DOCSLIB.ORG

Weird Wonderful Words Kiwani Dolean Synopsis Weird Wonderful

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Weird Wonderful Words Kiwani Dolean Synopsis Weird Wonderful Weird Wonderful Words Kiwani Dolean Synopsis Weird Wonderful Words started as an Instagram project for #The100DayProject 2018 and then it became something more interesting every day, from an artistic and human point of view. #100daysofweirdwonderfulwords is an exploration of weird and wonderful words where I combined digital illustration and hand lettering to create 100 unique illustrations, composed by a hand-lettered word, the meaning of the word and a metaphorical illustration to showcase its meaning. It's a very simple but powerful concept. The illustrations are in a square format, they have the same colour palette with watercolour and pencil as main brush types. Chapter breakdown A 1 Abbiocco Italian 2 Age-otori Japanese 3 Arbejdsglæde Danish 4 Ataraxia Greek B 5 Badkruka Swedish 6 Boketto Japanese C 7 Cafuné Portuguese 8 Cavoli Riscaldati Italian 9 Chindogu Japanese 10 Culaccino Italian D 11 Dépaysement French 12 Dor Romanian 13 Dormiveglia Italian 14 Duende Spanish E 15 Encandilar Spanish 16 Erklärungsnot German 17 Estrenar Spanish 18 Eudaimonia Greek F 19 Fahrvergnügen German 20 Fare la scarpetta Italian 21 Fargin Yiddish 22 Fernweh German 23 Filotimo Greek 24 Forelsket Norwegian 25 Formacja Polish 26 Friolero Spanish G 27 Gigil Filipino 28 Gökotta Swedish 29 Goya Urdu H 30 Hanyauku Rukwangali (Namibia) 31 Hiraeth Welsh 32 Hüzün Turkish 33 Hygge Danish I 34 Ikigai Japanese 35 Iktsuarpok Inuit J 36 Jaksaa Finnish 37 Jayus Indonesian K 38 Kalpa Sanskrit 39 Kilig Tagalog 40 Koi no yokan Japanese 41 Komorebi Japanese L 42 L’esprit de l’escalier French 43 Lagom Swedish 44 Lebensmüde German 45 Lieko Finnish 46 Listopad Russian 47 Litost Czech 48 Luftmensch Yiddish M 49 Madrugada Spanish 50 Mamihlapinatapei Yagan 51 Mångata Swedish 52 Mencolek Indonesian 53 Mokita Kivila 54 Mono no aware Japanese O 55 Odnoliub Russian 56 Oodal Tamil P 57 Pålegg Norwegian 58 Pana Po’o Hawaiian 59 Parea Greek 60 Pena ajena Spanish 61 Pisan Zapra Malay 62 Pochemuchka Russian 63 Prozvonit Czech 64 Psithurism Greek Q 65 Querencia Spanish R 66 Rire dans sa barbe French S 67 Saudade Portuguese 68 Schadenfreude German 69 Schlimmbesserung German 70 Shemomedjamo Georgian 71 Shibui Japanese 72 Shouganai Japanese 73 Sisu Finnish 74 Sobremesa Spanish 75 Suilk Scottish T 76 Takallouf Urdu 77 Tampo Filipino 78 Tartle Scottish 79 Tima Icelandic 80 Tingo Pascuense (Easter Island) 81 Tokka Finnish 82 Torschlusspanik German 83 Toska Russian 84 Trepverter Yiddish 85 Tretår Swedish 86 Tsundoku Japanese U 87 Uffda Norwegian 88 Uitwaaien Dutch 89 Utepils Norwegian V 90 Vedriti Slovenian 91 Voorpret Dutch W 92 Wabi-sabi Japanese 93 Waldeinsamkeit German 94 Wanderlust English 95 Weltschmerz German Y 96 Ya’aburnee Arabic 97 Yoko Meshi Japanese 98 Yūgen Japanese Z 99 Zapoi Russian 100 Zhaghzhagh Persian Audience Illustration lovers, languages lovers, lettering lovers, art lovers. In terms of age, this kind of book could appeal to everyone from children who are starting to read, to adults in every stage of their life, it's truly a universal audience and could also be gifted to people from different countries who speak different languages. Relevant competing titles Weird Wonderful Words I discovered only recently that there is another similar book actually called Weird Wonderful Words published in 2002 (which I didn't find when I created the Instagram profile for the project): https://www.amazon.co.uk/Weird-Wonderful-Words-Erin- McKean/dp/0195159055. Lost in Translation https://www.amazon.co.uk/Lost-Translation-Illustrated-Compendium- Untranslatable/dp/1607747103 What a Wonderful World https://www.amazon.co.uk/What-Wonderful-Word-Collection- Untranslatables/dp/1848576455/ref=pd_lpo_sbs_14_t_0?_encoding=UTF8&psc=1&refRID =XP59MAKDYW98F2RF123P Although the idea is clearly quite similar, being illustrated books they are all quite different between them because of the illustration styles and takes on the subject. What makes mine stand out from the others is the modern style, the uniqueness of the illustrations and the choice of the words. I would be, of course, open to changing the title of my publication to something that works best. Platform and existing audience The project on Instagram: https://www.instagram.com/weirdwonderfulwords My personal Instagram profile: https://www.instagram.com/kiwani My website: kiwanidolean.com My Twitter: https://twitter.com/Kiwani_Dolean My Pinterest: https://www.pinterest.co.uk/kiwani My Dribbble profile: https://dribbble.com/kiwani I have recently won the Bristol Pound Design Competition 2018 and one of my illustrations is printed on the Bristol Pound £20 banknote. The Bristol Pound PR team is going to support my creative endeavours for the next 2 years so they would give me support in term of book promotion & events. They have a large user base with thousands of people subscribed to their newsletter and using the money. More info here: https://bristolpound.org/meet-the-artists-kiwani-dolean/ Another platform where the book could be promoted is Instagram and #The100DayProject community (thousands of people participated this year, from 65+ countries and 1 million posts on Instagram). I also have several contacts in the art world both in Bristol and London (where I was living before Bristol) and I would imagine book events in quirky little bookshops and cafes, with the kind of artsy audience that could appreciate this kind of book. It would also be lovely to create a series of prints that could be sold alongside the book or could be featured in exhibitions. Sample material from the start of the book (first 20 illustrations) .
Load more

Recommended publications
  • Emotionet: an Accurate, Real-Time Algorithm for the Automatic Annotation of a Million Facial Expressions in the Wild
    EmotioNet: An accurate, real-time algorithm for the automatic annotation of a million facial expressions in the wild C. Fabian Benitez-Quiroz*, Ramprakash Srinivasan*, Aleix M. Martinez Dept. Electrical and Computer Engineering The Ohio State University ∗These authors contributed equally to this paper. Abstract it were possible to annotate each face image very fast by an expert coder (say, 20 seconds/image)1, it would take 5,556 Research in face perception and emotion theory requires hours to code a million images, which translates to 694 (8- very large annotated databases of images of facial expres- hour) working days or 2:66 years of uninterrupted work. sions of emotion. Annotations should include Action Units This complexity can sometimes be managed, e.g., in im- (AUs) and their intensities as well as emotion category. age segmentation [18] and object categorization [17], be- This goal cannot be readily achieved manually. Herein, cause everyone knows how to do these annotations with we present a novel computer vision algorithm to annotate minimal instructions and online tools (e.g., Amazon’s Me- a large database of one million images of facial expres- chanical Turk) can be utilized to recruit large numbers of sions of emotion in the wild (i.e., face images downloaded people. But AU coding requires specific expertise that takes from the Internet). First, we show that this newly pro- months to learn and perfect and, hence, alternative solutions posed algorithm can recognize AUs and their intensities re- are needed. This is why recent years have seen a number liably across databases. To our knowledge, this is the first of computer vision algorithms that provide fully- or semi- published algorithm to achieve highly-accurate results in automatic means of AU annotation [20, 10, 22,2, 26, 27,6].
    [Show full text]
  • Types of Weltschmerz in German Poetry
    TY PE S O F WE LT S C H M ERZ I N GERMAN POETRY ' L R D B RA N P h D A F E U . WILH ELM , S OM ETI M E F E LLOW I N GE RMAN I C LANGUA GE S AN D U CO L U M B I A U NI V E RS I TY LITERAT RES . mmmm TH E CO LU MB I A UNIVERSITY P RES S TH E MAC MI LLAN COM PANY , A GE NT S L ONDON : MA CM I L LA N Co L TD . 1 905 A ll rig h ts reserved C OLU MBI A UNIV ERSI TY GERMANI C STU DI ES Edite d WI LLI AM C AR P ENT ER an d by H . CALVIN THOMAS V ol I . SCAN DINAVIAN INFLUENCE ON SOUT H E RN W ND S A o b u o t o LO LA C O TCH . C ntri ti n the St u dy o f the Lingu istic Re latio ns o f English an d d a a B O B F OM h D o S a . G O S P . 8v c n in vi n y E RG E T IA L , , P c ne t . a . xv ! 82 . p per , pp ri e , S M B o e a No . OS G . a G 2 IAN IN ER ANY ibli gr phy , en r l ’ Su e Ossi an s n fl u c o n K o s ock an d t he a ds rv y , I en e l p t B r .
    [Show full text]
  • GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
    ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start.
    [Show full text]
  • When Cultures Collide: LEADING ACROSS CULTURES
    When Cultures Collide: LEADING ACROSS CULTURES Richard D. Lewis Nicholas Brealey International 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page i # bli d f li 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page ii page # blind folio 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page iii ✦ When Cultures Collide ✦ LEADING ACROSS CULTURES # bli d f li 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page iv page # blind folio 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page v ✦ When Cultures Collide ✦ LEADING ACROSS CULTURES A Major New Edition of the Global Guide Richard D. Lewis # bli d f li 31573 01 i-xxiv 1-176 r13rm 8/18/05 2:56 PM Page vi First published in hardback by Nicholas Brealey Publishing in 1996. This revised edition first published in 2006. 100 City Hall Plaza, Suite 501 3-5 Spafield Street, Clerkenwell Boston, MA 02108, USA London, EC1R 4QB, UK Information: 617-523-3801 Tel: +44-(0)-207-239-0360 Fax: 617-523-3708 Fax: +44-(0)-207-239-0370 www.nicholasbrealey.com www.nbrealey-books.com © 2006, 1999, 1996 by Richard D. Lewis All rights reserved. No part of this publication may be reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles or reviews. Printed in Finland by WS Bookwell. 10 09 08 07 06 12345 ISBN-13: 978-1-904838-02-9 ISBN-10: 1-904838-02-2 Library of Congress Cataloging-in-Publication Data Lewis, Richard D.
    [Show full text]
  • Umweltschmerz Program Final 8 October Final 1010
    ENHANCE ITN FINAL EVENT Artwork by Ernst Haeckel, Kunstformen der Natur, 1904 (Um)Weltschmerz An Exercise in Humility and Melancholia Time 17 –20 October 2018 Venue Deutsches Museum; LMU Munich; Rachel Carson Center; Rio Filmpalast (Munich, Germany) —specific venues indicated for each session Conveners ENHANCE Marie Sk łodowska-Curie Innovative Training Network Cosponsored by the Rachel Carson Center and the Deutsches Museum Abstract (Um)Weltschmerz is an invitation to reflect on the deep ties that connect human beings’ cultural and emotional lives to their changing environment(s). On this occasion, participants from media, policy, museum practice, and across the environmental humanities and connected fields will explore issues of ecological change, conflict, and ethics, as well as the scientific and technological worlds they are entangled with. Rather than seeking fixed answers, (Um)Weltschmerz aims to raise the following questions: How can we repoliticize debates about science and environment in a constructive way? What changes when we frame environmental issues in terms of justice? Are there secular ethical imaginaries that can connect the past and future in nuanced ways, beyond techno-optimism, collapsology, and calls to turn our backs on science and industry? What does climate change mean for communities on different ends of power assymetries, and how are we to deal with it collectively in a post-truth world? What role do historiographies, museums, and political economies of media and technology play in public narratives of possible futures? Several of these sessions are open to the public to encourage broad participation. Wednesday, 17 October 2018 14:00 Registration opens Venue: Deutsches Museum, Centre for New Technologies Coffee and snacks served 16:00 Welcome and opening remarks, followed by opening of the (Um)Weltschmerz interactive exhibition Venue: Deutsches Museum, Centre for New Technologies 17:30 –18:00 Coffee break 18:00 Public Keynote: Interrupting the Anthropo-(Obs)cene by Prof.
    [Show full text]
  • The Language of Emotions: an Analysis of a Semantic Field P
    This article was downloaded by: [Princeton University] On: 24 February 2013, At: 11:50 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Cognition & Emotion Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/pcem20 The language of emotions: An analysis of a semantic field P. N. Johnson-laird a & Keith Oatley b a MRC Applied Psychology Unit, 15 Chaucer Road, Cambridge, UK b Department of Psychology, Glasgow University, Glasgow, UK Version of record first published: 07 Jan 2008. To cite this article: P. N. Johnson-laird & Keith Oatley (1989): The language of emotions: An analysis of a semantic field, Cognition & Emotion, 3:2, 81-123 To link to this article: http://dx.doi.org/10.1080/02699938908408075 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • Why We Should Talk About German 'Orientierungskultur' Rather Than
    A&K Analyse & Kritik 2018; 40(2): 381–403 Mathias Risse* Why We Should Talk about German ‘Orientierungskultur’ rather than ‘Leitkultur’ https://doi.org/10.1515/auk-2018-0021 Abstract: The notion of Leitkultur has been used in German immigration debates to capture the idea that our living arrangements ought to be shaped by shared cultural identity. Leitkultur contrasts with a multiculturalism that sees multiple cultures side-by-side on equal terms. We should replace Leitkultur with Orien- tierungskultur, a notion whose introduction is overdue. German philosophy, espe- cially Kant, has bestowed an intellectual meaning upon an originally geographi- cal notion that is already ubiquitous, making ‘Orientierungskultur’ a natural con- struct. That notion allows us to say there is an inevitably amorphous but recog- nizable German culture whose prominence in public life provides a grounding for many and prevents them from feeling alienated from the society they helped build; at the same time, for some domains of public life not participating in de- fault behavior is not merely tolerated but acknowledged as a genuine alternative. Crucially, one way of orienting oneself is to turn away. Keywords: Leitkultur, multiculturalism, constitutional patriotism, orientation, immigration 1 Introduction Established communities have ways of doing things. An influx of newcomers can be disruptive, especially if much of it occurs in a short period. New arrivals are welcome to those who connect culturally, benefit economically, value diversity or believe immigration or refuge is a proper response to humanitarian crises or oth- erwise morally called for. To others more diversity is alienating because they feel their social world no longer is for them.
    [Show full text]
  • Of Francois Mauriac
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1949 "Les malades" of Francois Mauriac Eduviges Helga Walmer The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Walmer, Eduviges Helga, ""Les malades" of Francois Mauriac" (1949). Graduate Student Theses, Dissertations, & Professional Papers. 1429. https://scholarworks.umt.edu/etd/1429 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. «LES MALADES” OF FRANÇOIS LiAURIAC by ______Eduvlgea Helga Maria Walmer_______ _ MAESTRA îi'OHNAL , KÜSSTHA SENORA DEL ROSARIO Buenos Aires, Argentina Presented in partial fulfillment of the requirements for the degree of Master of Arts Montana State University 1949 Approved : chairman of C Dmaittee Dean of the Graduate School UMI Number: EP35370 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT OiM«rtatk>n Publiahing UMI EP35370 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC.
    [Show full text]
  • Feelings, Emotions and Moods
    JODY MICHAEL ASSOCIATES Feelings, Emotions and Moods: How to Say What You are Experiencing Comprehensive list of over 850 words for feelings — including emotions, moods and physical sensations. © 2020 JMA All Rights Reserved IN A WORWORDD Many of us do not differentiate our feelings very much. We use limited words to describe them, such as good, bad, happy, sad, anxious or stressed. (Check this for yourself: Set a timer for 2 minutes and see how many words you can come up with!) Other people can more easily identify — or differentiate — a wider range of emotions. Not surprisingly, this skill is characteristic of people with high emotional intelligence. TIRED OF BEING IN A BAD MOODMOOD?? Research shows that people who can more clearly differentiate their negative feelings also tend to self-regulate their negative emotions more frequently. In JMA’s MindMastery program (https://www.jodymichael.com/workshops/), clients learn that their feelings are not driven by the actual events that happen to them, but by their core beliefs, assumptions and attitudes, or “underlying operating system.” Your responses, too, are shaped byyour personal underlying operating system. The good news is that your core “system” can be changed in ways that will greatly improve your life and well-being. Accurately identifying your feelings is a critical early step in this process. JMA’s comprehensive list is a great tool to help you do that. © 2020 JMA All Rights Reserved AN EXAMEXAMPLPLE Let’s imagine (but only briefly…) that an “event” happens to you: Your significant other gets angry at you. Look at how many different emotions and responses could occur from this one single event! EventEvent EmotionEmotion ResponseResponse 1.
    [Show full text]
  • Observational Assessment of Empathy in Parent-Child Verbal Exchanges and Their Influence on Child Behavior
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Observational Assessment of Empathy in Parent-Child Verbal Exchanges and Their Influence on Child Behavior Patty Carambot The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1608 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] OBSERVATIONAL ASSESSMENT OF EMPATHY IN PARENT-CHILD VERBAL EXCHANGES AND THEIR INFLUENCE ON CHILD BEHAVIOR by PATTY E. CARAMBOT A dissertation submitted to the Graduate Faculty in Psychology in partial fulfillment of the requirements of the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 PATTY E. CARAMBOT All Rights Reserved ii Observational Assessment of Empathy in Parent-Child Verbal Exchanges and Their Influence on Child Behavior by Patty E. Carambot This manuscript has been read and accepted for the Graduate Faculty in Psychology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _______________________ __________________________________ Date William Gottdiener, PhD Chair of Examining Committee _______________________ __________________________________ Date Richard Bodnar, PhD Executive Officer Supervisory Committee: Miriam Ehrensaft, PhD Philip Yanos, PhD Valentina Nikulina, PhD Ali Khadivi, PhD THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Observational Assessment of Empathy in Parent-Child Verbal Exchanges and Their Influence on Child Behavior by Patty E. Carambot Advisor: William Gottdiener, PhD Empathy, the ability to both experientially share in and understand others’ thoughts, behaviors, and feelings, is vital for human adaptation.
    [Show full text]
  • Italian Fireflies Into the Darkness of History
    61 4 Italian Fireflies into the Darkness of History Michael F. MARRA University of California, Los Angeles Professor Nakajima kindly asked me to present a lecture on a com- parative theme between Italy and Japan related to aesthetics. I accept- ed with pleasure since this gives me the opportunity to return to the same university where I taught Italian literature twenty years ago. I was told that one of my brightest students, Muramatsu Mariko, is now on the faculty of this prestigious institution—a fact that made the acceptance of this invitation even more delightful. As Professor Muramatsu might recall, I never spoke much of Italy in my courses on literary criticism, for the simple reason that I thought there were so many things going on in the world that I feared that the light coming from Italy would be no more than a gentle firefly on a summer field. Twenty years later, and thirty years after having left my homeland of Italy, I must confess that my knowledge of the European boot is even feebler than what used to be in the late 1980s. It goes without saying that the education I received in high school and at the University in Italy will always be with me, but I am also wondering if this heritage turned out to be a blessing or a curse. To be studying the classics in Italy in the early 1970s still meant to be confronted by the philosophy of someone who had died twenty years earlier, Benedetto Croce (1866-1952), whose entrenched historicism and strong belief in what poetry was and what was not still dominated the scene of Italy’s sec- ondary education.
    [Show full text]
  • The Imagery of Interior Spaces
    the imagery of interior spaces Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) the imagery of interior spaces. Copyright © 2019 by the editors and au- thors. This work carries a Creative Commons BY-NC-SA 4.0 International li- cense, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-19-9 (print) ISBN-13: 978-1-950192-20-5 (ePDF) doi: 10.21983/P3.0248.1.00 lccn: 2019937173 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J.
    [Show full text]