Today's TV Programming Aces on Bridge Decodaquote® Celebrity
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Some Advice for Phone-Addicted Youth Who Want To
The Roots Report: Look What’s Going Down: Artists have a duty to voice their opinions Okee dokee folks… “It’s s time we stop, hey, what’s that sound, everybody look what’s going down.” This is from one of the most famous protest songs ever written, “For What It’s Worth,” by Stephen Stills (Buffalo Springfield). It was written more than 50 years ago in response to the Sunset Strip curfew riots in California and is still revered as one of the best songs of that generation. A few years later, Neil Young wrote his song “Ohio” about the Kent State shootings. Crosby, Stills, Nash and Young quickly recorded this song, and when it was released as a single, it was backed with another Stephen Stills protest anthem “Find The Cost Freedom.” At the time, “Ohio” was banned by some radio stations, but today it is one of the few actual protest songs still being played on radio. These songs, the bands and the writers were major inspirations and influences for me as a musician and songwriter. Not only do I perform “Ohio” with my band Forever Young and “For What It’s Worth” when I play solo, but I have written many sociopolitical songs of my own that are part of my body of solo work. I feel protest songs need to be written, but they are the hardest type of song to get right. They need to express the concern and anger of the subject matter and marry it perfectly with a melody to make the song viable. -
Major New Festival Features Legendary Rock Band Spring and Fall Are the Busy Times in Southern Maryland for Festivals, Fairs
Major new festival features legendary rock band Posted by Dick.Myers_Editor On 05/29/2013 Spring and fall are the busy times in Southern Maryland for festivals, fairs and other special events. But there was that short window of opportunity right after Memorial Day for another major event. Summerseat Farm on Route 235 in Oakville has seized that opportunity. This Saturday, June 1st will be the first Beer, Bands & BBQ. The bands part of the event features legendary rockers the Smithereens. To order tickets for Beer, Bands and BBQ, go to the Summerseat website at http://www.summerseat.org/Home/tabid/36/Default.aspx The Smithereens formed in1980 and continue to this day with most of the original members, including lead vocalist and guitarist Pat DiNizio. All the original members were from New Jersey. The only change from the original band occurred in 2006 when Severo Jomacion took over bass guitar from Mike Mesaros. Other members are Jim Babjak (guitar and vocals), and Dennis Diken (drums and percussion). The band is noted for writing and playing catchy 19060’s influenced power pop. Their first album, “Blood and Roses” was included in the soundtrack for the 1986 movie “Dangerously Close.” This month and next the Smithereens will be special guests of Tom Petty and the Heartbreakers for six concerts. They have collaborated in the studio with musicians such as Suzanne Vega and Belinda Carlisle and on stage with Graham Parker and the Kinks. Other bands performing from Beer, Bands and BBQ from 1-8 p.m. are 80’s Metal Hair tribute band “One Louder” and local favorites “Justin Myles Experience” and the “Sam Grow Band.” Rounding out the other two “B’s” in the title of the event are 10 premium and craft beers and plenty of finger lickin’ food. -
The Roots Report: an Interview with Dennis Diken
The Roots Report: An Interview with Dennis Diken In December of last year, Pat DiNizio, lead singer, guitarist and songwriter of the band The Smithereens, died at the age of 62. The Smithereens have had hits with songs such as, “Blood and Roses,” “Only a Memory” and “A Girl Like You.” DiNizio’s untimely passing was not only an emotional blow to the band, but it put their future in jeopardy. In January of this year they turned an already scheduled show into a tribute to DiNizio. At that concert several guest vocalists/musicians joined the band and among them was Marshall Crenshaw. He is known for his hits, “Someday, Someway” and “Whenever You’re On My Mind.” Besides those songs and others he played the role of Buddy Holly in the film LaBamba and began his career as John Lennon in Beatlemania. Crenshaw will be filling the vacant vocalist spot along with the surviving members of the Smithereens: Dennis Diken, Jim Babjak, and Mike Masaros when they come to the Greenwich Odeum on Saturday, November 17. I spoke with drummer, Dennis Diken about what has been going on with the band. Dennis Diken (Smithereens): Hey, John, it’s Dennis Diken from the Smithereens John Fuzek (Motif): Hi, how are you? Thanks for calling! DD: I am good, how are you doing, man? JF: I am good, so you are playing a show at the Greenwich Odeum next week, it’s a nice venue, have you ever played there? DD: It does not ring a bell but it’s been a long time we’ve been touring, it’s possible but I don’t think so JF: Maybe you played the Narrows last time that you were in town? I am not sure, I just know that I have missed your show every time you play! DD: I don’t think we have been to RI in a while. -
THE SMITHEREENS Bio
THE SMITHEREENS bio Pat DiNizio—vocals, guitar Jim Babjak—guitar, vocals Dennis Diken—drums, vocals Severo "the Thrilla" Jornacion—bass "I think it's as good as anything we've ever done," Pat DiNizio says of Smithereens 2011 , the Smithereens' first album of original songs in 11 years. "I hate to use the term 'comeback album,' and it certainly wasn't planned that way, but it really feels like it," adds his longtime bandmate Jim Babjak. "It has the raw vibe of our early albums, while showing that we're moving forward and that we're still at the top of our game after 31 years." Indeed, the 13-song set shows the New Jersey-bred quartet to be making some of the most urgent music of their three-decade career, delivering their timeless brand of punchy, heartfelt rock 'n' roll with as much fire as ever. Such instantly memorable new tunes as "Sorry," "One Look At You," "A World of Our Own" and "Rings On Her Fingers" exemplify the Smithereens' trademark brand of punchy melodic songcraft, driven home by DiNizio's expressive vocals and emotionally complex lyrics, along with fiery ensemble performances that show off the uncanny musical chemistry of longstanding musical partners DiNizio, Babjak and Dennis Diken, and later addition Severo "the Thrilla" Jornacion, who joined in 2006. Smithereens 2011 's title slyly acknowledges the fact that it's the band's 11th studio album, and that it's been 11 years since their last collection of original material. The album's moniker—as well as its cover design—also pays tribute to the foursome's beloved 1989 release Smithereens 11 . -
Union County
Property of the _____________ _____, ________________________________________ ________________ — ^xahjauMua ___ 7 & a m Union man sentenced to 70 y e a rs fo r slaying, dismembering his girlfriend By Jenny Goldberg reflects "no sense of decency or humanity," said. He also referred to testimony that offs own children. Many of the letters Staff Writer he added. parts of Wyckoff s body have still not been urged the court to invoke a life sentence The Union man who killed his girl Ballister must serve at least 85 percent found. without parole in order “to serve justice,” friend, cut up her body and disposed of of a 62-year sentence for the murder of During the trial, officials said that only they said. A life sentence without parole most of it in five garbage bags near the April Wyckoff before the possibility of some of the victim’s dismembered body does not exist in New Jersey. Pulaski Skyway in Newark more than four parole, in addition to a consecutively parts were located after her death. Limbs The 43-year-old Wyckoff, a mother of years ago was sentenced to 70 years in applied eight-year sentence for desecration and other parts of Wyckoffs body were two from Cranford, was killed at Ballister’s prison Monday, Dec. 18. of human remains, the Union County Pros found in five black garbage bags by police Union home in what he described as an Matthew Ballister, 47, turned his back ecutor's Office said in a press release. along Raymond Boulevard in Newark days accident. He said he unknowingly ran over in protest on Superior Court Judge Stuart Referring to the evidence during the six- after she was killed on Oct. -
The Beatles, Instrumentals En Fora Mei 2009
L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'. -
Sense of Unity to Campus
Help for college A date with DINIzIo Pag* Hying high Classtfitd Ads. Aclii ilia...... Ten minority achievement scholarship! Lead vocalist Pat DiNirio speaks out about life, Graduate of both Purdue University and the IU Penptrtim... available (or the 19M-95 academic year to change, touring and his band's first RCA School of Medicine becomes first Indianapolis Sports..... „.... individuals in select ethnic groups. release. *A Date with The Smithereens.* native to serve on a space shuttle mission Voict ............ for advertising information. CHI 1<317(274 3456 Monday Morning 1 Section April 11,1994 © 1994 The Sagamore The weekly newspaper of Indiana University-Purdue l nhersity at voi. 23. No. 30 Single Copy Free Spring cleaning Board votes to increase tuition once again ■ T he IU Board of Trustees has voted to increase the 1994-95 tuition for in-state undergraduate students. In life, it's hard to find something to depend on - unless you are a student on an IU campus The IU Board of Trusters has voted to raise tuition fees for the 1994-95 academic year, claiming the increase was necessary to maintain IU's high-quality education Tuition has skyrocketed 15 percent in the last two years, and the tuition hike to S97 a credit hour for in state undergraduate students is no surprise to many. But lUPUI's seldom- publicized decreasing enrollment may be Lnrnllment has decreased al the university ft* the second consecutive year. Dean of the Faculties and Executive Vice C m /lit Chancellor William Plater said the early Wether* from At'* Window and Specialty Cleaning waited the outside window* of the elevated cross**** over Michigan Street last week. -
Special Guests the Smithereens
1 Special Guests The Smithereens 1 2 9AM The Beatles - I Want You (She’s So Heavy) - Abbey Road (Lennon-McCartney) Lead vocal: John The Beatles, with Billy Preston on keyboards, and with Glyn Johns as producer, recorded 35 takes at Trident Studios on February 22, 1969. From that session, take 9 was the best for the early part of the song, take 20 had the best middle eight, and take 32 was the best for the rest. The three “best” sections were edited into one all-encompassing master take. On April 18, at Abbey Road Studios, without Preston, and with Chris Thomas producing, John and George overdubbed layers of guitar parts onto the Trident “best” take, and a reduction mixdown was made, called “take 1.” Overdubs were added onto that. More overdubs followed on April 20. Fast forward to August 8. Now with George Martin producing, John overdubs sounds from the white noise generator of Harrison’s Moog synthesizer which produced the swirling, gale-force wind effect for the last three minutes of the song, and Ringo adds more drums (mostly crash cymbals). To complicate things, the group has been adding overdubs to two different master tapes of the song, so the best of each master is edited together to create the final album version of the song. The final album master has “take 1” for the first 4:37 and the original Trident tape for the remaining 3:07. The final album master of John’s sprawling song ran 8:04, but John opted for a surprise ending. -
SEPTEMBER 1987 I'm Happy to Announce the Availability of Mod- Poll
VOLUME 11, NUMBER 9, ISSUE 95 Features Columns Cover Photo by Leslie Burke EDUCATION JAZZ DRUMMERS' WORKSHOP Burke The Ride Cymbal by Peter Erskine 66 Leslie SHOW DRUMMERS' SEMINAR by Subbing A Broadway Show by Larry Spivack 68 Photo TEACHERS' FORUM Child Drummers by Brooke Sheffield Comer 70 DRUM SOLOIST Roy Haynes: "Snap Crackle" by Karl Sterling 80 ROCK PERSPECTIVES Recreating Beats by Kenny Aronoff 82 THE MACHINE SHOP Heavy Rock From Light Plastic by Clive Brooks 84 ROCK 'N' JAZZ CLINIC Styles are Related: Part 2 by Rod Morgenstein 92 TAKING CARE OF BUSINESS Consumer Rights And Options by Clifford J. Sherry, Ph.D. 94 CONCEPTS Showmanship Features by Roy Burns 110 RICK MAROTTA EQUIPMENT He didn't start playing drums until he was 19, but within a few SETUP UPDATE months, Rick Marotta was being asked to do sessions in New Marc Droubay and Mike Clark 108 York. He talks about his work with such artists as Steely Dan, PRODUCT CLOSE-UP Jackson Browne, and Larry Carlton, and explains what is Joe Montineri Custom Snare Drums behind his personal style. by Bob Saydlowski, Jr. 112 by Robyn Flans 16 ELECTRONIC REVIEW Headset Microphones GARY BURKE by Rick Van Horn 114 JUST DRUMS 122 Currently working with Joe Jackson, Gary Burke's credits also include such diverse artists as Bob Dylan and Steve Reich. He discusses his training and experiences, and gives examples of the charts he had to play for Jackson's Will Power album. PROFILES by Jeff Potter 22 UP AND COMING The Smithereens' Dennis Diken by Brooke Sheffield Comer 36 STEVE WHITE PORTRAITS After studying with no less than Bill Bruford, Steve White was Ralph Pace invited to join The Style Council at the age of 17. -
MATT CHAMBERLAIN He’S Moved from Texas to New York to Seattle and Now to L.A., Sometimes Following Employment and Sometimes Chasing His Muse
!.!-!:).'% 02/ 02):%0!#+!'% %&//*4$)".#&34*/'-6&/$&4t130500-4 7). &2/-0%!2, VALUED ATOVER *ANUARY 4HE7ORLDS$RUM-AGAZINE )®4,&3%®4 /"*-5)04& (3"/5)"35 5&.104 ""30/$0.&44 5*14'035*.&,&&1*/( :&"340'41*/ "/*."-4"4-&"%&34 4637*7"-,*5 /"7&/&,01&38&*4 .645)"7&4'035)&30"% J>;ED;;L;HO8E:OM7DJI C7JJ9>7C8;HB7?D !ND !$,%2 ")33/.%44% #!22).'4/. '!4:%. (%97!2$ -ODERN$RUMMERCOM +%,4.%2 2%)4:%,, 2),%9 3!.#(%: 3(!2/.% 7!2$ Volume 36, Number 1 • Cover photo by Alex Solca CONTENTS Alex Solca Paul La Raia 36 AARON COMESS It’s been twenty years since the Spin Doctors embedded them- selves in the recesses of our ears with hits like “Two Princes,” “Little Miss Can’t Be Wrong,” and “Jimmy Olsen’s Blues.” Turns out those gloriously grooving performances represent but one side of this well-traveled drummer’s career. by Robin Tolleson Ebet Roberts 48 MATT CHAMBERLAIN He’s moved from Texas to New York to Seattle and now to L.A., sometimes following employment and sometimes chasing his muse. With his technical abilities and artful aesthetic, however, the first-call drummer would probably have plenty of work even if he moved to the moon. by Michael Dawson 64 GRANT HART In the mid-’80s, Hüsker Dü fused hardcore punk with bittersweet pop, setting the table for an entire generation of angst-ridden alterna-rockers. Two decades on, the band’s drummer traces the trio’s profound path of influence. by David Jarnstrom 47 THE 2012 MD PRO PANEL This year the Pro Panel once again represents the remarkable scope and depth of modern drumming, from the absolute pinnacle of studio recording Matthias Ketz to the forefront of arena performance, from the most shredding metal to the cutting edge of jazz. -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin. -
PDF of CD Booklet
FSLN 26 8/21/06 2:30 AM Page 1 20O7 UPDATE Let’s start by listening to two of the most lasting voices to come out of punk. “Sandinista! would have been better as a double album … or a single album … or an EP.” — Joe Strummer “Most benefit albums are crappy, tossed-together, artistic botch-jobs that guilt you into coughing up for causes no one could really disagree with anyway – a feel-good rush of righteous concern that quickly fades to complacency and amnesia.” — Jon Langford FSLN 26 8/21/06 2:30 AM Page 3 There you have it, from two people who, in different ways, are heroes of this record: Strummer for lead- ing the band whose original work December 12, 2005, made this modest tribute possible, was the 25th anniversary Langford for going overboard of the release of Sandini- (recording two tracks, suggest- sta! In early 2003, trying ing other performers, painting the to avoid doing what I cover) in supporting the package was supposed to be doing in your hands. These two geniuses for a living, I spent way are warning against this project. Yet too much time thinking here we are. about doing something to On December 12, 1980, The Clash celebrate the anniversary. released Sandinista!, one of the most A party didn’t seem like ambitious records in the history the right thing. Someone of rock’n’roll. It wasn’t their best suggested I write a book record, their best-selling record, or about it. Only a few thou- even their most enjoyable record, sand words in, it was clear but it is an exciting, sprawling mess that I shouldn’t inflict that that I return to constantly.