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A Tribute to Hans-Karl Piltz Marina Thibeault Viola with David Gillham Violin Eric Wilson Cello Jasper Wood Violin
Wednesday Noon Hours UBC SCHOOL OF MUSIC A Tribute to Hans-Karl Piltz Marina Thibeault viola with David Gillham violin Eric Wilson cello Jasper Wood violin Duo in B-flat major for violin and viola, K. 424 W.A. Mozart i. Adagio-Allegro (1756-1791) ii. Andante cantabile iii. Tema con variazioni David Gillham violin Marina Thibeault viola Lullaby and Grotesque for viola and cello Rebecca Clarke i. Lullaby (1886-1979) ii. Grotesque Marina Thibeault viola Eric Wilson cello Three Madrigals Bohuslav Martinů i. Poco allegro - Poco vivo (1890-1959) ii. Poco andante - Andante moderato iii. Allegro - Moderato Jasper Wood violin Marina Thibeault viola Composed: Mozart (1783); Clarke (1916); Martinů (1947) # We acknowledge that the University of British Columbia is situated on the traditional, ancestral, and unceded territory of the Musqueam people. Hans-Karl Piltz (1923–2020) Professor Hans-Karl Piltz was a talented violist and teacher who helped shape the School of Music as it evolved from a small Bachelor of Arts program in the late 1950s to the large and thriving School it is today. He was 96 years old when he passed away this April. Prof. Piltz loved teaching, and in 1959 joined the UBC Department of Music — as the School of Music was then known. As Professor of Viola, he mentored several generations of strings musicians who have gone on to long and successful careers in orchestras and as soloists in North America, Europe, and all over the world. He founded and directed the UBC Symphony Orchestra from 1959–1970 and also helped found the Vancouver Society for Early Music — now known as Early Music Vancouver — in 1969. -
CHAMBER Contents
CHAMBER Contents Page a1 3 a2 31 a3 53 a4 60 a5 80 a6+ 89 Supplementary Performances On Period Instruments 103 Classic & Historic Performances 114 a1 The symbol denotes a signpost navigating the user to related content elsewhere in the Edition. Keys are indicated thus: Symphony in C = C major · Sonata in c = C minor 2 CD 1 73.52 Nannerl Notenbuch (excerpts) 16 Minuet in C K15f 1.02 1 Andante in C (No.53) K1a 0.17 17 Fantasia (Prelude) in G K15g 0.59 2 Allegro in C (No.54) K1b 0.14 18 Contredanse in F K15h 1.00 3 Allegro in F (No.55) K1c 0.48 19 Minuet/Minore in A/a K15i/k 2.04 4 Minuet in F (No.56) K1d 1.14 20 Contredanse in A K15l 1.06 5 Minuet in G (No.62) K1e 21 Minuet in F K15m 1.11 Minuet in C (No.63) K1f 1.57 22 Andante in C K15n 2.34 6 Minuet in F (No.58) K2 0.54 23 Andante in D K15o 2.05 7 Allegro in B (No.59) K3 0.57 24 Movement for a Sonata in g K15p (Movement 1?) 3.05 8 Minuet in F b(No.49) K4 1.16 25 Andante in B K15q (Movement 2?) 3.18 9 Minuet in F (No.61) K5 1.06 26 Andante in g bK15r (Movement 3?) 1.31 10 Allegro in C (No.20) K9a 3.10 27 Rondo in C K15s 0.37 Erik Smith harpsichord 28 Movement for a Sonata in F K15t 2.18 CD 10: alternative versions from Nannerl Notenbuch 29 Sicilianos in c K15u 1.45 CD 174: K9b fragment · CD 177: K9b completion 30 Movement for a Sonata in F K15v 2.30 31 Allemande in B K15w 2.18 London Sketchbook b Chamber a1 32 Movement for a Sonata in F K15x 0.54 11 Allegretto in F K15a 1.38 33 Minuet in G K15y 0.54 12 Andantino in C K15b 1.03 34 Gigue in c K15z 2.08 CD 194: K15b first version 35 Movement -
Saturday Playlist
February 16, 2019: (Full-page version) Close Window “To achieve great things, two things are needed; a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Awake! 00:01 Buy Now! Kreisler Beautiful Rosemary Bell/Coker Decca 000278302 028947561750 00:03 Buy Now! Kreisler Liebesfreud (Love's Joy) Bell/Coker Decca 000278302 028947561750 00:08 Buy Now! Beethoven String Trio in C minor, Op. 9 No. 3 Mutter/Giuranna/Rostropovich DG 427 687 028942768727 Love Music from Acts 2 & 3 ~ Tristan and 00:33 Buy Now! Wagner Philadelphia Orchestra/Stokowski EMI 75480 724357548021 Isolde 01:00 Buy Now! Tchaikovsky Six French Songs, Op. 65 Radulovich/Bryant Navona 6171 n/a 01:16 Buy Now! Chopin Piano Concerto No. 2 in F minor, Op. 21 Arrau/London Philharmonic/Inbal Decca 478 0108 028947801085 01:51 Buy Now! Barber Adagio for Strings, Op. 11 Scottish Chamber Orchestra/Saraste Virgin Classics 730756 5099973075622 12 Variations in G on a French Song, K. 02:00 Buy Now! Mozart Perlman/Barenboim DG 419 215 028941921529 359 We observe Black History Month 02:16 Buy Now! Still Miniatures for Oboe, Flute and Piano Sierra Winds Cambria 1083 021475108329 at TheClassicalStation 02:29 Buy Now! Saint-Saëns Violin Concerto No. 2 in C, Op. 58 Wan/Montreal Symphony/Nagano Analekta 8770 n/a 03:01 Buy Now! Mendelssohn String Quartet in D, Op. 44 No. 1 Melos Quartet DG 415 883 028941588326 03:27 Buy Now! Corigliano The Red Violin Caprices for solo violin Caroline Goulding Telarc 80744 n/a Schwabe/Royal Northern 03:38 Buy Now! Schumann Cello Concerto in A minor, Op. -
Sur Le Nom Du Compositeur)
FR - Répertoire des œuvres jouées depuis le début du festival en 1958 (Clic sur le nom du compositeur) NL - Repertoire van de uitgevoerde werken sinds de oprichting van het festival in 1958 (klik op de naam van de componist) EN - Repertoire of the works performed since the foundation of the festival in 1958 (click on the composer’s name) DE - Repertoire der Werke, die beim Festival seit seiner Gründung im Jahr 1958 aufgeführt wurden (Klicken Sie auf den Namen des Komponisten) A B ABEL, Karl Friedrich ALBRECHTSBERGER, Johann ARENSKY, Anton BACARISSE, Salvador BACH, Johann Sebastian Georg ABLONIZ, Miguel ALKAN, Charles Valentin ARRIAGA, Juan Criostomo de BACH, Carl Philipp Emmanuel BACH, Wilhelm Friedemann ABSIL, Jean ALLEGRI, Gregorio ASSAD, Sergio BACH, Johann BAERMANN, Carl ADLER DE OLIVEIRA, Judith AMELLER, André BACH, Johann Bernhard BALAKIREV, Mily AGER, Klaus. ANONYME BACH, Johann Christoph BARBER, Samuel ALBENIZ, Isaac. ANDRIESSEN, Hendrik BACH, Johann Christoph BARBIER, René Friedrich ALBENIZ, Mateo ARAUJO, Juan de BACH, Johann Ludwig BARTHOLOMÉE, Pierre ALBICASTRO, Henrico ARNE, Thomas Augustine BACH, Johann Michael BARTOK, Bela ALBINONI, Tomaso ARBAN, Jean-Baptiste BACH, Johann Christian BARTSCH, Charles C BAX, Arnold BODIN DE BOISMORTIER, BOVICELLI, Giovanni Battista BUSONI, Ferruccio CABANILLES, Juan de Joseph BEETHOVEN, Ludwig van BOEHM, Georg BOYCE, William BUXTEHUDE, Dieterich CACCINI, Francesca BENNET, John BOESMANS, Philippe BOYD, Anne BYRD William CAIX D’HERVELOIS, Louis BERG, Alban BOGAR, Istvan BOZZA, Eugène CALDARA, Antonio BERIO, Luciano BOIELDIEU, François-Adrien BRADE, William CAMPRA, André BERLIOZ, Hector BOLOGNINI, Ennio BRAHMS, Johannes CAPLET André BERNIER, René BORODINE, Alexandre BRIDGE, Frank CARISSIMI, Giacomo BERTALI, Antonio BOULANGER, Lili BRITTEN, Benjamin CASTEDERE, Jacques BIBER, Heinrich Ignaz Franz BOULANGER, Nadia BROTONS, Salvador CASTELLO, Dario von BIZET, Georges BOULEZ, Pierre BRUCH, Max CASTIL-BLAZE, François H. -
WORLD YOUTH SYMPHONY ORCHESTRA Andreas Delfs, Conductor
99th Program of the 88th Season Interlochen, Michigan * WORLD YOUTH SYMPHONY ORCHESTRA Andreas Delfs, conductor with guest soloist James Ehnes, violin Sunday, July 19, 2015 8:00pm, Kresge Auditorium 7:00pm pre-concert talk Violin Concerto, Op. 14 .................................................................................... Samuel Barber Allegro (1910-1981) Andante Presto in moto perpetuo James Ehnes, violin Also sprach Zarathustra, Op. 30 .................................................................... Richard Strauss Einleitung, oder Sonnenaufgang (Introduction, or Sunrise) (1864-1949) Von den Hinterweltlern (Of Those in Backwaters) Von der großen Sehnsucht (Of the Great Longing) Von den Freuden und Leidenschaften (Of Joys and Passions) Das Grablied (The Song of the Grave) Von der Wissenschaft (Of Science and Learning) Der Genesende (The Convalescent) Das Tanzlied (The Dance Song) Nachtwandlerlied (Song of the Night Wanderer) The audience is requested to remain seated during the playing of the Interlochen Theme and to refrain from applause upon its completion. * * * PROGRAM NOTES Samuel Barber, Violin Concerto, Op. 14 In comparison to his colleagues Aaron Copland, Leonard Bernstein, and George Gershwin, American composer Samuel Barber’s unique compositional voice may be the most cosmopolitan. His sophisticated Romanticism has a universal quality that is related to the European tradition and yet remains distinctly American. Perhaps this is why his soaring lyricism, rhythmic complexity, and harmonic language appealed to early–and mid–20th- century luminaries such as Fritz Reiner, Arturo Toscanini, Vladimir Horowitz, and Dimitri Mitropoulos. He achieved success early in his career, writing his first opera at age 10, and, at 14, entering Philadelphia’s Curtis Institute of Music, where he excelled in composition, piano, and voice. At 18, he won the Joseph H. -
Formal Devices of Trance and House Music: Breakdowns
FORMAL DEVICES OF TRANCE AND HOUSE MUSIC: BREAKDOWNS, BUILDUPS AND ANTHEMS Devin Iler, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: David B. Schwarz, Major Professor Thomas Sovik, Minor Professor Ana Alonso-Minutti, Committee Member Lynn Eustis, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Iler, Devin. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. Master of Music (Music Theory), December 2011, 121 pp., 53 examples, reference list, 41 titles. Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music. Copyright 2011 by Devin Iler ii TABLE OF CONTENTS Page LIST OF EXAMPLES……………………………………………………………………iv CHAPTER 1—INTRODUCTION……………………………………………………......1 Definition of Terms/Theoretical Background…………………………………......1 A Brief Historical Context………………………………………………………...6 CHAPTER 2— TYPICAL BUILDUP FEATURES……………………………………...9 Snare Rolls and Bass Hits…………………………………………………………9 Bass + Snare + High Hat Leads and Rest Measures……………………………..24 CHAPTER 3— BUILDUPS WITHOUT TYPICAL FEATURES……………………...45 Synth Sweeps…………………………………………………………………….45 -
Mys Music Inventory:Master List
Update: 9/30/10 Minnesota Youth Symphonies – Music Library *Indicates Strings only 1 Availability of pieces in the library changes frequently. New works are added so this list may not be complete. Call the MYS office at 651-699-5811 for further information. Composer Arranger Title Publisher Accolay Schill, editor Concerto No. 1 Schirmer Strings Albinoni, Ricor Giazotto, Remo Adagio in G minor* Giazotto Strings Anderson, Leroy A Christmas Festival Warner Bros. (Mills) Full/Holiday Anderson, Leroy Custer, Calvin Leroy Anderson Favorites Belwin/Mills Full/Pop Anderson, Leroy Promenade Belwin/Mills Full Anderson, Leroy Sleigh Ride Full/Holiday Avison, Charles Isaac, Merle Concerto in E Minor, mvt 3* Etling Strings Bach, J.C. Dackow Sinfonia in D Major, Op. 18, No. 1* Ludwig Strings Bach, J.S. Clark, Tom Bach Suite Schirmer Full Bach, J.S. Isaac, Merle Brandenburg Concerto No. 2, First Movement Highland/Etling Strings Bach, J.S. Brandenburg Concerto no. 3 in G major Kalmus Bach, J.S. Soldan, editor Brandenburg Concerto No. 3* C.F. Peters Strings Bach, J.S. Schlu Brandenburg Concerto No. 3, 1. Satz Noetzel Edition Brass Ensemble Bach, J.S. Isaac, Merle Brandenburg Concerto No. 3, mvt 1&2 (Abridged)* Highland/Etling Strings Bach, J.S. Brandenburg Concerto No. 4 Kalmus Piano only Bach, J.S. Leidig, Vernon Brandenburg Concerto No. 4* First Movement Highland/Etling Strings Bach, J.S. Jasinski, Mark Brandenburg Concerto No. 4, mvt 3* Highland/Etling Strings Bach, J.S. Soldan, editor Brandenburg Concerto No. 5* C.F. Peters Strings + Flute Bach, J.S. Isaac, Merle Brandenburg Sinfonia (Abridged) Highland/Etling Full Bach, J.S. -
SAMUEL BARBER the Nashville Symphony Is Grateful for Adagio for Strings Support from Violins of Hope Nashville Project Donors
GUERRERO CONDUCTS THE VIOLINS of HOPE CLASSICAL SERIES THURSDAY, MARCH 22, AT 7 PM | FRIDAY & SATURDAY, MARCH 23 & 24, AT 8 PM NASHVILLE SYMPHONY GIANCARLO GUERRERO, conductor CLASSICAL SERIES JUN IWASAKI, violin JONATHAN BISS, piano PRESENTING PARTNER JOHN WILLIAMS Three Pieces from Schindler’s List Theme from Schindler’s List Jewish Town Remembrances WITH SUPPORT FROM: Jun Iwasaki, violin ROBERT SCHUMANN Concerto in A Minor for Piano and Orchestra, Op. 54 Allegro affettuoso Intermezzo: Andantino grazioso Allegro vivace Jonathan Biss, piano - INTERMISSION- JONATHAN LESHNOFF Jonathan Leshnoff's Symphony No. 4 Symphony No. 4, “Heichalos” is made possible in part by a Creation Part 1: Fast: H Binah Project Grant from Metro Arts and an Art Works grant from the National Part 2: Slow Endowment for the Arts. World Premiere | Nashville Symphony Commission SAMUEL BARBER The Nashville Symphony is grateful for Adagio for Strings support from Violins of Hope Nashville project donors. This concert will last approximately two hours, including intermission. This concert is being recorded live for a forthcoming release on Naxos. To ensure the highest-quality recording, please keep noise to a minimum. TONIGHT’S CONCERT AT A GLANCE This concert is part of Violins of Hope Nashville, a citywide collaboration exploring music, art, social justice and free expression. Learn more at ViolinsofHopeNashville.org. JOHN WILLIAMS Three Pieces from Schindler’s List • Originally featured in Steven Spielberg’s 1993 film, these three selections from the score are representative of key themes from the movie, which tells the story of Oskar Schindler, the German industrialist who saved more than 1,000 Jews during the Holocaust. -
Program Trio in C Major, No
Long Theater * Stockton, California * March 31, 1979 * 8:00 p.m. FRIENDS OF CHAMBER MUSIC in cooperation with UNIVERSITY OF THE PACIFIC, and SAN JOAQUIN DELTA COLLEGE present Bruno Canino, piano Cesare Ferraresi, violin Rocco Filippini, cello PROGRAM TRIO IN C MAJOR, NO. 43 (HOBOKEN XV NO. 27) • (Franz) Joseph Haydn (1732 - 1809) Allegro Andante Finale (Presto) TRIO IN A MINOR (1915) . ... Maurice Ravel Modere (1875 - 1937) Pantoum (Assez vif) Passacaille (Tres large) Final (Anime) INTERMISSION TRIO IN B FLAT MAJOR, OPe 97 •• ..... Ludwig ("The Archduke") van Beethoven Allegro moderado (1770 - 1827) Scherzo (Allegro) Andante cantabile, rna pero con moto (Variations) Allegro moderato - Presto Trio di Milano is represented by Mariedi Anders Artists Manage ment, Inc., 535 El Camino Del Mar, San Francisco, California. The TRIO DI MILANO, composed of three noted and talented musicians, was formed in the spring of 1968. Engaged by the most important Italian musical societies to play at Milan, Torino, Venice, Rome, Florence, Pisa, Genoa, and Padua, the Trio has also performed in Germany, Switzerland, Spain, Portugal and the United States and has been acclaimed with enthu siasm and exceptional success everywhere. CESARE FERRARESI was born at Ferrara in 1918, took his degree for violin at the Verdi Conservatorio of Milan, where he is now Principle Professor. Winner of the Paganini Prize and of the International Compe tition at Geneva, he has now for many years enjoyed an intensely full and busy career as a concert artist. Leader of the Radio Symphony Orchestra (RAI) at Milan and soloist of the "Virtuosi di Roma", he has played at the most important music festivals at Edinburgh, Venice, Vienna, and Salz burg and in the major musical centers of Europe, Japan, and the United States. -
Kenneth Woods- Repertoire
Kenneth Woods- Conductor Orchestral Repertoire Operatic repertoire follows below Adam, Adolpe: Giselle (complete ballet staged) Adams, John Violin Concerto Arnold, Malcolm: Serenade for Guitar and Strings Concerto for Guitar Scottish Dances Applebaum, Edward: Symphony No. 4 Bach, J.S.: St. John Passion St. Matthew Passion Christmas Oratorio Magnificat Cantata Wachet auf, ruft uns die Stimme BWV 140 Brandenberg Concerti, No.’s 1, 3, 4 and 5 Violin Concerti in A minor and E major Concerto for Two Violins Concerto for Violin and Oboe Orchestral Suite No. 2 in B minor Bacewicz, Grażyna Concerto for String Orchestra Barber, Samuel: Prayer of Kirkegarde Overture to “The School for Scandal” Adagio for Strings Violin Concerto Cello Concerto First Essay Medea’s Meditation and Dance of Vengeance Bartók, Bela: Divertimento for Strings Concerto for Orchestra Two Portraits Violin Concerto No. 2 Piano Concerti No.’s 2 and 3 Viola Concerto Miraculous Mandarin (Complete and Suite) Beethoven, Ludwig van: Symphonies No.’s 1-9 Mass in C Major Overtures: Coriolan, Leonore 1, 2 and 3, Fidelio, Egmont, Creatures of Prometheus, King Stephen Incidental Music to “Egmont” Piano Concerti No.’s 1-5 Kenneth Woods- conductor www.kennethwoods.net Violin Concerto Triple Concerto String Quartet in F minor op. 95, “Serioso,” arr. Gustav Mahler Leonore Overture No. 3 arr. Gustav Mahler Berg, Alban: Three Orchestra Pieces Kammerkonzert Violin Concerto Berio, Luciano: Folk Songs Serenata I for Flute and 14 Intruments Berlioz, Hector: Harold in Italy Symphonie Fantastique Damnation of Faust Overtures: Benvenuto Cellini, Roman Carnival, Corsaire, Beatrice and Benedict Te Deum Bernstein, Leonard: Overture to Candide Symphonic Dances from West Side Story Symphony No. -
March/April 2014 Volume 42, No. 3
N N March/April 2014 Volume 42, No. 3 N 95.3 N Zelenka: Capriccio No. 1; Camerata Bern (DG Archiv) Glazounov: String Quartet No. 7 in C, Op 107; Shostakovich WHRB Program Guide Quartet (Melodiya) Mozart: Symphony No. 31 in D, K. 297 (300a), “Paris”; March-April, 2014 Gardiner, English Baroque Soloists (Philips) Copland: Sonata for Violin and Piano; Shaham, Previn (DG) 6:00 pm LATIN AMERICAN CLASSICAL MUSIC Chávez: Symphony No. 6; Chávez, National Symphony 95.3 FM Orchestra of Mexico (CBS LP) de Zumaya: Celebren Publiquen; Jennings, Chanticleer, Chanticleer Sinfonia (Teldec) Moncayo: Huapango; Chávez, National Symphony Orchestra of Saturday, March 1 Mexico (Decca LP) 7:00 pm SPECIAL CONCERT 5:00 am BLUES HANGOVER Haydn: Symphony No. 6 in C, “Il Distratto”; Blum, Esterhazy 9:00 am HILLBILLY AT HARVARD Orchestra (Vanguard) 11:50 am PRELUDE TO THE MET Schubert: Piano Sonata in B-flat, D. 960; Schnabel (HMV 78’s noon METROPOLITAN OPERA rec. 1939 – Arabesque) Borodin: Prince Igor; Oksana Dyka, Anita Haydn, M.: Symphony No. 22 in D, P. 42; Farberman, Rachvelishvili, Sergey Semishkur, Ildar Abdrazakov, Michael Bournemouth Sinfonietta (Vox) Petrenko, Stefan Kocán, Gianandrea Noseda conducting. Schubert: Violin Sonata in A, D. 574; Kagan, Richter (1985 4:30 pm POST-MET VOCAL PROGRAM (time approx.) concert; Live Classics) 6:45 pm HARVARD HOCKEY Mahler: Symphony No. 1 in D, “Titan”; Horenstein, Vienna Harvard at Cornell. Symphony Orchestra (Vox) 9:20 pm THE DARKER SIDE (time approx.) 10:00 pm RECORD HOSPITAL Sunday, March 2 Tuesday, March 4 7:00 am BLUES HANGOVER 5:00 am JAZZ SPECTRUM 11:00 am MEMORIAL CHURCH SERVICE 1:00 pm AFTERNOON CONCERT Preacher: Jonathan L. -
Program Notes
Home delivery plus 2021 SeRIeS Lift Ev’ry Voice SPHINX VIRTUOSI PREMIERING FRI, APR 2, 8pm (ET) STREAMING ON DEMAND THROUGH THU, APR 8, 11:59pm (ET) PROGRAM: Lift ev’Ry voice A note on the program from the Sphinx Organization: Sphinx Virtuosi “As a social justice organization, we seek to Rubén Rengel, violin empower the essential voices of artists and Jannina Norpoth, violin leaders who shape the vibrant landscape of Dana Kelley, viola our field. America is home to artists of diverse Thomas Mesa, cello backgrounds, born in this country, inspired by its Christopher Johnson, bass ideals, and those whose journeys have brought them here in search of knowledge, refuge, or a Xavier Foley: Ev’ry Voice home. Each of them experiences life from their divergent perspectives and unique voices. In Coleridge-Taylor Perkinson: Sinfonietta No. 1 this program, we pay tribute to quintessentially American classical music in hopes to augment Andrea Casarrubios: SEVEN and evolve our collective perspectives. This music Samuel Barber: Adagio for Strings paints pictures of America as it was throughout history, as well as its essence today. Through Antonín Dvoˇrák: Finale from String Quartet our music, we aspire to be the messengers No. 12 in F Major, Op. 96 (“American”) of inspiration, remembrance, light and hope. Together with you, our audiences, we hope to create an unforgettable journey. Together with our audiences, we lift every voice.” More Info, Series Sales, and Donations: WashingtonPerformingArts.org 1 Program notes Xavier Foley: Ev’ry Voice and visionary artist, he was a composer, conductor, This work is an homage and pays tribute to the Black educator, mentor, role model, and a pioneer.