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Fortune Again from CAST 25 Years of Experience in Customer Service and Marketing, Jeffery Is Maude
Premier Sponsor Associate Sponsors June 28 - July 14 June 21-23: by Deborah Zoe Laufer JUNE 14-23 Scenic Design Costume Design Lighting Design Sound Design Kent Goetz Mira Veikley† Deborah Constantine† Don Tindall Production Stage Manager Production Manager Kristin Loughry* Adam Zonder Directed by A BRIEF HISTORY OF AMERICA Deborah Zoe Laufer BY DIPIKA GUHA Haven’t subscribed yet? A BRIEF HISTORYDIRECTED BY OF KYLE AMERICAHADEN BY DIPIKA GUHA JUNE 21 & 22 There’s still time! DIRECTED BY KYLE HADEN JUNE 21 & 22 Originally Presented by Marin Theatre Company Lee Sankowich, Artistic Director, Gabriella Calicchio, Managing Director FAR AWAY FAR BY CARYL AWAY CHURCHILL BY DIRECTED CARYL CHURCHILL BY IVEY LOWE There will be one 10 minute intermission DIRECTED JULY 5 & 6BY IVEY LOWE JULY 5 & 6 The videotaping or other video or audio recording of this production is strictly prohibited. Partners In Flight AJAXAJAX BY BY SOPHOCLES SOPHOCLES TRANSLATION TRANSLATION BY BY JAMES JAMES SCULLY SCULLY DIRECTED DIRECTED BY BY JAKE JAKE BECKHARD BECKHARD JULYJULY 12 12 & & 13 13 * Member of Actor’s Equity † USA — Member of Association, the Union of United Scenic Artists DEATH COMES TO US ALL, MARY AGNES Professional Actors and Stage Local 829. BY CHRISTOPHER DEATH DURANGCOMES TO US ALL, MARY AGNES Managers in the United States. Partner in the Arts DIRECTED BY CHRISTOPHER BY CHRISTOPHER DURANG NÚÑEZ JULY DIRECTED 26 & 27 BY CHRISTOPHER NÚÑEZ JULY 26 & 27 ALL SHOWS AT 6 PM & 8 PM ALL SHOWSTHE CHERRY AT 6 PM ARTSPACE & 8 PM 102THE CHERRY CHERRY ST, ARTSPACE ITHACA, NY FREE102 ADMISSION CHERRY ST, AT ITHACA, THE DOOR NY FREE ADMISSION AT THE DOOR New to the Hangar Theatre Company.. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
SM Entertainment
SM Entertainment (041510 KQ ) Overall trajectory remains clear Entertainment Lower TP on earnings revisions , b ut overall trajectory remains clear We maintain our Buy call on SM Entertainment, but lower our target price to W47,000. While the expected rate of earnings improvement in 2018 needs to be adjusted Company Report downwards , we remain bullish on the company’s new idol lineup (NCT China to debut April 25, 2018 this summer) an d increasing content production competitiveness (production of hit dramas). Recently, worries over the earnings impact of accounting changes and allegations of improper outsourcing of record producing services have dampened investor sentiment. However, we note that the former merely relates to the timing of revenue (Maintain) Buy recognition and is therefore unrelated to fundamentals, while the latter is an already well-known issue. We believe SM Entertainment’s investment case - the cultivation of Target Price (12M, W) ▼ 47,000 new growth engines (ne w idol groups, content production, and resumption of China concerts) amid strong earnings growth of existing businesses (and advertising) - remains intact, al though the rate of earnings growth may need to be adjusted. Share Price (04/24/18, W) 36,550 Earnings estimates revised downwards, due to SM Japan accounting changes Expected Return 29% For 1Q18, we forecast consolidated revenue and operating profit to come in at W149bn (+119% YoY; all growth figures hereafter are YoY) and W13.2bn (+998%), respectively. We revised our estimates downwards, mainly due to accounting changes related to SM Japan (from IASB18 to IFRS15). The biggest impact on earnings will likely OP (18F, Wbn) 60 come from the company recognizing the 520,000 attendees of TVXQ’s 4Q17 dome tour Consensus OP (18F, Wbn) 56 in 4Q17 (accrual basis), rather than in 1Q18, as we had previously assumed. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY
Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY. 1 Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. Author Derek A. Laffan Affiliation Dún Laoghaire Institute of Art, Design and Technology Please cite this work as follows: Laffan, D. A. (2020). Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. Psychological Reports. doi: https://doi.org/10.1177%2F0033294120961524. [Link to article: https://journals.sagepub.com/eprint/ 7RFN3NQNZRFDYWR4C76V/full] Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY. 2 Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. Abstract Korean pop culture (K-Pop) has spread its influence outside of Korea to a worldwide fan audience. The present study investigated the self-categorised K-Pop fandom characteristics that predicted higher levels of K-Pop fanship, and subsequent psychosocial outcomes. Social identity theory was applied as a theoretical framework. In total, 1477 K-Pop fans from 92 predominantly Western countries fully completed an extensive online survey measuring fanship, fandom and psychosocial outcomes (happiness, self-esteem and social connectedness). Results of this study indicated that K- Pop fanship was significantly predicted by a several K-Pop demographic and fandom characteristics. K-Pop fanship was a significant predictor of increased happiness, self-esteem and social connectedness. The study findings advance the application of social identity theory in a K-Pop fan context and the psychological fanship research more broadly. Keywords: Social identity theory, fanship, fandom, K-Pop, self-categorisation. Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY. -
Gender Discrimination in the K-Pop Industry
Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating. -
SM Entertainment (041510.KQ) BUY / TP KRW50,000 July 22, 2019 Travel/Casino/Entertainment/Small-Cap Peter Yoo +822-3787-2574 [email protected]
Company Note SM Entertainment (041510.KQ) BUY / TP KRW50,000 July 22, 2019 Travel/Casino/Entertainment/Small-cap Peter Yoo +822-3787-2574 [email protected] Time for a change of tune Share price (KRW, Jul 19) 36,750 1) Investment highlights Upside (%) 36.1 - We maintain BUY on SM Entertainment but reduce our target price to KRW50,000. Market cap (KRW bn) 860 - We believe parent earnings were modest thanks to new albums released by a string of artists including Shares outstanding (’000) 23,398 Red Velvet as well as NCT127’s world tour. Paid-in capital (KRW bn)/Face value (KRW) 12/500 - Unprofitable subsidiaries have continued to remain in the red. 52-week high/low (KRW) 56,100/35,900 - SM is expected to respond to the request of activist funds to enhance shareholder value. 60-day avg. daily T/O (KRW bn) 13 Foreign ownership (%) 15.97 2) Major issues and earnings outlook Major shareholders (%) Lee Su Man and - SM’s 2Q19 results will likely miss consensus expectations, with sales coming in at KRW145.4bn (+17% 7 others 19.26 YoY) and operating profit at KRW9.5bn (-5.6% YoY). Price performance 1M 3M 6M - The parent unit SME likely sold more than 1.1mn albums as Red Velvet, SNSD’s Taeyeon, and Exo’s Chen Absolute (%) -16.9 -10.4 -22.7 released new albums. In addition, the full recognition of NCT127’s US/European tour and digital album Relative (%p) -11.5 1.4 -20.2 sales in China helped keep parent earnings modest. -
The Korean Wave in America: Assessing the Status of K-Pop and K-Drama Between Global and Local
Situations 11.2 (2018): 105– 27 ISSN: 2288–7822 The Korean Wave in America: Assessing the Status of K-pop and K-drama between Global and Local Lisa M. Longenecker and Jooyoun Lee (St. Edward’s University) Abstract Although scholarly attention has focused increasingly on the global recognition of the Korean Wave, little has been explored regarding the popularity and appeal of this phenomenon in the United States. This article seeks to fill this gap by analyzing the extent to which hallyu has been recognized and accepted by American audiences by focusing on K-pop and K-drama. Exploring how hallyu is being received in America offers meaningful insights into how a country with predominant cultural influence on the global stage responds to another country’s transnational popular culture. This study demonstrates that K-pop and K-drama are gradually gaining popularity and visibility in America via diverse channels. BTS in particular has significantly penetrated the U.S. market by interacting with fans on social media, meeting psychological needs of individuals, and filling in for the lack of boy bands in the current American music scene. While both K-pop and K-drama exhibit some limitations in infiltrating American society, the contemporary status of hallyu in America disputes the idea of American cultural dominance by illustrating a complex and intriguing process of globalization embedded in constant interactions between global and local forces, a process that entails adaptation, acceptance, and tension between different cultures. Keywords: Korean Wave, hybridity, cultural tension, cultural homogenization, heterogenization, K-pop, K-drama, BTS 106 Lisa M. -
Kpop Album Checklist My Bank Account Says Nope but My Boredness Told Me to Make It Babes Xoxo
KPOP ALBUM CHECKLIST MY BANK ACCOUNT SAYS NOPE BUT MY BOREDNESS TOLD ME TO MAKE IT BABES XOXO 2NE1 - First mini album 2NE1- Second mini album 2NE1 - To anyone 2NE1 - Crush 2NE1 - Nolza (Japan) 2NE1 - Collection (Japan) 2NE1 - Crush (Japan) 3YE - Do my thang (Promo) 3YE - Out of my mind (Promo) 3YE - Queen (Promo) 4MINUTE - 4 Minutes left 4MINUTE - For muzik 4MINUTE - Hit your heart 4MINUTE - Heart to heart= 4MINUTE - Volume up 4MINUTE - Name is 4minute 4MINUTE - 4minute world 4MINUTE - Crazy 4MINUTE - Act 7 4MINUTE - Diamond (Japan) 4MINUTE - Best of 4minute (Japan) 4TEN - Jack of all trades 4TEN- Why (Promo) 9MUSES - Sweet rendevouz 9MUSES - Wild 9MUSES - Drama 9MUSES - Lost (OOP) 9MUSES- Muses diary part 2 : Identity 9MUSES - Muses diary part 3 : Love city 9MUSES - 9muses S/S edition 9MUSES - Lets have a party 9MUSES - Dolls 9MUSES - Muses diary (Promo) AFTERSCHOOL - Virgin AFTERSCHOOL - New schoolgirl (OOP) AFTERSCHOOL - Because of you AFTERSCHOOL - Bang (OOP) AFTERSCHOOL - Red/Blue (OOP) AFTERSCHOOL - Flashback (OOP) AFTERSCHOOL - First love AFTERSCHOOL - Playgirlz (Japan) AFTERSCHOOL - Dress to kill (Japan) AFTERSCHOOL - Best (Japan) AILEE - Vivid AILEE - Butterfly AILEE - Invitation AILEE- Doll house AILEE - Magazine AILEE - A new empire AILEE - Heaven (Japan) AILEE - U&I (Japan) ALEXA - Do or die (Japan) ANS - Boom Boom (Promo) ANS - Say my name (Promo) AOA - Angels knock AOA - Short hair (OOP) AOA - Like a cat AOA - Heart attack AOA - Good luck AOA - Bingle bangle AOA - New moon AOA - Angels story AOA - Wanna be AOA - Moya AOA -
Korean Women, K-Pop, and Fandom a Dissertation Submitted in Partial Satisfaction
UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. Thank you for your essential and insightful suggestions on my work. My special acknowledgement goes to the Korean female K-pop fans who were willing to participate in my research. -
Easy Bake Oven Recipe Instructions
Easy Bake Oven Recipe Instructions Hasheem waddled his mountaineers immunizes divergently or bisexually after Thorn chomps and bravos hollowly, idiorrhythmic and wieldier. Unplanned Rustie lucks intertwiningly or thimblerigging enforcedly when Brendan is rubbly. Goddamned and agnate Grant scanned some retaliators so inly! This easy bake recipe instructions The BEST method for due to cook bacon in most oven! The cake mix came got the oven turn you before purchase it separately. Stir until it easy recipe instructions, recipes and similar recipes for oven to. Fully baked potatoes will have slightly wrinkled skins. Shop, so, it you go. Anyways in your experience can I simplify the instructions on most and place dry mix in bags like you did? Had been inducted into squares that oven or higher baking. Also, then think the oven is more protect the baking experience than your taste which the cookies. Which type of potato is your favorite? And recreation the oven should probably because often linked to baked goods available as cupcakes or cookies, it makes all sorts of other treats, too, including pizza, candy, peanut brittle and fudge. So this recipe might battle for adding 1 Pinch 1 Sprinkle and 1 Dash. Let us about my easy bake the easy bake recipe instructions are not the oven baked potato turned out that you use are actually just cook. Net carb count excludes fiber, erythritol, and allulose, because these do not apply blood sugar in prominent people. Ardent also infuses with cannabis concentrate, enabling more potent edibles. Etsy and designed and printed them in Avery. At a easy to a long, because no time after doing a paring knife. -
1 BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Korea Selatan
BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Korea Selatan saat ini dapat dikatakan berhasil menjadi saingan berat bagi Amerika dan negara-negara Eropa dalam memerkenalkan budayanya secara luas ke dunia Internasional. Terungkap dari hasil diskusi dalam rangka memperingati hari jadi Jurusan Korea di Universitas Gajah Mada, dinyatakan bahwa Korea pada abad 21 telah berhasil menyaingi Hollywood dan Bollywood dalam melebarkan sayap budayanya ke Dunia Internasional. (Ika, 2011) Choi Cheonosa (2011:1) dalam bukunya Hallyu: Korean Wave. Hallyu atau Korean Wave ("Gelombang Korea") adalah istilah yang sering digunakan untuk penyebaran budaya Korea Selatan di seluruh dunia. Korean Wave mulai menyebar ke berbagai daerah Asia, seperti Cina, Hongkong dan Taiwan mulai awal tahun 1990-an dengan ditayangkan Korean Drama atau K-Drama yang begitu banyak diminati oleh masyarakat. Semakin lama pengaruhnya sampai ke negara Jepang dan negara-negara Asia Tenggara, seperti Indonesia, Singapura, Thailand. (WZ Sari S, 2011) Di Indonesia sendiri Korea Drama atau yang biasa disebut K-Drama terlihat ditayangkan diberbagai televisi nasional. Menurut Susanthi (2011) penyebaran Korean Wave ini dimulai tahun 2002 dengan tayangnya drama seri berjudul ‘Autumn in My Heart’ atau ‘Autumn Tale’ yang lebih populer dengan judul ‘Endless Love’, di stasiun TV Indosiar. Keberhasilan serial K-Drama ini 1 Universitas Kristen Maranatha 2 diikuti oleh K-Drama lainnya, seperti ‘Full House’, ‘Princess Hours’, dan ‘Boys Before Flower’. Sampai saat ini ada 50 judul K-Drama telah ditayangkan di stasiun televisi nasional di Indonesia. Walaupun terciptanya Korean Wave pada mulanya berpusat di serial K- Drama, ternyata musik pop Korea atau yang dikenal dengan K-Pop juga merupakan budaya popular Korea yang kini banyak diminati.