is the contribution that we offer here. This work aims to be of help to all researchers into Shakespearian film by providing a useful tool for ordering and clarifying the field. It is in the form of an index that relates the bibliographic items with the films of the Shakespearian corpus, going from the film to each of the citations and works that study it. Researchers in this field should find this of particular use since they will be able to see immediately where to find information on every one of the films relating to Shakespeare. Though this is the most important aspect, this work can be of use in other ways since it includes an ordered list of the most important contributions to research on the subject, and a second, extensive, list of films related to Shakespeare in order of their links to the various works of the canon. -
Investment Highlights
ABERDEEN OFFICE COMPLEX 675 LINE RD ABERDEEN, NJ 07747 18,000 SF of Office Buildings in Great Location with Prime Access to GS Parkway, NJ Turnpike, Routes 9, 18, 33, 34, 35, 36 & 79 Located 2 Minutes from Parkway Exit 117 Presented by Richel Commercial Brokerage Steve Richel, Gregory Elmiger | 732.720.0538 | www.richelcb.com PROPERTY OVERVIEW Address: 675 Line Road Aberdeen, NJ 07747 Block/Lot: Block 12- Lot 7.01 Acres: 2.82 Office RBA: 18,600 +/- RSF Occupancy: 100% Location Overview: The property is centrally located and in close proximity to the Garden State Parkway Exit 117A, NJ Turnpike, Routes 9, 18, 33, 34, 35, 36 & 79 Asking Price: $2,400,000 or $129 Per Square Foot 2 PROPERTY OVERHEAD VIEW Small Professional Office Park Four Buildings, 18,000 SF NRA, Abundant Parking 3 OVERVIEW OF ABERDEEN, NJ • Aberdeen is part of the Raritan Bayshore Region that features dense residential neighborhoods, maritime history, and the natural beauty of the Raritan Bay coastline. • As of the 2010 United States Census, the township's population was 18,210 reflecting an increase of 756 (+4.3%) from the 17,454 counted in the 2000 Census, which had in turn increased by 416 (+2.4%) from the 17,038 counted in the 1990 Census. • In terms of distances, the property is located approximately 6 minutes from the Aberdeen Train Station, 19 minutes from Fast Ferry to New York City and 30 minutes to Newark Airport. 4 PROSPEROUS SUBURBAN MARKET Aberdeen’s $92k Median Household Income is almost double the US Average ABERDEEN 5 IDEALLY LOCATED IN CENTRAL NEW JERSEY 675 Line Road Office Complex is in close proximity to all major highways making this location ideally suited to satisfy any business with logistical needs in Central New Jersey. -
Shakespeare in Rushdie/Shakespearean Rushdie
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 9–22 ISSN 0210-6124 Shakespeare in Rushdie/Shakespearean Rushdie Geetha Ganapathy-Doré University of Paris 13 [email protected] Postcolonial readers situate Shakespeare at the starting point and Salman Rushdie at the other end of the spectrum of multicultural authors who have laid claims to universality. While the fact that Rushdie’s epoch-making novel Midnight’s Children adapted for the theatre by Tim Supple, was produced by the Royal Shakespeare Company in 2003 would have come as a surprise to many, the Bard himself, his birthplace, allusions to and quotations from his work, parodic rewriting of his plots and brilliant recasting of his characters have always punctuated Rushdie’s fiction and non-fiction. The linguistic inventiveness of Shakespeare and Rushdie and the Ovidian intertext in both bring them even closer. This paper argues that the presence of Shakespeare in Rushdie may be viewed not so much as an attempt to deconstruct and subvert the canon like Angela Carter’s but rather as an unconscious effort to rival and reinvent his genius in the novel form. Rushdie’s project of tropicalizing London seems to be an ironic translation of the Shakespearean idea of “making Britain India”. Keywords: Shakespeare; Rushdie; intertextuality; postcolonial rewriting; inventiveness; fatherly text Shakespeare en Rushdie/Rushdie shakesperiano Los manuales sobre postcolonialismo ubican a Shakespeare al comienzo y a Salman Rushdie al final del espectro