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The Reform of Baptism and Confirmation in American Lutheranism
LOGIA 1 Review Essay: The Reform of Baptism and Confirmation in American Lutheranism Armand J. Boehme The Reform of Baptism and Confirmation in American Lutheranism. By Jeffrey A. Truscott. Drew University Studies in Liturgy 11. Lanham, Maryland & Oxford: The Scarecrow Press, Inc., 2003. his book1 is a study of the production of the baptismal the church.” Thus the crafters of LBW greatly expanded T and confirmation rites contained in Lutheran Book of the “assembly’s participation in the baptismal act” (pp. Worship (LBW).2 The theology that underlies LBW 33, 205). These changes flow from a theology of action and its understanding of worship has significantly (liturgy as the work of the people), which emphasizes altered the Lutheran understanding of baptism and the fact that the church or the congregation is the confirmation. The theological foundation of LBW has mediating agent of God’s saving activity (p. 33).6 For influenced other Lutheran church bodies, contributing LBW the sacraments are understood significantly to profound changes in the Lutheran ecclesiologically—as actions of the congregation (pp. landscape. As Truscott wrote, those crafting the 205-206)—rather than soteriologically—as God acting baptismal liturgy in LBW would have to “overturn” old to give his people grace and forgiveness. This leads to an theologies of baptism, deal with “a theology that” emphasis on baby drama, water drama, and other believed in “the necessity of baptism for salvation,” and congregational acts (pp. 24–26, 220). This theology of “would have to convince Lutherans of the need for a new action is tied to an analytic view of justification, that is, liturgical and theological approach to baptism” (p. -
Now Let Us Come Before Him Nun Laßt Uns Gehn Und Treten 8.8
Now Let Us Come Before Him Nun laßt uns gehn und treten 8.8. 8.8. Nun lasst uns Gott, dem Herren Paul Gerhardt, 1653 Nikolaus Selnecker, 1587 4 As mothers watch are keeping 9 To all who bow before Thee Tr. John Kelly, 1867, alt. Arr. Johann Crüger, alt. O’er children who are sleeping, And for Thy grace implore Thee, Their fear and grief assuaging, Oh, grant Thy benediction When angry storms are raging, And patience in affliction. 5 So God His own is shielding 10 With richest blessings crown us, And help to them is yielding. In all our ways, Lord, own us; When need and woe distress them, Give grace, who grace bestowest His loving arms caress them. To all, e’en to the lowest. 6 O Thou who dost not slumber, 11 Be Thou a Helper speedy Remove what would encumber To all the poor and needy, Our work, which prospers never To all forlorn a Father; Unless Thou bless it ever. Thine erring children gather. 7 Our song to Thee ascendeth, 12 Be with the sick and ailing, Whose mercy never endeth; Their Comforter unfailing; Our thanks to Thee we render, Dispelling grief and sadness, Who art our strong Defender. Oh, give them joy and gladness! 8 O God of mercy, hear us; 13 Above all else, Lord, send us Our Father, be Thou near us; Thy Spirit to attend us, Mid crosses and in sadness Within our hearts abiding, Be Thou our Fount of gladness. To heav’n our footsteps guiding. 14 All this Thy hand bestoweth, Thou Life, whence our life floweth. -
062021 Leader.Pdf
St. Mark’s Evangelical Lutheran Church 3976 Hendricks Avenue Jacksonville, FL Holy Communion + Fourth Sunday after Pentecost June 20, 2021 Now is the acceptable time; now is the day of salvation! Now we are in the storm, the boat almost swamped; but Jesus is here now, and when we call him, he will calm the storm. Even the wind and waves listen to him as they would to their creator. We also listen to him and are called to believe in the power of God’s word in him, a power greater than all that we fear. 2 GATHERING The Holy Spirit calls us together as the people of God. ANNOUNCEMENTS OPENING VOLUNTARY Out of the Depths I Cry to You (AUS TIEFER NOT) setting, Gerald Near The assembly stands at the sound of the courtyard bell. CONFESSION AND FORGIVENESS All may make the sign of the cross, the sign marked at baptism, as the presiding minister begins. P Blessed be the holy Trinity,☩ one God, the God of manna, the God of miracles, the God of mercy. a Amen. P Drawn to Christ and seeking God’s abundance, let us confess our sin. Silence is kept for reflection. God, our provider, a help us. It is hard to believe there is enough to share. We question your ways when they differ from the ways of the world in which we live. We turn to our own understanding rather than trusting in you. We take offense at your teachings and your ways. Turn us again to you. Where else can we turn? Share with us the words of eternal life and feed us for life in the world. -
The Musical Heritage of the Lutheran Church Volume I
The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945). -
O Ewigkeit, Du Donnerwort Eternity, Thou Thundrous Word BWV 20
Johann Sebastian BACH O Ewigkeit, du Donnerwort Eternity, thou thundrous word BWV 20 Kantate zum 1. Sonntag nach Trinitatis für Soli (ATB), Chor (SATB) 3 Oboen, Trompete 2 Violinen, Viola und Basso continuo herausgegeben von Ulrich Leisinger Cantata for the 1st Sunday after Trinity for soli (ATB), choir (SATB) 3 oboes, trumpet 2 violins, viola and basso continuo edited by Ulrich Leisinger English version by Henry S. Drinker Stuttgarter Bach-Ausgaben · Urtext In Zusammenarbeit mit dem Bach-Archiv Leipzig Klavierauszug /Vocal score Paul Horn C Carus 31.020/03 Vorwort Foreword Die Kantate O Ewigkeit, du Donnerwort BWV 20 bildet The cantata O Ewigkeit, du Donnerwort BWV 20 (Eter nity, den Auftakt für das wohl ehrgeizigste kompositorische Pro- thou thundrous word), marked the beginning of what was jekt, das Johann Sebastian Bach auf sich genommen hat: probably the most ambitious compositional project ever Die Kantate eröffnet den sogenannten Choralkantatenjahr- undertaken by Johann Sebastian Bach: this cantata opens gang, den der Thomaskantor als zweiten Jahrgang von Kir- the annual cycle of so-called chorale cantatas, which the chenkantaten mit dem 1. Sonntag nach Trinitatis 1724 in Thomaskantor began to compose as his second annual Angriff nahm. cycle of church cantatas with a work for the 1st Sunday after Trinity in 1724. Der Kantate liegt das gleichnamige Lied von Johann Rist aus dem Jahre 1642 zugrunde, das in Leipzig durch das This cantata is based on the hymn of the same name by Gesangbuch von Gottfried Vopelius (1682 und öfter) in Johann Rist, published in 1642, which was familiar in einer auf 12 (von ursprünglich 16) Strophen verkürzten Fas- Leipzig through its inclusion in a hymn book assembled by sung bekannt war. -
German—English Lenten Singstunde
German—English Lenten Singstunde 2010 Central Moravian Church Moravian Archives Moravian Music Foundation 2 A Singstunde is a traditional Moravian form of worship in which the congregation unites in singing a series of hymn stanzas. The stanzas are selected to develop a specific devotional theme. A Singstunde is sometimes referred to as “a sermon in song.” Many early Moravian liturgies used the form of the Singstunde. A popular Moravian liturgy was called O Sacred Head, Now Wounded. It combined this well-known hymn by Paul Gerhardt with verses from various other hymns. Until the early 19th century Moravians in Bethlehem sang this liturgy every Friday evening, as a weekly celebration of Good Friday. Tonight’s service is inspired by this liturgy. Stanzas are used from O Sacred Head, Now Wounded, combined with stanzas from other hymns. Also included in this liturgy are traditional Moravian liturgical elements from the Litany of the Life, Passion and Death of Jesus. The service concludes with the traditional ending of the Church Litany (parts of the Festal Doxology). Liturgists: Lanie Graf, Assistant Archivist, Moravian Archives Gwyn Michel, Assistant Director, Moravian Music Foundation Paul Peucker, Archivist, Moravian Archives Organist: Rebecca Kleintop Owens, Music Director, Central Moravian Church Choir: Singers from the Central Moravian Church Choir. Music Engraving: Nola Reed Knouse, Director, Moravian Music Foundation Cover illustration: “Sind wir doch sein ererbtes gut” (We are his inherited property) Moravian engraving from the 1740s. Abbreviations: BG1778 Gesangbuch zum Gebrauch der Evangelischen Brüdergemeinen (Barby, 1778). BG1967 Gesangbuch der Evangelischen Brüdergemeine (Herrnhut—Bad Boll, 1967). BG07 Gesangbuch der Evangelischen Brüdergemeine (Herrnhut—Bad Boll, 2007). -
Kutsuminen, Siunaaminen Ja Lähettäminen – Ordinaatiokaavojen Käsitys Pappisvihkimyksestä Ja -Virasta Suomen Evankelis-Luterilaisessa Kirkossa 1963–2003
Juhana Pohjola Kutsuminen, siunaaminen ja lähettäminen – Ordinaatiokaavojen käsitys pappisvihkimyksestä ja -virasta Suomen evankelis-luterilaisessa kirkossa 1963–2003 Esitetään Helsingin yliopiston teologisen tiedekunnan suostumuksella julkisesti tarkastettavaksi auditoriossa XII 15.8.2014 klo 12. © Juhana Pohjola Kansi ja taitto: Evie Viestintätoimisto Eveliina Palola Kannen kuvat: Tomas Garaisi © Painopaikka ja -vuosi: Bta Media Oy, Porvoo 2014 ISBN 978-951-51-0000-9 (nid.) ISBN 978-951-51-0001-6 (PDF) 5 Esipuhe Tämä tutkimusprojekti käynnistyi unesta. Se ei ollut ilmestys eikä painajainen. Olin miettinyt tiiviin työrupeamani keskellä jatko-opintoja, mutta aihe oli täysin auki. Polun pää puuttui. Al- kuvuodesta 2010 yhtenä arkiaamuna herättyäni ensimmäinen ajatus oli, että tutkimukseni voisi käsitellä ordinaatiokaavoja. Unen sisältöä en muistanut, mutta tunsin välittömästi iloa ajatuk- sesta. Tässä on tie. Tämä ilo on säilynyt koko prosessin ajan väsymyksenkin hetkinä. En ollut aikaisemmissa opinnoissani työskennellyt ordinaatioteeman parissa, mutta virkateologiasta olin aina ollut kiinnostunut. Lähdin töiden ohessa ottamaan asiasta selvää. Pian huomasin, kuinka teema oli hedelmällinen ja Suomessa vähän tutkittu. Esitin ajatukseni prof. Jyrki Knuutilalle, joka innostui välittömästi asiasta. Hän osasi auttaa ratkaisevalla alkuaskeleella eli tutkimustehtävän rajauksessa ja on ollut tukena koko matkan. Kun tehtävä ja dispositio hahmottuivat, otin yhteyttä prof. Miikka Ruokaseen, joka avoimuu- dellaan rohkaisi tutkimussuunnitelman tekemiseen ja dogmatiikan jatko-opiskelijaksi. Luvan jatko-opintoihin sainkin vuoden 2010 lopulla. Prof. Ruokasesta tuli tutkimukseni valvoja. Toi- seksi ohjaajaksi prof. Knuutilan lisäksi nimettiin prof. Risto Saarinen, joka suurella ammatti- taidollaan on ollut apuna tutkimuksen eri vaiheissa. Prof. Ruokasen jäätyä virkavapaalle prof. Pekka Kärkkäinen vei avuliaasti projektin loppuun. Asiantuntevat ja tarkat esitarkastajat dos. Jari Jolkkonen ja dos. Kari Kopperi veivät kommenteillaan tutkimustani eteenpäin. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
Martin Luther and the Wittenberg Reformation of Worship
Today’s “Worship Wars” in light of Martin Luther and the Wittenberg reformation of worship §1 Some scriptural guidance §1.1 Worship practices The Christian liturgy grows out of the practice of temple and synagogue Luke 4.16-21 Acts 2.42 Acts 13.1-3 Acts 13.14b-16a 1 Corinthians 14.40 Use of hymnody Philippians 2.5b-11 1 Timothy 3.16b 1 Timothy 2.11b.13a Revelation—the Great Te Deum §1.2 Offense/edification General Romans 14 1 Corinthians 8 Specific to the church’s worship 1 Corinthians 14.2-3 §1.3 Unity in the Faith Ephesians 4.1-6 §2 Fast forward: What our confessions teach—and a tension Augsburg Confession, Article 24 Our churches are falsely accused of abolishing the mass. For the mass is retained among us and celebrated with the highest reverence. Practically all the ceremonies that have as a rule been used (usitatae) are preserved, with the exception that here and there German canticles are mixed in with the Latin ones. For, chiefly for this reason is there need of the ceremonies, that they might teach the unlearned. And Paul commands that a language understood by the people be used in the Church. (AC 24.1-4, Lat.)1 It is laid upon our people with injustice that they are supposed to have done away with the mass. For it is well-known that the mass, not to speak boastfully, is held with greater devotion and seriousness among us than among our adversaries….Likewise in the public ceremonies of the mass no notable change has occurred except that in some places 1 “Falso accusantur ecclesiae nostrae, quod missam aboleant. -
Document Cover Page
A Conductor’s Guide and a New Edition of Christoph Graupner's Wo Gehet Jesus Hin?, GWV 1119/39 Item Type text; Electronic Dissertation Authors Seal, Kevin Michael Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 06:03:50 Link to Item http://hdl.handle.net/10150/645781 A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN?, GWV 1119/39 by Kevin M. Seal __________________________ Copyright © Kevin M. Seal 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Document Committee, we certify that we have read the document prepared by: Kevin Michael Seal titled: A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN, GWV 1119/39 and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 7, 2020 Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 3, 2020 John T Brobeck _________________________________________________________________ Date: ____________Aug 7, 2020 Rex A. Woods Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
Gesungene Aufklärung
Gesungene Aufklärung Untersuchungen zu nordwestdeutschen Gesangbuchreformen im späten 18. Jahrhundert Von der Carl von Ossietzky Universität Oldenburg – Fachbereich IV Human- und Gesellschaftswissenschaften – zur Erlangung des Grades einer Doktorin der Philosophie (Dr. phil.) genehmigte Dissertation von Barbara Stroeve geboren am 4. Oktober 1971 in Walsrode Referent: Prof. Dr. Ernst Hinrichs Korreferent: Prof. Dr. Peter Schleuning Tag der Disputation: 15.12.2005 Vorwort Der Anstoß zu diesem Thema ging von meiner Arbeit zum Ersten Staatsexamen aus, in der ich mich mit dem Oldenburgischen Gesangbuch während der Epoche der Auf- klärung beschäftigt habe. Professor Dr. Ernst Hinrichs hat mich ermuntert, meinen Forschungsansatz in einer Dissertation zu vertiefen. Mit großer Aufmerksamkeit und Sachkenntnis sowie konstruktiv-kritischen Anregungen betreute Ernst Hinrichs meine Promotion. Ihm gilt mein besonderer Dank. Ich danke Prof. Dr. Peter Schleuning für die Bereitschaft, mein Vorhaben zu un- terstützen und deren musiktheoretische und musikhistorische Anteile mit großer Sorgfalt zu prüfen. Mein herzlicher Dank gilt Prof. Dr. Hermann Kurzke, der meine Arbeit geduldig und mit steter Bereitschaft zum Gespräch gefördert hat. Manche Hilfe erfuhr ich durch Dr. Peter Albrecht, in Form von wertvollen Hinweisen und kritischen Denkanstößen. Während der Beschäftigung mit den Gesangbüchern der Aufklärung waren zahlreiche Gespräche mit den Stipendiaten des Graduiertenkollegs „Geistliches Lied und Kirchenlied interdisziplinär“ unschätzbar wichtig. Stellvertretend für einen inten- siven, inhaltlichen Austausch seien Dr. Andrea Neuhaus und Dr. Konstanze Grutschnig-Kieser genannt. Dem Evangelischen Studienwerk Villigst und der Deutschen Forschungsge- meinschaft danke ich für ihre finanzielle Unterstützung und Förderung während des Entstehungszeitraums dieser Arbeit. Ich widme diese Arbeit meinen Eltern, die dieses Vorhaben über Jahre bereit- willig unterstützt haben. -
Hymns—Alphabetical
Lutheran Service BOOK Prepared by The Commission on Worship of The Lutheran Church—Missouri Synod Hymns—Alphabetical Click below to see hymns that begin with each letter. A B C D E F G H I J K L M N O P R S T U V W Y Lutheran Service BOOK: Hymns—Alphabetical A-Al 2 Prepared by The Commission on Worship of The Lutheran Church—Missouri Synod A Number Name 383 A Great and Mighty Wonder 493 A Hymn of Glory Let Us Sing 438 A Lamb Goes Uncomplaining Forth 656 A Mighty Fortress Is Our God 657 A Mighty Fortress Is Our God 510 A Multitude Comes from the East and the West 878 Abide with Me 919 Abide, O Dearest Jesus 899 Across the Sky the Shades of Night 962 Agnus Dei-I 963 Agnus Dei-II 799 Alabaré - I 800 Alabaré - II 437 Alas! And Did My Savior Bleed 596 All Christians Who Have Been Baptized 732 All Depends on Our Possessing 753 All for Christ I Have Forsaken 948 All Glory Be to God Alone 947 All Glory Be to God on High 442 All Glory, Laud, and Honor 549 All Hail the Power of Jesus' Name 562 All Mankind Fell in Adam's Fall 360 All My Heart Again Rejoices 791 All People That on Earth Do Dwell 815 All Praise to Thee, for Thou, O King Divine 883 All Praise to Thee, My God, This Night 462 All the Earth with Joy Is Sounding 601 All Who Believe and Are Baptized 930 All You Works of God, Bless the Lord 931 All You Works of the Lord 474 Alleluia! Jesus Is Risen 822 Alleluia! Let Praises Ring 821 Alleluia! Sing to Jesus Lutheran Service BOOK: Hymns—Alphabetical Al-Be 3 Prepared by The Commission on Worship of The Lutheran Church—Missouri Synod A (cont.)