(2017) Р.1 the Scientific Heritage

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(2017) Р.1 the Scientific Heritage No 11 (11) (2017) Р.1 The scientific heritage (Budapest, Hungary) The journal is registered and published in Hungary. The journal publishes scientific studies, reports and reports about achievements in different scientific fields. Journal is published in English, Hungarian, Polish, Russian, Ukrainian, German and French. Articles are accepted each month. Frequency: 12 issues per year. Format - A4 ISSN 9215 — 0365 All articles are reviewed Free access to the electronic version of journal Edition of journal does not carry responsibility for the materials published in a journal. Sending the article to the editorial the author confirms it’s uniqueness and takes full responsibility for possible consequences for breaking copyright laws Chief editor: Biro Krisztian Managing editor: Khavash Bernat Gridchina Olga - Ph.D., Head of the Department of Industrial Management and Logistics (Moscow, Russian Federation) Singula Aleksandra - Professor, Department of Organization and Management at the University of Zagreb (Zagreb, Croatia) Bogdanov Dmitrij - Ph.D., candidate of pedagogical sciences, managing the laboratory (Kiev, Ukraine) Chukurov Valeriy - Doctor of Biological Sciences, Head of the Department of Biochemistry of the Faculty of Physics, Mathematics and Natural Sciences (Minsk, Republic of Belarus) Torok Dezso - Doctor of Chemistry, professor, Head of the Department of Organic Chemistry (Budapest, Hungary) Filipiak Pawel - doctor of political sciences, pro-rector on a management by a property complex and to the public relations (Gdansk, Poland) Flater Karl - Doctor of legal sciences, managing the department of theory and history of the state and legal (Koln, Germany) Yakushev Vasiliy - Candidate of engineering sciences, associate professor of department of higher mathematics (Moscow, Russian Federation) Bence Orban - Doctor of sociological sciences, professor of department of philosophy of religion and religious studies (Miskolc, Hungary) Feld Ella - Doctor of historical sciences, managing the department of historical informatics, scientific leader of Center of economic history historical faculty (Dresden, Germany) Owczarek Zbigniew - Doctor of philological sciences (Warsaw, Poland) Shashkov Oleg - Сandidate of economic sciences, associate professor of department (St. Peters- burg, Russian Federation) «The scientific heritage» Editorial board address: Budapest, Kossuth Lajos utca 84,1204 E-mail: [email protected] Web: www.tsh-journal.com CONTENT ART STUDIES Selezneva N.A. Selezneva N. ELEMENTS OF IMPROVISATION IN THE THE PROBLEM OF MOTIVATION OF METHOD OF TRAINING OF MUSICIANS- PROFESSIONAL ACTIVITY PERFORMERS ............................................. 4 CHOIRMASTER........................................... 7 BIOLOGICAL SCIENCES Kashulin P.A., Kalacheva N.V. PHOTOSYNTHESIS SYNCHRONICITY BETWEEN ARBOREAL TREE SPECIES PROMOTES THEIR HARD RESISTANCE ............................................... 12 CHEMICAL SCIENCES Syrovaya A.O., Levashova O.L., Chalenko N.N., Kozub C.N., Tishakova T.S. INVESTIGATION OF QUANTUM- CHEMICAL PROPERTIES OF MEFENAMIC ACID ............................................................. 18 MEDICAL SCIENCES Bilovol O.M., Bobronnikova L.R. Navchuk I.V., Navchuk G.I., Navchuk. D.I. IMBALANCE OF ADIPOCYTOKINS IN STUDY OF THE CONNECTION BETWEEN PATIENTS WITH COMBINED NON- THE MORBIDITY AND MORTALITY RATES ALCOHOLIC FATTY LIVER OF LIVER FROM CIRCULATORY DISEASES ........... 44 DISEASE AND DIABETES MELLITUS 2 Iurevich N.А., Sychova L.V. TYPE ............................................................. 23 ASSESSMENT OF ANTIFUNGAL THERAPY Ermakova M.K. OF PATIENTS WITH YEAR-ROUND QUALITY OF LIFE AND ALLERGIC RHINITIS EFFICIENCY WITH PSYCHOEMOTIONAL STATUS IN THE COMBINED SENSITIZATION BY OBSTRUCTIVE RESPIRATORY DISEASES MEANS OF BIOINDICATOR IN CHILDREN AND ADULTS ................... 27 SYSTEMS ..................................................... 46 Kravchenko A.I. Fleicher G. ERECTILE DYSFUNCTION AS A PLASMOLIFTING - ONE OF THE METHODS PREDICTOR OF CORONARY ARTERY OF COMPLEX TREATMENT OF DISEASE ...................................................... 36 PERIODONTAL DISEASES ........................ 49 Magrlamova K.G., Kravchenko A.I. Bilous І.І., Pavlovych L.B., Chornenka Zh.А. NEW EFFECTIVE MEDICAL TEACHING CURRENT SITUATION WITH THYROID FOR STUDENTS .......................................... 38 GLAND DISEASE INCIDENCE IN CHERNIVTSI REGION ............................... 53 Kravchenko A.I., Magrlamova K.G. NEW HEALTH SYSTEM AND MODERN MEDICAL EDUCATION ............................ 41 PHARMACEUTICAL SCIENCES Оlkhovska А.B. THE EFFICIENCY EVALUATION OF THE PHARMACEUTICAL COMPNY MEDICAL REPRESENTATIVE PERFORMANCE IN UKRAINE ..................................................... 57 TECHNICAL SCIENCES Gasanov Z.Z. Uryvskiy L., Pieshkin A. PROBLEMS OF AUTOMATIC SOFTWARE THE INFORMATIONAL EFFICIENCY PARALLELIZATION .................................. 64 IMPROVING METHODS OF THE SIGNAL- CODE CONSTRUCTIONS WITH THE Deryabin P.P. PROPERTIES OF CELLULAR CONCRETE CONDITION OF PROVIDING REQUIRED OBTAINED INTEGRATED CREATION RELIABILITY .............................................. 72 SYSTEM THE POROUS STRUCTURE OF Serik M., Polupan V., Bakirov M., THE COMPOSITE ....................................... 67 Kolesnik V., Penkina N. QUALITY ASSESSMENT AND JUSTIFICATION OF THE STORAGE TIME OF PROTEIN- MINERAL ADDITIVE ........ 78 4 The scientific heritage No 11 (11),2017 ART STUDIES УДК 78.05;78.07 Селезньова Н.О. Одеська національна музична академія імені А.В. Нежданової доцент кафедри теорії музики та композиції ЕЛЕМЕНТИ ІМПРОВІЗАЦІЇ В МЕТОДИЦІ ПРОФЕСІЙНОЇ ПІДГОТОВКИ МУЗИКАНТІВ- ВИКОНАВЦІВ ELEMENTS OF IMPROVISATION IN THE METHOD OF TRAINING OF MUSICIANS-PERFORMERS Selezneva N.A. Odessa National A.V. Nezhdanova Academy of Music Docent of the theory music and composition cathedra АНОТАЦІЯ У статті розглядається проблема використання колективної вокальної імпровізації як засобу підгото- вки музикантів-виконавців вищої кваліфікації. Виявляються жанрово-стильові передумови виникнення даної форми музикування. Окреслено три напрямки процесу освоєння студентами вокально-імпровізацій- них умінь: 1) практичне вивчення прийомів мелодійного розвитку середньовічної акапельної поліфонічної музики, 2) оволодіння прийомами народного подголосочного співу, 3) ознайомлення з імпровізаційними можливостями алеаторичної музики. Намічаються загальні методичні орієнтири використання вокальної імпровізації в процесі підготовки музикантів-виконавців в вузах. ABSTRACT The article considers the problem of using collective vocal improvisation as a means of training of musicians of the highest qualification. Identified genre-style preconditions of this form of music-making. Outlined three areas of process development by students of vocal and improvisational skills: 1) hands-on learning techniques of melodic development of medieval cappella polyphonic music, 2) mastering the techniques of folk singing under voice, 3) an introduction to improvisational abilities aleatoric music. Outlines general methodological guidelines use of vocal improvisation in the preparation of musicians in universities. Ключові слова: музична імпровізація, вокальна імпровізація, навчання імпровізації, многоголосна музика, музикант-виконавець, вища освіта. Keywords: musical improvisation, vocal improvisation, improvisation training, polyphonic music, musician, higher education. Імпровізація – одна з найцікавіших, самобут- «Шульверк», розроблена К. Орфом і його послідо- ніх, складних і у всіх сенсах привабливих різнови- вниками - Г. Кеетман, В. Келлером і ін. [10]. Ідеї дів музикування. Історичний аналіз (наприклад, до- Орфа здобули всесвітню популярність і найширше слідження М. Сапонова [18]) свідчить про те, що застосування. Вони втілені і у вітчизняній музичній цей різновид є початковою формою музичного ми- педагогіці, зокрема, в методиці дошкільного музи- стецтва, що в кожну епоху існували свої типові вті- чного виховання (Н.Ветлугіна, А. Кенеман [6,7]), лення мистецтва миттєвого створення музики. На- раннього музичного виховання в умовах спеціаль- віть в часи панування форм складаємої і строго від- ної музичної школи (експериментальна методика твореної музики (друга половина 19 століття) одеської ДМШ № 4). традиція імпровізації не переривалася. А в 20 сто- До імпровізації звернулися багато педагогів, літті імпровізаційний початок знову отримав важ- які створили оригінальні методи навчання гри на ливу роль у створенні музичних творів. фортепіано (Л. Баренбойм [1], Г. Богино [4], Ваню- Психологічний погляд на явище імпровізації кевіч [5]). Оволодіння принципом імпровізації обо- виявляє універсальність цього виду музичної діяль- в'язково для тих, хто освоює мистецтво джазу. До- ності. Сьогодні можна вважати визнаним фактом свід навчання дітей прийомам джазової імпровіза- наявність імпровізаційного початку в композитор- ції описаний в роботах С. Мальцева [14]. ській і виконавчій творчості. У ряді досліджень ро- Імпровізація здобула педагогічне застосування не зкрито основні психологічні «механізми», визна- тільки як засіб навчання гри на інструменті, але і як чено важливі особливості мисленнєво-імпровіза- більш широкий за своїм значенням засіб розвитку ційного процесу (С. Мальцев [13], А. Муха [16]). музичних здібностей і вмінь. Найбільш універса- Великий інтерес до імпровізації проявляє і му- льно використовується імпровізація на уроках зична педагогіка. Елементарні форми імпровізації сольфеджіо. Про форми творчого музикування у завоювали міцне місце в дошкільному
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