22Nd Annual GSTBA Annotated Lists
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2018 Unparalleled Crossbow Gear
2018 Unparalleled Crossbow Gear. Shoot the Best. Be the Best. We believe in performance and maximizing every shot through meticulous Like you, we do not fear hard work and we are unafraid to dream of something attention to detail and blending handmade craftsmanship with modern better. It’s that drive that compels us to produce the materials. We believe in people who continuously look for an edge — people absolute finest crossbow strings, using the right blend of modern materials, who know that every shot counts. machinery and time-honored techniques. We believe that making innovative crossbow accessories that provide Work ethic, dedication to craftsmanship, and the relentless pursuit of the unparalleled gains in performance are the best way to enhance the perfect shot — we are BlackHeart and we craft crossbow strings. experience, shot after shot. modern craftsmanship crossbow case* Protect your crossbow with the meanest looking case on the market. It features tear / abrasion resistant material and tactical styling. Built to be highly functional and rugged, the Chamber truly beats the competition. 35" Overall, 23" Cam-to-Cam Containment 9.5" Scope Accommodation Height Durable Duraflex ® Components 840D Polyester #81332 New for 2018! ™ *Preproduction rendering. Final product may vary. CHAMBER Visit BlackHeartArchery.com for updates. crossbow protection cocking device Our ByPass™ Cocking Device is the future of crossbow cocking. Experience unmatched ease-of-use thanks to the 3:1 pulley system which makes loading your crossbow a breeze and allows your focus to shift to what 200lbs of required force matters — the perfect shot. 3:1 Pulley System Reduces Effort By Up to 67% Easiest Cocking Solution Available Patent Pending Technology #81368 New for 2018! 100 lbs of load 100lbs of load 66.6 lbs 66.6 lbs 33.33 lbs effort 33.33 lbs effort 66.6 lbs 66.6 lbs ™ 66.6 lbs 66.6 lbs BYPASS shooting accessories Anchor Anchor DuraWeave™ String Construction BlackHeart strings and cables are produced using our exclusive DuraWeave process. -
E Office of the City Engineer Los Angeles
ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- PAUL MAZURSKY RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square northerly of and between numbered locations 12H and 12h as shown on Sheet # 16 of Plan D-13788 for the Hollywood Walk of Fame for the installation of the name of Paul Mazursky at 6667 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on December 13,2013. FISCAL IMPACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated November 5, 2013, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council - 2- C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Paul Mazursky. The ceremony is scheduled for Friday, December 13,2013 at 11:30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N. -
Race on the Road: from the Periphery to the Centre in Jonathan Kaplan's Love Field
RACE ON THE ROAD: FROM THE PERIPHERY TO THE CENTRE IN JONATHAN KAPLAN’S LOVE FIELD Carmen Indurain Eraso Universidad Pública de Navarra Following a general cinematic trend, the road movie genre in its beginnings relegated the representation of non-whites to the periphery. After analysing the general state of affairs of racial representation in the genre, we witness in the 1990s a timid but remarkable trend to produce “racial” road movies which vindicate the rights of central representation of racial minorities. This paper analyses a representative racial road film, Jonathan Kaplan’s Love Field (1992), in an attempt to show that the road movie’s generic conventions and traditional liberal pedigree may provide a context where the depiction of racial minorities and race relations may finally reach a central status. In the road movie we have an ideogram of human desire and the last ditch search for self, and who is more plagued for hunger and lostness than the socially disenfranchised? (Atkinson 1994:14). 1. RACE ON THE ROAD: A PERIPHERAL PRESENCE While it reminds us of the inner search, a basic trait of the road movie genre, this quotation by Michael Atkinson also makes the significant point that the socially marginalised are liable to experience an even greater need for this personal quest. As members of this underprivileged group together with women, non-whites can feel more intensely the “call to adventure”, to flee from an emotionally retarded society which has failed to integrate them satisfactorily. Thus, given their unfavourable condition in society which has traditionally allotted them a peripheral position as mere accessories to the white male, African Americans, Hispanics or Native ES 27 (2006-7): 75-94 76 CARMEN INDURAIN ERASO American Indians have started to find a central space of cinematic representation in the road genre. -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Dakota Johnson and Jamie Dorman Talk 50 Shades of Grey, Glamour
COVER STORY 0315-GL-WELL10 COVER STORY 0315-GL-WELL11 Close-Knit Costars “I’ve never had an on-screen relationship as intense with another actress,” says Dornan. “We respect and trust each other.” Saint Laurent by Hedi Slimane dress, $3,190. La Perla bra, $524. On left hand, rings, from left: Eva Fehren (2), Zoë Chicco, $570. On right hand, rings, from top: Melissa Kaye Jewelry. Zoë Chicco, $570. On Dornan: Saint Laurent by Hedi Slimane shirt. Givenchy by Riccardo Tisci pants, belt. Warby Parker glasses. Lanvin tie. This Is Ready or not, Fifty Shades of Grey is here—and in an exclusive interview, stars Dakota Johnson and Jamie Dornan talk to Glamour’s Genevieve Field about the rumors, the Red Room, and the many, many ways they bonded. Photographs by Steven Pan Fashion editor: Laura Ferrara 230 glamour.com glamour.com 231 COVER STORY 0315-GL-WELL12 COVER STORY 0315-GL-WELL13 can show you how pleasurable pain can be.… There will be So much speculation! Glamour went in search of the real story pain, but nothing you can’t handle.… Do you trust me, Ana? of the making of the movie, and in this exclusive, Dornan, Johnson, If you have to ask, that’s billionaire Christian Grey smooth- and Taylor-Johnson took turns divulging the details of their Fifty talking recent college grad Anastasia Steele in E.L. James’ Shades ride so far. Mr. Grey and Co. will see you now. Fifty Shades of Grey, the novel that sparked Fifty Shades Fever. Since 2011 the trilogy has sold more than 100 million On Chasing the Hottest Roles in Hollywood copies and “Fifty Shades” references have been slapped onto every- DAKOTA JOHNSON: I had read the books and was drawn to the thing fromI classical music albums to baby onesies (“All my mommy character of Ana because she’s private, loving, honest—and wanted was a night with Mr. -
Vampires in Brooklyn Part 1 6
MARVEL.COM $3.99 RATED 0 0 6 1 1 US 6 T+ 7 59606 08783 9 VAMPIRES INBROOKLYN BARNES •CABROLROSENBERG PART 1 Sam Wilson stepped away from the mantle of Captain America to build a legacy of his own--as the high-flying FALCON! Along with his new protégé, Rayshaun Lucas, A.K.A. the PATRIOT, he’s embarking on a mission to decide what kind of hero he wants to be. After the Hydra takeover, Falcon went to Chicago to find himself--and to broker a truce between two warring gangs. He ran afoul of Blackheart, son of Mephisto, who cast Falcon’s soul into hell. With help from his friends, he was able to return to his body and defeat Blackheart, but his victory made him some powerful enemies… VAMPIRES IN BROOKLYN Writer • RODNEY BARNES Editor • ALANNA SMITH Artist • SEBASTIÁN CABROL Executive Editor • TOM BREVOORT Editor in Chief • C.B. CEBULSKI Color Artist • RACHELLE ROSENBERG Chief Creative Officer • JOE QUESADA Letterer • VC’s JOE CARAMAGNA President • DAN BUCKLEY Cover Art • JAY ANACLETO & ROMULO FAJARDO JR. Executive Producer • ALAN FINE FALCON No. 6, May 2018. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2018 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. -
Set Name Card Description Sketch Auto
Set Name Card Description Sketch Auto Mem #'d Odds Point Base Set 1 Angela 4 Per Pack 24 Base Set 2 Anti-Venom 4 Per Pack 24 Base Set 3 Doc Samson 4 Per Pack 24 Base Set 4 Attuma 4 Per Pack 24 Base Set 5 Bedlam 4 Per Pack 24 Base Set 6 Black Knight 4 Per Pack 24 Base Set 7 Black Panther 4 Per Pack 24 Base Set 8 Black Swan 4 Per Pack 24 Base Set 9 Blade 4 Per Pack 24 Base Set 10 Blink 4 Per Pack 24 Base Set 11 Callisto 4 Per Pack 24 Base Set 12 Cannonball 4 Per Pack 24 Base Set 13 Captain Universe 4 Per Pack 24 Base Set 14 Challenger 4 Per Pack 24 Base Set 15 Punisher 4 Per Pack 24 Base Set 16 Dark Beast 4 Per Pack 24 Base Set 17 Darkhawk 4 Per Pack 24 Base Set 18 Collector 4 Per Pack 24 Base Set 19 Devil Dinosaur 4 Per Pack 24 Base Set 20 Ares 4 Per Pack 24 Base Set 21 Ego The Living Planet 4 Per Pack 24 Base Set 22 Elsa Bloodstone 4 Per Pack 24 Base Set 23 Eros 4 Per Pack 24 Base Set 24 Fantomex 4 Per Pack 24 Base Set 25 Firestar 4 Per Pack 24 Base Set 26 Ghost 4 Per Pack 24 Base Set 27 Ghost Rider 4 Per Pack 24 Base Set 28 Gladiator 4 Per Pack 24 Base Set 29 Goblin Knight 4 Per Pack 24 Base Set 30 Grandmaster 4 Per Pack 24 Base Set 31 Hazmat 4 Per Pack 24 Base Set 32 Hercules 4 Per Pack 24 Base Set 33 Hulk 4 Per Pack 24 Base Set 34 Hyperion 4 Per Pack 24 Base Set 35 Ikari 4 Per Pack 24 Base Set 36 Ikaris 4 Per Pack 24 Base Set 37 In-Betweener 4 Per Pack 24 Base Set 38 Khonshu 4 Per Pack 24 Base Set 39 Korvus 4 Per Pack 24 Base Set 40 Lady Bullseye 4 Per Pack 24 Base Set 41 Lash 4 Per Pack 24 Base Set 42 Legion 4 Per Pack 24 Base Set 43 Living Lightning 4 Per Pack 24 Base Set 44 Maestro 4 Per Pack 24 Base Set 45 Magus 4 Per Pack 24 Base Set 46 Malekith 4 Per Pack 24 Base Set 47 Manifold 4 Per Pack 24 Base Set 48 Master Mold 4 Per Pack 24 Base Set 49 Metalhead 4 Per Pack 24 Base Set 50 M.O.D.O.K. -
First-Run Smoking Presentations in U.S. Movies 1999-2003
UCSF Tobacco Control Policy Making: United States Title First-Run Smoking Presentations in U.S. Movies 1999-2003 Permalink https://escholarship.org/uc/item/5hj06178 Authors Polansky, Jonathan R. Glantz, Stanton A., PhD Publication Date 2004-03-09 eScholarship.org Powered by the California Digital Library University of California First-Run Smoking Presentations in U.S. Movies 1999-2003 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBACCO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 March 2004 EXECUTIVE SUMMARY * Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is the first to examine the U.S. movie industry’s total output. It is also the first to identify smoking movies, tobacco incidents and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices.† Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Born Into Brothels
Presents FINDING ALTAMIRA A Morena Films, El Maestro De Altamira, and Mare Nostrum Productions Production A Film by Hugh Hudson Theatrical Release Date: September 16, 2016 Running Time: 93 minutes Rating: Not Yet Rated Facebook: www.facebook.com/samuelgoldwynfilms To Download Materials: https://www.dropbox.com/sh/1fu5b947cxip0l1/AAC7ueo44Q7UaJkwpKmsliW2a?dl=0 Publicity/Press Contact: PRODIGY PR 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] CAST AND CREW Marcelino Sanz de Sautuola ANTONIO BANDERAS Conchita GOLSHIFTEH FARAHANI María ALLEGRA ALLEN Paul Ratier PIERRE NINEY Émile Cartailhac CLÉMENT SIBONY Monseñor RUPERT EVERETT Pasi TÁBATA CEREZO Abbé Breuil TRISTÁN ULLOA María (adult) IRENE ESCOLAR De los Ríos HENRY GOODMAN Vilanova NICHOLAS FARRELL Director HUGH HUDSON Writers OLIVIA HETREED JOSÉ LUIS LÓPEZ LINARES Producers LUCRECIA BOTÍN ALVARO LONGORIA ANDY PATERSON Executive Producers LUCRECIA BOTÍN ANA BOTÍN ANDRÓNICO LUKSIC LAURA BICKFORD JOSÉ LUIS LÓPEZ LINARES PILAR BENITO Co-Producers ALEXANDRA LEBRET AXEL KUSCHEVATZKY Associate Producers GONZALO BOTÍN EMILIO BOTÍN IGNACIO SALAZAR-SIMPSON NICOLÁS LUCA DE TENA SAINZ CRISTÓBAL GARCÍA Music MARK KNOPFLER EVELYN GLENNIE Director of Photography JOSÉ LUIS ALCAINE Editor PIA DI CIAULA Line Producer CRISTINA ZUMÁRRAGA Production Designer BENJAMÍN FERNÁNDEZ Sound DANIEL FONTRODONA GABRIEL GUTIÉRREZ STEFAN HENRIX Costume Designer CONSOLATA BOYLE Make-up and Hair Designer JENNY SHIRCORE “Finding Altamira” press kit, p. 2 of 10 SYNOPSIS In 1879, Spanish archaeologist Marcelino (Antonio Banderas) and his daughter Maria (Allegra Allen) discover seemingly impossible paintings of galloping bison adorning the walls of a hidden cave. The cave of Altamira brings the world together in amazement, drawing people of all types to see the paintings in person. -
Vs. System 2PCG
Upper Deck Vs System 2PCG Card Rules FAQ - Card Ruling FAQ Card 1 Keyword/Super Related Cards Related Question Answer Source UDE Approved Power/XP Keywords Adam Warlock If I don’t use his Emerge power, will he recover normally during Yes. But he’s huge! Spend that MIGHT and start bashing with him right UDE FAQ 6.10.16 my next Recovery Phase? away, man! Baron Mordo (MC) Hypnotize Sister Ripley/Ripley #8 If I Hypnotize a Ripley #8 L2 that started the game as Sister Ripley #8 Level 1. A character will always become the level one version FB Post - Chad Ripley, which Level 1 Character does she become? Sister of what it is. Daniel Ripley or Ripley#8 level 1? Baron Mordo (MC) Hypnotize Does Hex prevent a Hypnotized character from truning back into No, Hypnotize creates a modifier with an expiration that temporarily FB Post - Kirk Level 2 at the start of my next turn? makes a character its Level 1 version. When that modifer expires it (confirmed by becomes its Level 2 version again, and this is not conisdered Leveling Chad) up. Black Cat (MC) Cross their Path Satana Lethal If Satana is in play and Black Cat attacks a defender and uses Daze counts as stunning, but Lethal was changed to work when a FB Post - Chad Cross their Path to Daze that character, is it KO'd by Lethal? wounding a defending supporting character. Since Daze does not Daniel wound, lethal is not applied. Blackheart Created from Evil Even the Odds Even the Odds targeting Blackheart. -
US RIGHTS LIST Quercus Quercus US Rights List
Spring 2020 US RIGHTS LIST Quercus Quercus US Rights List PAGES.indd 2 26/02/2020 17:04 FICTION QUERCUS General Fiction 4 Quercus is a fast-growing publisher with a uniquely Crime & Thriller 9 international author base and a reputation for creative, high-energy bestsellers that surprise and delight the Literary Fiction 23 market. Historical Fiction 28 IMPRINTS Fantasy, Science Fiction & Horror 32 Quercus Non-Fiction, under Katy Follain, publishes com- mercial megasellers including Stories for Boys Who Dare to Be Different and the Famous Five for Grown-Ups series, but NON-FICTION the list is increasingly narrative and international, from The Maths of Life and Death to My Friend Anna. Popular Science 41 Quercus Fiction, under Cassie Browne, publishes commercial bestsellers include JP Delaney, Beth O’Leary’s Exploration 43 The Flatshare, Elly Griffiths, Philip Kerr and Lisa Wingate, with particular strength in crime and thriller. General 49 MacLehose Press, under Christopher MacLehose, is the UK’s leading publisher of quality translated fiction and Self-development 55 non-fiction, with bestsellers such as David Lagercrantz, Joel Dicker, Virginie Despentes and Pierre Lemaitre. Nature 62 Riverrun, under Jon Riley, is our literary fiction, crime and non-fiction imprint. Peter May and Louise O’Neill are the standout stars, with quality crime writers William Shaw and RIGHTS TEAM Olivia Kiernan, and literary talents Daniel Kehlmann, Polly Clark and Dror Mishani building nicely. Rebecca Folland Rights Director - Hodder & Stoughton, Headline Jo Fletcher Books is a small but perfectly formed specialist John Murray Press & Quercus list publishing the very best in best science fiction, fantasy [email protected] and horror. -
Latinos in U.S. Film Industry
Journal of Alternative Perspectiv es in the Social Sciences ( 2010 ) Vol 2, No 1 , 399 -414 Latinos in U.S. Film Industry Beatriz Peña Acuña , Ph.D., San Antonio University, Spain Abstract: This text is a reflection of the realization of the dreams of those more than eight million Americans of Hispanic origin, which include all the legal Mexican immigrant population, and displayed less real situation of many men and women of Hispanic origin in illegal or integration process in the U.S. Thus, we will focus on Chicano cinema, social cinema and Hollywood cinema, and finally deal with the presence of Hispanic culture in some mythical movies in cinema history. We study how specific social and cultural problems posed by Mexican immigration in the United States is addressed in the film written, directed and produced by Hispanics and other filmmakers of the Hollywood industry. Moreover we revise how Hispanics get involved in the industry: especially to three groups: first, the actors because they often play the role of Hispanic, or to see what role is given both social and starring (if it is considered a hero or a villain, and see what social level holds), second, the directors and third, the producers. 1. Introduction There seems to be an evolution in the participation and the degree of importance (or social role) of Hispanic- American population, a phenomenon that is found in relative social mobility and a gradual integration, which is to be equated to other waves of immigration that have occurred previously in the U.S. (Swedish, German, Irish, Italian, etc).