Bergstrøm-Nielsen, Carl
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På Sporet Af Else Marie Pades Konkrete Musik
A-PDF Merger DEMO : Purchase from www.A-PDF.com to remove the watermark På sporet af Else Marie Pades konkrete musik En analyse af den æstetiske forbindelse mellem Else Marie Pades Symphonie magnétophonique og Pierre Schaeffers musique concrète Speciale ved Stine Kvist Jeppesen Afdeling for Musikvidenskab Institut for Æstetiske Fag, Aarhus Universitet Vejleder: Erling Kullberg Den 24. juli 2010 Forsidebilledet er en visualisering af en passage fra Else Marie Pades Symphonie magnétophonique, skabt af den grafiske designer Lisbeth Damgaard i 2006. Damgaards visuelle fortolkning af musikken er skabt med udgangspunkt i spektrogrammer fra det originale værk. De blå, brune, gule og grønne farver illustrerer lyden af hhv. lærketrille, fuglesang, mælkemandsfløjt og mælkeflasker, som er de lyde, der indleder Pades Symphonie magnétophonique. Billedet er hentet fra bogen Else Marie Pade og Symphonie magnétophonique, der er redigeret af Inge Bruland i 2006. Abstract This master thesis investigates to which extend it is possible to categorise the works of Danish composer Else Marie Pade (1924‐) as musique concrète, a term often used in Danish music research and critique to descibe Pade’s music. The thesis presumes that the appraisal of Pade’s music as musique concrète rests on a reduced understanding of musique concrète, inasmuch as this has only been sporadic and cursorily accounted for in a Danish context. To make a scholarly qualified reappraisal of Pade’s pioneer works of musique concrète, the master thesis will investigate the aesthetic link between Pades Symphonie magnétophonique and the music and aesthetics of the French composer and founder of musique concrète Pierre Schaeffer. The first two parts of the thesis will include an introduction to Pade’s work as well as an account and discussion of the reception of her music. -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands. -
An Empirical Study of Open Source Software Architectures' Effect On
An Empirical Study of Open Source Software Architectures’ Effect on Product Quality Klaus Marius Hansen, Kristján Jónasson, Helmut Neukirchen July 21, 2009 Report nr. VHI-01-2009, Reykjavík 2009 Klaus Marius Hansen, Kristján Jónasson, Helmut Neukirchen. An Empirical Study of Open Source Software Architectures’ Effect on Product Quality, Engineering Research Institute, University of Iceland, Technical report VHI-01-2009, July 2009 The results or opinions presented in this report are the responsibility of the author. They should not be interpreted as representing the position of the Engineering Research Institute or the University of Iceland. c Engineering Research Institute, University of Iceland, and the author(s) Engineering Research Institute, University of Iceland, Hjarðarhagi 2-6, IS-107 Reykjavík, Iceland Abstract Software architecture is concerned with the structure of software systems and is generally agreed to influence software quality. Even so, little empirical research has been performed on the relationship between software architecture and software quality. Based on 1,141 open source Java projects, we analyze to which extent software architecture metrics has an effect on software product metrics and conclude that there are a number of significant relationships. In particular, the number of open defects depend significantly on all our architecture measures. Furthermore, we introduce and analyze a new architecture metric that measures the density of the package dependency graph. Future research is needed to make predictions on a per-project basis, but the effects found may be relied on to draw conclusions about expected software quality given a set of projects. Contents 1 Introduction . .1 2 Metrics . .3 2.1 Product Metrics . -
Ed 315 952 Author Title Institution Spons Agency
DOCUMENT RESUME ED 315 952 EC 222 703 AUTHOR Dybwad, Rosemary F., Ed. TITLE International Directory of Mental Retardation Resources. Third Edition, 1986-89. INSTITUTION International League of Societies for Persons with Mental Handicaps, BrusselF (Belgium).; President's Committee on Mental Retardation, Washington, D.C. SPONS AGENCY National Inst. on Disability and Rehabilitation Research (ED/OSERS), Washington, DC. REPORT NO DHHS-(OHDS)-88-21019; ISBN-1-55672-051-3 PUB DATE 89 NOTE 329p.; For the Revised Edition (1977-78), see ED 185 727. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Reference Materials - Directories/Catalogs (132) EDRS PRICE MF01/PC14 Plus Postage. DESCRIPTORS Adults; Agency Cooperation; Elementary Secondary Education; *Foreign Countries; Government Role; *International Cooperaticn; International Educational Exchange; *International Organizations; *Mental Retardation; Professional Associations; Vo,.untary Agencies IDENTIFIERS United Nations ABSTRACT Intended to aid networking efforts among mental retardation professionals, parents, and persons with retardation, the directory lists international organizations and provides individual country reports on mental retardation efforts and organizations. Part I, international organizations, lists the United Nations and 5 of its specialized agencies, 3 inter-governmental (regional) organizations, 2 international coordinating agencies, and 25 international non-governmental organizations. Address, founding date, and a -
Geschlecht Und Sexualität in Den Diskursiven Räumen Der Migrationsfilme
Geschlecht und Sexualität in den diskursiven Räumen der Migrationsfilme Von der Fakultät für Wirtschaft, Recht und Gesellschaft der Brandenburgischen Technischen Universität Cottbus-Senftenberg zur Erlangung des akademischen Grades eines Doktor der Philosophie genehmigte Dissertation vorgelegt von Master of Arts Marine Sabauri geboren am 01.07.1980 in Tiflis (Georgien) Vorsitzende/Vorsitzender: Prof. Dr. Heike Radvan Gutachterin/Gutachter: Prof. Dr. Anna Amelina Gutachterin/Gutachter: Prof. Dr. Christer Petersen Tag der mündlichen Prüfung: 25.01.2021 DOI: 10.26127/BTUOpen-5473 Inhaltsverzeichnis Einleitung 7 1. Grundlagen der Genderforschung 17 1.1 Institutionalisierung und Diskursivität von Geschlecht: von den Analysen des Patriarchats bis zu poststrukturalistischen und feministischen Perspektiven 19 1.2 Institutionalisierung von Sexualität: die psychoanalytische, ideologiekritische und diskursanalytische Sexualitätsforschung sowie die Sex-Gender-Ordnungen 24 1.3 Perspektiven der Genderforschung in transnationalen Diskursräumen 29 2. Bausteine einer kritischen und migrationssensiblen Genderforschung Kontextanalyse aus der Geschlechter-, Sexualitäts- und Migrationsforschung 30 2.1 Kulturalisierte und mediale Performativität der Geschlechter 33 2.2 Intersektionalität - Marginalisierung von Geschlecht und Sexualität in den transnationalen sozialen Räumen 39 2.3 Die Macht der bildlich-symbolischen Darstellung von Differenz- und Hybriditätsmerkmalen im geschlechtlich-sexuellen und kulturalisierten Sinn 44 2.4 Dezentrierte und postmigrantische -
Aalborg Universitet Bent Lorentzen Værkfortegnelse Bonde, Lars
Aalborg Universitet Bent Lorentzen Værkfortegnelse Bonde, Lars Ole Publication date: 2012 Document Version Tidlig version også kaldet pre-print Link to publication from Aalborg University Citation for published version (APA): Bonde, L. O. (2012, maj 9). Bent Lorentzen Værkfortegnelse. http://www.ewh.dk General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: September 28, 2021 BENT LORENTZEN VÆRKFORTEGNELSE April 2012 FORORD Denne værkfortegnelse er blevet til i et samarbejde 2011-12 mellem komponisten og undertegnede. Den er knyttet til Bent Lorentzen-arkivet på Det kgl. Bibliotek og er baseret på følgende hovedkilder: Komponistens egen opus-liste med udførlige data og notater om de enkelte værker KODA-lister – primært som kilde til værkerne uden opus-numre Komponistens scrapbøger med koncertprogrammer, anmeldelser mm. Databasen bibliotek.dk – primært som kilde til fonogrammer Programhæfter til operaerne Der er fortsat detaljer, som ikke har kunnet opklares, f.eks. -
The Exhibition Shows How Minimalism Sculpture, Paintingandinstallation, Through Over 150Artworks, Spanning 16 November 2018To 14April2019
Minimalism: Space. Light. Object. Sound Room Reader Written by Wesley Goatley and Honor Harger Minimalism within music is based on Edited by Nina Ernst and Adrian George the idea that there is virtue in drawing Designed and printed by Black Mongrels back from musical opulence and excess Published by ArtScience Museum, Singapore 2018 @ArtScience Museum canons to reveal the essence of listening, ISBN 978-981-11-9458-0 of sound, and of the absence of sound. It is music made with limited or minimal musical materials suggesting that Published to accompany the exhibition: simplicity can be beautiful, and can reveal Minimalism: Space. Light. Object. its own unexpected complexity. Sometimes 16 November 2018 – 14 April 2019 austere and terse, at other times expansive Organised by National Gallery Singapore and ArtScience Museum and mind-altering, Minimalist music is characterised by steady pulses, gradual Curated by Eugene Tan, Russell Storer, Silke Schmickl and transformation, syncopated rhythmic loops, Goh Sze Ying from National Gallery Singapore, and gliding drones, and the repetition of musical Adrian George and Honor Harger from ArtScience Museum phrases. It traces its roots to the radical experiments of John Cage, who showed that even silence is part of music, as well as the SOUND ROOM deconstructed works of early modernist music, and Asian traditions such as Indian classical music and Balinese soundscapes. The Sound Room charts the course of the development of Minimalist music, from AN INTRODUCTION TO AN INTRODUCTION the avant-garde modernisers of early 20th century music, to Minimalist innovators such as Terry Riley, Steve Reich and Philip Glass, who worked alongside their visual art counterparts in the ‘High Minimalist’ period of the 1960s and 1970s, to a new wave of Minimalism which emerged in the latter part of the century. -
(Nikeprelevic - Vetter) POLE Für 2
Stockhausen, K. (Nikeprelevic - Vetter) POLE für 2 Info Musikrichtung: Neue Musik Vokal VÖ: 01.02.2013 (Stockhausenverlag / CD / DDD / 2012 / Best. Nr. CD 103) Gesamtspielzeit: 74:30 YIN UND YANG IN DER OPER Was Natascha Nikeprelevic und Michael Vetter mit Karlheinz Stockhausens experimenteller kybernetischer Komposition POLE für 2 anstellen, das verdient auf jeden Fall das Prädikat „besonders“. Den Rest möge der Hörer nach eigenem Empfinden ergänzen: kunstvoll, bizarr, unterhaltsam, surreal, schräg, dramatisch, virtuos, verspielt, versponnen, verzückt, sinnlich, amüsant ... wahrscheinlich alles zugleich. In jedem Fall: musikalisch. Das Stück entstand 1970 in Bali und wurde erstmals kurz darauf bei der Weltausstellung EXPO in Osaka in verschiedenen, meist instrumentalen Versionen aufgeführt. Auch eine schon länger beim Stockhausen-Verlag erhältliche Aufnahme (CD 15) bietet das Werk lediglich in einer instrumentalen Teileinspielung. Dass von POLE nur einzelne Abschnitte ausgeführt werden, ist allerdings eine Möglichkeit, die vom Komponisten ausdrücklich eingeräumt wurde. Um zu ermessen, welche Möglichkeiten wirklich in dem Stück stecken, dafür bedurfte es der vorliegenden Gesamtaufführung, die mit den überaus wandlungsfähigen Stimmen der beiden Vokalakrobaten Nikeprelevic und Vetter zudem die perfekten Interpreten aufbietet, um das dramatische Potential voll zu entfalten. Die Partitur umfasst lediglich zwei Seiten und erinnert an einen Schaltplan: Diverse Zeichen, vor allem + und –, zeigen an, dass und wie ein musikalisches Material verarbeitet werden soll. Dabei ist es den Interpreten allerdings relativ freigestellt, ob sie z. B. dessen rhythmische Struktur, Dynamik, Häufigkeit oder Lage verändern. Andere Zeichen regeln die Interaktion der Ausführenden, z. B. indem sie anzeigen, ob ein Spieler einen anderen ganz oder teilweise imitieren soll, ob beide nahezu parallel oder polyphon agieren sollen. -
Pipenightdreams Osgcal-Doc Mumudvb Mpg123-Alsa Tbb
pipenightdreams osgcal-doc mumudvb mpg123-alsa tbb-examples libgammu4-dbg gcc-4.1-doc snort-rules-default davical cutmp3 libevolution5.0-cil aspell-am python-gobject-doc openoffice.org-l10n-mn libc6-xen xserver-xorg trophy-data t38modem pioneers-console libnb-platform10-java libgtkglext1-ruby libboost-wave1.39-dev drgenius bfbtester libchromexvmcpro1 isdnutils-xtools ubuntuone-client openoffice.org2-math openoffice.org-l10n-lt lsb-cxx-ia32 kdeartwork-emoticons-kde4 wmpuzzle trafshow python-plplot lx-gdb link-monitor-applet libscm-dev liblog-agent-logger-perl libccrtp-doc libclass-throwable-perl kde-i18n-csb jack-jconv hamradio-menus coinor-libvol-doc msx-emulator bitbake nabi language-pack-gnome-zh libpaperg popularity-contest xracer-tools xfont-nexus opendrim-lmp-baseserver libvorbisfile-ruby liblinebreak-doc libgfcui-2.0-0c2a-dbg libblacs-mpi-dev dict-freedict-spa-eng blender-ogrexml aspell-da x11-apps openoffice.org-l10n-lv openoffice.org-l10n-nl pnmtopng libodbcinstq1 libhsqldb-java-doc libmono-addins-gui0.2-cil sg3-utils linux-backports-modules-alsa-2.6.31-19-generic yorick-yeti-gsl python-pymssql plasma-widget-cpuload mcpp gpsim-lcd cl-csv libhtml-clean-perl asterisk-dbg apt-dater-dbg libgnome-mag1-dev language-pack-gnome-yo python-crypto svn-autoreleasedeb sugar-terminal-activity mii-diag maria-doc libplexus-component-api-java-doc libhugs-hgl-bundled libchipcard-libgwenhywfar47-plugins libghc6-random-dev freefem3d ezmlm cakephp-scripts aspell-ar ara-byte not+sparc openoffice.org-l10n-nn linux-backports-modules-karmic-generic-pae -
Osaka Expo ’70
Edinburgh Research Explorer Osaka Expo ’70 Citation for published version: Williams, S 2015, 'Osaka Expo ’70: The promise and reality of a spherical sound stage', Paper presented at Insonic, Karlsruhe, Germany, 26/11/15 - 28/11/15. <http://insonic2015.org/> Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 11. Oct. 2021 Proc. of inSONIC2015, Aesthetics of Spatial Audio in Sound, Music and Sound Art Nov 27–28, 2015, Karlsruhe, Germany OSAKA EXPO 70: THE PROMISE AND REALITY OF A SPHERICAL SOUND STAGE Dr. Sean Williams Reid School of Music University of Edinburgh Alison House, 12 Nicolson Square, Edinburgh, EH8 9DF, UK [email protected] ABSTRACT The West German pavilion at the 1970 Worlds Fair in Osaka included a spherical auditorium with sound and lighting technology designed at the TU Berlin. Stockhausen’s music was played live by a group of musicians every day of the Expo, alongside pre-recorded music of Boris Blacher, Erhard Großkopf, Eberhard Schoener, Gerd Zacher and Bernd Alois Zimmermann. -
Ev. Jugendarbeit St. Petri Im Am Stadtwall 12 ·
Kirchennachrichten Wosadny list April | Mai 2019 Ev.-Luth. Kirchgemeinde St. Petri Ev.-Luth. Kirchgemeinde St. Michael Bautzen Ew.-Luth. Wosada Swj. Michała Budyšin Ev.-Luth. Kirchgemeinde Gesundbrunnen Monatsspruch für den Monat April Jesus Christus spricht: Siehe, ich bei euch alle Tage bis an der Welt Ende. Mt. 28,20 Monatsspruch für den Monat Mai Es ist keiner wie du, und ist kein Gott außer dir. 2. Sam. 7,22 Liebe Gemeinden, diese Jesusworte aus dem obwohl er mit im Boot ist. Und staunend erle- Matthäusevangelium gehö- ben sie dann, dass Jesus auch diesen Sturm ren zu den bekanntesten Bi- beruhigt. belworten überhaupt. In Das Schiff ist ja ein altes Bild für Gemeinde, manchen Kirchen stehen sie für Kirche. Und auch unsere Kirche erlebt in großen Buchstaben über wieder sehr bewegte Zeiten. Manche sorgen dem Altarraum geschrieben. sich, ob dieses Schiff untergehen wird. Der Bei jeder Taufe werden sie gelesen. Für man- Monatsspruch ermutigt zum Vertrauen. che ist es der Tauf- oder Konfirmations- Auch in unruhigen Zeiten gilt die Zusage spruch. Solche bekannten Bibelworte bergen Jesu, bei uns zu sein. Das schließt ja nicht aus, aber auch die Gefahr, dass wir sie ganz selbst- dass an dem Schiff Kirche immer wieder ein- verständlich hören oder lesen. Das Über- mal repariert und auch manches umgebaut raschende, das Erstaunliche an ihnen wird werden muss. Aber in allen Veränderungen uns dann kaum noch bewusst. dürfen wir auf die Nähe Jesu vertrauen. Die Situation, in der Jesus am Ende des Mat- thäusevangeliums dies seinen Jüngern zu- Liebe Gemeinden, für mich geht meine sagt, ist ja eine ganz spannende.