DOCSLIB.ORG

Rotary Club of San Jose North - North Wind

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rotary Club of San Jose North - North Wind Rotary Club of San Jose North - North Wind Rotary Club of San Jose North North Wind Service Above Self Monday, August 02, 2010 Club Web Site Editor: Doug Johnson North Wind If you have any comments or by Doug Johnson questions, email the editor. Future Speakers Aug 6 2010 North Wind Irene Dalis "Opera San Jose" Volume 32 Issue 5 Aug 13 2010 Tim Kawakami http://www.sanjosenorthrotary.com "Golden State Warriors and the NBA " Aug 20 2010 Roger Hassler "District Governor" Aug 27 2010 Club Assembly Irene Dallas, Aug. 6 Speaker Sep 3 2010 by Doug Johnson Dark Sep 10 2010 Opera San José Andrew Bales Irene Dalis, General Director "Silicon Valley Symphony" Photograph by Sara Rubinsteir Oct 1 2010 Dr. Terry Christensen Irene Dalis, before her "November Election" retirement in 1977, was a major Oct 8 2010 international opera Beverly Rose Hopper star. She was a "Rose Garden" principal artist at New York's Metropolitan Opera for 20 This eBulletin has been generated by ClubRunner club consecutive seasons communication software. Visit and was distinguished clubrunner.ca for details. by the range and large number of roles in her © 2002- 10 Doxess. All Rights repertoire. Reserved. Her operatic debut was in Oldenburg, West ClubRunner Sponsors Germany, in 1953, as Princess Eboli in Verdi's epic Don Carlo. By the end of her career, she had performed in every major opera house from Naples to San Francisco and had 44 roles in her repertoire. Recognized from the beginning as a Please visit our Sponsors. major dramatic talent, To place your ad click here. she was most often engaged to sing in operas by Verdi, Wagner, and Richard Strauss, eventually performing every major dramatic mezzo-soprano role by these operatic giants. Miss Dalis was the first http://www.clubrunner.ca/CPrg/Bulletin/SendBulletinEmail.aspx?cid=5953[8/2/2010 5:05:23 PM] Rotary Club of San Jose North - North Wind American-born Kundry (Parsifal) to open a Bayreuth Festival and the first mezzo-soprano to perform Lady Macbeth at the Metropolitan Opera. On retirement from her performing career, Miss Dalis returned to her native San José, where she was appointed a full professor of music by the president of San José State University. Her principal focus there, the opera workshop program, quickly surpassed the production standards expected of collegiate opera. The program produced such a large number of career entry-level performers that Miss Dalis was able to establish a professional regional company, Opera San José, in 1984. The company showcased talented West Coast singers and provided, for the first time, a season of professional operatic entertainment in San José. The company has received excellent notices in journals from Warsaw, Berlin, London, New York, Los Angeles, San Francisco, and of course, San José. Opera San José is the only resident ensemble opera company in the United States that contracts its principal artists on a 12-month basis. In addition to salary and benefits, Opera San José artists receive housing—also unique in this country. Irene Dalis' credits include principal artist at the Metropolitan Opera, San Francisco Opera, Covent Garden, Bayreuth Festival, Chicago Lyric Opera, Berlin, Rome, Naples, and others. Her awards include Fulbright Award, 1951; Richard Wagner Medallion, Bayreuth, West Germany, 1963; Grand Prix du Disque, 1964 (Parsifal recording, Phillips, Bayreuth Festival, 1962, under conductor Hans Knappertsbusch); Tower Award, San Jose State University, 1974; honored by the board of directors of the Metropolitan Opera Association on the occasion of her 20th anniversary season, 1977; Woman of Achievement Award from the San Jose Mercury News and the League of Friends of Santa Clara County, Commission on the Status of Women, 1983; commendation from the Honorable John Vasconcellos, 23rd Assembly District, 1983; inducted into the California Public Educators Hall of Fame, 1985; Award of Merit from the People of the City of San Francisco, 1985; Honored Citizen of the City of San José, 1986; Hall of Fame Induction and Medal of Achievement, Academy of Vocal Arts, 1988; San Francisco Opera Gold Medal Award, 1998; Silicon Valley Arts & Business Lifetime Achievement Award presented by Arts Council Silicon Valley, 2008. Miss Dalis is listed in Who's Who in America (since 1958), Who's Who in Opera (since 1971), and Who's Who in Music. She obtained her bachelor's degree from San José State University, her master's from Columbia University (New York), and her honorary doctorates from Santa Clara University and the California State University system. July 30 Meeting Recap by Arthur Taylor Last Friday's meeting was "international guest day." Peter Anderson, who is from the Morgan Hill Rotary and is the district chair for International Service, brought his wife, Elena, and Veronica, a member of a Rotary Club in Buenos Aires. Sully, Veronica's mother, is a member of La Rueda Femenina club. Also visiting was the past president of the Rotary Club Karachi North, Pakistan, Saleem Chaudhry, who complimented our president on the meeting. Naturally, Mr. Chaudhry was invited back. Dave Evens gave the thought of the day. He carried it off without the benefit of his script, which he left at his office. George Uccelli provided the Rotary Minute without the benefit of his voice. Because of George's laryngitis, President Art reminded members who had not paid their dues to pay up. Jose reminded us of the A's game and the great food he will be preparing. Andy invited us to make a donation to help children in Mexico who benefit from our club project there. This can allow members to have a more personal relationship with one of the kids we serve. If you are interested, see Andy. On September 18, we will hold our club's 30-year anniversary party. Kit http://www.clubrunner.ca/CPrg/Bulletin/SendBulletinEmail.aspx?cid=5953[8/2/2010 5:05:23 PM] Rotary Club of San Jose North - North Wind circulated a signup sheet. Jaime circulated another signup sheet for our first service project for this year, to be on August 14. All members are encouraged to participate. President Art announced that Andy will fill in for him for the meeting of August 13 as he will be on a 50-mile hike on the Lost Coast with the Boy Scouts. Toney Delas spoke on the loan mortification process. It was interesting information that ideally will not be needed by any of our members. Mortification can be beneficial but it doesn't sound like fun. The joker is still wild, so the money is still waiting to be won. Joker's Wild For Aug 6, 2010 by Doug Johnson $640 SJN Celebrates by Doug Johnson Congratulate Your Fellow Club Members Birthday & Anniversary Report for August Birthdays Member Birthday Buzzetta, Jerry August 8 Uccelli, George August 8 Anniversaries Member Anniversary (Spouse Name) Anacker, Jon R.H. August 3 (Marilyn) McMasters, Mark August 5 (Randi) Daoust, Francois August 19 (Bette) Daoust, Bette August 19 (Francois) Buzzetta, Jerry August 19 (Barbara) Angulo, Jaime August 28 (Dayana) Club Anniversaries Member Induction Date (Number of Years) Bianco, Brian August 1 1985 (25 years) Riva Kirk, Jennifer August 1 2007 (3 years) Rose, Jackie August 1 1997 (13 years) Delas, Anthony August 1 2009 (1 years) Johnson, Doug August 1 2008 (2 years) Leadership Team for 2010-2011 by Doug Johnson President - Art Taylor (Most) Immediate Past President - Jaime Angulo President Elect - Andrew Hall http://www.clubrunner.ca/CPrg/Bulletin/SendBulletinEmail.aspx?cid=5953[8/2/2010 5:05:23 PM] Rotary Club of San Jose North - North Wind Secretary - Don Aguilar Treasurer - George Uccelli Board Member - Stacy Castle Board Member - Ron Gorshe Board Member - Rhonda Scattini Board Member - Trixie Johnson Sergeant at Arms - Doug Johnson District Governor - Roger Hassler Rotary International President - Ray Klinginsmith 2011 Auction by Doug Johnson Our Silver Annaversry Auction will be held June 11, 2011. Meeting Tasks by Doug Johnson Following are the meeting tasks that I have asked members to perform. There are a few blank areas which represent members who have said they will not be present and we have not filled the spot yet. I hope to develop a form that will make it easier for a member to see their tasks. Task Aug 6 Aug 13 Aug 20 Aug 27 Book for Grant Bebb Bebb Bebb Bebb Check In Howard Howard Evans Harris Fine Master Harper Harper Harper Greeter 1 Angulo Collins Janke McLaughlin Greeter 2 Sanders Daoust,F Hall Anacker Invocation/Thought Tropina Anacker Rees Bash Mystery Rotarian na na na na Pledge + Taylor Hall Taylor Taylor Rotary Minute Bumgarner Tropina Castle Johnson,T Set Up Aguilar Gorshe Angulo Johnson,D Take Down Evans Hall&Gorshe Johnson,D McMasters http://www.clubrunner.ca/CPrg/Bulletin/SendBulletinEmail.aspx?cid=5953[8/2/2010 5:05:23 PM].
Load more

Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Opera San José Presents the Irene Dalis Memorial Concert PAGE 1
    Opera San José presents The Irene Dalis Memorial Concert PAGE 1 FOR IMMEDIATE RELEASE Press Contact: March 10, 2015 Bryan Ferraro 408.423.2229 [email protected] Opera San José presents The Irene Dalis Memorial Concert SAN JOSE, CA – Opera San José is hosting a memorial concert for its former general director and founder, Irene Dalis, at the California Theatre on May 16, 2015 at 8 p.m. The concert will feature arias and ensembles performed by over 20 current and former members of Opera San José’s resident company, accompanied by the Opera San José Orchestra and Chorus. A dramatic mezzo soprano, Dalis was admired internationally for her vocal richness and fiery dramatic presence. Among her most notable roles were Amneris in Verdi's Aida and Princess Eboli in his Don Carlo, as well as Isolde in Wagner’s Tristan und Isolde and Kundry in his Parsifal, and Richard Strauss’ Klytaemnestra in Elektra and the Nurse in Die Frau ohne Schatten. After retiring from the Met in 1976, Dalis returned to San José and became a professor of music at San José State University. In 1984, she formed Opera San José, the only resident opera company in the United States. Dalis retired from Opera San José in 2014 and the Opera San José board of trustees selected Larry Hancock to take over as general director. Dalis’s last wish was that there be no memorial service, but she did allow a fundraising concert in her memory. That concert will include: Eilana Lappalainen, Soprano: Lappalainen served as a member of the resident company from 1988 to 1992.
    [Show full text]
  • Summer 2015 Newsletter
    Manuscript Repositories Newsletter A newsletter from the Manuscript Repositories Section of the Society of American Archivists Summer 2015 Highlights From the Chair 1 Report from the Nominations and Election Committee 2 Annual Meeting Agenda 3 News from Members 3 Section Leadership 12 From the Chair Elizabeth Wilkinson Georgetown University The annual meeting is nearly upon us and we will soon converge in the Midwest. I look forward to seeing many of you in Cleveland this August. The Section sponsored a third round of the Jump In initiative in order to get more folks interested in taking the plunge into managing their born digital materials. This third round saw 18 archivists from 11 institutions complete the project. The first part of the Section’s annual meeting will begin with lightning talks from select 2015 participants. You can check out their essays, photographs, and collection surveys on the Section’s website here . Our Section meeting will take place on Friday, August 21, from 1:00-3:00 pm. Part One of the program will focus on hearing from some of the 2015 Jump In 3 participants. In addition to the Jump In 3 reports, we will hear from one Jump In 1 alum and one Jump In 2 alum who will provide updates on how their efforts to manage their born digital assets has progressed. The second half of our program will be devoted to two presentations geared toward topics of interest identified from the Section member survey conducted in spring of this year. We will hear from Herbert Hartsook regarding working with a development officer.
    [Show full text]
  • Verdi's Don Carlo
    Verdi’s Don Carlo: a partial survey of the discography by Ralph Moore Introduction The CLOR discography lists 165 recordings of Don Carlo (or should that be Don Carlos? - more of that anon). A couple of live recordings in German were made before the first one in Italian, live from the Met 1950, with a cast headed by Jussi Bjőrling, then there was a whole slew of live and radio recordings throughout the 50’s from the Met and various Italian opera houses, punctuated by the first studio account conducted by Santini in Rome in 1954, with a stellar (and Stella) cast including Gobbi and Christoff. This still stands up remarkably well despite its age and some casting weakness. Santini was again at the helm for the next studio recording in 1961 with an even finer cast, then Solti recorded the Five Act version for Decca in 1965. For so great and popular an opera, Don Carlo has received very few studio recordings; Giulini followed in 1971, Karajan in 1978, Abbado in 1983-84, Levine in 1992 and Haitink in 1996. Only Abbado’s was in French, and Richard Farnes recorded an English version for Chandos in 2009. Thus, so far, we have had a grand total of only nine studio versions: seven in Italian, one in English and only one of the original French version, yet the catalogue is teeming with live performances. No survey can encompass so many, nor have I considered DVDs. However, I assess below some twenty-seven audio accounts, having restricted my choice to the nine studio recordings plus a sampling of live performances, including the three live recordings of original Five Act versions in French; the rest are variously either of the Four or Five Act versions in Italian.
    [Show full text]
  • A Partial Discographical Conspectus by Ralph Moore Tristan Und Isolde Represents Both the Highpoint of Roman
    Tristan und Isolde: A Partial Discographical Conspectus by Ralph Moore Tristan und Isolde represents both the highpoint of Romantic opera and the gateway to a new world of harmonic invention, epitomised by the famous “Tristan chord”. Despite its length and nearly insurmountable vocal challenges for its principal singers, it has established and maintained a central place in the operatic repertoire worldwide. For some, its popularity and appeal are inexplicable; they are likely to share Rossini’s verdict that “M. Wagner a de beaux moments, mais de mauvais quart d’heures” or, even worse, agree that, like Parsifal, Tristan "is the kind of opera that starts at six o'clock and after it has been going three hours, you look at your watch and it says 6:20.” I for one am not such a purist that I become very exercised if a few judicious cuts are made in this work, but at the same time I do not find that it drags, as long as the artists performing it can rise to its demands and sustain the requisite intensity. If I follow the work with a libretto I am apt to think that not a note is wasted; the intensity of Wagner’s vision is all-consuming if the listener can sustain concentration and be swept along by those glorious, through-composed melodies. I know of few more searingly dramatic moments in opera than “Er sah mir in die Augen” or “Rette dich, Tristan!”; this is grown-up music, devoid of stock gestures and tired platitudes, which instead explores the complexities of adult sexuality and relationships in the most extraordinarily subtle and profound manner, both musically and psychologically.
    [Show full text]
  • Irene Dalis, Opera Singer and Company Founder, Dies at 89
    Music SUBSCRIBE | LOG IN Irene Dalis, Opera Singer and Company Founder, Dies at 89 By WILLIAM YARDLEY DECEMBER 18, 2014 Irene Dalis, a versatile and fiery mezzo-soprano who starred at the Metropolitan Opera for two decades before building a second career as the director of Opera San José, an innovative company she founded in her California hometown, died on Sunday in nearby Saratoga, Calif. She was 89. Her daughter, Alida Loinaz, confirmed her death. Ms. Dalis did not set out to be a singer or an impresario. She studied piano and music education at what was then San Jose State College before earning a master’s degree at Columbia’s Teachers College in Manhattan in the late 1940s. The plan was to go back home and teach. Yet her instructors in New York were struck by her voice and encouraged her to develop it. She began taking lessons with the mezzo-soprano Edyth Walker. Instead of returning to San Jose, she went to Italy to study voice on a Fulbright scholarship in 1951. Just two years later she made her operatic debut as Princess Eboli in Verdi’s “Don Carlo” in Oldenburg, Germany. Four years after that, she performed the same role at the Met. Her debut at the Met, on March 16, 1957, was “one of the most exciting of the season,” Howard Taubman wrote in The New York Times. “By the time she reached the second-act trio she showed she could sing with temperament,” Mr. Taubman said. “And in the third-act, ‘O don fatale,’ one of Verdi’s greatest dramatic arias, she was like a veteran.
    [Show full text]
  • The Society of California Archivists, Inc
    SOCIETY OF CALIFORNIA ARCHIVISTS NEWSLETTER Number 155 ISSN 1931-5473 Summer 2015 ESTABLISHED IN SAN FRANCISCO: FOUR ICONIC CALIFORNIA BRANDS ot often does an archives get the chance to display and create an exhibition around their own Narchives, as well as borrow archival material from businesses currently still in operation, but The Society of California Pioneers has had just that exact opportunity in their current exhibition, Established in San Francisco: Four Iconic California Brands. The exhibition, both informative and entertaining, also underlines the importance of businesses retaining their archives in some way: whether it be at their own institution (Levi Strauss & Co., Anchor Brewing), through the family founders of the business (Taddich Grill), or by donating their archives to an institution (J.C. Meussdorffer and Sons Hat Company), the importance of retaining these archives for researchers is illustrated in this exhibit. Shreve & Company, although contacted by the Society, replied that they not only did not have archives, but never did keep records of any sort. We therefore, to include Shreve & Company, utilized our own objects and relied upon an historian of silver makers in early San Francisco to round out the history of Shreve in the city. BROCHURE COVER FOR THE EXHIBIT. The exhibition tells the story of these five TRADE CARD, 1899. LEVIS STRAUSS & CO. ARCHIVES. businesses, and although wild speculation fueled the boom-and-bust Gold Rush era, some of San Francisco’s earliest entrepreneurs crafted sound, enduring business
    [Show full text]
  • PACO152 Front.Std
    e I .., - 1- [ill•§~ Prist ine DI GITAL AUDIO PACO 152 Leinsdorf's Ring XR 1. Das Rheingold, Met Opera, 1961 PACO 152 wan n er Oas Rheingold is a tricky opera to deliver successfully. The prologue to the Ring Cycle lasts about two and a half -hours without an das~eingold interval (making it one of the shortest Wagnerian operas) and the orchestra is just as prominent as lts ensemble cast. It ls the first the leinsdorf met opera ring cycle 1961/62 time the audience hears Wagner's mastery of the leitmotif, starting w ith that for the Rhine itself, and each important character, place or theme has its own musical signature that will return in the other operas in the cycle when mentioned or even just thought about. The opera requires a great orchestra under a skilful conductor, and an excellent cast of more than a dozen principals. Das Rheingold is divided into four scenes: the first deals w ith Alberich's renunciation of love in order to steal the gold guarded by the Rhinemaidens; the second with the Gods bickering over how they are going to pay for their new home, Valhalla; the third shows Wotan outwitting Alberich and stealing the gold that has now been forged into a magic ring and tarnhelm; and the final scene shows the triumphant entry of the Gods into Valhalla . The re are lots of subplots set up for the future operas during Das Rheingold, including Alberich cursing the ring so that everyone who comes into contact with it fares bad ly; Wotan breaking his word initiating the final downfall of the Gods, and deciding to fa ther a race of warrior maidens (including BrOnnhllde) in a vain wotan george london attempt to prevent it.
    [Show full text]
  • Irene Dalis-Loinaz Papers MSS.2015.02.16
    http://oac.cdlib.org/findaid/ark:/13030/c8z60ttz No online items Guide to the Irene Dalis-Loinaz Papers MSS.2015.02.16 Beaudry Allen, Nissa Nack, and Grace Song SJSU Special Collections & Archives 2017 February Dr. Martin Luther King, Jr. Library San José State University One Washington Square San José, CA 95192-0028 [email protected] URL: http://library.sjsu.edu/sjsu-special-collections/sjsu-special-collections-and-archives Guide to the Irene Dalis-Loinaz MSS.2015.02.16 1 Papers MSS.2015.02.16 Language of Material: English Contributing Institution: SJSU Special Collections & Archives Title: Irene Dalis-Loinaz Papers creator: Dalis, Irene Identifier/Call Number: MSS.2015.02.16 Physical Description: 70 boxes(62 linear feet) Physical Description: 1 flat file drawersFile Cabinet 5 Drawer 8 (Vault 1) Date (inclusive): 1831-2015 Physical Description: Librettos and vocal scores in Series V Subseries I are in poor condition. Abstract: The Irene Dalis-Loinaz Papers (1831-2015, bulk 1950-2000) consists of correspondence, adminstrative records, notes, vocal and music scores, photographs, and opera publications, audiovisual materials, and relating to the life and career of Mezzo-Soprano opera singer Irene Dalis (1925-2014). Scope and Contents The Irene Dalis-Loinaz Papers (1831-2015, bulk 1950-2000) contain vocal scores, librettos, writings, opera research materials, correspondence, photographs, administrative records, and audiovisual materials relating to her career as an international mezzo-soprano vocalist, the development of Opera San Jose, and, to a lesser extent, her tenure as professor at San Jose State University. The bulk of the collection is related to Dalis’ career as an opera singer as well as the founder of Opera San Jose.
    [Show full text]
  • Wagner's Parsifal
    Wagner’s Parsifal - A partial survey of the discography by Ralph Moore There are in the CLOR catalogue over a hundred recordings of Parsifal, Wagner's Christian-Buddhist Schwanengesang. I review twenty here in this survey, including the only five studio versions and the first recording of excerpts, obviously not aiming for comprehensiveness but trying to consider the most significant and estimable versions. Extraneous noise and poor sound quality are particularly vexing in an opera which is often quiet and meditative in character, so I imagine that most listeners will want at least one studio recording, free of coughs and thumping. Parsifal is a “Marmite opera”; some are devoted to it, others repulsed. It’s slow, stately progress and relentless sententiousness require reserves of concentration greater than those which the average Wagner acolyte is prepared to devote to its appreciation. Twenty-five years elapsed between its germination and its realisation as Wagner’s last opera, and for some that inordinate period of gestation and creation is a metaphor for how they feel when sitting through its entirety, which typically takes well over four hours on CD, let alone attending a live performance with intervals. James Levine managed to extend his live 1985 performance in Bayreuth to an agonising four hours and forty minutes, and Reginald Goodall, the Celibidache of Wagnerian opera, even takes five minutes longer than that - whereas Herbert Kegel’s live performance in Berlin is a whole hour shorter, which is still too long for those who find Gurnemanz to be a frightful old bore and the eponymous hero hardly more alluring.
    [Show full text]
  • Redding's Toxic Hellhole
    Sunday, August 29, 2010 California’s Best Large Newspaper as named by the California Newspaper Publishers Association | $3.00 Gxxxxx• N TOP OF THE NEWS World/Nation Sporting Green Home & Garden 2 Rallies: Glenn Beck 1 49ers-Raiders: Frank Garden to table Travel and Al Sharpton lead Gore, right, and the San Still Easy — New rival marches. A14 Francisco running game — herbs inspire Orleans is alive and 1 Katrina: The fifth look ready; Oakland QB new culinary anniversary of the Campbell injured. B1 possibilities. L1 well 5 years later. M1 devastating floods. A16 Bay Area Datebook Business 1 Attorney general Food & Wine 1 Sex-ad smack- race: Prosecutors attack Fall arts preview down: Conflict over each others’ ethics. C1 Summer favorites — art dance, theater Craigslist’s adult ser- 1 Get real: Raising, — making the most vices section probably cooking and eating and music. 18 will head to court. D1 healthful food. C2 of pesto. K1 SPENDING POLICE SHOOTING Tax Suspect breaks captured under scrutiny in San By Carolyn Lochhead Diego CHRONICLE WASHINGTON BUREAU Officer patrolling WASHINGTON — Washington could nearly near border also eliminate its entire arrests companion $1.3 trillion federal def- icit this year simply by By Matthai Kuruvila closing loopholes in the CHRONICLE STAFF WRITER tax code. Deficit-plagued California could produce As a Fremont police a surplus the same way. Photos by Lance Iversen / The Chronicle officer clung to life From middle-class Saturday, the suspect in handouts such as the Don Bader and Larry Ball of the Bureau of Reclamation pass through a puddle of acid water as they take part in a walking tour of Iron Mountain Mine, one of the world’s most polluted sites.
    [Show full text]
  • Irene Dalis, 89, Powerhouse American Mezzo Who Found Acclaim In
    HOME FEATURES IN REVIEW RECORDINGS SOUND BITES DATELINE WATCH & LISTEN BREAKING NEWS ARCHIVES SUBSCRIBE NEWS CURRENT ISSUE: DECEMBER 2014 — VOL. 79, NO. 6 15 DECEMBER 2014 Irene Dalis, 89, Powerhouse American Mezzo Who Found Acclaim in Opera's Most Dramatic Roles Before Helming Opera San Jose, Has Died IRENE DALIS San Jose, CA, October 8, 1925—December 14, 2014 American mezzo-soprano Irene Dalis, whose blazing stage presence and powerhouse voice brought her acclaim in some of opera's most dramatic roles and took her to the most prestigious houses in America and Europe, has died. Dalis, who was 89, died following a brief illness. Dalis initially pursued a career as a pianist, but, after traveling to Europe in 1951 on a Fulbright scholarship and being discovered by Martha Mödl, she made her professional debut as a singer in 1953: contracted as a fest artist, a performance as Eboli in an Oldenburg Don Carlo brought immediate attention to the mezzo. Subsequent performances at the Berlin Stadtische Oper as the Kostelnicka in Jenůfa presaged an offer from the Met, where Dalis made her debut as Eboli in a 1957 performance of Don Carlo that found the mezzo singing alongside Jussi Björling, Delia Rigal, Ettore Bastianini and Cesare Siepi. Over a span of nearly twenty-years, Dalis would go on to sing more than 270 performances with the New York company, including Azucena, Dalila, Amneris, Brangäne, Fricka, Venus, Ortrud and Kundry and the Nurse in Die Frau Ohne Schatten; she was frequent partnered onstage by some of the most acclaimed voices of the second half of the twentieth century, including Birgit Nilsson, Robert Merrill, Leontyne Price, Placido Domingo and Leonie Rysanek.
    [Show full text]