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Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2012 Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Rosen, R. M. (2012). Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart. Retrieved from https://repository.upenn.edu/classics_papers/33 Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/social_research/summary/v079/ 79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. Reprinted with permission by The Johns Hopkins University Press. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/33 For more information, please contact [email protected]. Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Keywords Satire, Aristophanes, Lenny Bruce, Jon Stewart Disciplines Arts and Humanities | Classics Comments Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/ social_research/summary/v079/79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. -
Legendary Bonkerz Comedy Club to Open at the Plaza Hotel & Casino
FOR IMMEDIATE RELEASE: April 11, 2013 MEDIA CONTACTS: Amy E. S. Maier, B&P PR, 702-372-9919, [email protected] Legendary Bonkerz Comedy Club to open at the Plaza Hotel & Casino on April 18 Tweet it: Get ready to laugh as @BonkerzComedy Club brings its hilarious comedians to entertain audiences @Plazalasvegas starting April 18 LAS VEGAS – The Plaza Hotel & Casino will be the new home of the historic Bonkerz comedy club and its cadre of comedy acts beginning April 18. Bonkerz Comedy Productions opened its doors in 1984 and has more than two dozen locations nationwide. As one of the nation’s longest-running comedy clubs, Bonkerz has been the site for national TV specials on Showtime, Comedy Central, MTV, Fox and “America´s Funniest People.” Many of today’s hottest comedians have taken their turn on the Bonkerz Comedy Club stage, including Larry The Cable Guy, Carrot Top, SNL co-star Darrell Hammond and Billy Gardell, star of the CBS hit sitcom “Mike and Molly.” Bonkerz owner Joe Sanfelippo has a long history of successful comic casting and currently consults with NBC’s “America’s Got Talent.” “Bonkerz has always had an outstanding reputation for attracting top-tier comedians and entertaining audiences,” said Michael Pergolini, general manager of the Plaza Hotel and Casino. “As we continue to expand our entertainment offerings, we are proud to welcome Bonkerz to the comedy club at the Zbar and know its acts will keep our guests laughing out loud.” “I am extremely excited to bring the Bonkerz brand to an iconic location like the Plaza,” added Bonkerz owner Joe Sanfelippo. -
I'kaai Party Where the Two Families Meet "Ft "Copsand CONSULT OUR LISTINGS for LAST MINUTE Tv Coiwuum Mc
14-T- HE CAROLINA TIMES SAT., JULY 28, 1979 ; REFLECTIONS SWORD OF JUSTICE The n 0 - CJ BASEBALL Atlanta Braveava . woundedJackColerelleeonHec- Houston Astros tor to finish the lob of proving that O WILD KINGDOM a corrupt police commissioner w: 7:00 and the mob that 'owns' him were THIEVES LIKE US for of an N FOOTBALL responsible the slaying O 60 Tampa Bay Buccaneers va Wa- honest cop. (Repeat; mina.) A backwoods MOVIE -- fugitive and young, shington Redskins HBO (SUSPENSE) girl fall in love in Mississippi during MASTERPIECE THEATRE 'I. "Capricorn One" Elliott Gould, O Karen Black. A stumbles the Depression, in 'Thieves Like Claudius' 'Reign of Terror' Tiber- reporter Us,' directed by Robert Altman ius' haathe onto the acoop of the century-man'- s palace guard emperor to Mars and Keith Carradine (pic- cut off from the outside first space flight starring totally 15 tured) and Shelley Ouvall, premier-in- g world - at Sejanus' order. So how wasahoaxl(RatedPG)(2hra., on television Aug. 4, on 'The can Antonia possibly warn mins.) CBS 10:30 Saturday Night Movies.' RESURRECTION mins.) O GOSPEL Based on the Edward Anderson GD BLACK REFLECTIONS novel that also inspired the earlier N FOOTBALL SOAP FACTORY 11:00 'They Live By Night,' the movie 8 tells the love of Bowie n LAWRENCE WELK SHOW OOOOnews tragic story CJ HEE HAW Conway Twltty. gd odd couple who has HIGH (Carradine), escaped Dave and Sugar, Grandpa, CI 12 O'CLOCK from a prison work farm, and Ramona and Aliaa Jones. (60 CJ SECOND CITY TV Keechie (Miss Duvall), the mins.) V 11:15 uneducated young innocent he CJ M SEARCH OF OO ABC NEWS meets. -
TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, BA Sport
Chura 1 DIGITAL BRAND MANAGEMENT STRATEGY: TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, B.A. Sport Management, B.A. Fine Arts Submitted to the Graduate Faculty of Department of Strategic Communication Bob Schieffer School of Communication Texas Christian University in partial fulfillment of the requirements for the degree of Master’s of Science May 2016 Chura 2 Project Advisors: Jong-Hyuok Jung, Ph.D. Assistant Professor of Strategic Communication Wendy Macias, Ph.D. Associate Professor of Strategic Communication Catherine Coleman, Associate Professor of Strategic Communication Chura 3 TABLE OF CONTENTS 1. Introduction……………………………………………………………………………p.4 2. Situation Analysis……………………………………………………………………...p.6 3. Literature Review………………………………………………………….…………p.10 4. Method…………………………………………………………………….…………..p.16 5. Results…………………………………………………………...…………………….p.20 6. Implications…………………………………………………...………………………p.29 7. Limitations and Future Research……………………………………………………p.33 8. Reference……………………………………………………………………….……..p.35 9. Appendix………………………………………………………………………………p.37 Chura 4 INTRODUCTION Digital media threatens the profits of the entrainment industry. The variety of options offered by digital platforms such as Netflix, Hulu, and YouTube introduces new competitors to physical entertainment venues, such as comedy clubs. IBIS World Report suggests that the comedy club industry generates $315.1 million annually in the United States. However, while the industry itself is growing, digital entertainment venues (e.g., Netflix, Hulu, Vimeo, and YouTube) threaten the future of physical stand-up clubs (Edwards, 2015). This potential substitute has left stand-up comedy clubs, like the Texas Improv Comedy Clubs, questioning if they can maintain their brand identity, while potentially leveraging new media to their advantage. Overview In 1963, the Improvisation Comedy Club, or Improv, started in New York City by Budd Friedman as a venue for Broadway performers to relax after their shows. -
Chapter 5. Process As Improv
CHAPTER 5 PROCESS AS IMPROV . we may know all there is to know about how texts work and how readers read, and we still may create documents that fail to communicate effectively. – Thomas Kent (“Paralogic” 149) Joke-writing is my thing, it’s like a passion. What it is, is basically: you have an idea, you write it as hard as you can, but at the end of the day, it’s like you gotta get it on stage. And it’s not a joke until a crowd laughs at it. – Dave Attell (“Friday,” Bumping Mics with Jeff Ross and Dave Attell) If you’ve ever been in the room when a seasoned stand-up is trying out new jokes, you have viscerally felt the composing processes by which stand up is forged. I once saw comedian Rob Delaney perform at Cincinnati’s Taft Theatre. I thought he was supposed to be in the main theatre—the regal, expansive, theatrical stage—but he wasn’t. Instead, he performed in the theatre’s basement. I was never clear on why the change was made—perhaps it had to do with the number of seats sold, perhaps Delaney himself chose the closer quarters of the basement with its lowered ceilings and rows of ragged chairs to get the feel of an intimate dingy comedy club. Regardless, the ad-hoc nature of this performance space seemed to encourage him to do what he did at the end of his well-crafted, essentially scripted show. He tried new jokes. And they didn’t really work—ba- sically, they bombed. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
I STAYED up with JERRY September 1987 by Bill Barol I'm No
I STAYED UP WITH JERRY September 1987 by Bill Barol I’m no lawyer, but: Copyright in this unedited version of a story published in Newsweek, September 21, 1987, almost cer- tainly rests with Newsweek. This version is reprinted here by permission, which I will certainly get around to securing as soon as I can, and registered with the Writers Guild of America, January 2008. LAS VEGAS' Septembet 6, 5:50 Pl4PD!: rhrs year r a's ]-n r ^-..: ^ r ^l^^- n-., years past, the slogans of the Jerr y IJEWI> LICI.IJTJ L LJO,Y ' ' Telethon for Muscular Dystrophy are q | . r, Up With Jerry and Watch the Stars Come Out'' and "Miss a Little and You Miss a Lot.,- AII right, then. This year I intend to stay up with Jerry through the telethon' s entir e 2L and a half hours, missing not one minute. My p1an, a kind of Vegas anthropology, is to study the telethon from close up, considering it as a very particular kind of show business phenomenon. It's not my intention to make light of the cause, which is deadly serious; the Muscular Dystrophy Assoc.ation, which is beyond reproach; or the telethon's fundraising record-a staggering s404 nrillion over 22 years. It s the show itself r m fascinateC with. Mix pathos and bathos, fold in the cloying clubbiness of old-time show b:-z, add a few stars and a bunch of hacks and retreads, season with fatigue over a cruelly extended period and you have the telethon-a one-of-a-kind show business event, the kind of event that could only happen right here in Las Vegas. -
Max Hawksford Sag-Aftra
MAX HAWKSFORD SAG-AFTRA Eyes: Blue Hair: Brown Suit: 38L Shoe: 10.5 Height: 6'3” Pant: 30 x 33 TELEVISION The Laura Show Guest-Star The Bold and The Beautiful Amazon Prime Co-Star CBS FILM Catching Faith Supporting Netflix (starring Bill Engvall) Festival Circuit: multiple wins GAME Supporting (starring Rick Fox) Post Production Lead King Of The Court INTERNET/NEW MEDIA Jake and Amir: Lonely and Horny Guest Star College Humor/Vimeo Survival Jobs Series Reg Post Production SKETCH/THEATRE Upright Citizens Brigade Solo Performance Best of Not Too Shabby Upright Citizens Brigade Solo Performance Best of The Inner Sanctum Upright Citizens Brigade Solo Performance One Man Show: Sketch Slam Winner (2 x’s) The Nerdist Solo Performance Clowns, Idiots, Characters The Pack Solo Performance The Scramble UW-Whitewater Lead A Student Affair COMMERCIALS Conflicts available upon request. TRAINING The Groundlings Theatre (performance track) Writing Lab Deanna Oliver The Groundlings Theatre Basic, Intermediate, Advanced Holly Mandel, Jay Lay, Cathy Shambley Upright Citizens Brigade Improv: 101-401 Deb Tarica, Jessica Eason, others. Upright Citizens Brigade Sketch: 101, 201, 301 Rachael Mason, Eric Scott Upright Citizens Brigade Character: 101, 201 Hal Rudnick, Christine Bullen Lesly Kahn Triage, Intensive, Clinic,On-Going Lesly Kahn, Angelique Cabral, others. Anthony Meindl Foundations, On-Going Anthony Meindl, Nina Rausch Scott Sedita (acting for sitcoms) Intensive, Sitcom Tech, On-Going Tony Rago, Scott Sedita Wet The Hippo (clowning, physical comedy) -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
American Comedy Institute Student, Faculty, and Alumni News
American Comedy Institute Student, Faculty, and Alumni News Michelle Buteau played Private Robinson in Fox’s Enlisted. She has performed on Comedy Central’s Premium Blend, Totally Biased with W.Kamau Bell, The Late Late Show with Craig Ferguson, Lopez Tonight and Last Comic Standing. She has appeared in Key and Peele and @Midnight. Michelle is a series regular on VH1’s Best Week Ever, MTV’s Walk of Shame, Oxygen Network’s Kiss and Tell, and was Jenny McCarthy’s sidekick on her late-night talk show Jenny. Craig Todaro (One Year Program alum) Craig performed in American Comedy Institute’s 25th Anniversary Show where he was selected by Gotham Comedy Club owner Chris Mazzilli to appear on Gotham Comedy Live. Craig is now a pro regular at Gotham Comedy Club where he recently appeared in Gotham Comedy All Stars. Yannis Pappas (One Year Program alum) Yannis recently appeared in his first Comedy Central Half Hour special. He has been featured on Gotham Comedy Live, VH1's Best Week Ever and CBS. He is currently the co-anchor of Fusion Live, a one-hour news magazine program on Fusion Network, which focuses on current events, pop culture and satire. He tours the world doing stand up comedy and is known for his immensely popular characters Mr. Panos and Maurica. Along with Director Jesse Scaturro, he is the co-founder of the comedy production company Ditch Films. Jessica Kirson is a touring national headliner. She recently made her film debut in Nick Cannon’s Cliques with Jim Breuer and George Lopez. -
Download the 2010 Press
April 6-11, 2010 2010 a comedy odyssey PRODUCED BY FESTIVAL SPONSOR THE 2010 WINNIPEG COMEDY FESTIVAL - AN ODYSSEY NINE YEARS IN THE MAKING. February 22, 2010 (Winnipeg) – It’s nearly that time of year again, when dozens of comics from across the nation hold the city hostage with big laughs and side-splitting mirth. Running April 6-11, 2010, it’s our biggest festival yet, featuring 70 comics and 29 shows in six short nights. What makes this festival so big? Let’s start at the beginning. Tuesday, April 6th we launch the festival with a bang by hosting the Trevor Boris DVD Release/Homecoming 2010 show. When Winnipeg’s favourite farmboy-turned-Much Music-host Trevor Boris announced his intentions to return home to launch his new DVD with Warner Brothers, we decided to join forces and create a show celebrating Trevor and other fine Manitoba ex-pats Irwin Barker and Bruce Clark, as well as current Winnipeggers Al Rae and Chantel Marostica. Wednesday marks our eighth year of the fantastic Opening Night show with the Manitoba Lotteries, hosted this year by none other than the prodigal son, Trevor Boris! The show has swollen from the traditional four to six talented performers; Greg Morton, Derek Edwards, Arthur Simeon, Scott Faulconbridge and Karen O’Keefe. Next comes four nights of galas, including five recorded-for-broadcast CBC galas. We kick off on Thursday with the Edumacation Show, hosted by Gerry Dee and featuring half a dozen cerebral comics including David Hemstad and Jon Dore. Friday night we’ve got two fantastic galas. -
Property Fact Sheet
PROPERTY FACT SHEET Updated for February 2020 Image Statement: Viva La Tropicana– a DoubleTree by Hilton. TROPICANA LAS VEGAS FACTS Overview: Tropicana Las Vegas ® – a DoubleTree by Hilton is a Penn National Gaming Resort Casino located on the south end of the Las Vegas Strip just minutes from the McCarran International airport, major convention centers and top entertainment stadiums including the T-Mobile Arena. With a unique South Beach vibe, the hotel features rooms, suites and luxury villas, a fresh redesign of the 50,000-square-foot casino, several award-winning restaurants including Robert Irvine’s Public House, Glow®, a Mandara Spa and fitness center. In addition to the lush Tropicana Pool, there are first-class entertainment acts that include: Legends in Concert, Purple Reign: The Prince Tribute Show, the world-famous Laugh Factory comedy club, featuring Murray the Magician and Rich Little. Tropicana Las Vegas ® – a DoubleTree by Hilton is not affiliated with any other Tropicana property of brand. Guest Rooms: 1,470 guest rooms, suites, and villas PARADISE TOWER CLUB TOWER BUNGALOWS (NEAR CASINO, DINING, ENTERTAINMENT) (NEAR CONFERENCE CENTER, (NEAR POOL, DINING, PARKING) SPA) VILLAS Sky Villas Pool Villas SUITES Presidential Suite Grand Palm Suites Chairman Suite Spa Suites Penthouse Lofts Club Suites Paradise Suites w/Strip View ROOMS Deluxe City/View Deluxe Plus Deluxe w/Garden View Paradise Deluxe Club Deluxe Balconies Deluxe w/Balconies Bungalow Deluxe Rooms Each best-in-class room is styled in a sunset palette of warm shades and appointed custom-designed furnishings, plantation shutters, a sleek chaise lounge or workspace desk, and a king or two queen-size ultra-plush Euro Top Serta Perfect Sleeper mattresses.