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The Daily Feather
Start Your Day with Danielle Macroeconomic Research Analysis & Insights Subscribe to The Daily Feather www.quillintelligence.com Deadpool of Labor VIPs Downward Payroll Revisions and • Powell’s characterization of the labor market being in “quite a strong Yield Curve Inversion Trending. position” defies Fed’s revision rule of thumb: three straight months Coincidence? We Think Not. of up or down revisions signal cycle turns; August marked month 120 Private Nonfarm Payroll Benchmark (avg per month, K) five, accompanied by a similar stretch of yield curve inversion Private Payroll Two-Month Revisions (sum total, K) 100 U.S. 3-month/10-year Yield Spread (bps) • Fed economists treat benchmark revisions as stronger indicators of 80 trend change vs. real time revisions with the first year of a significant benchmark revision tending to foreshadow the next; BLS private 60 payroll data was benchmark revised by -0.4%, the worst since 2010 40 • Analyzing the timeframe from January and March 2019 with the lat- 20 ter the last for which benchmark revisions are available indicates a 0 worsening trend suggesting next August’s BLS benchmark revision -20 through March 2020 will be deeper -40 -60 In Time travel has a protocol. But don’t let Deadpool 2 violating said -80 protocol, dictated by Marvel Cinematic Universe (MCU —yes, there Apr MayJun JulAug SepOct NovDec Jan FebMar AprMay JunJul AugSep really is an acronym for that), dissuade you from catching the brilliant ‘18 ‘19 Source: Bloomberg, BLS, U.S. Treasury sequel to the quirkiest of all the mega-franchise’s offerings. So what if Cable, portrayed by Josh Brolin, changes the past in the present. -
Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
2016 Spring Newsletter
Official Fan Club Site—www.juicenewtonfanclub.com 2016 Spring Newsletter Hi Everyone, The support and love for Juice has never been as powerful and as proven as it was over the last few months. This issue of the newsletter will feature some new information about Juice and will introduce you to the 2016 “O” Award winner. Paul 1 A Hit All Over Again I am pleased to announce that Juice is once again on the charts with the song that is as classy as she is. ‘Angel of The Morning’ is once again on the charts thanks to the blockbuster movie ‘Deadpool.’ (more on this later) A whole new generation of fans are listening to Juice and have joined the fan club or in- quired about the song. Congratulations Juice!! 'Deadpool' Director Tim Miller and Songwriter Chip Taylor on the Film's Soft-Rock Center- piece, 'Angel in the Morning' (http://www.billboard.com/articles/business/6882938/behind-deadpool-soundtrack-tim-miller-chiptaylor-juice-newton-angel-in-the-morning) “There'll be no strings to bind your hands / Not if my love can't bind your heart.” That’s the first thing you hear over the Marvel logo in the No. 1 movie in the country, Deadpool. As '80s pop country singer Juice Newton sings about an illicit love affair she just can’t shake in her 1981 hit “Angel of the Morning,” Ryan Reynolds’ f-bomb blasting anti-hero gets busy kicking ass. It makes zero sense on the surface, and yet director Tim Miller says that the song was the only track con- sidered to open the superhero flick that grossed another $55 million over the weekend to easily hold on to the No. -
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Editor: Henry Reichman, California State University, East Bay Founding Editor: Judith F. Krug (1940–2009) Publisher: Barbara Jones Office for Intellectual Freedom, American Library Association ISSN 1945-4546 March 2013 Vol. LXII No. 2 www.ala.org/nif Filtering continues to be an important issue for most schools around the country. That was the message of the American Association of School Librarians (AASL), a division of the American Library Association, national longitudinal survey, School Libraries Count!, conducted between January 24 and March 4, 2012. The annual sur- vey collected data on filtering based on responses to fourteen questions ranging from whether or not their schools use filters, to the specific types of social media blocked at their schools. AASL survey The survey data suggests that many schools are going beyond the requirements set forth by the Federal Communications Commission (FCC) in its Child Internet Protection explores Act (CIPA). When asked whether their schools or districts filter online content, 98% of the respon- dents said content is filtered. Specific types of filtering were also listed in the survey, filtering encouraging respondents to check any filtering that applied at their schools. There were in schools 4,299 responses with the following results: • 94% (4,041) Use filtering software • 87% (3,740) Have an acceptable use policy (AUP) • 73% (3,138) Supervise the students while accessing the Internet • 27% (1,174) Limit access to the Internet • 8% (343) Allow student access to the Internet on a case-by-case basis The data indicates that the majority of respondents do use filtering software, but also work through an AUP with students, or supervise student use of online content individually. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
2018 Unparalleled Crossbow Gear
2018 Unparalleled Crossbow Gear. Shoot the Best. Be the Best. We believe in performance and maximizing every shot through meticulous Like you, we do not fear hard work and we are unafraid to dream of something attention to detail and blending handmade craftsmanship with modern better. It’s that drive that compels us to produce the materials. We believe in people who continuously look for an edge — people absolute finest crossbow strings, using the right blend of modern materials, who know that every shot counts. machinery and time-honored techniques. We believe that making innovative crossbow accessories that provide Work ethic, dedication to craftsmanship, and the relentless pursuit of the unparalleled gains in performance are the best way to enhance the perfect shot — we are BlackHeart and we craft crossbow strings. experience, shot after shot. modern craftsmanship crossbow case* Protect your crossbow with the meanest looking case on the market. It features tear / abrasion resistant material and tactical styling. Built to be highly functional and rugged, the Chamber truly beats the competition. 35" Overall, 23" Cam-to-Cam Containment 9.5" Scope Accommodation Height Durable Duraflex ® Components 840D Polyester #81332 New for 2018! ™ *Preproduction rendering. Final product may vary. CHAMBER Visit BlackHeartArchery.com for updates. crossbow protection cocking device Our ByPass™ Cocking Device is the future of crossbow cocking. Experience unmatched ease-of-use thanks to the 3:1 pulley system which makes loading your crossbow a breeze and allows your focus to shift to what 200lbs of required force matters — the perfect shot. 3:1 Pulley System Reduces Effort By Up to 67% Easiest Cocking Solution Available Patent Pending Technology #81368 New for 2018! 100 lbs of load 100lbs of load 66.6 lbs 66.6 lbs 33.33 lbs effort 33.33 lbs effort 66.6 lbs 66.6 lbs ™ 66.6 lbs 66.6 lbs BYPASS shooting accessories Anchor Anchor DuraWeave™ String Construction BlackHeart strings and cables are produced using our exclusive DuraWeave process. -
Civil War: Front Line Book 2 Free Download
CIVIL WAR: FRONT LINE BOOK 2 FREE DOWNLOAD Paul Jenkins,Ramon Bachs,Steve Lieber | 160 pages | 23 May 2007 | Marvel Comics | 9780785124696 | English | New York, United States Civil War: Front Line Book 2 (Trade Paperback) The Atlantean sleeper agent meets up with several armed comrades, but doesn't noticed he is trailed by Wonder Man. The film Captain America: Civil War was a cinematic treatment of the story, albeit focusing more on the issue of government control rather than public knowledge of secret identities, matters also being escalated by the interference and manipulation of Helmut Zemo as his plan for revenge for the Avengers' role in Ultron's assault and the deaths of Zemo's family. They confront him about him, letting him know they are aware of his actions, but choose to bury the story for the sake of maintaining harmony. The movie version of Civil War also differs from the comic substantially, with the fate of Bucky Barnes being a key element of the war after he is framed for the Civil War: Front Line Book 2 of the Black Panther's father, the king of Wakanda. Civil War: Front Line - Can they bring the power to the people? I thought Jenkins wasn't ham-handed in linking fictional and real wars, despite having most panels be split-screens between superheroes and historical war scenes. Those who sign also have the option of working for S. A trade paperback which reprints several issues of Civil War: Front Line. Marvel Enterprises, Inc. Both of the lead "everyman" characters chew out Captain America and Tony Stark, on several occasions. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
PDF Download Uncanny X-Men: Superior Vol. 2: Apocalypse Wars
UNCANNY X-MEN: SUPERIOR VOL. 2: APOCALYPSE WARS PDF, EPUB, EBOOK Cullen Bunn | 120 pages | 29 Nov 2016 | Marvel Comics | 9780785196082 | English | New York, United States Uncanny X-men: Superior Vol. 2: Apocalypse Wars PDF Book Asgardians of the Galaxy Vol. Under siege, the mutants fight to protect the last refuge of humanity in Queens! Get A Copy. Later a mysterious island known as Arak Coral appeared off the southern coast of Krakoa and eventually both landmasses merged into one. But what, exactly, are they being trained for? The all-new, all-revolutionary Uncanny X-Men have barely had time to find their footing as a team before they must face the evil Dormammu! The Phoenix Five set out to exterminate Sinister, but even the Phoenix Force's power can't prevent them from walking into a trap. Read It. The four remaining Horsemen would rule North America alongside him. Who are the Discordians, and what will they blow up next? Apocalypse then pitted Wolverine against Sabretooth. With a wealth of ideas, Claremont wasn't contained to the main title alone, and he joined forces with industry giant Brent Anderson for a graphic novel titled God Loves, Man Kills. Average rating 2. Apocalypse retreats with his remaining Horsemen and the newly recruited Caliban. Weekly Auction ends Monday January 25! Reprints: "Divided we Fall! Art by Ken Lashley and Paco Medina. Available Stock Add to want list This item is not in stock. Setting a new standard for Marvel super heroes wasn't enough for mssrs. With mutantkind in extinction's crosshairs once more, Magneto leads a group of the deadliest that Homo superior has to offer to fight for the fate of their species! The secondary story involving Monet, Sabertooth, and the Morlocks was pretty good, though, and I'm digging the partnership that's forming between M and Sabertooth. -
Released 26Th July 2017 DARK HORSE COMICS MAY170038 BANKSHOT #2 MAY170025 BLACK HAMMER #11 MAIN ORMSTON CVR MAY170026 BLACK HAMM
Released 26th July 2017 DARK HORSE COMICS MAY170038 BANKSHOT #2 MAY170025 BLACK HAMMER #11 MAIN ORMSTON CVR MAY170026 BLACK HAMMER #11 VAR LEMIRE MAR170044 BLACK SINISTER HC MAY170066 BPRD DEVIL YOU KNOW #1 MAY170067 BPRD DEVIL YOU KNOW #1 MIGNOLA VAR APR170101 CONAN THE SLAYER #11 NOV160071 HOW TO WIN AT LIFE BY CHEATING AT EVERYTHING TP MAY170068 JOE GOLEM OCCULT DETECTIVE OUTER DARK #3 FEB170063 LEGEND OF KORRA TP VOL 01 TURF WARS PT 1 MAY170023 MASS EFFECT DISCOVERY #3 MAY170024 MASS EFFECT DISCOVERY #3 NIEMCZYK VAR MAY170028 REBELS THESE FREE & INDEPENDENT STATES #5 (OF 8) MAR170077 SERENITY HC VOL 05 NO POWER IN THE VERSE MAR170064 USAGI YOJIMBO SAGA LEGENDS LTD ED HC MAR170063 USAGI YOJIMBO SAGA LEGENDS TP DC COMICS MAY170198 ACTION COMICS #984 MAY170199 ACTION COMICS #984 VAR ED MAY170200 ALL STAR BATMAN #12 MAY170201 ALL STAR BATMAN #12 ALBUQUERQUE VAR ED MAY170202 ALL STAR BATMAN #12 FIUMARA VAR ED APR170417 AQUAMAN KINGDOM LOST TP MAY170205 BATGIRL #13 MAY170206 BATGIRL #13 VAR ED MAY170209 BATMAN BEYOND #10 MAY170210 BATMAN BEYOND #10 VAR ED APR170437 BATMAN SUPERMAN WONDER WOMAN TRINITY TP NEW EDITION MAY170290 BATMAN THE SHADOW #4 (OF 6) MAY170292 BATMAN THE SHADOW #4 (OF 6) EPTING VAR ED MAY170291 BATMAN THE SHADOW #4 (OF 6) SALE VAR ED MAY170217 BLUE BEETLE #11 MAY170218 BLUE BEETLE #11 VAR ED JAN170426 DC DESIGNER SER WONDER WOMAN BY ADAM HUGHES STATUE (RES) MAY170225 DETECTIVE COMICS #961 MAY170226 DETECTIVE COMICS #961 VAR ED MAY170314 DOOM PATROL #7 (RES) MAY170315 DOOM PATROL #7 VAR ED (RES) MAY170229 FLASH #27 MAY170230 -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier).