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K E W E N I G
K E W E N I G Sean Scully “Four Days” 4 September to 7 November 2015 Opening on 4 September from 6 to 9 pm; the artist will be present. Opening hours: Monday to Saturday from 10 am to 6 pm “Four Days” is the first solo exhibition of the internationally acclaimed artist Sean Scully (b. in Dublin in 1945) at Kewenig in Berlin. New oil paintings by the Irish-American artist will be on view, as well as a selection of works on paper and one sculpture. Among the pieces executed especially for Berlin is the four-part painting Four Days after which the exhibition was named, Landline Blue, and an impressive triptych titled Arles-Abend-Vincent 2 – all works dating from 2015. Sean Scully is one of the most prominent contemporary exponents of abstract painting. He stands for an absolute, non-figurative style decisively distinguished by color. Pictorial compositions consisting of grid-like blocks or beam-like stripes are characteristic of his œuvre, as is the haptic quality resulting from the forceful brushstroke and impasto application of the paint and accounting for the works’ strong physical presence. Rather than simple canvas, the artist prefers to paint on higher-quality materials such as linen or aluminum, which lend the surfaces greater suppleness and heighten the radiance of the colors. Assembled from squares, rectangles and stripes, Scully’s motifs are based on basic geometric elements that are brought to life, however, by intense emotional impetus and the energy-charged painting manner. In their rectilinear structure and abstraction, his compositions thus exhibit not only conceptual stringency and order but also a high degree of emotionality. -
The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
A Historical Retrospect of the Nazi Party and Its Leaders," (Set No, I, Set of Fourty)
A historical retrospect of the Nazi Party and its leaders," (Set No, I, set of fourty) 1. November 9th 1923, the Nazi Party with Hitler as its leader felt strong enough to kick the Bavarian G-overnement out of its sad- dle. The marching Nazis when reaching the Odeonsplatz in Munich, were odered to stop. After ignoring the order tostop, they were fired upon and a total of 16 men were killed by machinegun fire. The Nazi Party thereafter was declared as illegal and was forbidden by law. Hitler himself, as the head and leader of the party was cobvicted to spend five years in jail. 2. The"BLOODFLAG", under which the first 16 Nazi victims were killed on November 9th 1923 on the Odeonsplatz at Munich* Later on this flag only was shown to the public when political events of im- portant nature took place. More or less, this flag was considered as a symbol of the party. 3. Hitler in his cell during imprisonment 1924 at Landsberg/Lech The party which had been forbidden, went underground so it couldn't be controlled by governement officials. Fin^llythe Bavarian governe- ment decided to set Hitler free because of J~oo much dangerous un- derground activities of the illegal Nazi party. 4. Adolf Hitler after becoming chancellor of the state, visiting the prison cell at Landsberg/Lech, where he spent nearly ten months. 5. Hitler, holding a speech in Munich on the stairs of the fa- mous " FELDHERRNHALLE ", eleven years after the first 16 members of his party were killed. -
Orientierung Deutsch
DIE PINAKOTHEKEN IM KUNSTAREAL MÜNCHEN Schelling- ORIENTIERUNG straße Bus 154 Bus 154 U H H Universität Arcisstraße H 7/28 2 6 DEUTSCH m U a / 3 NEUE Tr Heßstraße PINAKOTHEK U e ß e MUSEUM REICH a U2 ß r a t e DER KRISTALLE Bus 100 r s t ß n s a e Theresienstraße g i U H H H i l w a sstr i Pinakotheken MUSEUM d m c u A BRANDHORST L Ar TÜRKENTOR e ALTE ß ra PINAKOTHEK PINAKOTHEK t DER MODERNE Gabelsbergerstraße r S re H a e B Bus 100 ß 00 1 ra ÄGYPTISCHES s st LENBACH- n MUSEUM Karolinen- Bu e HAUS platz k H r ü GLYPTOTHEK T NS-DOKU- U U Königsplatz ZENTRUM Brienner S traße H KUNSTBAU STAATL. GRAPH. Odeonsplatz SAMMLUNG 00 STAATLICHE 1 s ANTIKEN- Bu SAMMLUNGEN U4/U5 6 U / 3 U Alter B otanischer 7/28 ALTE PINAKOTHEK Garten 2 m a Täglich außer MO 10.00–18.00 | DI 10.00–20.00 www.pinakothek.de/alte-pinakothek Tr NEUE PINAKOTHEK H S U S U S1–S8 Täglich außer DI 10.00–18.00S U H | MI 10.00–20.00Karlsplatz (Stachus) Marienplatz www.pinakothek.de/neue-pinakothekS1–S8 Hauptbahnhof DB PINAKOTHEK DER MODERNEU2 Täglich außer MO 10.00–18.00 | DO 10.00–20.00 www.pinakothek.de/pinakothek-der-moderne MUSEUM BRANDHORST Täglich außer MO 10.00–18.00 | DO 10.00–20.00 www.museum-brandhorst.de SAMMLUNG SCHACK MI–SO 10.00–18.00 | Jeden 1. und 3. -
Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
Aubrey Cox Professor Marcuse Hist 133A November 14, 2018 Source
Aubrey Cox Professor Marcuse Hist 133A November 14, 2018 Source exploration "Mass Rally in Front of Feldherrnhalle [Field Marshal's Hall] in Munich - Adolf Hitler in the Crowd (August 2, 1914)." GHDI - Image. Accessed November 01, 2018. http://germanhistorydocs.ghi-dc.org/sub_image.cfm?image_id=3736. This source exploration investigates the photograph that supposedly shows Adolf Hitler among a crowd to hear the declaration of war against Russia that sparked the beginning of World War I. Mass Rally in Front of Feldherrnhalle [Field Marshals’ Hall] in Munich – Adolf Hitler in the Crowd. (August 2, 1914). The photograph of a large crowd gathered on the Odeonsplatz, taken 2 by Heinrich Hoffmann, shows Hitler celebrating the start of World War I. The photo is copyrighted Bildarchiv Preußischer Kulturbesitz/ Heinrich Hoffmann. "Heinrich Hoffmann (photographer)." Wikipedia. September 26, 2018. Accessed November 01, 2018. https://en.wikipedia.org/wiki/Heinrich_Hoffmann_(photographer). The Photographer to capture such a historic photograph was a man by the name of Heinrich Hoffmann. Hoffmann (b. 12 Sept. 1885- 15 Dec. 1957) was a photographer and a publicist who published his works in the Nazi party’s weekly magazine the illustrierter Beobachter. Hoffmann trained for years under various photographers learning many aspects of the trade. He met Adolf Hitler in 1919. Hoffmann would later become Hitler’s personal photographer, the only photographer allowed to photograph him and thus a major player in Nazi propaganda. This famous photograph was published on March 12, 1932; just before Hitler’s election to Reich President according to the welt.de article cited further below Google scholar search with terms “Heinrich Hoffmann”, “Odeonsplatz”, and “Hitler” returned the result of the book titled “Germans into Nazis”. -
NEWS RELEASE Press Preview: Tues., May 24 9
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 CONTACT: Katie Ziglar Anne Diamonstein (202) 8*?-6353 Press Preview: Tues., May 24 9:00 a.m. - 2:00 p.m. OLD MASTER PAINTINGS FROM MUNICH ON VIEW IN WASHINGTON Washington, D.C., May 4, 1988 - Sixty-two European masterworks from one of the most distinguished public collections in Europe are featured in an exhibition opening at the National Gallery of Art on May ?9, 1988. Masterworks from Munich: Sixteenth- to Eighteenth- Century Paintings from the Alte Pinakothek is the first major showing in this country of works of art from the renowned Bavarian art museum. Masterworks from Munich highlights examples of all the major schools of baroque painting within the wider context of the style's 16th-century antecedents and 18th-century evolution into the rococo. Included in the exhibition are Rubens' The Rape of the Daughters of Leucippus, Rembrandt's Risen Christ, Titian's Vanity, El Greco's The Disrobing of Christ, and Fragonard's Girl with a Dog as well as important works by Guardi, Tintoretto, Brueghel, Van Dyck, Ruisdael, Elsheimer, Murillo, Velazouez, Poussin, and Boucher. masterworks from Munich ... page two "An extraordinary loan has made this exhibition possible," said J. Carter Brown, director of the National Gallery. "The Alte Pinakothek has been extremely generous in offering works by old masters from its collection illustrating its wealth of northern and southern baroque painting. The quality level is superb. The American public is in for a rare treat." The collection was started by members of the ruling Wittelsbach family, Duke Wilhelm IV of Bavaria (ruled 1508-1550) and his wife Jacobaea of Baden, and augmented by subsequent family members, including Maximilian I (ruled 1597-1651), a passionate collector of Durers, and Max Emanuel (ruled 1679-1726). -
Orientation English
ALL PINAKOTHEK MUSEUMS IN THE KUNSTAREAL MÜNCHEN ORIENTATION Schelling- straße Bus 154 Bus 154 U H H Universität Arcisstraße H 7/28 2 ENGLISH 6 m U a / 3 NEUE Tr Heßstraße PINAKOKTHE U e ß e a U2 ß r a Pinakotheken t Bus 100 r s t n s e Theresienstraße g i U H H H i l w a MUSEUM d ALTE m u A PINAKOTHEK BRANDHORST L TÜRKENTOR e ß e a ß PINAKOTHEK DER r a t r S t MODERNE s r s e Gabelsbergerstraße i H r e c a ß 100 B Ar Bus a 0 r t 10 s PALAIS en LENBACH- s s Karolinen- k PINAKOTHEK Bu r HAUS platz ü GLYPTOTHEK H T U U Königsplatz Brienner Straße H KUNSTBAU STAATLICHE Odeonsplatz ANTIKENSAMMLUNGEN 6 U ALTE PINAKOTHEK / 3 Daily except MON 10.00–18.00 | TUE 10.00–20.00 8 U /2 www.pinakothek.de/en/alte-pinakothekAlter B otanischer 7 Garten 2 m a NEUE PINAKOTHEK Tr 8 U Daily except TUE 10.00–18.00 | WED 10.00–20.00 S1–S S Marienplatz www.pinakothek.de/en/neue-pinakothek H S S U H PINAKOTHEK DER MODERNE Karlsplatz (Stachus) S1–S8 Hauptbahnhof DB Daily except MON 10.00–18.00 | THU 10.00–20.00 www.pinakothek.de/en/pinakothek-der-moderne U2 MUSEUM BRANDHORST Daily except MON 10.00–18.00 | THU 10.00–20.00 www.museum-brandhorst.de/en SAMMLUNG SCHACK WED–SUN 10.00–18.00 | Every 1st und 3rd WED in a month 10.00–20.00 www.pinakothek.de/en/sammlung-schack DEAR VISITORS, ALTE PINAKOTHEK We wish you a pleasant visit to the Alte Pinakothek. -
PDF EN Für Web Ganz
MUNICH MOZART´S STAY The life and work of Wolfgang Amadeus Mozart is closely connected to Munich, a centre of the German music patronage. Two of his most famous works Mozart composed in the residence city of Munich: On the 13th January, 1775 the premiere from „La finta giardinera “took place, on the 29th January, 1781 the opera "Idomeneo" was launched at Cuvilliés Theater. Already during his first trip at the age of six years Wolfgang played together with his sister Nannerl for Elector Maximilian Joseph III. The second visit followed a year later, in June, 1763. From Munich the Mozart family started to their three year European journey to Paris and London. On the way back from this triumphal journey they stopped in Munich again and Mozart gave concerts at the Emperors court. Main focus of the next trip to Munich (1774 – in 1775) was the premiere of the opera "La finta giardiniera" at the Salvatortheater. In 1777 when Wolfgang and his mother were on the way to Paris Munich was destination again and they stayed 14 days in the Isar city. Unfortunately, at that time Wolfgang aspired in vain to and permanent employment. Idomeneo, an opera which Mozart had composed by order of Elector Karl Theodor, was performed in Munich for the first time at the glamorous rococo theatre in the Munich palace, the Cuvilliés Theater. With pleasure he would have remained in Munich, however, there was, unfortunately, none „vacatur “for him again. In 1790 Mozart came for the last time to Munich on his trip to the coronation of Leopold II in Frankfurt. -
Ludwigstrasse 8, Munich, Bayern, Germany
Ludwigstrasse 8, Munich, Bayern, Germany View this office online at: https://www.newofficeeurope.com/details/serviced-offices-ludwigstrasse-8-mu nich-bayern This is a premier business and conference centre at a prestigious Munich address. This classical building has been fully renovated to provide a high quality office environment, with 24 modern offices available. All offices are fully furnished, and equipped with individual air conditioning and heating, wireless and broadband internet, VOIP phones and electronic key system. Additionally there are three conference rooms of different sizes available, which are equipped with state of the art technology and catering services can be provided if necessary. There are also excellent administration and secretarial services provided by the on site team of multilingual professionals, who will be able to help support your business through telephone answering, welcoming visitors and other secretarial support. Transport links Nearest tube: Odeonsplatz Nearest railway station: München-Hauptbahnhof Nearest road: Odeonsplatz Nearest airport: Odeonsplatz Key features 24 hour access Access to multiple centres nation-wide Administrative support AV equipment Bike racks Board room Business park setting Car parking spaces Carpets Cat 6 networking or higher Caterer services available Central heating Close to railway station Comfortable lounge Company signage Conference rooms Conference rooms Dry cleaning service Flexible contracts Furnished workspaces High-speed internet High-speed internet (dedicated) Hot desking IT support -
MUSEEN UND AUSSTELLUNGSHÄUSER 01 Alte
26 Schellingstraße 15 Augustenstraße Luisenstraße Theresienstraße Schellingstraße Arcisstraße 20 8 Augustenstraße Barer Straße Gabelsbergerstraße Universität U3, U6 31 Luisenstraße Türkenstraße > Theresienstraße 31 1 Arcisstraße 27 6 7 Gabelsbergerstraße 30 30 Stiglmaierplatz 10 2 17 U1, U7 31 Barer Straße 13 11 Brienner Straße 14 Luisenstraße 3 4 28 Türkenstraße Brienner Straße Gabelsbergerstraße 27 19 24 23 Amalienstraße Königsplatz 31 U2 Arcisstraße Oskar-von-Miller-Ring 9 Barer Straße Augustenstraße Königsplatz Brienner Straße 4 12 5 Türkenstraße 16 Karolinenplatz Karlstraße 18 Luisenstraße 21 25 Brienner Straße Max-Joseph-Straße Oskar-von-Miller-Ring Katharina-von-Bora-Straße Hauptbahnhof Karlstraße U1, U2, U4, U5, U7 29 Brienner Straße � Barer Straße Ottostraße Karlsplatz (Stachus) Odeonsplatz U4, U5 22 Maximiliansplatz U3, U4, U5, U6 � > Elisenstraße Maximiliansplatz Einbahnstraße Deutsche Bahn U-Bahn-Station S-Bahn-Station Trambahnhaltestellen der Linien 27 und 28 Bushaltestellen der Linien 100 und 154 MUSEEN UND AUSSTELLUNGSHÄUSER KULTURELLE EINRICHTUNGEN HOCHSCHULEN KUNST � KULTUR � WISSEN = ERLEBNIS3 01 Alte Pinakothek 15 AkademieGalerie 26 Akademie der Bildenden Künste München Was ist das Kunstareal München? Barer Straße 27, 80333 München Zwischengeschoss der U-Bahn-Station Universität Akademiestraße 2–4, 80799 München (Ausgang Akademiestraße) Das Kunstareal München liegt direkt im Herzen von München und ist 02 Geologisches Museum München 27 Hochschule für Musik und Theater München mit seinen Museen und Hochschulen einer der wichtigsten Kultur- Luisenstraße 37, 80333 München 16 Amerikahaus München Arcisstraße 12, 80333 München (Hauptgebäude) standorte Europas. Auf einer Fläche von 500 � 500 Metern – mitten Karolinenplatz 3, 80333 München Standort Luisenstraße 37a, 80333 München im lebendigen Stadtbezirk Maxvorstadt – trifft der Besucher auf eine 03 Glyptothek einmalige Verbindung von Kunst, Kultur und Wissen. -
München Erkunden
PREISE FÜR BEFAHRENE ZONEN IN € Fares for your zones in € S-Bahn, U-Bahn und Regionalzug im MVV www.mvv-muenchen.de - - - - - - Tramnetz München Suburban trains, underground and regional trains in MVV network Partner im Münchner Verkehrs- und Tarifverbund Munich tram network - - - - - Partner im - - - - RE 1 Ingolstadt, Nürnberg | RB 16 Ingolstadt, Treuchtlingen, Nürnberg RE 2 Landshut, Regensburg, Hof | RE 3 Landshut, Passau | RE 25 Landshut, Regensburg, Prag | RE 50 Landshut, Regensburg, Nürnberg | RB 33 Landshut RE 22 Landshut, Regensburg - - - S1 Freising / RB 33 - - Flughafen (Airport) S8 Flughafen (Airport) Freising Marzling Langenbach Moosburg - Feldmoching Altomünster Petershausen 23 Garching- U2 Forschungszentrum Pulling Schwabing Nord Kleinberghofen Unterföhring U6 16 1737 Vierkirchen- EINZELFAHRT ErwachseneSingle St. Emmeram Erdweg Esterhofen Lohhof Eching Neufahrn 3,303,40 3,303,40 3,303,40 5,005,10 6,606,80 8,308,50 10,209,90 11,5011,90 12,9013,60 Domagkstr. Fröttmaning Singlesingle Trip trip Ticketticket Single (Adult)Adult Arnbach Besucherpark Flughafen München Anni-Albers-Str. Unterschleißheim Munich Airport Fritz-Meyer-Weg RE 22 Single U2 Markt Indersdorf Röhrmoos U6 TAGESKARTE Olympia- Am Münchner Tor Hallbergmoos 7,90 7,90 7,90 9,00 9,70 10,80 12,00 13,20 14,20 U3 Einkaufszentrum Olympiazentrum 27 Garching-Forschungszentrum Daily Ticket Single (Adult) Moosach (Bf.) U3 U3 U8 Regina-Ullmann-Str. München Niederroth Schwabinger Tor Oberschleißheim S2 U1 U8 Petuelring Althegnenberg Garching Erding Hugo-Troendle-Str. Schwab- gültig ab Kauf bis 6 Uhr des Folgetages Gruppe (2-5 Pers.) Petershausen 20 Pelkovenstr. U7 hausen Hebertshausen 12 Scheidplatz Parzivalpl. Taimerhofstr. Haspelmoor Garching-Hochbrück valid until 6 a.m.