Tuesday Playlist
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October 26, 2019: (Full-page version) Close Window “To achieve great things, two things are needed: a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Awake! 00:01 Buy Now! Haydn Symphony No. 008 in G, "Evening" English Concert/Pinnock Archiv 423 098 028942309821 00:24 Buy Now! Scarlatti, D. Sonata in A, Kirkpatrick 212 Murray Perahia Sony 63380 07464633802 00:28 Buy Now! Grieg Symphonic Dances, Op. 64 Philharmonia Orchestra/Leppard Philips 438 380 02894388023 Academy of St. Martin-in-the- 01:00 Buy Now! Rossini Overture ~ Cinderella EMI 49155 077774915526 Fields/Marriner 01:09 Buy Now! Parry Elegy for Brahms London Philharmonic/Boult EMI 49022 07777490222 01:20 Buy Now! Brahms Sextet No. 1 in B flat, Op. 18 Stern/Lin/Laredo/Tree/Ma/Robinson Sony Classical 45820 07464458202 02:00 Buy Now! Mozart Fantasia in C minor, K. 475 Alicia de Larrocha RCA Red Seal 60453 090266045327 Lento assai ~ String Quartet in F, Op. 135 (arr. 02:15 Buy Now! Beethoven Royal Philharmonic/Rosekrans Telarc 80562 089408056222 for string orchestra) 02:27 Buy Now! Gade Symphony No. 7 in F, Op. 45 Stockholm Sinfonietta/Jarvi BIS 355 7318590003558 03:00 Buy Now! Debussy Prelude to the Afternoon of a Faun Zoeller/Berlin Philharmonic/Karajan EMI 65914 724356591424 03:11 Buy Now! Mendelssohn Cello Sonata No. 1 in B flat, Op. 45 Rosen/Artymiw Bridge 9501 090404950124 03:37 Buy Now! Offenbach Offenbachiana Monte Carlo Philharmonic/Rosenthal Naxos 8.554005 N/A 04:01 Buy Now! Saint-Saëns Havanaise, Op. -
Gender Association with Stringed Instruments: a Four-Decade Analysis of Texas All-State Orchestras
Texas Music Education Research, 2012 V. D. Baker Edited by Mary Ellen Cavitt, Texas State University—San Marcos Gender Association with Stringed Instruments: A Four-Decade Analysis of Texas All-State Orchestras Vicki D. Baker Texas Woman’s University The violin, viola, cello, and double bass have fluctuated in both their gender acceptability and association through the centuries. This can partially be attributed to the historical background of women’s involvement in music. Both church and society rigidly enforced rules regarding women’s participation in instrumental music performance during the Middle Ages and Renaissance. In the 1700s, Antonio Vivaldi established an all-female string orchestra and composed music for their performance. In the early 1800s, women were not allowed to perform in public and were severely limited in their musical training. Towards the end of the 19th century, it became more acceptable for women to study violin and cello, but they were forbidden to play in professional orchestras. Societal beliefs and conventions regarding the female body and allure were an additional obstacle to women as orchestral musicians, due to trepidation about their physiological strength and the view that some instruments were “unsightly for women to play, either because their presence interferes with men’s enjoyment of the female face or body, or because a playing position is judged to be indecorous” (Doubleday, 2008, p. 18). In Victorian England, female cellists were required to play in problematic “side-saddle” positions to prevent placing their instrument between opened legs (Cowling, 1983). The piano, harp, and guitar were deemed to be the only suitable feminine instruments in North America during the 19th Century in that they could be used to accompany ones singing and “required no facial exertions or body movements that interfered with the portrait of grace the lady musician was to emanate” (Tick, 1987, p. -
Working List of Repertoire for Tenor Trombone Solo and Bass Trombone Solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers
Working List of Repertoire for tenor trombone solo and bass trombone solo by People of Color/People of the Global Majority (POC/PGM) and Women Composers Working list v.2.4 ~ May 30, 2021 Prepared by Douglas Yeo, Guest Lecturer of Trombone Wheaton College Conservatory of Music Armerding Center for Music and the Arts www.wheaton.edu/conservatory 520 E. Kenilworth Avenue Wheaton, IL 60187 Email: [email protected] www.wheaton.edu/academics/faculty/douglas-yeo Works by People of Color/People of the Global Majority (POC/PGM) Composers: Tenor trombone • Amis, Kenneth Preludes 1–5 (with piano) www.kennethamis.com • Barfield, Anthony Meditations of Sound and Light (with piano) Red Sky (with piano/band) Soliloquy (with trombone quartet) www.anthonybarfield.com 1 • Baker, David Concert Piece (with string orchestra) - Lauren Keiser Publishing • Chavez, Carlos Concerto (with orchestra) - G. Schirmer • Coleridge-Taylor, Samuel (arr. Ralph Sauer) Gypsy Song & Dance (with piano) www.cherryclassics.com • DaCosta, Noel Four Preludes (with piano) Street Calls (unaccompanied) • Davis, Nathaniel Cleophas (arr. Aaron Hettinga) Oh Slip It Man (with piano) Mr. Trombonology (with piano) Miss Trombonism (with piano) Master Trombone (with piano) Trombone Francais (with piano) www.cherryclassics.com • John Duncan Concerto (with orchestra) Divertimento (with string quartet) Three Proclamations (with string quartet) library.umkc.edu/archival-collections/duncan • Hailstork, Adolphus Cunningham John Henry’s Big (Man vs. Machine) (with piano) - Theodore Presser • Hong, Sungji Feromenis pnois (unaccompanied) • Lam, Bun-Ching Three Easy Pieces (with electronics) • Lastres, Doris Magaly Ruiz Cuasi Danzón (with piano) Tres Piezas (with piano) • Ma, Youdao Fantasia on a Theme of Yada Meyrien (with piano/orchestra) - Jinan University Press (ISBN 9787566829207) • McCeary, Richard Deming Jr. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Everything Essential
Everythi ng Essen tial HOW A SMALL CONSERVATORY BECAME AN INCUBATOR FOR GREAT AMERICAN QUARTET PLAYERS BY MATTHEW BARKER 10 OVer tONeS Fall 2014 “There’s something about the quartet form. albert einstein once Felix Galimir “had the best said, ‘everything should be as simple as possible, but not simpler.’ that’s the essence of the string quartet,” says arnold Steinhardt, longtime first violinist of the Guarneri Quartet. ears I’ve been around and “It has everything that is essential for great music.” the best way to get students From Haydn, Mozart, Beethoven, and Schubert through the romantics, the Second Viennese School, Debussy, ravel, Bartók, the avant-garde, and up to the present, the leading so immersed in the act of composers of each generation reserved their most intimate expression and genius for that basic ensemble of two violins, a viola, and a cello. music making,” says Steven Over the past century america’s great music schools have placed an increasing emphasis tenenbom. “He was old on the highly specialized and rigorous discipline of quartet playing. among them, Curtis holds a special place despite its small size. In the last several decades alone, among the world and new world.” majority of important touring quartets in america at least one chair—and in some cases four—has been filled by a Curtis-trained musician. (Mr. Steinhardt, also a longtime member of the Curtis faculty, is one.) looking back, the current golden age of string quartets can be traced to a mission statement issued almost 90 years ago by early Curtis director Josef Hofmann: “to hand down through contemporary masters the great traditions of the past; to teach students to build on this heritage for the future.” Mary louise Curtis Bok created a haven for both teachers and students to immerse themselves in music at the highest levels without financial burden. -
String Orchestra
String Orchestra First Semester st Instructional 1 Quarter Days TN Standards Lesson Focus Additional Notes Effective Auditioning: Performance Week 1 5 2,4,8,9,10 Anxiety, Preparation, Scales G D A C F B-flat Instrument Maintenance: Review of basic. Fine tuning of instrument Week 2 5 2,4,8,9,10 for high performance. Basics of performance with wind and percussion instruments Preparing Music: Determining Introduction to melodic minor effective bowings (detache, martele, scales: g (vln), c (vla/clo), e Week 3 5 2,4,8,9,10 ricochet), creating own fingering (bass), create video demonstrating layout, Uses of bowings for feel fivemain bow strokes for use in and sound of music performance Rhythm and Rehearsal: Syncopation, World Music Rhythms, Week 4 5 2,4,8,9,10 Rehearsal/Italian Terminology, Performing in styles Addition of E, B, E-‐flat to scales, Recording as a Playing Test: Scales (Major and Week 5 4 2,4,8,9,10 teaching/learning tool, Effective AW melodic minor) Recording Habits Shifting: 3rdposition,½ position, and 5thposition. Use in scales and simple pre-‐heard melodies, Shifting on scales required on Week 6 4 7,8,10,11 thumb position application for all four strings violin/viola, higher shifting in cello/bass. Add shifting to parts previously played in first position Addition of A-‐flatand F-‐ sharpto scale routine, Key Quiz of Assist during Stripes with tuning Week 7 5 7,8,10,11 keys 5 sharps to 5flats, rhythms and changing of old strings with scales, Scales to two octaves, application of Create videos for standard Week 8 5 7,8,10,11 -
A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
Air on the G String from Suite # 3 in D Major (J.S. Bach) *** Andante from Brandenburg Concerto #2 in F Major (J.S
Air on the G String from Suite # 3 in D Major (J.S. Bach) *** Andante from Brandenburg Concerto #2 in F Major (J.S. Bach) Arioso from Cantata #156 (J.S. Bach) *** Gigue from Suite # 3 in D Major (J.S. Bach) *** Jesu, Joy of Man's Desiring from Cantata #147 (J.S. Bach) *** March in D Major (J.S. Bach) My Heart Ever Faithful Aria from Cantata #68 (J.S. Bach) Rondeau from Orchestral Suite # 2 in B Minor (J.S. Bach) *** Sheep May Safely Graze from Cantata #208 (J.S. Bach) Minuet in G (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Variations on a Theme of Haydn, Sicilienne & St Anthony Chorale (Brahms) Trumpet Voluntary (Clarke) *** Panis Angelicus from Messe Solonelle, Op. 12 (Franck) Gavotte (Gossec) Tambourin (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) La Rejouissance from The Fireworks Music (Handel) *** Largo from Xerxes (Handel) *** Air, Allegro, Andante, Bourree, Hornpipe from Water Music Suite (Handel) Sarabane from Oboe Concerto in G Minor (Handel) Allegro (Loeillet) Meditation from Thais (Massenet) Rondeau from Sinfonies de Fanfares (Mendelssohn) Wedding March from A Midsummer Night's Dream (Mendelssohn) *** Ave Verum Corpus from K. 618 (Mozart) Eine Kleine Nachtmusik - Menuetto, Romanza (Mozart) Rondo alla turca from Piano Sonata in A Major, K. 331 (Mozart) Canon (Pachelbel) *** Rondeau from Incidental Music to Abdelazer (Purcell) When I Am Laid in Earth from Dido and Aeneas (Purcell) Trumpet Tune (Purcell) *** Scheherazade Theme (Rimsky-Korsakov) Andante from String Quartet in A minor, Op. 29 (Schubert) "Rosamunde" (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Simple Gifts (Shaker Hymn) Presto from Sonatina in F Major (Telemann) Vivace from Sonata in F Major for flute (Telemann) Be Thou My Vision (Traditional Irish Melody) Danza Pastorale from Violin Concerto in E Major, Op. -
CHAMBER Contents
CHAMBER Contents Page a1 3 a2 31 a3 53 a4 60 a5 80 a6+ 89 Supplementary Performances On Period Instruments 103 Classic & Historic Performances 114 a1 The symbol denotes a signpost navigating the user to related content elsewhere in the Edition. Keys are indicated thus: Symphony in C = C major · Sonata in c = C minor 2 CD 1 73.52 Nannerl Notenbuch (excerpts) 16 Minuet in C K15f 1.02 1 Andante in C (No.53) K1a 0.17 17 Fantasia (Prelude) in G K15g 0.59 2 Allegro in C (No.54) K1b 0.14 18 Contredanse in F K15h 1.00 3 Allegro in F (No.55) K1c 0.48 19 Minuet/Minore in A/a K15i/k 2.04 4 Minuet in F (No.56) K1d 1.14 20 Contredanse in A K15l 1.06 5 Minuet in G (No.62) K1e 21 Minuet in F K15m 1.11 Minuet in C (No.63) K1f 1.57 22 Andante in C K15n 2.34 6 Minuet in F (No.58) K2 0.54 23 Andante in D K15o 2.05 7 Allegro in B (No.59) K3 0.57 24 Movement for a Sonata in g K15p (Movement 1?) 3.05 8 Minuet in F b(No.49) K4 1.16 25 Andante in B K15q (Movement 2?) 3.18 9 Minuet in F (No.61) K5 1.06 26 Andante in g bK15r (Movement 3?) 1.31 10 Allegro in C (No.20) K9a 3.10 27 Rondo in C K15s 0.37 Erik Smith harpsichord 28 Movement for a Sonata in F K15t 2.18 CD 10: alternative versions from Nannerl Notenbuch 29 Sicilianos in c K15u 1.45 CD 174: K9b fragment · CD 177: K9b completion 30 Movement for a Sonata in F K15v 2.30 31 Allemande in B K15w 2.18 London Sketchbook b Chamber a1 32 Movement for a Sonata in F K15x 0.54 11 Allegretto in F K15a 1.38 33 Minuet in G K15y 0.54 12 Andantino in C K15b 1.03 34 Gigue in c K15z 2.08 CD 194: K15b first version 35 Movement -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
I.," American String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the AMERICAN STRING QUARTET PETER WINOGRAD, VIOLIN LAURIE CARNEY, VIOLIN DANIEL AVSHALOMOV, VIOLA MARGO TATGENHORST, CELLO THURSDAY OCTOBER 17, 2002 8:00P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY I.," THIS PROJECT IS FUNDED IN PART BY TIIE CITY OF HOUSTON ~: AND THE TEXAS COMMISSION ON TIIE ARTS THROUGH TIIE CULTURAL ARTS COUNCIL OF IIOUSTON/lL-\RRJS COUNTY. AMERICAN STRING QUARTET -PROGRAM- WOLFGANG AMADEUS MOZART (1756-1791) • Quartet in E-flat Major, K. 42 8 Allegro non troppo Andante con moto Menuetto: Allegro Allegro vivace DMITRI SHOSTAKOVICH (1906-1975) Quartet No. 3 in F Major, Op. 73 (1946) Allegretto Moderato con moto Allegro non troppo Adagio Moderato - INTERMISSIO - MAURICE RAVEL (1875-1937) String Quartet in F Major Allegro moderato: Tres doux Assez vif: Tres rhythme Tres lent .,... Vif et agite WOLFGANG AMADEUS MOZART (1756-1791) Quartet in E-flat Major, K. 428 . t • Until the great quartets of Haydn and Mozart, eighteenth century · t r chamber music had been written primarily for the private use of ama - r teurs. As the century progressed, the dominance of complex, Baroque compositional methods had diminished and the style of writing had been simplified, making it easier for an amateur to master. Yet, at the same time in Vienna, the public performance of larger-scale, symphonic music came into vogue. And as this was written for professionals, the composer could explore greater complexity, even bringing back some of the intricate devices of baroque music such as fugues. Furthermore, in the last decades of the century, a full-time, professional quartet was maintained in Vienna by Count Razumovsky for performances at the great houses.