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The Crisis of the Seventeenth Century - Thecrisisof the Seventeenth Century
The Crisis of the Seventeenth Century - TheCrisisof the Seventeenth Century , , HUGH TREVOR-ROPER LIBERTY FUND This book is published by Liberty Fund, Inc., a foundation established to en- courage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word ‘‘freedom’’ (amagi), or ‘‘liberty.’’ It is taken from a clay document written about 2300 .. in the Sumerian city-state of Lagash. © 1967 by Liberty Fund, Inc. Allrightsreserved Printed in the United States of America Frontispiece © 1999 by Ellen Warner 0504030201C54321 0504030201P54321 Library of Congress Cataloging-in-Publication Data Trevor-Roper, H. R. (Hugh Redwald), 1914– The crisis of the seventeenth century / H.R. Trevor-Roper. p. cm. Originally published: New York: Harper & Row, 1967. Includes bibliographical references and index. ISBN 0-86597-274-5 (alk. paper)—ISBN 0-86597-278-8 (pbk.: alk. paper) 1. Europe—History—17th century. I. Title: Crisis of the 17th century. II. Title. D246.T75 2001 940.2'52—dc21 00-025945 Liberty Fund, Inc. 8335 Allison Pointe Trail, Suite 300 Indianapolis, Indiana 46250-1684 vii ix 1 Religion, the Reformation, and Social Change 1 2 TheGeneralCrisisoftheSeventeenth Century 43 3 The European Witch-craze of the Sixteenth and Seventeenth Centuries 83 4 The Religious Origins of the Enlightenment 179 5 Three Foreigners: The Philosophers of the Puritan Revolution 219 6 The Fast Sermons of the Long Parliament 273 7 Oliver Cromwell and His Parliaments 317 8 Scotland and the Puritan Revolution 359 9 The Union of Britain in the Seventeenth Century 407 427 v Louis de Geer at the age of sixty-two. -
Painting the Hortus Deliciarum : Medieval Women, Wisdom, and Time Pdf, Epub, Ebook
PAINTING THE HORTUS DELICIARUM : MEDIEVAL WOMEN, WISDOM, AND TIME PDF, EPUB, EBOOK Danielle B. Joyner | 256 pages | 15 Apr 2016 | Pennsylvania State University Press | 9780271070889 | English | University Park, United States Painting the Hortus deliciarum : Medieval Women, Wisdom, and Time PDF Book Ecclesia is the central figure of the allegorical section of the manuscript fols. Rather than seeing time and history as a unified linear phenomenon that typology bends or tears, the HD redefines time as a plurality of units that can be arranged and rearranged like Tetris blocks to unlock the divine mysteries that connect them pp. We are truly in an exciting, transformative period of art history. Click here to sign up. Includes bibliographical references pages [] and index. Rather than relying simply on modern studies of twelfth-century thought, she reads the original texts in some of the same ways that Abbess Herrad must have, following medieval cues in order to situate the manuscript within the Hohenbourg s wider intellectual life. Indeed, despite the study s title, the key concept that unlocks the HD s pedagogical structure is not so much time as 1Joyner compares its combination of artistic mastery and intellectual complexity to Suger s apse windows at St. Florescu, Comitatus, "Joyner has made a solid contribution to the study of twelfth-century monastic literature and to the study of the Hortus Deliciarum in particular. Omer s Liber Floridus, the HD sets those diagrams within the vast narrative structures of salvation history, ranging from Lucifer s prideful fall near the beginning of the manuscript to the epic battle sequence between the Vices and Virtues on fols. -
Histoire De L'alsace: Tome II: Bas-Rhin
Histoire de l’Alsace Tome II: Bas-Rhin Kevin Smith 2015 i Printing / Binding Instructions 1. Print document double sided on letter size paper 2. Cut the entire printed document in half 3. Fold over making sure the page numbering is continuous 4. For the cover: Print just the first page on card stock paper Cut the cover in half as well 5. Assemble the covers on the document 6. Punch the left side for a binding, spiral or comb as desired http://www.lessmiths.com/~kjsmith/html/main.shtml KJ Smith ii NOTES: 268 iii NOTES: iv 267 NOTES: INTRODUCTION This little guide stems from my interest in “putting it all together”, for understanding something of the history of Alsace (whence comes my lovely bride). I am partictularily interested in that history which has left tangible evidence in the form of many castles dotting the Vosges foothills and the fortified towns which often opposed them on the fertile plains below. Not only the towns and castles themselves but the ghosts of those who lived there, their concerns, motavations, and the broader European social currents that influenced and often inundated them. I have started with a backbone of articles describing the many castles which remain ever present. These are the transition civilation existing between an early Celtic and Roman world swamped by the growth of Frankish power, and by a later Europe shaped by new cities and ideas yet retaining the legacy of feudal/aristocratic ambitions and foibles. The ruins of ideas often as present as the castles themselves. Alsace is one of those border states (as it were) always part of larger neighboring regions without necessarily a unique history of its own. -
Reassessing the London-Berlin Cross
Liturgical Polyvalence and the Potential of Performance: Reassessing the London-Berlin Cross Lindsay Corbett The Department of Art History and Communication Studies, McGill University, Montréal April 2017 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of a Master’s of Arts (Art History). © Lindsay Corbett, 2017 2 Table of Contents 1. Abstract………………………………………………………………………………….....3 2. Acknowledgements………………………………………………………………………...4 3. List of Figures…....……………………………………………………………..……….…5 4. Introduction…..………………………………………………………………………….…7 5. Beyond the Workshop: Mobile Artists and Materials…………….…………………....…10 6. Iconography: Typology and the Invention of the Cross..……………………................…13 7. The Stavelot Triptych: Consistencies and Inconsistencies……………………………..…16 8. Beyond Iconography: Altars, Processions, and Relics………………..……………..……20 9. The Moment of Unveiling: The London-Berlin Cross and Good Friday Ritual…...…..…31 10. Conclusion………..……………………………………………………………..……...…41 11. Figures………..…………..……………………………………………………………….43 12. Bibliography……...……………………………………………………………..……..….56 3 Abstract Unique amongst surviving examples of Mosan metalwork, the London-Berlin Cross is the only Mosan enameled cross that preserves both its front and back plates. Yet, without its original core, scholarship has focused exclusively on questions of workshop style or iconographic developments in the twelfth century. Based on stylistic and iconographic similarities with other Mosan objects, most scholars hypothesize -
University of Florida Thesis Or Dissertation Formatting
MORBID REVELATIONS: THE CULT OF SAINTS AND THEIR DISPLAYS IN THE 17TH-CENTURY SWISS CONFEDERACY By IVY MARGOSIAN A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2017 © 2017 Ivy Margosian I dedicate this research to my father. ACKNOWLEDGMENTS I would like to express my sincerest gratitude to my advisor Dr. Elizabeth Ross of the University of Florida. Throughout my research she has been a source of guidance and support, and her enthusiasm for the subject was a constant reassurance. She consistently allowed this work to be my own, but gave direction whenever I found myself struggling. I would also like to thank Dr Elizabeth Jones, who helped me discover the basis for my research. Her curiosity fueled my own – for that, I am grateful. I would also like to extend a final thanks the entire Department of Art and Art History for the opportunities and education they have provided me with during my graduate term. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT .....................................................................................................................................6 CHAPTER 1 INTRODUCTION ....................................................................................................................7 2 RELICS AND THEIR RELIQUARIES .................................................................................11 -
Die Schweizerischen Kunstführer Sortiert Nach Themen/Objekten
Schweizerische Kunstführer Sortiert nach Objekt ARTIKEL TITEL AUTOREN OBJEKT KANTON Ort NUMMER (exakter Publikationstitel) (Vorname Name) Abtei SKF-0262D Frauenthal. Zisterzienserinnenabtei Cham Kanton ZG Josef Grünenfelder Zug Frauenthal, Cham Abtei SKF-0524D Die Benediktinerabtei Disentis Daniel Schönbächler Graubünden Disentis Abtei SKF-0714D Benediktinerinnenabtei St. Gallenberg, Glattburg, Oberbüren Josef Grünenfelder St. Gallen Glattburg, Oberbüren Abtei SKF-0736F L'ancienne abbaye de Bellelay Catherine Schmutz Nicod Bern Bellelay Abtei SKF-0844D Die Zisterzienserabtei Hauterive Catherine Waeber Freiburg Hauetrive Abtei SKF-0844F L'abbaye cistercienne d'Hauterive Catherine Waeber Freiburg Hauetrive Adelshof, Ensemble SKF-0881D Der Spiesshof in Basel Martin Möhle Basel Stadt Basel Altstadt SKF-0712D Die Altstadt Winterthur. Eine kulturgeschichtliche Entdeckungsreise Alfred Bütikofer, Regula Michel|Daniel Schneller Zürich Winterthur Amphitheater, Ruine SKF-0885D Das Amphitheater Vindonissa Brugg-Windisch Georg Matter, Ivo Zemp, Jürg Hänggi, Jürgen Trumm, Regula Aargau Brugg-Windisch Frei-Stolba, René Hänggi, Walter Tschudin Amphitheater, Ruine SKF-0885E The Amphitheatre in Vindonissa Windisch-Brugg Georg Matter, Ivo Zemp, Jürg Hänggi, Jürgen Trumm, Regula Aargau Brugg-Windisch Frei-Stolba, René Hänggi, Walter Tschudin Amphitheater, Ruine SKF-0885F L’amphithéâtre de Vindonissa Brugg-Windisch Georg Matter, Ivo Zemp, Jürg Hänggi, Jürgen Trumm, Regula Aargau Brugg-Windisch Frei-Stolba, René Hänggi, Walter Tschudin Amphitheater, Ruine -
Trade Fair Organisers” Category
ISSUE 2. 2018 www.messe-essen.de FUTURE MAKERS How Essen has made a name for itself SIMPLE BEAUTIFUL What attracts guest organisers Portrait of the artist to the Ruhr metropolis Norbert Thomas DELICIOUS Messe Essen’s new gastronomic concept EDITORIAL | 3 Dear Readers, When we discussed possible cover stories for this issue of ESSEN AFFAIRS, we did not yet know that Testbild maga- zine and the statistics portal Statista would be awarding us the distinction “Best Service Quality 2018/19” – as No. 1 in the “Trade Fair Organisers” category. This award fits in very well with our story, in which we asked guest organisers why they selected Essen as their event location. As it turns out, service quality is only one of the key reasons (page 8). Our gastronomic offer, for example, Oliver P. Kuhrt has become a decisive factor for more and more clients and guests. Over the course of our modernisation, we have made targeted investments with our contractual partners. Now we offer you not only outstanding food in our restaurants and the new Business Club, but also a distinctive feel-good quality. Our article on the topic starts on page 16. Speaking of feeling good, these days trade fair visitors and conference participants not only want to feel welcome at the exhibition centre, but also throughout the city. We understand this and are working closely with Essen’s Discover the new marketing and development agencies at the request of Mayor Thomas Kufen. ESSEN AFFAIRS, now also as an app for Read more on page 34. your tablet or iPad – including videos, image galleries and I hope you enjoy reading this issue of ESSEN AFFAIRS. -
Schweizerische Kunstführer Sortiert Nach Ausgabe
Schweizerische Kunstführer Sortiert nach Ausgabe ARTIKEL TITEL AUTOREN KANTON Ort OBJEKT NUMMER (exakter Publikationstitel) (Vorname Name) SKF-0000D Cluniziazenserpriorat Rüeggisberg BE Hans R. Hahnloser Bern Rüeggisberg Kloster SKF-0006D Schlösschen Wörth bei Neuhausen am Rheinfall Reinhard Frauenfelder Schaffhausen Neuhausen Schloss SKF-0016D Wangen an der Aare Luc Mojon Wangen an der Aare Ort Bern SKF-0020D St. Martin in Zillis / S.Martegna a Ziràn Ernst Murbach Graubünden Zillis Kirche SKF-0033D Kapuzinerkloster Wesemlin Luzern Adolf Reinle Luzern Luzern Kloster SKF-0034D Ruine Dorneck Gottlieb Loertscher Solothurn Dornach Ruine SKF-0040E Historical Museum Basel, Franciscan Church Hans Reinhardt Basel Stadt Basel Museum SKF-0055F L'Hôtel de Ville de Bâle Ernst Murbach Basel Stadt Basel Gebäude SKF-0057D Kirche St. Mangen in St. Gallen Erwin Poeschel St. Gallen St. Gallen Kirche SKF-0061F Le Schützenhaus à Bâle Th. Michel Basel Stadt Basel Militärbau SKF-0063D Kirche Belp Andres Moser Bern Belp Kirche SKF-0072D Schloss Bottmingen Hans-Rudolf Heyer Basel Land Bottmingen Schloss SKF-0076D Pfarrkirche Maria Himmelfahrt. Fischbach-Göslikon Ludwig Stadelmann Aargau Fischbach-Göslikon Kirche SKF-0085D Pfarrkirche St. Johannes Baptist in Niederhelfenschwil SG Josef Grünenfelder St. Gallen Niederhelfenschwil Kirche SKF-0087D Münster im Goms Walter Ruppen Wallis Münster Kirche SKF-0089F L'église Saint-François à Lausanne Marcel Grandjean Waadt Lausanne Kirche SKF-0096D Die Löwenburg JU Emil Maurer, Werner Meyer Jura Löwenburg Burg SKF-0096F -
Schweizerische Kunstführer Sortiert Nach Kanton
Schweizerische Kunstführer Sortiert nach Kanton ARTIKEL TITEL AUTOREN KANTON Ort OBJEKT NUMMER (exakter Publikationstitel) (Vorname Name) Aargau SKF-0076D Pfarrkirche Maria Himmelfahrt. Fischbach-Göslikon Ludwig Stadelmann Fischbach-Göslikon Kirche Aargau SKF-0104D Merenschwand und Benzenschwil Erich Wettstein, Georg Germann Benzenschwil , Ort Merenschwand Aargau SKF-0106D Rathaus Zofingen Hans Maurer Zofingen Rathaus Aargau SKF-0131D Das historische Museum im Landvogteischloss Baden Hugo W. Doppler Baden Museum Aargau SKF-0132D Die reformierten Kirchen in Baden und Zurzach Peter Hoegger Baden, Zurzach Kirche Aargau SKF-0140D Sins Georg Germann Sins Ort Aargau SKF-0150D Wohlen. Pfarrkirche St. Leonhard Peter Felder Wohlen Kirche Aargau SKF-0153D Kirche auf dem Staufberg Ernst Murbach Staufberg Kirche Aargau SKF-0236D Mellingen Peter Hoegger Mellingen Ort Aargau SKF-0247D St. Peter und Paul Frick Peter Felder Frick Kirche Aargau SKF-0272D Die Stadtkirche von Laufenburg Peter Felder Laufenburg Kirche Aargau SKF-0289D Die ehemalige Propstei Wislikofen Salome Maurer Gafner Wislikofen Propstei Aargau SKF-0345D Ehemaliges Kloster Olsberg Peter Hoegger Olsberg Kloster Aargau SKF-0365D Pfarrkirche St. Remigius Mettau AG Heinz Fricker, Thomas Freivogel Mettau Kirche Aargau SKF-0374D Laufenburg. Eine Stadt – zwei Nationen: Schweiz und Bundesrepublik Deutschland Hans Maurer Laufenburg Ort Aargau SKF-0375D Pfarrkirche St. Nikolaus Herznach AG Peter Felder Herznach Kirche Aargau SKF-0376D Zofingen Hans Maurer Zofingen Ort Aargau SKF-0398D Königsfelden -
Industrial Heritage Analysis
Global Strategy Studies Industrial Heritage Analysis World Heritage List and Tentative List Michael Falser (Austria) Stagiaire 15.8.-15.10.2001 UNESCO World Heritage Centre Asia-Pacific Region Minja Yang Table of Contents 0. Overview - Aim of Work 4 1. The UNESCO World Heritage 4 1.1. Convention, World Heritage Committee, Advisory Bodies, World Heritage List and Tentative List 4 1.2. The UNESCO World Heritage Centre and its Mandate 5 2. The World Heritage List and Global Strategy 6 2.1. The World Heritage List and Global Strategy 6 2.2. Trends, Analysis, Issues, Lacuna to address 6 3. Industrial Heritage 9 3.1. Definition 9 3.2. Industrial Heritage on the World Heritage List 9 3.3. Proposed Classification System (HEAR) 13 3.4. Classification and Introduction of the Industrial World Heritage Sites 14 4. Analysis of the Tentative List 16 4.1. Definition of the Tentative List and The Operational Guidelines 16 4.2. Classification of Industrial Heritage on the Tentative List 16 4.3. Classification by Region 17 4.3.1. Africa Region 17 4.3.1.1. Table and Map - Description 17 4.3.1.2. Trends 18 4.3.1.3. Highlights 18 4.3.2. Arab States Region 19 4.3.2.1. Table and Map - Description 19 4.3.2.2. Trends 19 4.3.2.3. Highlights 20 2 4.3.3. Asia / Pacific Region 21 4.3.3.1. Table and Map - Description 21 4.3.3.2. Trends 22 4.3.3.3. Highlights 22 4.3.4. Europe / North America Region 23 4.3.4.1. -
THE CHRISTMAS MAGI Light and Might from the Persian East
Thomas M. Prymak University of Toronto James Tissot, Journey of the Magi, c. 1894, Oil on Canvas, Minneapolis Institute of Art. THE CHRISTMAS MAGI Light and Might from the Persian East Thomas M. Prymak University of Toronto hristmas today is a winter festival and religious celebration widely spread throughout the world. Its basic elements, with the birth of Jesus, “the anointed of the Lord,” or Khrystos C (Christ) as he is titled, at the centre, and with motifs like “no room at the inn,” the manger, the angels, shepherds, Christmas Star, and the flight of the Holy Family to Egypt, are widely recognized and commemorated. The Three Wise Men from the East or “Magi,” who come to do homage to the newborn king, is one of these motifs. Most people, both Christians and others, think of this as a single harmonious story that is firmly grounded in Holy Scripture, especially the Gospels of the two Evangelists, Mathew and Luke. But the origins of the Christmas story as a whole are much more complicated than that. Christmas as we know it today is a rather new phenomenon. The plump, white-haired, red-suited Santa Claus, the frenzy of Christmas shopping, and the widespread exchange of gifts, were, in fact, invented almost yesterday. And while Santa or Ole Saint Nick (or Father January 29, 2019. 1 | P a g e Thomas M. Prymak University of Toronto Rembrandt van Rijn, “Adoration of the Magi,” 17th century, Oil on canvas, Hermitage Museum, Saint Petersburg, Russia. In this striking painting, Rembrandt’s usual solemnity and depth are evident, though the darkness of the picture, with its variety of deep browns and controlled lighting, which are perhaps in part a result of the aging of the canvas, restrict the exultation that the birth of the saviour is supposed to have brought the world. -
The Old Saxon Leipzig Heliand Manuscript Fragment (MS L): New Evidence Concerning Luther, the Poet, and Ottonian Heritage
The Old Saxon Leipzig Heliand manuscript fragment (MS L): New evidence concerning Luther, the poet, and Ottonian heritage by Timothy Blaine Price A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irmengard Rauch, Chair Professor Thomas F. Shannon Professor John Lindow Spring 2010 The Old Saxon Leipzig Heliand manuscript fragment (MS L): New evidence concerning Luther, the poet, and Ottonian heritage © 2010 by Timothy Blaine Price Abstract The Old Saxon Leipzig Heliand manuscript fragment (MS L): New evidence concerning Luther, the poet, and Ottonian heritage by Timothy Blaine Price Doctor of Philosophy in German University of California, Berkeley Professor Irmengard Rauch, Chair Begun as an investigation of the linguistic and paleographic evidence on the Old Saxon Leipzig Heliand fragment, the dissertation encompasses three analyses spanning over a millennium of that manuscript’s existence. First, a direct analysis clarifies errors in the published transcription (4.2). The corrections result from digital imaging processes (2.3) which reveal scribal details that are otherwise invisible. A revised phylogenic tree (2.2) places MS L as the oldest extant Heliand document. Further buoying this are transcription corrections for all six Heliand manuscripts (4.1). Altogether, the corrections contrast with the Old High German Tatian’s Monotessaron (3.3), i.e. the poet’s assumed source text (3.1). In fact, digital analysis of MS L reveals a small detail (4.2) not present in the Tatian text, thus calling into question earlier presumptions about the location and timing of the Heliand’s creation (14.4).