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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
THE TWO JACKS! We Bring You EXCLUSIVE Interviews with JOHN and CAROLE BARROWMAN and the Real Captain Jack, MATT RIPPY!
Issue Seven Hey folks? You miss me? THE TWO JACKS! We bring you EXCLUSIVE interviews with JOHN AND CAROLE BARROWMAN and the real Captain Jack, MATT RIPPY! PLUS! We talk to Trevor Baxendale about his Torchwood novels! EDITORIAL CONTENTS “Hey Jack: is that a missile in your 4-5: Inside the Hub- All the latest Torchwood news pocket or are you just pleased to see me?” 6-11: TORCHWOOD TALES: The Barrowmans Welcome to one of the most exciting 12-13: A Salute to Jack issues of The Hub I’ve ever produced. Firstly, apologies we did not release on the previously ad- vertised date of 1st September. I have been in Devon for a week and didn’t get as 14-17: TORCHWOOD TALES: Matt Rippy much time to edit as I thought. It probably didn’t help I purchased “The Walking Dead Season Two” on DVD… And the large amount of reading 18-21: Episode Guide: Captain Jack Harkness The Hub Issue Seven I had for some Sixth Form courses I’m taking… Editor (Captain Jack): Matt Powell Assistant Producers (Gwen and Ianto): 22-28: Fiction: 21st January. 1941 This issue has been such fun to produce and it all started with the Bar- Louise Mills, Debs Forrest Copy Editor: Lisa Moran rowman’s interview. I remember the night when I had Debs email me saying she’d got them. We were over the moon. I couldn’t believe that we’d 30-37: Trevor Baxendale Article Writers: got them at first! Jack is a character we all love and adore. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Read Ebook {PDF EPUB} Doctor Who Cat's Cradle Time's Crucible by Marc Platt Doctor Who: Cat's Cradle: Time's Crucible by Marc Platt
Read Ebook {PDF EPUB} Doctor Who Cat's Cradle Time's Crucible by Marc Platt Doctor Who: Cat's Cradle: Time's Crucible by Marc Platt. THIS STORY TAKES. PLACE BETWEEN THE NOVEL "TIMEWYRM: THE BIG FINISH AUDIO. RECOMMENDED. OFFICIAL VIRGIN 'NEW. ADVENTURE' PAPERBACK. (ISBN 0-426-20365-8) RELEASED IN FEBRUARY. The TARDIS is invaded. by an alien presence. and destroyed. The. Ace finds herself in a. bizarre deserted city. ruled by A leech-like. monster known as the. Lost voyagers drawn. forTH from Ancient. Gallifrey perform. obsessive rituals. in the ruins. strands of time are. tangled in a cat�s. cradle of dimensions. Only the Doctor can. challenge the rule. of the Process and. restore the stolen. But the Doctor was. destroyed long ago, before Time began. As popular as Ghost Light was, truncated into three episodes with its exposition on the cutting room floor, Marc Platt�s atmospheric television serial never quite worked for me. With this novel, however, the written word allows Platt the freedom to tell his story at a slower pace, making it easier for the reader to follow not only the broad strokes but also the intricate subtleties of his plot. For me, the brilliance of Cat�s Cradle: Time�s Crucible can be summed up in just one word: Gallifrey. This novel is the first story since The Deadly Assassin to really get to grips with. the rudiments of Time Lord civilisation, and the first story ever to flesh out the culture of this fascinating race in any sort of satisfactory fashion. -
Scary Poppins Returns! Doctor Who: the Eighth Doctor, Liv and Helen Are Back on Earth, but This Time There’S No Escape…
ISSUE: 136 • JUNE 2020 WWW.BIGFINISH.COM SCARY POPPINS RETURNS! DOCTOR WHO: THE EIGHTH DOCTOR, LIV AND HELEN ARE BACK ON EARTH, BUT THIS TIME THERE’S NO ESCAPE… DOCTOR WHO ROBOTS THE KALDORAN AUTOMATONS RETURN BIG FINISH WE MAKE GREAT FULLCAST AUDIO WE LOVE STORIES! DRAMAS AND AUDIOBOOKS THAT ARE AVAILABLE TO BUY ON CD AND OR ABOUT BIG FINISH DOWNLOAD Our audio productions are based on much-loved TV series like Doctor Who, WWW.BIGFINISH.COM Torchwood, Dark Shadows, @BIGFINISH Blake’s 7, The Avengers, THEBIGFINISH The Prisoner, The Omega Factor, Terrahawks, Captain BIGFINISHPROD Scarlet and Survivors, as BIG-FINISH well as classics such as HG BIGFINISHPROD Wells, Shakespeare, Sherlock Holmes, The Phantom of the SUBSCRIPTIONS Opera and Dorian Gray. If you subscribe to our Doctor We also produce original BIG FINISH APP Who The Monthly Adventures creations such as Graceless, The majority of Big Finish range, you get free audiobooks, Charlotte Pollard and The releases can be accessed on- PDFs of scripts, extra behind- Adventures of Bernice the-go via the Big Finish App, the-scenes material, a bonus Summer eld, plus the Big available for both Apple and release, downloadable audio Finish Originals range featuring Android devices. readings of new short stories seven great new series: ATA and discounts. Girl, Cicero, Jeremiah Bourne in Time, Shilling & Sixpence Secure online ordering and Investigate, Blind Terror, details of all our products can Transference and The Human be found at: bgfn.sh/aboutBF Frontier. BIG FINISH EDITORIAL WE’RE CURRENTLY in very COMING SOON interesting times, aren’t we? The COVID-19 pandemic has changed all our lives in recent ABBY AND ZARA months, with lockdown becoming a part of our everyday routine. -
Full Circle Sampler
The Black Archive #15 FULL CIRCLE SAMPLER By John Toon Second edition published February 2018 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2018 Range Editors: James Cooray Smith, Philip Purser-Hallard John would like to thank: Phil and Jim for all of their encouragement, suggestions and feedback; Andrew Smith for kindly giving up his time to discuss some of the points raised in this book; Matthew Kilburn for using his access to the Bodleian Library to help me with my citations; Alex Pinfold for pointing out the Blake’s 7 episode I’d overlooked; Jo Toon and Darusha Wehm for beta reading my first draft; and Jo again for giving me the support and time to work on this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For you. Yes, you! Go on, you deserve it. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl -
Doctor Who, Steampunk, and the Victorian Christmas Mcmurtry, LG
Doctor Who, Steampunk, and the Victorian Christmas McMurtry, LG Title Doctor Who, Steampunk, and the Victorian Christmas Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/44368/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Leslie McMurtry Swansea University Doctor Who, Steampunk, and the Victorian Christmas “It’s everywhere these days, isn’t it? Anime, Doctor Who, novel after novel involving clockwork and airships.” --Catherynne M. Valente1 Introduction It seems nearly every article or essay on Neo-Victorianism must, by tradition, begin with a defence of the discipline and an explanation of what is currently encompassed by the term— or, more likely, what is not. Since at least 2008 and the launch of the interdisciplinary journal Neo-Victorian Studies, scholars have been grappling with a catch-all definition for the term. Though it is appropriate that Mark Llewellyn should note in his 2008 “What Is Neo-Victorian Studies?” that “in bookstores and TV guides all around us what we see is the ‘nostalgic tug’ that the (quasi-) Victorian exerts on the mainstream,” Imelda Whelehan is right to suggest that the novel is the supreme and legitimizing source2. -
H B Appendices.Qxp
SECTION C. APPENDICES I. GLOSSARY Adaptive management A process in which projects are implemented within a framework of scientifically driven experiments to test predictions and assumptions outlined within the comprehensive conservation plan. The analysis of the outcome of project implementation helps managers determine whether current management should continue as is or whether it should be modified to achieve desired conditions. Alternative A set of objectives and strategies needed to achieve refuge goals and the desired future condition. Anadromous Going from salt water to fresh water; such as salmon, shad, snook, or tarpon. Approved acquisition boundary A project boundary which the Director of the Fish and Wildlife Service approves upon completion of the detailed planning and envi- ronmental compliance process. Bio-accumulation The process in which industrial waste, toxic chemicals, or pesticides gradually accumulate in living tissue, or in the food web/chain. Biomass The total mass, or amount of material, in a particular area. Biological diversity The variety of life forms and its processes, including the variety of living organisms, the genetic differences among them, and the com- munities and ecosystems in which they occur. Biological integrity The biotic composition, structure, and functioning at genetic, organ- ism, and community levels comparable with historic conditions, including the natural biological processes that shape genomes, organisms, and communities. Biota The plant and animal life of a region. Buffer A multi-use transitional area designed and managed to protect core reserves and critical corridors from increased development and human activities that are incompatible to wildlife. In this document, agricultural lands are also considered buffer lands. -
Faire-Valoir Et Seconds Couteaux Sidekicks and Underlings
Essais Revue interdisciplinaire d’Humanités 10 | 2016 Faire-valoir et seconds couteaux Sidekicks and Underlings Nathalie Jaëck et Jean-Paul Gabilliet (dir.) Édition électronique URL : http://journals.openedition.org/essais/3692 DOI : 10.4000/essais.3692 ISSN : 2276-0970 Éditeur École doctorale Montaigne Humanités Édition imprimée Date de publication : 15 septembre 2016 ISBN : 978-2-9544269-9-0 ISSN : 2417-4211 Référence électronique Nathalie Jaëck et Jean-Paul Gabilliet (dir.), Essais, 10 | 2016, « Faire-valoir et seconds couteaux » [En ligne], mis en ligne le 15 octobre 2020, consulté le 21 octobre 2020. URL : http:// journals.openedition.org/essais/3692 ; DOI : https://doi.org/10.4000/essais.3692 Essais Revue interdisciplinaire d’Humanités Faire-valoir et seconds couteaux Sidekicks and Underlings Études réunies par Nathalie Jaëck et Jean-Paul Gabilliet Numéro 10 - 2016 (1 - 2016) ÉCOLE DOCTORALE MONTAIGNE-HUMANITÉS Comité de rédaction Jean-Luc Bergey, Laetitia Biscarrat, Charlotte Blanc, Fanny Blin, Brice Chamouleau, Antonin Congy, Marco Conti, Laurent Coste, Hélène Crombet, Jean-Paul Engélibert, Rime Fetnan, Magali Fourgnaud, Jean-Paul Gabilliet, Stanislas Gauthier, Aubin Gonzalez, Bertrand Guest, Sandro Landi, Sandra Lemeilleur, Mathilde Lerenard, Maria Caterina Manes Gallo, Nina Mansion, Mélanie Mauvoisin, Myriam Metayer, Isabelle Poulin, Anne-Laure Rebreyend, Jeffrey Swartwood, François Trahais Comité scientifique Anne-Emmanuelle Berger (Université Paris 8), Patrick Boucheron (Collège de France), Jean Boutier (EHESS), Catherine Coquio (université Paris 7), Phillipe Desan (University of Chicago), Javier Fernandez Sebastian (UPV), Carlo Ginzburg (UCLA et Scuola Normale Superiore, Pise), German Labrador Mendez (Princeton University), Hélène Merlin-Kajman (Université Paris 3), Franco Pierno (Victoria University in Toronto), Dominique Rabaté (Université Paris 7), Charles Walton (University of Warwick) Directeur de publication Sandro Landi Secrétaire de rédaction Chantal Duthu Les articles publiés par Essais sont des textes originaux. -
The Tenth Doctor Adventures!
WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES ISSUE 87 • MAY 2016 2016 MAY • 87 ISSUE DOCTOR WHO: THE TENTH DOCTOR ALLONS-Y! DAVID TENNANT AND CATHERINE TATE RETURN TO THE TARDIS FOR THREE NEW ADVENTURES! JOURNEYS IN SPACE AND TIME! PLUS! CLASSIC HORROR GALLIFREY BIG FINISH’S DRACULA ENEMY LINES BIG GUIDE! MARK GATISS BARES HIS FANGS ROMANA, LEELA AND ACE PREPARE 21 ESSENTIAL RELEASES FOR IN OUR NEW ADAPTATION! THE TIME LORDS FOR WAR! NEWCOMERS TO LISTEN TO! WELCOME TO BIG FINISH! We love stories and we make great full-cast audio dramas and audiobooks you can buy on CD and/or download Big Finish… Subscribers get more We love stories! at bigfinish.com! Our audio productions are based on much- If you subscribe, depending on the range you loved TV series like Doctor Who, Torchwood, subscribe to, you get free audiobooks, PDFs Dark Shadows, Blake’s 7, The Avengers and of scripts, extra behind-the-scenes material, a Survivors as well as classic characters such as bonus release, downloadable audio readings of Sherlock Holmes, The Phantom of the Opera new short stories and discounts. and Dorian Gray, plus original creations such as Graceless, Charlotte Pollard and The You can access a video guide to the site at Adventures of Bernice Summerfield. www.bigfinish.com/news/v/website-guide-1 WWW.BIGFINISH.COM @ BIGFINISH THEBIGFINISH Sneak Previews & Whispers Editorial ELL, this is all rather exciting, isn’t it? David Tennant is back as the Doctor! W For those of us who are long-standing Big Finish fans, we knew of David’s work long before he was given the key to the TARDIS, and when we heard he had been cast, we were already hoping that one day he’d be back in the Big Finish studio to play the Doctor. -
Gold-En Music: the New Series of Doctor Who by Robin Lapasha January 2006 (Copyright © L
Gold-en Music: the New Series of Doctor Who by Robin LaPasha January 2006 (Copyright © L. Robin C. LaPasha. All Rights Reserved.) When Doctor Who returned to television, the BBC advertised the show with a particularly punchy trailer including a fireball special effect, and Christopher Eccleston saying of the new series: “It’s not quiet, it’s not safe, and it’s not calm.” The same can be said for the music by Murray Gold. It’s not quiet; the music is not occasional or ‘incidental’—it’s an integral layer. Melody and dialogue happen at the same time. It’s not safe; there are over 30 identifiable musical motifs in the first 13 episodes. Half of the motifs are used in more than one episode, and most actively support story arcs. You can’t create that many pieces of musical composition over 10 hours of broadcast and get them all completely right. There are a few missteps. It’s not calm; the styles used stretch from Euro-technopop to opera, Philip Glass to Latin dance. It’s not the same as the old Doctor Who music, and it is wonderful. Scoring Who There are four types of music presented in Doctor Who in its 21st century incarnation. The first is the overall series theme, functionally the same as its initial creation in 1963. The general frame of the theme as devised by Ron Grainer, Delia Darbyshire, and the BBC Radiophonic Workshop is so recognizable by people all over the world—including many who have never watched the show—that there would be no possibility of changing the melody; interpretation is restricted to instrumentation and percussion choices and the resulting mood choices highlighted by each re-mix.