Redefining the Gods
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
“Modernization” of Buddhist Statuary in the Meiji Period
140 The Buddha of Kamakura The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period Hiroyuki Suzuki, Tokyo Gakugei University Introduction During Japan’s revolutionary years in the latter half of the nineteenth century, in particular after the Meiji Restoration of 1868, people experienced a great change in the traditional values that had governed various aspects of their life during the Edo period (1603-1867). In their religious life, Buddhism lost its authority along with its economic basis because the Meiji government, propagating Shintoism, repeatedly ordered the proclamation of the separation of Shintoism and Buddhism after the Restoration. The proclamation brought about the anti-Buddhist movement haibutsu kishaku and the nationwide movement doomed Buddhist statuary to a fate it had never before met.1 However, a number of statues were fortunately rescued from destruction and became recognized as sculptural works of Buddhist art in the late 1880s. This paper examines the change of viewpoints that occurred in the 1870s whereby the Buddha of Kamakura, a famous colossus of seated Amida (Amitâbha) from the mid-thirteenth century, was evaluated afresh by Western viewers; it also tries to detect the thresholds that marked the path toward a general acceptance of the idea that Buddhist statuary formed a genre of sculptural works in the fine arts during the Meiji period (1868-1912). Buddhist statuary in the 1870s It is widely known that the term bijutsu was coined in 1872, when the Meiji government translated the German words Kunstgewerbe (arts and crafts) and bildende Kunst (fine arts) in order to foster nationwide participation in the Vienna World Exposition of 1873. -
Faith and Power in Japanese Buddhist Art, 1600-2005
japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them. -
Evolving Cultural Landscape and Development of Modern Japan
IKEGAYA, MAKOTO, M.A. Geographic Study of Historic Preservation: Evolving Cultural Landscape and Development of Modern Japan. (2013) Directed by Dr. Susan M. Walcott. 131 pp. The development of new architectural styles, infrastructure and construction materials in the Meiji period (1868-1912 CE), is tied to the creation of a modern Japanese identity. Despite recent developments toward preserving important historic property in Japan, many lesser known historical and vernacular sites continue to be ignored and have been ruined over time. An academic study of historic preservation is rare in Japan and in geography. The main purpose of this research is to clarify the role of historic preservation and to identify it with the rise of Japanese nationalism, economic development, and construction of the built environment during the pivotal Meiji period. The natural setting and history of Japan was examined and strategic plans for potential improvement in the field of Japanese historic preservation in the future are illustrated using case studies of the preservation projects of the Ise Jingu, Horyu-ji, the Tomioka Silk Mill, the Tokyo Station, and the Meiji Mura. Keywords: Built environment, cultural landscape, historic preservation, Meiji-Japan, national identity GEOGRAPHIC STUDY OF HISTORIC PRESERVATION: EVOLVING CULTURAL LANDSCAPE AND DEVELOPMENT OF MODERN JAPAN by Makoto Ikegaya A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2013 Approved by Committee Chair APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
1 Church and State ( : Ritsuryo Saisei Itchi Kami
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Welcome to TRUSpace | TRUSpace 1 State Shinto and the Use of Shrines in Japanese Colonies By Cary S. Takagaki In the third month of 1868, the newly formed Meiji government announced its intention to return to the ritsuryo system of government that had been in place during the Nara and Heian periods. This was a system that held to the concept of unity between church and state (saisei itchi). Thus, the Jingikan, Office of (Shinto) Deities (often translated as Office of Kami Worship), was revived in that same month as one of seven departments in the Dajokan, the administrative organ of the state, and in an attempt to “purify” the tradition, a policy of separating Buddhism from Shinto (shinbutsu bunri-rei) was adopted.1 However, in July of 1869, the Jingikan was given the highest rank of all government offices, placing it above the Dajokan, and in the following year an Imperial Rescript on the Enshrinement of the Kami was issued, asserting that, along with various Shinto gods, all the emperors of Japan were to be worshiped as kami: Now that the imperial dignity has passed to Us, small and frail of form though we be, we are afraid both night and day that there will be some want in Our performance of the Imperial duties. We thereby enshrine with the Jingikan (The Office of Kami Worship), the kami of Heaven and Earth, together with the eight kami of Kamimusubi-no-kami, Takamimusubi-no-kami, Tamatsu-memusubi-no-kami, Ikumusubi-no-kami, Taramusubi-no-kami, Omiyame-no-kami, Miketsukami and Kotoshironushi-no-kami, and along with them, the souls of all past Emperors. -
Japanese Myths and Rituals
97 Association of the Sun and the Rice in Japanese Myths and Rituals Atsuhiko Yoshida Key words:myth, ritual, Shinto, Amaterasu, Izanagi, Mikuratananokami, Susanowo, Ukemochi, Tsukiyomi, Okuninushi, Hononinigi, Amenouzume, Toyouke, Tent6, Daij6sai, Ise, A Izumo, Takachiho, Tsushim3. Summary:The Sun-goddess Amaterasu, being the supreme deity of Shintδ, is closely associated also with the rice crop throughout the mythology as well as in her cult celebrated at the Inner and Outer Shrines of Ise. She even obviously shows some of the characteristic traits common to the rice deities of the East Asian rice cultivators. A similar tendency to connect a solar deity with the rice is found also in folk beliefs and lores all around Japan;one of the conspicuous examples being the Tent6 festival of the island of Tstlshima, in which a straw bag containing grains of a special kind of holy red rice is most solemnly reverenced as an incarnation of a solar deity. The most prominent figure of Japanese mythology is the resplendent Sun-goddess Amatera- su(Glorious-Shiner-of-Heaven). She is claimed to be the divine ancestress of the Imperial Family and to rule universe sovereignly and magnanimously from her realm, the Plain of High Heaven(Takamagahara), where eight millions of celestial deities submit themselves willingly to her command. According to one version of the myth, she is one of the three last born and noblest children of her divine father, Izanagi. This god was sent down in primor・ dial times from Heaven with his sister, the goddess Izanami, who became -
Slide 34. Ebisu Notebook
Ebisu Notebook. Slide 34, Condensed Visual Classroom Guide to Daikokuten Iconography in Japan. Copyright Mark Schumacher, 2017. In a PMJS posting (10/23/2015), Prof. Raji C. Steineck writes: “Sometime in the medieval period, Ebisu became associated with Izanagi and Izanami's abandoned child Hiruko. There seems to be a story that Hiruko spent time at the palace of the Dragon king, where he transformed into Ebisu. But the literature I've perused so far doesn't mention a source for that myth. Should any of you have come across a pertinent primary source, please do let me know. Ebisu Origins Ebisu Origins Ebisu Origins Bernhard Scheid (Vienna University) writes: One place to begin would be David B. Waterhouse (Toronto University.) writes: Ebisu was Iwai Hiroshi (Kokugakuin University) writes: The Ebisu Shinkō Jiten えびす信仰事典, 1999. I used it partly for my originally the tutelary god of the Nishinomiya Jinja in Settsu, and common practice of enshrining Daikoku and introductory article on Ebisu. There is also an informative online article by from Kamakura times was honoured as a protector of those Ebisu together was already observed from that Darren Ashmore, which contains a modern version of the Ebisu legend of who travel in boats. Worship of him spread to major shrines and period (late Muromachi); the practice originated Nishinomiya Shrine (stronghold of Ebisu worship) in a long footnote. to Buddhist monasteries as well; and through a series of in the fact that the main object of worship identifications he came to be worshipped also by military men. (saijin 祭神) at the Nishinomiya Shrine was It seems quite clear that most Ebisu lore including the Hiruko connection One of these identifications involved the Shintō god Ōkuninushi- Ebisu Saburō, a figure who, however, was can be traced back to the Nishinomiya Shrine probably in the late Heian no-mikoto… who was taken to be ultimately the same as simultaneously identified with Ōkuninushi no period. -
地質調査研究報告/Bulletin of the Geological Survey of Japan
BulletinPaired of the Sulfur Geological Isotopic Survey Belts: of Japan, Late Cretaceous-Paleogene vol.53 (5/6), p.461 - 477, Ore 2002 Deposits of Southwest Japan (Ishihara and Sasaki) Paired Sulfur Isotopic Belts: Late Cretaceous-Paleogene Ore Deposits of Southwest Japan Shunso Ishihara1 and Akira Sasaki1 Shunso Ishihara and Akira Sasaki(2002) Paired Sulfur Isotopic Belts: Late Cretaceous-Paleogene Ore Deposits of Southwest Japan. Bull. Geol. Surv. Japan, vol. 53 (5/6), p.461-477, 8figs., 3tables. Abstract: Sulfides from late Cretaceous-Paleogene ore deposits of the Inner Zone of Southwest Ja- 34 32 34 pan were analyzed for S/ S ratios (δ SCDT values) on 5 samples from the Ryoke Belt, 18 from the Sanyo-Naegi Belt, 15 from the Uetsu- Kanto District and 47 samples from the Sanin-Shirakawa Belt. Together with the published data, the average δ34S values are calculated for individual deposits of the whole region; 109 localities for the ilmenite-series granitic belt and 56 localities for the magnetite- series granitic belt. The sulfur isotopic ratios vary regionally rather than with sulfide species or types and commodities of the ore deposits. The δ34S values are generally negative in the fore-arc, ilmenite-series belt, and positive in the back-arc, magnetite-series belt. This regional variation is considered to reflect the ilmenite-/magnetite-series pairing of the genetically related granitic or volcanic activities, in which the positive δ34S ore sulfur was derived from a deep igneous source, but the negative δ34S sulfur was originated in biogenic sulfur of the accreted sedimentary complex. Within each terrane, δ34S values and mineral commodities vary locally, which is called domains in this paper. -
Experience Sake, History and Culture of Over 1,000 Years Via a Trip to Izumo, Title the Birthplace Japanese Sake - a Tour of Sake with the Gods
Experience sake, history and culture of over 1,000 years via a trip to Izumo, Title the birthplace Japanese sake - A tour of sake with the gods Story Itinerary Being as the stage of Kojiki (Records of Ancient Matters), Ja- Start time End time Contents of tour pan's oldest history book, Izumo is still the place where 8 million 9:20 JR Matsue Station gods love and gather even today, with gods' footprints everywhere. 9:20 - 9:35 Matsue Shinjiko Onsen Station In this tour, let's follow in the footsteps of gods and visit the Matsue Shinjiko Onsen Station ~ Ichibataguchi Station shrines and breweries associated with the mythical sake, with sake 10:30 - 10:50 Saka Jinja Shrine sommeliers together. Ichibataguchi Station ~ Izumotaisha-mae Station You can hear stories about the shrine and sake from the priests Inasa-no-hama Beach at Saka Jinja Shrine, with the longest history of sake brewing in 11:50 - 13:30 Izumo Taisha Shrine Japan, and Mankusen Jinja Shrine, the last stop for the gods. For lunch, you will enjoy a marriage of Japanese food and sake, which includes Izumo 13:35 - 14:35 Soba Restaurant Tanaka-ya A marriage of Japanese sake and soba soba, a famous Izumo staple, and sake carefully selected by sake sommeliers. Also don't Izumotaisha-mae Station ~ Kawato Station ~ Dentetsu Izumo-shi Station miss the opportunity to stop by and enjoy sake tasting experience at Asahi-Shuzo Sake 15:20 - 16:00 Sake tasting experience at Asahi-Shuzou Brewery Brewery, which produces prime sake while insisting on high level ingredients and quality.