DOCSLIB.ORG

MEDIA PACK [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MEDIA PACK Advertising@Dancing-Times.Co.Uk MEDIA PACK www.dancing-times.co.uk [email protected] Dance Matters News English National Ballet’s Dance Matters in brief Letters Talking Point ASHTON IN SARASOTA Calendar ★ Emerging Dancers All the most important dance news Xander Parish, the fi rst Post to e Editor, Dancing Times, 45-47 Clerenwell Green, London, EC1 0EB, See Frederick Ashton’s ballets. Get a tan. Combining those two pastimes is rarely Dates for your diary Junor Souza as Ali in Le Corsaire. British dancer to join Bill Harpe considers dance and slavery possible in London, but, writes Leigh Witchel, you can do it in Sarasota, Florida the Maryinsky Ballet, or email [email protected] makes his debut as Prince May 19. The six dancers will These listings are made as comprehensive as possible but Inclusion of dates is dependent upon information received. Vintage Fonteyn and Symphonic Siegfried in Swan Lake perform in front of a panel not just watching, Natalia On May 1 this year, after inclusion does not necessarily mean recommendation. In addition, we have details of some advance programmes Star Letter from overseas/UK companies and UK tours. For more details on March 1, with further of judges. The winner will Osipova’s comet soaring 40 enjoyable years dancing iverpool’s the chain gang as a point of African Americans who professional dancing and Copy deadline for possible entries is always the 1st of the (subject to availability) email as above or call 020 7250 3006. performances this season. be announced at the end of Dear Editor –– I do so agree with Gerald Dowler’s article through the ballet sky, casting Cotswold and Yorkshire International Slavery origin... The abomination of were descendants of slaves training is undertaken in he Sarasota Ballet will be preceding month. Please send to [email protected] Variations footage rediscovered The Maryinsky danced the evening, along with the on audience behaviour. What does one do if the off ending a life-affi rming light. So we Longsword dances, LMuseum is currently slavery is not a key reference and former slaves. Through North America and Britain. presenting an Ashton Festival or post to the usual address. Entry subject to space available. All programmes, casts and information subject to change the company premiere winner of the People’s Choice person is a “personality”? I’ve experienced a very famous all need to sit up at the back locally, nationally and hosting British Dance: point for British dancers who these dances, which swept There remains, of course, from April 30 to May 3 Margot Fonteyn and Michael for the fi rst time in 60 years. of Wayne McGregor’s Award, which is voted for A PAGE actor texting throughout a ballet, and a TV presenter of class and pay attention. internationally, the current Black Routes, open until came from African countries through North America and a legacy of pain as well as Tfeaturing 11 of the master’s works. Somes in the “Awakening Scene” Ballet Theatre UK SUNDERLAND, Empire Theatre In Darcey’s Ballerina Infra on February 24. by members of the public. repeatedly talking to his companion. Another bugbear is Just like Jimi Hendrix’s members (including some March 23. This exhibition that were until the 1950’s Britain from the 1920s, the achievement. Elroy Josephz The monumental undertaking came of the BBC’s 1959 production UNITED KINGDOM www.BalletTheatre-UK.com Tel: 0844 871 3022 Heroines, on BBC Two on This year’s fi nal will be TURNING the women who can’t seem to stop playing with their hair. arrival on the guitar scene of the original dancers) draws upon the findings and 1960’s British colonies.” framework of social dancing describes the dancing we about through the dedication and Tour of The Little Mermaid (ch: Moore) 7-8: Elite Syncopations (ch: MacMillan), of e Sleeping Beauty. Slaughter on Tenth Avenue (ch: Balanchine), March 1, Bussell explores ★ Fabulous Beast Dance ENGLISH NATIONAL Saruhashi, Junor Souza and directed by English National A young ballet-goer told me that she would never return forced all others before him will dance at the Lord of the British Dance and It is not a viewpoint that changed. A low centre of inherited from African hard work of the company’s artistic MARCH CAREER Companies 13: COVENTRY, Albany Theatre ‘Still Life’ at the Penguin Café (ch: Bintley) tells the story of the Sadler’s the history of the ballerina, Theatre will tour the UK BALLET HAS announced Joan Sebastian Zamora. Ballet’s associate artist to the Royal Opera House as, on her visit, she was terrifi ed to shove down the bench Collingwood again from the African Diaspora is shared by Elroy Josephz, gravity was embraced, slaves as originally “either director Iain Webb. Wiry and puckish, Tel: 024 7699 8964 PLYMOUTH, Theatre Royal Aakash Odedra Company 14: MONMOUTH, Blake Theatre Tel: 01752 267 222 Wells Ballet in wartime, from Marie Sallé to the from April 1 to May 3 the fi nalists for this Throughout the year, George Williamson. The that the camera phones constantly fl ashing before the a little to make space for 8pm. Everyone is welcome. Research Project, during who, having travelled from the whole body was in a release or a cry for help”. what shines through in conversation Tel: 01600 719 401 19-22: The Prince of the Pagodas (ch: Bintley) www.aakashodedra.com 15: MANSFIELD, Palace Theatre LONDON COLISEUM including rare archive present. Good Swan, Bad with a Stravinsky double year’s Emerging Dancer English National Ballet’s competition is generously performance might trigger an epileptic attack. I would have him at the top, so is this Then, on Sunday, May 4, which memories of black Jamaica, made his home in motion, and improvisation Peter Blackman, founder is that he’s mad about ballet, its Tour of Rising, featuring new works by Akram Tel: 01623 633 133 Tel: 020 7845 9300 As Ashley Page creates his Khan, Sidi Larbi Cherkaoui and Russell Maliphant footage and interviews with Swan: Dancing Swan Lake, on bill. This is the fi rst Competition. Now in its artistic, music and supported by restructuring thought that this was a serious health and safety concern, happening in ballet. We must they will also be dancing at British dancers involved in the UK, becoming in 1979 was expected. Lindy Hop of British-based dance history – and Sir Frederick Ashton. 16M: TUNBRIDGE WELLS, Assembly Hall 26-29: The Prince of the Pagodas MARCH Tel: 01892 530 613 Gillian Lynne, Beryl Grey BBC Four on March 9, shows time Michael Keegan- fi fth year, the competition administrative staff , along experts Talbot Hughes latest full-length ballet in but the staff didn’t seem bothered. –– Yours sincerely, enjoy the fact that ballet is places around the Bar Walls the artform from the 1970s the first lecturer in African- maestro Frankie Manning and music group Steel An’ “There are things as a director you 6: LONDON, Artsdepot 22M&E: WARWICK, Bridge House Theatre and Henry Danton. During Tamara Rojo preparing to Dolan’s productions of is an annual opportunity with its principal dancers, McKillop. The winner Robert Iles being redefi ned before our on their annual “Walls Tour” onwards were explored. Caribbean dance at what led the way, “dancing Skin, describes a legacy of want to do and things you have to Tel: 020 8369 5454 Breakin’ Convention Vienna, the choreographer Tel: 01926 776 438 www.breakinconvention.com his interview, Danton dance Odette-Odile in Swan The Rite of Spring and for the company to have been voting for their receives £2,500, the People’s talks to Paul Arrowsmith Salisbury very eyes, its magic is being starting at 11am at Walmgate The research project is now Liverpool’s John at a sharp angle to the slavery as “inappropriate do – this is something I needed to Anton Du Beke – Ballroom 23M&E: HAYES, Beck Theatre The international festival of hip hop dance remembered that an amateur Lake, including rehearsals, Petrushka have toured recognise the talent of its favourite emerging dancer. Choice award-winner humanised and infused with Bar and then to Monk Bar, was led by Christy Adair, Moores University. As the ground like a track runner, behaviour” today, deriving do. This festival is about Sir Fred, his Tel: 020 8561 8371 theatre returns. This year’s line-up includes ILL- Each month the author of our Star Letter will win a year’s to Broadway 28: BURNLEY, Mechanics Abilities, Ukweli Roach and Wanted Posse cameraman had fi lmed a performance, interviews the UK. See Calendar. up-and-coming dancers. Tickets are now on sale for receives £1,000 and all subscription or an extension to a current subscription real soul, at last. I’m not sure Bootham Bar and onwards! professor of Dance Studies museum catalogue makes instead of the upright, stiff from inherited habits ballets and the man behind them.” www.raymondgubbay.co.uk Tel: 01282 664 400 MAY Anton Du Beke partners Summer Strallen, with 29M&E: STAMFORD, Corn Exchange 3-5: LONDON, Sadler’s Wells rehearsals for Symphonic and specially fi lmed The fi nalists for 2014 are the fi nal of the competition, nominees receive £500. we’ll see her like again so The group would like to at York St John University, clear, “central to his work ballroom position”. That and attitudes that were A former dancer with both the ensemble dancers including Faye Huddleston and Tel: 01780 766 455 ★ Tel: 0844 412 4300 Variations. Archivists at the workshops. Programme Errol White Company Madison Keesler, Senri Kou, which will be held at Call 0844 871 3000 or see we should enjoy this new, reunite with any former and Ramsey Burt, professor was his understanding of dancing attitude, which was acquired to survive 400 Sadler’s Wells and Covent Garden music from the Raymond Gubbay Big Band and 30M&E: LOUGHBOROUGH, Town Hall 10: DONCASTER, Cast British Film Institute have schedules may change – has launched Evolve, Alison McWhinney, Ken London’s Lyceum Theatre on ballet.org.uk for tickets.
Load more

Recommended publications
  • Ravenna Tucker Wagnon Professor of Dance
    Ravenna Tucker Wagnon Professor of Dance Body Arts and Science International (BASI Pilates) Certification; Masters of Creative Industries (Dance Teaching), Queensland University of Technology; Post-Graduate Diploma in Dance Instruction, Queensland University of Technology; Associate of the Royal Academy of Dance (ARAD); Diploma The Royal Ballet School Teachers’ Course for Professional Dancers (TCPD); The Royal Ballet Upper School (dance graduate). Books/Academic Articles: DANCING ACROSS BORDERS: Perspectives on Dance, Young People and Change, First Edition, Eds. Charlotte Svendler Nielsen and Stephanie Burridge, January 2020 Creative Activity/ Performances Film documentary biography of Belhaven University guest artist Henry Danton, interviewer and partial supervisor; Fleeting Figures choreography for Cecchetti Council of America Summer Intensive, Holland Michigan, 2019; The Least Of These, choreography and solo performance, Community Dance Concert, Belhaven University, September 2018. Professional Leadership Rehearsal director for various student works (including Frescoes, Les Sylphide, Don Quixote Act II restaged by Henry Danton; Swan Lake Act II and excerpts; Waltz of the Snowflakes, La Bayadere Act II, The Sleeping Beauty and other excerpts, Galanteries by Sir David Bintley, excerpt of Elite Syncopations by Sir Kenneth MacMillan, excerpt of Serenade by George Balanchine, Strings of Grace by Catherine Batcheller) for Belhaven University Dance Ensemble Fall and Spring concerts; guest teaching at various festivals and events (including Mississippi Dance Festival, Alabama Dance Festival, American College Dance Association, Dance Works studio summer intensive, Cecchetti Council of America Summer Intensive, City Dance Audition, Brookhaven School for the Arts in Mississippi). Talks / Presentations/ Conferences Guest talk on the A History of Classical Ballet at Jackson State University. Make up tutorial for the Mississippi Ballet.
    [Show full text]
  • Don Quixote Press Release 2019
    January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates.
    [Show full text]
  • RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet
    RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet The Royal Ballet Delve into the archive of The Royal Ballet in this special collection full of clips and interviews Katie Derham introduces highlights from the past ten years at the Royal Ballet in this special, extended edition of Essential Royal Ballet. Presented on location in Covent Garden at the iconic Royal Opera House, Katie weaves the history of ballet through carefully curated excerpts from the past decade of performances and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage. From the great classics of The Sleeping Beauty and The Nutcracker to the exciting frontiers of contemporary dance, Katie takes us on a romp through the repertory, showcasing the diversity of the UK’s biggest ballet company. With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nuñez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage. The ballets featured include the classics Giselle, La Bayadère, Swan Lake, The Sleeping Beauty and The Nutcracker while the 20th-century heritage of the Royal Ballet is explored in works by Frederick Ashton and Kenneth MacMillan. The contemporary life of the company is showcased in works by Christopher Wheeldon, and Wayne McGregor, along side recent productions of classic works.
    [Show full text]
  • The Royal Ballet Present Romeo and Juliet, Kenneth Macmillan's
    February 2019 The Royal Ballet present Romeo and Juliet, Kenneth MacMillan’s dramatic masterpiece at the Royal Opera House Tuesday 26 March – Tuesday 11 June 2019 | roh.org.uk | #ROHromeo Matthew Ball and Yasmine Naghdi in Romeo and Juliet. © ROH, 2015. Photographed by Alice Pennefather Revival features a host of debuts from across the Company, including Akane Takada, Beatriz Stix-Brunell, Anna Rose O’Sullivan, William Bracewell, Marcelino Sambé and Reece Clarke. Principal dancer with American Ballet Theater, David Hallberg makes his debut in this production as Romeo opposite Natalia Osipova as Juliet. Production relayed live to cinemas and on Tuesday 11 June 2019. This Spring, The Royal Ballet revives Kenneth MacMillan’s 20th-century dramatic masterpiece, Romeo and Juliet. Set to Sergey Prokofiev’s seminal score, the ballet contrasts romantic pas de deux with a series For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of vibrant ensemble scenes, set against the backdrop of 16th-century Verona as evoked by Nicholas Georgiadis’s designs. A work which has been performed by The Royal Ballet more than 400 times since it was premiered at Covent Garden in 1965, Romeo and Juliet is a classic of the 20th-century ballet repertory, and showcases the dramatic ability of the Company, as well as incorporating a plethora of MacMillan’s signature challenging choreography. During the course of this revival, Akane Takada, Beatriz Stix-Brunell and Anna Rose O’Sullivan debut as Juliet. Also performing the role during this run are Principal dancers Francesca Hayward, Sarah Lamb and Marianela Nuñez.
    [Show full text]
  • Bolshoi Theater
    FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet.
    [Show full text]
  • Barbora Kohoutková
    BARBORA KOHOUTKOVÁ Barbora Kohoutková started ballet training at a very early age. She was chosen at the age of 4 by a pre-ballet school of the National Theater in Prague and got accepted to the Prague Dance Conservatory when she was 10 years old. Barbora started her professional career at the age of 17 in Helsinki as a Principal Dancer with the Finnish National Ballet (1996-2002). Before becoming a guest principal dancer she worked with the Bavarian State Ballet – Munich (2002-2003), Boston Ballet (2003-2004) and Hamburg Ballet-John Neumeier (2004-2008). In her career she has danced the most important roles of almost the entire classical repertoire in its original form and in productions by Ben Stevenson, Natalia Makarova, Rudolf Nureyev, Vladimir Bourmeister, Sylvie Guillem, Wayne Eagling, Toer van Schayk, Bruce Marks, Frederick Ashton, Mikhail Fokine… Besides the classical repertoire she also performed in choreographies by George Balanchine, Jiri Kylian, John Cranko, John Neumeier, Jorma Uotinen, Sir Kenneth MacMillan, Heinz Spoerli, Mark Morris… As a guest artist she has been performing in Essen, Helsinki, Milano, Moscow, Munich, Prague, Rome, St. Petersburg, Tokyo (World Ballet Festival 2002 and 2004), … Sadly, due to injuries, she had to cut short her beautiful career at the early age of 28. After having undergone multiple surgeries and stoically enduring much physical suffering, Barbora had to retire from the stage and began a rewarding career as a Ballet Master and teacher, occasionally still performing as a guest Principal. During the season 2009- 2010 she worked as Ballet Master at the National Theater in Prague.
    [Show full text]
  • New National Theatre, Tokyo 2019/2020 Season
    PRESS RELEASE (FEB 2019) NEW NATIONAL THEATRE, TOKYO NEW NATIONAL THEATRE, TOKYO 2019/2020 SEASON BALLET & DANCE THE NATIONAL BALLET OF JAPAN New National Theatre, Tokyo (NNTT) announced the 2019/2020 Ballet & Dance Season, the final season under the Artistic Director, Noriko OHARA, which features 38 performances of 6 ballet works including 5 full-length narrative ballet, and 11 performances of 3 dance pieces. The Final Season for Noriko OHARA as Artistic Director of Ballet and Dance at the New National Theatre, Tokyo Noriko OHARA became the Ballet Mistress of the company in 1999, Assistant Director in 2010 before assumed office as the Artistic Director in September 2014. During these 20 years ever since the company was founded, she has nurtured and led the dancers for The National Ballet of Japan to become the leading company in Japan. This season's line-up sums up this company's best works thus far. The season will open in October with Kenneth MACMILLAN's "Romeo and Juliet", an exemplar of the dramatic ballet tradition. This will be followed by "Manon" in February and March. Both works will showcase the company's expressive richness and depth. Christmas season will feature Wayne EAGLING's "The Nutcracker and the Mouse King". Technically a very demanding piece, this dreamy fairy tale has real visual appeal which audiences of all ages will enjoy. Then, our "New Year Ballet" will feature what has been called "music for the eyes" in the form of George BALANCHINE's "Serenade", as well as pas de deux from "Raymonda" and "Le Corsaire".
    [Show full text]
  • Words Into Movement: the Ballet As Intersemiotic Translation Karen
    Words into Movement: The Ballet as Intersemiotic Translation 1 Karen Bennett Centre for Comparative Studies University of Lisbon In 1959, Roman Jakobson, in his famous article “On Linguistic Aspects of Translation”, extended the concept of translation from the merely verbal to include transfer between different sign systems. On the basis of this, most ballets, which generally derive their aesthetic structure and narrative content from some preceding text, may legitimately be considered as examples of intersemiotic translation. Indeed, many classical ballets are based upon not one but two prior texts - a musical score, which largely determines the form and emotional thrust of the choreography, 1 and a canonical or popular work of literature of which the score is itself a ‘translation’; hence there is a dual transfer involved. This is the case in the three versions of Romeo and Juliet that I wish to look at here, all of which are simultaneously based upon Prokofiev’s score and Shakespeare’s play. If we define ballet as translation into kinesthetic/visual medium of a work previously encoded in verbal or musical form, then the tools used in the discipline of Translation Study may be validly applied to these works. The objective of this paper, therefore, is to examine some of the constraints operating upon three different ballet versions of Romeo and Juliet, produced at different moments during the twentieth century, which I will do so with reference to the categories suggested by André Lefevere in his 1985 article “Why Waste our Time on Rewrites?” These are, in his order, 1 Published in Teatro e Tradução: Palcos de Encontro, Maria João Brilhante & Manuela Carvalho (Eds) Lisbon: Colibri, 2007 (pp.125-138).
    [Show full text]
  • Aug. 8 & 15, 2016 Price $8.99 Aug. 8 & 15, 2016 Price $8.99
    PRICE $8.99 AUG. 8 & 15, 2016 AUGUST 8 & 15, 2016 4 GOINGS ON ABOUT TOWN 19 THE TA L K OF THE TOWN Steve Coll on Russia’s election games; Gloria Allred; Morgan Freeman; pub rock; James Surowiecki on executive action. ANNALS OF POLITICS Jill Lepore 24 The War and the Roses The lessons of the party Conventions. SHOUTS & MURMURS Ian Frazier 33 Outdone THE SPORTING SCENE Sam Knight 34 Prance Master The star rider who is transforming dressage. A REPORTER AT LARGE Jon Lee Anderson 40 The Distant Shore What made an isolated Peruvian tribe kill? PERSONAL HISTORY Lauren Collins 52 Love in Translation Marriage to a Frenchman. SKETCHBOOK Barry Blitt 59 “Behind the Scenes at the D.N.C.” FICTION Te s s a Ha d l ey 62 “Dido’s Lament” THE CRITICS POP MUSIC Kelefa Sanneh 68 Gucci Mane’s “Everybody Looking.” BOOKS Adelle Waldman 72 Jay McInerney’s “Bright, Precious Days.” Dan Chiasson 75 Jana Prikryl’s “The After Party.” 77 Briefly Noted ON TELEVISION Emily Nussbaum 78 “BoJack Horseman.” THE CURRENT CINEMA Anthony Lane 80 “Jason Bourne,” “Little Men.” POEMS Nicole Sealey 31 “A Violence” James Richardson 47 “How I Became a Saint” COVER Mark Ulriksen “Something in the Air” DRAWINGS Paul Noth, Edward Steed, Jason Adam Katzenstein, Avi Steinberg, Sam Marlow, Roz Chast, Amy Hwang, Will McPhail, Darrin Bell, Liam Francis Walsh SPOTS Ben Wiseman THE NEW YO R K E R , AUGUST 8 & 15, 2016 1 CONTRIBUTORS Jill Lepore (“The War and the Roses,” Jon Lee Anderson (“The Distant Shore,” p.
    [Show full text]
  • The Sarasota News Leader. ARTICLE INCORRECTLY ATTRIBUTED
    THE SARASOTA Vol. 2, No. 25 — March 7, 2014 COVER News Leader LET IT BE RAISING MORE CONCERNS A STRONG RESPONSE Inside Old school journalism. 21st century delivery. GET TO HELP KNOW US A.K.A. HELP MASTHEAD Rachel Brown Hackney Cleve Posey Editor and Publisher Production Manager / Graphic Designer [email protected] [email protected] Cooper Levey-Baker Robert S. Hackney Associate Editor Opinion Editor / General Manager [email protected] [email protected] Stan Zimmerman Advertising Sales City Editor [email protected] [email protected] Subscription Services Roger Drouin [email protected] County Editor Press Releases & News Tips [email protected] [email protected] Norman Schimmel Staff Photographer [email protected] Fran Palmeri Contributing Writer [email protected] Harriet Cuthbert Contributing Writer [email protected] Elinor Rogosin A&E Writer [email protected] John Riley Editorial Cartoonist [email protected] Vicki Chatley Copy Editor [email protected] Letters To the Editor [email protected] “The Sarasota News Leader” is a registered trademark of New Sheriff Publishing, Inc., which publishes The Sarasota News Leader. Copyright © 2014 Sarasota News Leader. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Member - National Digital Press Association • P.O. Box 5099 • Sarasota, FL 34277 • (941) 227-1080 WELCOME Last week, as I was reflecting on potential content for this issue, it appeared the City Commission meeting would be the only sig- nificant source. Oh, how wrong was I proven to be.
    [Show full text]
  • Friday, February 2, 2007 Chicago, IL
    1 YAGP 2015 Semi-finals Atlanta, GA January 23 - 25, 2015 Dear Participants, Parents and Teachers, It is with great pleasure that we welcome you to the YAGP 2015 Semi-Finals in Atlanta, GA! We hope you will enjoy learning from each other as well as the many distinguished dance professionals gathered here. As many of you already know, we have designed the YAGP experience in such a way that every participant, regardless of their level of training or career goals, can benefit greatly from the multitude of educational and professional opportunities available throughout the event. Competition entries are organized by birth date starting with our youngest participants. The only exceptions to this order are special considerations due to costume changes. We are proud to say that in only 16 short years YAGP has become the largest student scholarship competition in the world. This is in large part due to the support of our participants and participating schools. In particular, we would like to thank the Atlanta, GA participating schools: A Class Act Dance Center, GA Ryen McGee Academie De Ballet, VA Anora Hummel, Melissa Moore, Andrei Yemelianov, Natallia Yemelianova Alabama Ballet, AL Tracey Alvey, Roger Van Fleteren, Michael Fothergill Alius Dance School, FL Alexia Adcock-Stanford, Alexa Mieses All American Classical Ballet School, FL Terri Howell, Julio Montano, Gissell Durand Andalusia Ballet, AL Meryane Martin Murphy, Laura Wells Atlanta Academy of Ballet and Dance, GA Susan Beebe, Candice Ulbrich, Rachel Truitt Atlanta Professional Dance
    [Show full text]
  • Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
    edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.
    [Show full text]