The Capitalist Ventriloquist
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Gone Girl : a Novel / Gillian Flynn
ALSO BY GILLIAN FLYNN Dark Places Sharp Objects This author is available for select readings and lectures. To inquire about a possible appearance, please contact the Random House Speakers Bureau at [email protected] or (212) 572-2013. http://www.rhspeakers.com/ This book is a work of ction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used ctitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Copyright © 2012 by Gillian Flynn Excerpt from “Dark Places” copyright © 2009 by Gillian Flynn Excerpt from “Sharp Objects” copyright © 2006 by Gillian Flynn All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com CROWN and the Crown colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Flynn, Gillian, 1971– Gone girl : a novel / Gillian Flynn. p. cm. 1. Husbands—Fiction. 2. Married people—Fiction. 3. Wives—Crimes against—Fiction. I. Title. PS3606.L935G66 2012 813’.6—dc23 2011041525 eISBN: 978-0-307-58838-8 JACKET DESIGN BY DARREN HAGGAR JACKET PHOTOGRAPH BY BERND OTT v3.1_r5 To Brett: light of my life, senior and Flynn: light of my life, junior Love is the world’s innite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnicent rose smelling faintly of blood. -
Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2012 Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Rosen, R. M. (2012). Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart. Retrieved from https://repository.upenn.edu/classics_papers/33 Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/social_research/summary/v079/ 79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. Reprinted with permission by The Johns Hopkins University Press. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/33 For more information, please contact [email protected]. Efficacy and Meaning in Ancient and Modernolitical P Satire: Aristophanes, Lenny Bruce, and Jon Stewart Keywords Satire, Aristophanes, Lenny Bruce, Jon Stewart Disciplines Arts and Humanities | Classics Comments Rosen, Ralph M. "Efficacy and Meaning in Ancient and Modern Political Satire: Aristophanes, Lenny Bruce, and Jon Stewart." Social Research 79.1 (Spring 2012): 1-32. http://muse.jhu.edu/journals/ social_research/summary/v079/79.1.rosen.html Copyright © 2012 The Johns Hopkins University Press. This article first appeared in Social Research: An International Quarterly, Volume 79, Issue 1, Spring, 2012, pages 1-32. -
Legendary Bonkerz Comedy Club to Open at the Plaza Hotel & Casino
FOR IMMEDIATE RELEASE: April 11, 2013 MEDIA CONTACTS: Amy E. S. Maier, B&P PR, 702-372-9919, [email protected] Legendary Bonkerz Comedy Club to open at the Plaza Hotel & Casino on April 18 Tweet it: Get ready to laugh as @BonkerzComedy Club brings its hilarious comedians to entertain audiences @Plazalasvegas starting April 18 LAS VEGAS – The Plaza Hotel & Casino will be the new home of the historic Bonkerz comedy club and its cadre of comedy acts beginning April 18. Bonkerz Comedy Productions opened its doors in 1984 and has more than two dozen locations nationwide. As one of the nation’s longest-running comedy clubs, Bonkerz has been the site for national TV specials on Showtime, Comedy Central, MTV, Fox and “America´s Funniest People.” Many of today’s hottest comedians have taken their turn on the Bonkerz Comedy Club stage, including Larry The Cable Guy, Carrot Top, SNL co-star Darrell Hammond and Billy Gardell, star of the CBS hit sitcom “Mike and Molly.” Bonkerz owner Joe Sanfelippo has a long history of successful comic casting and currently consults with NBC’s “America’s Got Talent.” “Bonkerz has always had an outstanding reputation for attracting top-tier comedians and entertaining audiences,” said Michael Pergolini, general manager of the Plaza Hotel and Casino. “As we continue to expand our entertainment offerings, we are proud to welcome Bonkerz to the comedy club at the Zbar and know its acts will keep our guests laughing out loud.” “I am extremely excited to bring the Bonkerz brand to an iconic location like the Plaza,” added Bonkerz owner Joe Sanfelippo. -
TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, BA Sport
Chura 1 DIGITAL BRAND MANAGEMENT STRATEGY: TEXAS IMPROV COMEDY CLUBS by Hannah Kaitlyn Chura, B.A. Sport Management, B.A. Fine Arts Submitted to the Graduate Faculty of Department of Strategic Communication Bob Schieffer School of Communication Texas Christian University in partial fulfillment of the requirements for the degree of Master’s of Science May 2016 Chura 2 Project Advisors: Jong-Hyuok Jung, Ph.D. Assistant Professor of Strategic Communication Wendy Macias, Ph.D. Associate Professor of Strategic Communication Catherine Coleman, Associate Professor of Strategic Communication Chura 3 TABLE OF CONTENTS 1. Introduction……………………………………………………………………………p.4 2. Situation Analysis……………………………………………………………………...p.6 3. Literature Review………………………………………………………….…………p.10 4. Method…………………………………………………………………….…………..p.16 5. Results…………………………………………………………...…………………….p.20 6. Implications…………………………………………………...………………………p.29 7. Limitations and Future Research……………………………………………………p.33 8. Reference……………………………………………………………………….……..p.35 9. Appendix………………………………………………………………………………p.37 Chura 4 INTRODUCTION Digital media threatens the profits of the entrainment industry. The variety of options offered by digital platforms such as Netflix, Hulu, and YouTube introduces new competitors to physical entertainment venues, such as comedy clubs. IBIS World Report suggests that the comedy club industry generates $315.1 million annually in the United States. However, while the industry itself is growing, digital entertainment venues (e.g., Netflix, Hulu, Vimeo, and YouTube) threaten the future of physical stand-up clubs (Edwards, 2015). This potential substitute has left stand-up comedy clubs, like the Texas Improv Comedy Clubs, questioning if they can maintain their brand identity, while potentially leveraging new media to their advantage. Overview In 1963, the Improvisation Comedy Club, or Improv, started in New York City by Budd Friedman as a venue for Broadway performers to relax after their shows. -
Chapter 5. Process As Improv
CHAPTER 5 PROCESS AS IMPROV . we may know all there is to know about how texts work and how readers read, and we still may create documents that fail to communicate effectively. – Thomas Kent (“Paralogic” 149) Joke-writing is my thing, it’s like a passion. What it is, is basically: you have an idea, you write it as hard as you can, but at the end of the day, it’s like you gotta get it on stage. And it’s not a joke until a crowd laughs at it. – Dave Attell (“Friday,” Bumping Mics with Jeff Ross and Dave Attell) If you’ve ever been in the room when a seasoned stand-up is trying out new jokes, you have viscerally felt the composing processes by which stand up is forged. I once saw comedian Rob Delaney perform at Cincinnati’s Taft Theatre. I thought he was supposed to be in the main theatre—the regal, expansive, theatrical stage—but he wasn’t. Instead, he performed in the theatre’s basement. I was never clear on why the change was made—perhaps it had to do with the number of seats sold, perhaps Delaney himself chose the closer quarters of the basement with its lowered ceilings and rows of ragged chairs to get the feel of an intimate dingy comedy club. Regardless, the ad-hoc nature of this performance space seemed to encourage him to do what he did at the end of his well-crafted, essentially scripted show. He tried new jokes. And they didn’t really work—ba- sically, they bombed. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
BUSINESS 1964 Review 1965 Preview
DECEMBER 31, 1964 -JANUARY 9, 1965-ON SALE TWO WEEKS PRICE THIS ISSUE: 50 CENTS DOUBLE VALUE HOLIDAY ISSUE BUSINESS 1964 Review 1965 Preview The Yearend Awards1964 taw?. OP4PZ VIN1t)81A 1S3m Atlyfi N0130N18d A3xViv*V 1301N 3 413 S- 111111111t.t. "FANCY PANTS,"AL HIRT'S SWINGING NEW SINGLE SERVED UP IN HIS HONEY HORN STYLE Vw "STAR DUST." -8487 -0iiiCk VICIORCO- @The most trusted name in sound .110116_ grftil Illemene 3" 91101 Ammer, I1166 REVIEWOF THEWEEK Epic's GreatYear Victor Gets "Sound" cert dates in Spain,Italy, Ger- V.ctor Records landeda hotmany and Sweden. The taken and dosome more ix _ne last week, the sound ist wound up his pian-cording with them. Soif any of the upcoming track tour last Sat- film versionurday (19) witha concert inone knows where toreach th of Rodgers and Brussels. James Gang, callUnited Art Hammerstein's ists Records. Phone -The Sound OfMusic." The Garner is planninganother No. is Ci film stars JulieAndrews andtour of Europein late 1965 5-6000. (No gagsplease.) Christopher Plummer.The pic-or early 1966. Hemay tour Screen GemsStreak ture will be premieredin NewSouth Americaand Australia Screen Gems -ColumbiaMu York on March2,1965, andthe first half of1965. While insic is heading intothe home. later that monthwill open inEurope he recordedan albumstretch of 1964 intenton lead. cities throughoutthe land. live in Amsterdamwhich willing the parade ofBMI song As a Broadwaymusical "Thebe issued inEurope by Phil-award winners forthe year. Sound Of Music"sold over aips. American The firm, headedup by Don million copies, rights are not one of the rareyet sewed up.(Line formson Kirshner, has alreadyscored albums ever toreach this fig-the left, and the with a half dozentop ten songs ure. -
Max Hawksford Sag-Aftra
MAX HAWKSFORD SAG-AFTRA Eyes: Blue Hair: Brown Suit: 38L Shoe: 10.5 Height: 6'3” Pant: 30 x 33 TELEVISION The Laura Show Guest-Star The Bold and The Beautiful Amazon Prime Co-Star CBS FILM Catching Faith Supporting Netflix (starring Bill Engvall) Festival Circuit: multiple wins GAME Supporting (starring Rick Fox) Post Production Lead King Of The Court INTERNET/NEW MEDIA Jake and Amir: Lonely and Horny Guest Star College Humor/Vimeo Survival Jobs Series Reg Post Production SKETCH/THEATRE Upright Citizens Brigade Solo Performance Best of Not Too Shabby Upright Citizens Brigade Solo Performance Best of The Inner Sanctum Upright Citizens Brigade Solo Performance One Man Show: Sketch Slam Winner (2 x’s) The Nerdist Solo Performance Clowns, Idiots, Characters The Pack Solo Performance The Scramble UW-Whitewater Lead A Student Affair COMMERCIALS Conflicts available upon request. TRAINING The Groundlings Theatre (performance track) Writing Lab Deanna Oliver The Groundlings Theatre Basic, Intermediate, Advanced Holly Mandel, Jay Lay, Cathy Shambley Upright Citizens Brigade Improv: 101-401 Deb Tarica, Jessica Eason, others. Upright Citizens Brigade Sketch: 101, 201, 301 Rachael Mason, Eric Scott Upright Citizens Brigade Character: 101, 201 Hal Rudnick, Christine Bullen Lesly Kahn Triage, Intensive, Clinic,On-Going Lesly Kahn, Angelique Cabral, others. Anthony Meindl Foundations, On-Going Anthony Meindl, Nina Rausch Scott Sedita (acting for sitcoms) Intensive, Sitcom Tech, On-Going Tony Rago, Scott Sedita Wet The Hippo (clowning, physical comedy) -
Contentious Comedy
1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace. -
American Comedy Institute Student, Faculty, and Alumni News
American Comedy Institute Student, Faculty, and Alumni News Michelle Buteau played Private Robinson in Fox’s Enlisted. She has performed on Comedy Central’s Premium Blend, Totally Biased with W.Kamau Bell, The Late Late Show with Craig Ferguson, Lopez Tonight and Last Comic Standing. She has appeared in Key and Peele and @Midnight. Michelle is a series regular on VH1’s Best Week Ever, MTV’s Walk of Shame, Oxygen Network’s Kiss and Tell, and was Jenny McCarthy’s sidekick on her late-night talk show Jenny. Craig Todaro (One Year Program alum) Craig performed in American Comedy Institute’s 25th Anniversary Show where he was selected by Gotham Comedy Club owner Chris Mazzilli to appear on Gotham Comedy Live. Craig is now a pro regular at Gotham Comedy Club where he recently appeared in Gotham Comedy All Stars. Yannis Pappas (One Year Program alum) Yannis recently appeared in his first Comedy Central Half Hour special. He has been featured on Gotham Comedy Live, VH1's Best Week Ever and CBS. He is currently the co-anchor of Fusion Live, a one-hour news magazine program on Fusion Network, which focuses on current events, pop culture and satire. He tours the world doing stand up comedy and is known for his immensely popular characters Mr. Panos and Maurica. Along with Director Jesse Scaturro, he is the co-founder of the comedy production company Ditch Films. Jessica Kirson is a touring national headliner. She recently made her film debut in Nick Cannon’s Cliques with Jim Breuer and George Lopez. -
Lady in Waiting
Lady In Waiting DEVELOPING YOUR LOVE RELATIONSHIPS Lady In Waiting DEVELOPING YOUR LOVE RELATIONSHIPS DEBBY JONES AND JACKIE KENDALL © Copyright 1995—Destiny Image Publishers Second Edition 2002 All rights reserved. This book is protected by the copyright laws of the United States of America. This book may not be copied or reprinted for commercial gain or profit. The use of short quotations or occasional page copying for personal or group study is permitted and encouraged. Permission will be granted upon request. Unless otherwise identified, Scripture quotations are from the New American Standard Bible, © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977 by the Lockman Foundation. Used by permission. Scripture quotations marked (NIV) are from the Holy Bible, New International Version® NIV®. Copyright © 1973, 1978, 1984, by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Passages marked (Phillips) and (KJV) are taken from the New Testament in Modern English by J.B. Phillips and the King James Version, respectively. Please note that Destiny Image’s publishing style capitalizes certain pronouns in Scripture that refer to the Father, Son, and Holy Spirit, and may differ from some Bible publishers’ styles. Take note that the name satan and related names are not capitalized. We choose not to acknowledge him, even to the point of violating grammatical rules. Treasure House An Imprint of Destiny Image® Publishers, Inc. P.O. Box 310 Shippensburg, PA 17257-0310 “For where your treasure is, there will your heart be also.” Matthew 6:21 ISBN1-56043-848-7 For Worldwide Distribution Printed in the U.S.A. -
Download the 2010 Press
April 6-11, 2010 2010 a comedy odyssey PRODUCED BY FESTIVAL SPONSOR THE 2010 WINNIPEG COMEDY FESTIVAL - AN ODYSSEY NINE YEARS IN THE MAKING. February 22, 2010 (Winnipeg) – It’s nearly that time of year again, when dozens of comics from across the nation hold the city hostage with big laughs and side-splitting mirth. Running April 6-11, 2010, it’s our biggest festival yet, featuring 70 comics and 29 shows in six short nights. What makes this festival so big? Let’s start at the beginning. Tuesday, April 6th we launch the festival with a bang by hosting the Trevor Boris DVD Release/Homecoming 2010 show. When Winnipeg’s favourite farmboy-turned-Much Music-host Trevor Boris announced his intentions to return home to launch his new DVD with Warner Brothers, we decided to join forces and create a show celebrating Trevor and other fine Manitoba ex-pats Irwin Barker and Bruce Clark, as well as current Winnipeggers Al Rae and Chantel Marostica. Wednesday marks our eighth year of the fantastic Opening Night show with the Manitoba Lotteries, hosted this year by none other than the prodigal son, Trevor Boris! The show has swollen from the traditional four to six talented performers; Greg Morton, Derek Edwards, Arthur Simeon, Scott Faulconbridge and Karen O’Keefe. Next comes four nights of galas, including five recorded-for-broadcast CBC galas. We kick off on Thursday with the Edumacation Show, hosted by Gerry Dee and featuring half a dozen cerebral comics including David Hemstad and Jon Dore. Friday night we’ve got two fantastic galas.