The Mexican Film Bulletin Special Issue: Summer 2020
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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Libro ING CAC1-36:Maquetación 1.Qxd
© Enrique Montesinos, 2013 © Sobre la presente edición: Organización Deportiva Centroamericana y del Caribe (Odecabe) Edición y diseño general: Enrique Montesinos Diseño de cubierta: Jorge Reyes Reyes Composición y diseño computadorizado: Gerardo Daumont y Yoel A. Tejeda Pérez Textos en inglés: Servicios Especializados de Traducción e Interpretación del Deporte (Setidep), INDER, Cuba Fotos: Reproducidas de las fuentes bibliográficas, Periódico Granma, Fernando Neris. Los elementos que componen este volumen pueden ser reproducidos de forma parcial siem- pre que se haga mención de su fuente de origen. Se agradece cualquier contribución encaminada a completar los datos aquí recogidos, o a la rectificación de alguno de ellos. Diríjala al correo [email protected] ÍNDICE / INDEX PRESENTACIÓN/ 1978: Medellín, Colombia / 77 FEATURING/ VII 1982: La Habana, Cuba / 83 1986: Santiago de los Caballeros, A MANERA DE PRÓLOGO / República Dominicana / 89 AS A PROLOGUE / IX 1990: Ciudad México, México / 95 1993: Ponce, Puerto Rico / 101 INTRODUCCIÓN / 1998: Maracaibo, Venezuela / 107 INTRODUCTION / XI 2002: San Salvador, El Salvador / 113 2006: Cartagena de Indias, I PARTE: ANTECEDENTES Colombia / 119 Y DESARROLLO / 2010: Mayagüez, Puerto Rico / 125 I PART: BACKGROUNG AND DEVELOPMENT / 1 II PARTE: LOS GANADORES DE MEDALLAS / Pasos iniciales / Initial steps / 1 II PART: THE MEDALS WINNERS 1926: La primera cita / / 131 1926: The first rendezvous / 5 1930: La Habana, Cuba / 11 Por deportes y pruebas / 132 1935: San Salvador, Atletismo / Athletics -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
Bringing Latin America to Life with Films in the Classroom Harry E
Social Education 71(4), pp 177–181 ©2007 National Council for the Social Studies Bringing Latin America to Life with Films in the Classroom Harry E. Vanden Mark Twain often observed that we, Americans, are not too aware of other and cuts from the City of God (Cidade cultures. A war critic, he reserved some of his best barbs for American ignorance de Deus) the first day. The former is a of foreign languages and cultures and the imperial endeavors of his day. Upon brilliant Chilean-made short that I hap- returning from traveling in Europe, he wrote, in The Innocents Abroad, “In Paris pened upon in the Museum of Modern they just simply opened their eyes and stared when we spoke to them in French! Art on a visit to New York. It skillfully We never did succeed in making those idiots understand their own language.” examines the reduction of modern life Twain was especially critical of U.S. imperial involvement in the Philippines and to the smallest unit—the silicon micro- attempts to suppress the Philippine Insurrection, writing in A Pen Warmed Up chip and the reduction of Chile’s old in Hell, “I am an anti-imperialist. I am opposed to having the eagle put its talons growth forests to one more exportable on any other land.” 1 commodity—the wood chip. These two “chips” are gracefully tied to the external One would hope that we as educa- such as Like Water for Chocolate or exploitation (the first chip is strongly tors could provide our students with (Pancho) Villa, the Latin American real- associated with Japan’s modernization a better understanding of other coun- ity would spring into their consciousness and the second fuels that country’s insa- tries and cultures than was the case and give them a means of connecting to tiable appetite for more wood-based when Mark Twain was pricking the a little known reality. -
Moab Area Movie Locations Auto Tours – Discovermoab.Com - 8/21/01 Page 1
Moab Area Movie Locations Auto Tours – discovermoab.com - 8/21/01 Page 1 Moab Area Movie Locations Auto Tours Discovermoab.com Internet Brochure Series Moab Area Travel Council The Moab area has been a filming location since 1949. Enjoy this guide as a glimpse of Moab's movie past as you tour some of the most spectacular scenery in the world. All movie locations are accessible with a two-wheel drive vehicle. Locations are marked with numbered posts except for locations at Dead Horse Point State Park and Canyonlands and Arches National Parks. Movie locations on private lands are included with the landowner’s permission. Please respect the land and location sites by staying on existing roads. MOVIE LOCATIONS FEATURED IN THIS GUIDE Movie Description Map ID 1949 Wagon Master - Argosy Pictures The story of the Hole-in-the-Rock pioneers who Director: John Ford hire Johnson and Carey as wagonmasters to lead 2-F, 2-G, 2-I, Starring: Ben Johnson, Joanne Dru, Harry Carey, Jr., them to the San Juan River country 2-J, 2-K Ward Bond. 1950 Rio Grande - Republic Reunion of a family 15 years after the Civil War. Directors: John Ford & Merian C. Cooper Ridding the Fort from Indian threats involves 2-B, 2-C, 2- Starring: John Wayne, Maureen O'Hara, Ben Johnson, fighting with Indians and recovery of cavalry L Harry Carey, Jr. children from a Mexican Pueblo. 1953 Taza, Son of Cochise - Universal International 3-E Starring: Rock Hudson, Barbara Rush 1958 Warlock - 20th Century Fox The city of Warlock is terrorized by a group of Starring: Richard Widmark, Henry Fonda, Anthony cowboys. -
12-08-HR Haldeman
Richard Nixon Presidential Library Contested Materials Collection Folder List Box Number Folder Number Document Date No Date Subject Document Type Document Description 12 8 7/21/1971Domestic Policy Memo From Deborah Sloan to Henry Cashen. RE: List of celebrities invited to the White House during the Nixon Administration. 14 pgs. 12 8 10/25/1971Domestic Policy Memo From Gordon Strachan to Haldeman. RE: Campaign strategy to utilize celebrities to help Nixon attain re-election on November 7, 1972. 1 pg. 12 8 10/20/1971Domestic Policy Memo From Haldeman to Fred Malek. RE: A scheduled meeting between the Attorney General and a group of entertainment industry leaders, in order to attain the names of celebrities who will be helpful in the campaign. 1 pg. 12 8 10/18/1971Domestic Policy Memo From Jeb Magruder to the Attorney General. RE: The use of celebrities as a means to maximize support for Nixon's campaign. 3 pgs. Monday, December 13, 2010 Page 1 of 7 Box Number Folder Number Document Date No Date Subject Document Type Document Description 12 8 10/12/1971Economy Memo From Charles Colson to Haldeman. RE: The limitations faced by the Nixon Administration concerning the aid of celebrities, and the solution being "active recruiting by a leading celebrity." 1 pg. 12 8 10/11/1971Domestic Policy Memo From Henry Cashen II to Charles Colson. RE: Progress made in attaining celebrity endorsements such as athletes; however, a lack of White House functions has limited actors and entertainers from participating. 3 pgs. 12 8 8/12/1971Domestic Policy Memo From Henry Cashen II to Donald Rumsfeld. -
The B-G News October 30, 1964
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-30-1964 The B-G News October 30, 1964 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The B-G News October 30, 1964" (1964). BG News (Student Newspaper). 1815. https://scholarworks.bgsu.edu/bg-news/1815 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Hinesight Hits Home Freddie Falcon Sez: See Page 3 The B-G News Color The Redskins Defeated Serving a Growing University Since 1920 Friday. October 30. 1964 Bowllnq Green State UnWecslry. BowHnq Green. Ohio VoL 49. No. 11 Education Chairman Is It Ferrartte Or Telcher? Student Honor Pledge Resigns Staff Post Dr. Willard Fox, chairman of the department of educa- Dismissed By Council tion, has resigned his position, effective June, 1965, Dr. Wil- The proposed academic honesty pledge tabled at the Oct liam E. Harrington, dean of the College of Education an- 15 meeting of Student Council was defeated in a roll-call vote nounced Tuesday. last nitfht 14 to 6 in Council's first meeting in Harshman Dr. Fox is resigning to devote full time to his teaching Quadrangle. duties. No successor has been named. Council members had conducted a survey to learn student Dr. -
Departamento Del Valle Del Cauca, Colombia
Departamento del Valle del Cauca, Colombia Copia No Controlada CVC 574.526 23 C822sel CORPORACIÓN AUTÓNOMA REGIONAL DEL VALLE DEL CAUCA-CVC. Dirección Técnica Ambiental. Grupo Biodiversidad. Selva Pluvial Tropical del Departamento del Valle del Cauca, Colombia /Humberto Álvarez López; Natalia Gómez Hoyos; Milton Reyes Gutiérrez [et. al.].—Santiago de Cali: CVC, 2006. 72 p.: il., fotografías (Colección Ecosistemas Estratégicos del Departamento del Valle del Cauca) Ejercer la autoridad ambiental y promover el desarrollo sostenible desde la dimensión ambiental, en armonía y 1. BOSQUES TROPICALES 2. CONSERVACIÓN DE ECOSISTEMAS 3. coordinación con los distintos actores sociales del departamento del Valle del Cauca y demás integrantes del Sina. ECOSISTEMAS TROPICALES 4. EDUCACIÓN AMBIENTAL I. ALVAREZ LÓPEZ, Humberto. II. GÓMEZ HOYOS, Natalia. III. REYES GUTIÉRREZ, Milton; IV. SILVERSTONE SOPKIN, Philip A.; VANIN ROMERO, Alfredo. V. Título. En el año 2012 la CVC habrá logrado que los distintos actores sociales del departamento del Valle del Cauca se identifiquen con el concepto de desarrollo sostenible y consecuentemente actúen de manera responsable frente a SELVA PLUVIAL TROPICAL del Departamento del Valle del Cauca, Colombia las distintas situaciones ambientales. © Corporación Autónoma Regional del Valle del Cauca-CVC – 2006 – Para la Primera Edición Publicación de la Dirección Técnica Ambiental, Grupo Biodiversidad Lida Riáscos de la Fundación San Cipriano Alwin Gentry Q. P. D. Comité Editorial: Dirección Técnica ambiental, Grupo Biodiversidad, Secretaría General, Carlos Arturo Quiceno de Epsa Miryam Monsalve Benavidez de la Universidad del Valle Grupo Gestión Documental Carlos Armando Grimaldo de Epsa Jorge E. Ramos Pérez de la Universidad del Valle Edwin Vélez Ríos de Epsa Isidoro Cabrera Rodríguez de la Universidad del Valle Textos: Humberto Álvarez López, Natalia Gómez Hoyos, Milton Reyes Gutiérrez, Comunidad de Tío Silirio William Ladrach Philip A. -
Chavo Del Ocho
Chavo del Ocho: Sitcom neighborhood dynamics in Mexican television El Chavo del Ocho: la dinámica de la vecindad en la comedia de situación televisiva DAVID GONZÁLEZ HERNÁNDEZ1 DOI: https://doi.org/10.32870/cys.v2019i0.7084 https://orcid.org/0000-0003-3041-8750 This essay analyzes El Chavo del Ocho´s successful series (1971-1980). My argument is that this sitcom founded its television format on one of the most important social spaces in Mexico and Latin America: “La vecindad” or the neighborhood. Moreover, I analyze how the neighborhood dynamics contribute to represent a communal identity: each character portrays not only its specific version, but also of the collective, the conflicts, but above all, the solidarity of Mexico’s in 1970s. KEYWORDS: Television fiction, sitcom,Chavo del Ocho. Este ensayo analiza la exitosa serie El Chavo del Ocho (1971-1980). Argumento que el programa, como comedia de situación, arraigó su formato televisivo en una matriz importante en México y América Latina: la vecindad. De manera concreta, analizo cómo las dinámicas de la vecindad contribuyen a una representación de la identidad comunal: cada personaje manifiesta no solo su versión específica, sino que también representan una versión de lo colectivo, lo conflictivo, pero sobre todo, lo solidario del México de los años setenta. PALABRAS CLAVE: Ficción televisiva, comedia de situación, Chavo del Ocho. How to cite: González Hernández, D. (2018). Chavo del Ocho: Sitcom neighborhood dynamics in Mexican television. Comunicación y Sociedad, e7084. DOI: https://doi. org/10.32870/cys.v2019i0.7084 1 Instituto Tecnológico de Estudios Superiores de Occidente, Mexico. E-mail: [email protected] Submitted: 09/01/18.