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A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969. -
CHAMBER Contents
CHAMBER Contents Page a1 3 a2 31 a3 53 a4 60 a5 80 a6+ 89 Supplementary Performances On Period Instruments 103 Classic & Historic Performances 114 a1 The symbol denotes a signpost navigating the user to related content elsewhere in the Edition. Keys are indicated thus: Symphony in C = C major · Sonata in c = C minor 2 CD 1 73.52 Nannerl Notenbuch (excerpts) 16 Minuet in C K15f 1.02 1 Andante in C (No.53) K1a 0.17 17 Fantasia (Prelude) in G K15g 0.59 2 Allegro in C (No.54) K1b 0.14 18 Contredanse in F K15h 1.00 3 Allegro in F (No.55) K1c 0.48 19 Minuet/Minore in A/a K15i/k 2.04 4 Minuet in F (No.56) K1d 1.14 20 Contredanse in A K15l 1.06 5 Minuet in G (No.62) K1e 21 Minuet in F K15m 1.11 Minuet in C (No.63) K1f 1.57 22 Andante in C K15n 2.34 6 Minuet in F (No.58) K2 0.54 23 Andante in D K15o 2.05 7 Allegro in B (No.59) K3 0.57 24 Movement for a Sonata in g K15p (Movement 1?) 3.05 8 Minuet in F b(No.49) K4 1.16 25 Andante in B K15q (Movement 2?) 3.18 9 Minuet in F (No.61) K5 1.06 26 Andante in g bK15r (Movement 3?) 1.31 10 Allegro in C (No.20) K9a 3.10 27 Rondo in C K15s 0.37 Erik Smith harpsichord 28 Movement for a Sonata in F K15t 2.18 CD 10: alternative versions from Nannerl Notenbuch 29 Sicilianos in c K15u 1.45 CD 174: K9b fragment · CD 177: K9b completion 30 Movement for a Sonata in F K15v 2.30 31 Allemande in B K15w 2.18 London Sketchbook b Chamber a1 32 Movement for a Sonata in F K15x 0.54 11 Allegretto in F K15a 1.38 33 Minuet in G K15y 0.54 12 Andantino in C K15b 1.03 34 Gigue in c K15z 2.08 CD 194: K15b first version 35 Movement -
Sur Le Nom Du Compositeur)
FR - Répertoire des œuvres jouées depuis le début du festival en 1958 (Clic sur le nom du compositeur) NL - Repertoire van de uitgevoerde werken sinds de oprichting van het festival in 1958 (klik op de naam van de componist) EN - Repertoire of the works performed since the foundation of the festival in 1958 (click on the composer’s name) DE - Repertoire der Werke, die beim Festival seit seiner Gründung im Jahr 1958 aufgeführt wurden (Klicken Sie auf den Namen des Komponisten) A B ABEL, Karl Friedrich ALBRECHTSBERGER, Johann ARENSKY, Anton BACARISSE, Salvador BACH, Johann Sebastian Georg ABLONIZ, Miguel ALKAN, Charles Valentin ARRIAGA, Juan Criostomo de BACH, Carl Philipp Emmanuel BACH, Wilhelm Friedemann ABSIL, Jean ALLEGRI, Gregorio ASSAD, Sergio BACH, Johann BAERMANN, Carl ADLER DE OLIVEIRA, Judith AMELLER, André BACH, Johann Bernhard BALAKIREV, Mily AGER, Klaus. ANONYME BACH, Johann Christoph BARBER, Samuel ALBENIZ, Isaac. ANDRIESSEN, Hendrik BACH, Johann Christoph BARBIER, René Friedrich ALBENIZ, Mateo ARAUJO, Juan de BACH, Johann Ludwig BARTHOLOMÉE, Pierre ALBICASTRO, Henrico ARNE, Thomas Augustine BACH, Johann Michael BARTOK, Bela ALBINONI, Tomaso ARBAN, Jean-Baptiste BACH, Johann Christian BARTSCH, Charles C BAX, Arnold BODIN DE BOISMORTIER, BOVICELLI, Giovanni Battista BUSONI, Ferruccio CABANILLES, Juan de Joseph BEETHOVEN, Ludwig van BOEHM, Georg BOYCE, William BUXTEHUDE, Dieterich CACCINI, Francesca BENNET, John BOESMANS, Philippe BOYD, Anne BYRD William CAIX D’HERVELOIS, Louis BERG, Alban BOGAR, Istvan BOZZA, Eugène CALDARA, Antonio BERIO, Luciano BOIELDIEU, François-Adrien BRADE, William CAMPRA, André BERLIOZ, Hector BOLOGNINI, Ennio BRAHMS, Johannes CAPLET André BERNIER, René BORODINE, Alexandre BRIDGE, Frank CARISSIMI, Giacomo BERTALI, Antonio BOULANGER, Lili BRITTEN, Benjamin CASTEDERE, Jacques BIBER, Heinrich Ignaz Franz BOULANGER, Nadia BROTONS, Salvador CASTELLO, Dario von BIZET, Georges BOULEZ, Pierre BRUCH, Max CASTIL-BLAZE, François H. -
Program Trio in C Major, No
Long Theater * Stockton, California * March 31, 1979 * 8:00 p.m. FRIENDS OF CHAMBER MUSIC in cooperation with UNIVERSITY OF THE PACIFIC, and SAN JOAQUIN DELTA COLLEGE present Bruno Canino, piano Cesare Ferraresi, violin Rocco Filippini, cello PROGRAM TRIO IN C MAJOR, NO. 43 (HOBOKEN XV NO. 27) • (Franz) Joseph Haydn (1732 - 1809) Allegro Andante Finale (Presto) TRIO IN A MINOR (1915) . ... Maurice Ravel Modere (1875 - 1937) Pantoum (Assez vif) Passacaille (Tres large) Final (Anime) INTERMISSION TRIO IN B FLAT MAJOR, OPe 97 •• ..... Ludwig ("The Archduke") van Beethoven Allegro moderado (1770 - 1827) Scherzo (Allegro) Andante cantabile, rna pero con moto (Variations) Allegro moderato - Presto Trio di Milano is represented by Mariedi Anders Artists Manage ment, Inc., 535 El Camino Del Mar, San Francisco, California. The TRIO DI MILANO, composed of three noted and talented musicians, was formed in the spring of 1968. Engaged by the most important Italian musical societies to play at Milan, Torino, Venice, Rome, Florence, Pisa, Genoa, and Padua, the Trio has also performed in Germany, Switzerland, Spain, Portugal and the United States and has been acclaimed with enthu siasm and exceptional success everywhere. CESARE FERRARESI was born at Ferrara in 1918, took his degree for violin at the Verdi Conservatorio of Milan, where he is now Principle Professor. Winner of the Paganini Prize and of the International Compe tition at Geneva, he has now for many years enjoyed an intensely full and busy career as a concert artist. Leader of the Radio Symphony Orchestra (RAI) at Milan and soloist of the "Virtuosi di Roma", he has played at the most important music festivals at Edinburgh, Venice, Vienna, and Salz burg and in the major musical centers of Europe, Japan, and the United States. -
March/April 2014 Volume 42, No. 3
N N March/April 2014 Volume 42, No. 3 N 95.3 N Zelenka: Capriccio No. 1; Camerata Bern (DG Archiv) Glazounov: String Quartet No. 7 in C, Op 107; Shostakovich WHRB Program Guide Quartet (Melodiya) Mozart: Symphony No. 31 in D, K. 297 (300a), “Paris”; March-April, 2014 Gardiner, English Baroque Soloists (Philips) Copland: Sonata for Violin and Piano; Shaham, Previn (DG) 6:00 pm LATIN AMERICAN CLASSICAL MUSIC Chávez: Symphony No. 6; Chávez, National Symphony 95.3 FM Orchestra of Mexico (CBS LP) de Zumaya: Celebren Publiquen; Jennings, Chanticleer, Chanticleer Sinfonia (Teldec) Moncayo: Huapango; Chávez, National Symphony Orchestra of Saturday, March 1 Mexico (Decca LP) 7:00 pm SPECIAL CONCERT 5:00 am BLUES HANGOVER Haydn: Symphony No. 6 in C, “Il Distratto”; Blum, Esterhazy 9:00 am HILLBILLY AT HARVARD Orchestra (Vanguard) 11:50 am PRELUDE TO THE MET Schubert: Piano Sonata in B-flat, D. 960; Schnabel (HMV 78’s noon METROPOLITAN OPERA rec. 1939 – Arabesque) Borodin: Prince Igor; Oksana Dyka, Anita Haydn, M.: Symphony No. 22 in D, P. 42; Farberman, Rachvelishvili, Sergey Semishkur, Ildar Abdrazakov, Michael Bournemouth Sinfonietta (Vox) Petrenko, Stefan Kocán, Gianandrea Noseda conducting. Schubert: Violin Sonata in A, D. 574; Kagan, Richter (1985 4:30 pm POST-MET VOCAL PROGRAM (time approx.) concert; Live Classics) 6:45 pm HARVARD HOCKEY Mahler: Symphony No. 1 in D, “Titan”; Horenstein, Vienna Harvard at Cornell. Symphony Orchestra (Vox) 9:20 pm THE DARKER SIDE (time approx.) 10:00 pm RECORD HOSPITAL Sunday, March 2 Tuesday, March 4 7:00 am BLUES HANGOVER 5:00 am JAZZ SPECTRUM 11:00 am MEMORIAL CHURCH SERVICE 1:00 pm AFTERNOON CONCERT Preacher: Jonathan L. -
Brahms String Sextets WDR Chamber Players
Brahms String Sextets WDR Chamber Players 1 Johannes Brahms (1833-1897) A testing ground for chamber music Thoughts on the Brahms string sextets String Sextet No. 1 in B-flat Major, Op. 18 (1862) 1 I. Allegro ma non troppo 13. 33 “One hears six intelligent people at the same time are granted absolute 2 II. Andante, ma moderato 8. 56 conversing among themselves, derives individuality. 3 III. Scherzo. Allegro molto 3. 04 pleasure from their discourse, and gets to 4 IV. Rondo. Poco allegretto e grazioso 9. 15 know the peculiarities of the instruments.” On this basis, the string quartet — If Goethe’s well-known aperçu concerning probably the most significant chamber- String Sextet No. 2 in G Major, Op. 36 (1865) the string quartet could be so easily music genre in the history of European 1 I. Allegro non troppo 13. 48 adapted to the string sextet by merely music, thanks to its aesthetic appeal — has 2 II. Scherzo. Allegro non troppo - Presto giocoso - Tempo primo 7. 04 replacing the number four by six, then one developed a tradition that extends from 3 III. Adagio 8. 37 would truly be oversimplifying matters its beginnings with Haydn through Mozart 4 IV. Poco allegro 8. 12 with regard to the string sextet. For and Beethoven until well into the 20th the essence of Goethe’s thinking — the century. The string sextet cannot present Total playing time: 72. 45 conversation in which each participant a comparable development as a genre, has an equally important say — cannot irrespective of the varying combination WDR Symphony Orchestra Cologne be transferred without further ado to of instruments: for there was no standard Chamber Players: the extended ensemble. -
Curriculum Vitae Ida Bieler
Curriculum Vitae Ida Bieler Nationality: USA Languages spoken and written: English, German MAJOR POSITIONS Teaching Since 1993 – Robert Schumann Hochschule, Düsseldorf, Germany Full Professor for Violin and Chamber Music 1988 – 1993 Hochschule für Musik und Darstellende Kunst, Frankfurt am Main, Germany Full Professor for Violin and Director of Violin Pedagogic Department Since 2009 – Universität für Musik und Darstellende Kunst, Graz, Austria Adjunct Professor Since 2013 – University of North Carolina School of the Arts, Winston-Salem, North Carolina, USA Adjunct Professor 2005 – 2007 Guildhall School of Music and Drama, London, Great Britain Visiting Professor for Violin and Chamber Music 1983 – 1986 Hochschule für Musik Köln Abteilung Wuppertal, Germany Adjunct Faculty 1974 – 1978 Westminster Choir College, Princeton, New Jersey, USA Pre-College Violin Instructor Adjunct Faculty Orchestral 1982 – 1987 “Gürzenich-Orchester Köln”, Symphony and Opera Orchestra of Cologne, Germany Concertmaster MAJOR ENSEMBLES String Quartet 1993 – 2005 Melos Quartet, Stuttgart, Germany 2005 – 2010 Heine Quartet, Düsseldorf, Germany 1983 – 1993 van Hoven String Quartet, Cologne, Germany Piano Trio 2001 – 2015 Xyrion Piano Trio, Cologne, Germany 1985 – 1990 Mendelssohn Trio Berlin, Berlin, Germany Mixed Ensembles: Strings, Winds and Piano 2002 – 2018 Robert Schumann Ensemble, Düsseldorf, Germany 1995 – 2003 Ensemble Villa Musica, Rheinland-Pfalz, Germany 1993 – 2009 Ensemble Animabile, Düsseldorf, Germany INTERNATIONAL PERFORMING CAREER • Over 40 years -
Sunday Playlist
February 9, 2020: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Buy 00:01 Schubert Entr'acte No. 3 ~ Rosamunde, D. 797 Minneapolis Symphony/Skrowaczewski Mercury 462 954 028946295427 Awake! Now! Buy 00:10 Barber Serenade for String Quartet, Op. 1 Ying Quartet Sono Luminus 92166 053479216625 Now! Buy 00:19 Beethoven Piano Sonata No. 29 in B flat, Op. 106 "Hammerklavier" John O'Conor Telarc 80335 089408033520 Now! Buy 01:00 Albinoni Adagio in G minor Bell/Spierer/Berlin Philharmonic/Karajan DG 445 282 028944528220 Now! Buy 01:13 Handel Concerto Grosso in D, Op. 6 No. 5 Bath Festival Orchestra/Menuhin EMI 73344 724357334426 Now! Buy 01:30 Mozart Symphony No. 39 in E flat, K. 543 Academy of St. Martin-in-the-Fields/Marriner Philips 422 611 028942250222 Now! Buy 02:00 Smetana The Moldau ~ Ma Vlast (My Fatherland) Bavarian RSO/Kubelik Orfeo 115 842 N/A Now! Buy 02:13 Tchaikovsky String Quartet No. 2 in F, Op. 22 Borodin Quartet EMI 49775 077774977524 Now! Buy 02:51 Bach Trio Sonata in G, BWV 1038 Florilegium Channel Classics 14598 723385145981 Now! Buy 03:00 Schubert Symphony No. 4 in C minor, D. 417 "Tragic" Vienna Philharmonic/Muti EMI 49724 077774972420 Now! Buy 03:33 Grieg Two Norwegian Dances, Op. 63 Moscow Soloists/Bashmet RCA Red Seal 60368 090266036820 Now! Buy 03:46 Dvorak Scherzo capriccioso, Op. 66 Oslo Philharmonic/Jansons EMI 49995 077774999526 Now! Buy 04:00 Handel Suite in D ~ Water Music Los Angeles Chamber Orchestra/Schwarz Delos 3010 N/A Now! Buy Salerno-Sonnenberg/London Symphony 04:12 Barber Violin Concerto, Op. -
Buffalo Chamber Music Society 1924-2019 Ensembles – Artists
BUFFALO CHAMBER MUSIC SOCIETY 1924-2019 ENSEMBLES – ARTISTS ACADEMY OF ST. MARTIN IN THE FIELDS, IONA BROWN, Director and violin soloist ACADEMY OF ST. MARTIN IN THE FIELDS OCTET Kenneth Sillito, violin, leader; Harvey de Souza, violin; Mark Butler, violin; Paul Ezergailis, violin Robert Smissen, viola; Duncan Ferguson, viola; Stephen Orton, cello; John Heley, cello AIZURI QUARTET Emma Frucht & Miho Saegusa, violins; Ayane Kozasa, viola; Karen Ouzounian, cello ; ALBENERI TRIO Alexander Schneider, violin; Benar Heifetz, cello; Erich Itor Kahn, piano – 1945, 1948 Giorgio Ciompi, violin; Benar Heifetz, cello; Erich Itor Kahn, piano 1951, 1952,1955 Giorgio Ciompi, violin; Benar Heifetz, cello, Ward Davenny, piano 1956, 1958 Giorgio Ciompi, violn; Benar Heifetz, cello; Arthur Balsam, piano 1961 ALEXANDER SCHNEIDER AND FRIENDS Alexander Schneider, violin; Ruth Laredo, piano; Walter Trampler, viola, Leslie Parnas, cello 1973 Alexander Schneider, violin; Walter Trampler, viola; Laurence Lesser, cello; Lee Luvisi, piano 1980 ALEXANDER STRING QUARTET Eric Pritchard, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1988 Ge-Fang Yang, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 1994 Zakarias Grafilo, violin; Frederick Lifsitz, violin; Paul Yarbrough, viola; Sandy Wilson, cello 2006 ALMA TRIO Andor Toth, violin; Gabor Rejto, cello; Adolph Baller, piano 1967 Andor Toth, violin; Gabor Rejto, cello; William Corbett Jones, piano 1970 ALTENBERG TRIO Claus-Christian Schuster, piano; Amiram Ganz, -
String Quartets Dmitri Shostakovich
Rezension für: Andreas Willwohl Dmitri Shostakovich: The Complete String Quartets Dmitri Shostakovich 5CD aud 21.411 schallplattenmann.de 04.04.2011 (Sal Pichireddu - 2011.04.04) Dmitri Shostakovich / Mandelring Quartett "Complete String Quartets" Dmitri Shostakovich / Mandelring Quartett Full review text restrained for copyright reasons. theartsdesk.com Saturday, 30 April 2011 (Graham Rickson - 2011.04.30) Classical CDs Weekly: Górecki, Haydn, Shostakovich, Second Viennese School Shostakovich: Complete String Quartets Mandelring Quartet (Audite) These are wonderful performances. The Mandelring Quartet don’t overplay the savagery and shocks - their approach is lyrical, sane and effortlessly musical. They can deploy the big guns when necessary – the second movement of the 10th quartet is a good example – but they always care about the line, the musical argument. You’re not lectured or shouted at, but drawn in. Shostakovich’s quartets plot an interesting trajectory, from the superficially lightweight First of 1938 to the death-haunted 15th completed in 1974. The last works have their profoundly depressing moments, but these players accentuate the glimpses of light – the powerful, defiant major coda to the 12th or the radiant harmonic language of the 14th. There’s a body and lack of shrillness to the string sound – helped by nicely nourished viola and cello tone, so that the more aggressive climaxes don’t sound like offcuts from Bernard Hermann’s Psycho soundtrack. It’s hard to single out the highlights, but both the Fifth and Sixth quartets with their blend of desperation, wistfulness and hard-earned joy nearly reduced me to tears. I was gripped as these players moved from the Third quartet’s jaunty Fawlty Towers-style opening to far darker, more probing territory. -
95.3 FM 7:00 Pm the STORIES BEHIND LIEDER Short and Lyrical, Melancholy and Bright, Timeless and Per- Petually Timely
N March/April 2020 Volume 48, No. 3 95.3 FM 7:00 pm THE STORIES BEHIND LIEDER Short and lyrical, melancholy and bright, timeless and per- petually timely. This feature focuses on the stories behind lieder, which have carved a unique niche in classical music cannon by WHRB bridging the gap between poetry and music. Here, we explore how lieder developed as an art form, focusing specifically on how the inspirations, travails, and stories of each composer 95.3 FM inspired their work to create this flourishing genre of music. Introduction to Lieder Von Wolkenstein: Wach auff mein hort; New London Consort, Sunday, March 1 Pickett (Oiseau-Lyre) 7:00 am BLUES HANGOVER Senfl: Songs; Binkley, Studio der frühen Musik (Telefunken) 11:00 am MEMORIAL CHURCH SERVICE Wolf: Mignon 1; Lott, Parsons (Chandos) Mahler: Selbstgefühl (from Lieder und Gesänge aus der Jugen- Preacher: The Rev. Ian Oliver, Senior Associate Chaplain for dzeit); Fischer-Dieskau, Bernstein (Sony) Protestant Life & Pastor of the University Church in Yale; Lec- Schubert: “Die Forelle,” D. 550; Bonney, Ax (Sony) turer, Yale Divinity School. Anthem: Messe en cantiques. Guest Schubert: “An Sylvia,” D. 891; Schwarzkopf, Fischer (EMI) director: Pedro Memelsdorff, Christoph Wolff Distinguished 7:30 pm SPECIAL CONCERT Visiting Scholar. 12:30 pm CRIMSON SPORTSTALK The Devil’s Interval. The dissonant augmented fourth, also 1:30 pm AS WE KNOW IT known as a tritone, was a musical taboo for centuries. Explore 2:30 pm SUNDAY SERENADE romantic, baroque, and modern works that employ the devil’s 6:00 pm HISTORIC PERFORMANCES interval to create tension, atmosphere, and nerve. -
Friday Playlist
January 17, 2020: (Full-page version) Close Window “Without craftsmanship, inspiration is a mere reed shaken in the wind.” —Johannes Brahms Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Rameau Suite ~ Abaris Orchestra of 18th Century/Bruggen Philips 420 240 028942024021 Awake! 00:34 Buy Now! Mascagni Intermezzo ~ Cavalleria rusticana National Philharmonic/Gavazzeni Decca 475 8087 028947580850 00:39 Buy Now! Rachmaninoff The Isle of the Dead, Op. 29 Royal Concertgebouw/Ashkenazy Decca 410 124 028941012425 01:01 Buy Now! Strauss Jr. Overture ~ The Gypsy Baron Berlin Philharmonic/Karajan EMI 74764 724357476423 Dies irae and Tuba mirum ~ Grande 01:10 Buy Now! Gossec Swiss Radio Choir & Orch/Fasolis Naxos 8.558180 636943818022 Messe des morts (Requiem) Orchestral Suite No. 1 in D minor, Op. 01:19 Buy Now! Tchaikovsky USSR Symphony/Svetlanov Melodiya 278825/26 3149023388256 43 02:02 Buy Now! Hiller Piano Sonata No. 3 in G minor, Op. 78 Adrian Ruiz Genesis 116/117 009414811622 02:16 Buy Now! Mendelssohn String Quartet in E flat, Op. 44 No. 3 Melos Quartet DG 415 883 028941588326 02:48 Buy Now! Ravel Daphnis et Chloe: Suite No. 1 Vienna Philharmonic/Maazel RCA 68600 090266860029 Harpsichord Concerto No. 5 in F minor, 03:01 Buy Now! Bach Pinnock/English Concert Archiv 415 992 028941599223 BWV 1056 Piano Sonata No. 29 in B flat, Op. 106 N/A - Comp. Beeth. 03:12 Buy Now! Beethoven Alfred Brendel Philips 412 577 "Hammerklavier" Sonatas 03:59 Buy Now! Dopper Symphony No. 7 Netherlands Radio Symphony/Bakels NM Classics 92060 8713309920604 04:35 Buy Now! Dvorak Carnival Overture, Op.