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National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Woodlines – Design: Naja Utzon Popov
Woodlines – Design: Naja Utzon Popov DESCRIPTION The Woodlines Rug Collection draws inspiration from nature and a study of wood and its attributes. Naja Utzon Popov has zoomed in on countless lengths of wood, magnifying the unique characteristics that contain a wealth of details and express the wood's character. The outcome - a familiar wood pattern presented on another material - creates a new expression with clear links to the source. The rugs stand out as elegant, fine-crafted works that add to a room's personality. Hand-knotted from wool, they feature long pile with a soft and luxurious feel. The rugs' tight weave makes them easy to clean and ensures that the pile remains straight and the pattern intact, even with heavy use. The collection consists of five unique designs in black, white and charcoal, and is available in three different sizes: 80x220 cm, 170x240 cm & 200x300 cm. THE DESIGNER Naja Utzon Popov inherited her creative genes from her grandfather, Jørn Utzon, a Danish architect known for designing the iconic Sydney Opera House in Australia; her mother, prominent Danish artist Lin Utzon; and her father, acclaimed Australian architect Alex Popov. Naja's childhood years in Denmark have always been an important source of inspiration for her work, as were the years she spent in Australia studying drawing, painting and etching at the Julian Ashton Art School. After moving to England, Naja continued her formal artistic training at the University of Westminster School of Media Arts and Design. Today, she lives in her native Denmark and works out of her studio in Copenhagen. -
Religion, Cultural Diversity and Safeguarding Australia
Cultural DiversityReligion, and Safeguarding Australia A Partnership under the Australian Government’s Living In Harmony initiative by Desmond Cahill, Gary Bouma, Hass Dellal and Michael Leahy DEPARTMENT OF IMMIGRATION AND MULTICULTURAL AND INDIGENOUS AFFAIRS and AUSTRALIAN MULTICULTURAL FOUNDATION in association with the WORLD CONFERENCE OF RELIGIONS FOR PEACE, RMIT UNIVERSITY and MONASH UNIVERSITY (c) Copyright Commonwealth of Australia 2004 This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced by any process without prior written permission from the Commonwealth available from the Department of Communications, Information Technology and the Arts. Requests and inquiries concerning reproduction and rights should be addressed to the Commonwealth Copyright Administration, Intellectual Property Branch, Department of Communications, Information Technology and the Arts, GPO Box 2154, Canberra ACT 2601 or at http:www.dcita.gov.au The statement and views expressed in the personal profiles in this book are those of the profiled person and are not necessarily those of the Commonwealth, its employees officers and agents. Design and layout Done...ByFriday Printed by National Capital Printing ISBN: 0-9756064-0-9 Religion,Cultural Diversity andSafeguarding Australia 3 contents Chapter One Introduction . .6 Religion in a Globalising World . .6 Religion and Social Capital . .9 Aim and Objectives of the Project . 11 Project Strategy . 13 Chapter Two Historical Perspectives: Till World War II . 21 The Beginnings of Aboriginal Spirituality . 21 Initial Muslim Contact . 22 The Australian Foundations of Christianity . 23 The Catholic Church and Australian Fermentation . 26 The Nonconformist Presence in Australia . 28 The Lutherans in Australia . 30 The Orthodox Churches in Australia . -
METRON T2M MM Title4 MM Title5 Sydney Metro Southwest Metro Design Services (SMDS)
METRON T2M MM_Title4 MM_Title5 Sydney Metro Southwest Metro Design Services (SMDS) METRON T2M Punchbowl Station Design & Precinct Plan Sydney Metro Southwest Metro Design Services (SMDS) 09 March 2021 Document: SMCSWSWM-MTM-WPS-UD-REP-241000 A Joint Venture of Principal sub-consultant METRON is a joint venture of Arcadis and Mott MacDonald, with principal sub-consultant DesignInc METRON is a joint venture of Arcadis and Mott MacDonald, with principal sub-consultant Design Inc. Sydney Metro Southwest Metro Design Services (SMDS) Approval Record Amendment Record Function Position Name Date Date Document Number/s Revision Amendment Description By Prepared by Senior Urban Designer & Ben Coulston & Remy Miles 08 March 2021 21 May 2020 SMCSWSWM-MTM-WPS-UD-REP-241000 A 100% Draft Ben Coulston with input Urban Designer from UD and LA team Technical Checker Principal Urban Designer Lynne Hancock 08 March 2021 28 July 2020 SMCSWSWM-MTM-WPS-UD-REP-241000 B 100% Draft Ben Coulston with input from UD and LA team Reviewed by T2M Urban Design Lead Mary Anne McGirr 08 March 2021 09 March 2021 SMCSWSWM-MTM-WPS-UD-REP-241000 C 100% Final Ben Coulston with input Approved by Director Ian Armstrong 08 March 2021 from UD and LA team Punchbowl Station Design & Precinct Plan. Document: SMCSWSWM-MTM-WPS-UD-REP-241000 Sydney Metro Southwest Metro Design Services (SMDS) Contents 1.0 Introduction 1 4.0 Design 35 5.0 Transport and Access 63 1.1 Project description 1 4.1 Project design 35 5.1 Transport and access design measures 63 1.2 Purpose and scope 3 4.2 Station -
The Phenomenology of Community Activism: Muslim Civil Society Organisations in Australia
The Phenomenology of Community Activism: Muslim Civil Society Organisations in Australia Author Amath, Nora Published 2014 Thesis Type Thesis (PhD Doctorate) School School of Humanities DOI https://doi.org/10.25904/1912/1953 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367694 Griffith Research Online https://research-repository.griffith.edu.au The Phenomenology of Community Activism: Muslim Civil Society Organisations in Australia Nora Amath MA (Bond) BHSc (Honours) IIUM School of Humanities Arts, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy July 2014 Abstract Muslim communities are among the least well understood in Australia. This thesis examines the emerging phenomenon of Muslim civil society organisations (MCSOs). In contrast to much publicised jihadist and radical groups, MCSOs are far more representative of Muslim communities and integral to the long-term position of Islam in Australia. Using descriptive phenomenology, this study presents the experiences of Australian Muslim civil society actors and the organisations they represent. Through 30 unstructured, in-depth interviews with 15 Australian MCSOs actors, their stories are told for the first time based on their lived experience and in their own words. In particular, this thesis explores how MCSOs have responded to the challenges of the Australian socio-political context, the perceived impact of these experiences, and how Islam is manifested within the contexts of these experiences. The key themes which emerged from these interviews include: community building, social inclusion, the impact of 9/11 and the negotiation of identity. -
Built Pedagogy Education Design Is a Specialised Field with Different
University of Melbourne New Building for the Faculty of Architecture, Building and Planning Expression of Interest Built Pedagogy Education design is a specialised field with different characteristics and benchmarks from other building types Paul Morgan Architects specializes in the design of university and TAFE buildings. A feature of the buildings is the idea of permeability: the activities of students and staff are revealed to passers-by. This animates the internal spaces and advertises the functions that occur within. It is about the ‘theatre’ of architecture, and can be seen in the Box Hill Institute Trade Facility and CGIT Learning Centre on this page. Advanced structural and servicing techniques are demonstrated in the proposed 6 Star Green Star Vicurban Chisholm project. Above top to bottom: VicUrban Chisholm, Completion TBC; CGIT Learning Centre, Leongatha, 2009; RMIT University, Hamilton, 2001 Above right top to bottom:Trades facility, Box Hill Institute of TAFE, 2006; CGIT Learning Centre, Warragul, 2007; Chisholm Institute Automotive and Logisitcs Centre, 2008 Far right: NMIT, Stage 1 Development, Epping, 2009 Right: Lecture Theatre, Victoria University of Technology, Werribee, 1997 PMA Education Clients Box Hill Institute Central Gippsland Institute of TAFE Chisholm Institute of TAFE Danang University Department of Education & Training Hue University Monash University Newman College Northern Melbourne Institute of TAFE RMIT TAFE RMIT University RMIT International University Vietnam Victoria University of Technology www.paulmorganarchitects.com -
Australia's Top 10 Concrete Public Architectural Works Unveiled by Expert Panel
AUSTRALIA’S TOP 10 CONCRETE PUBLIC ARCHITECTURAL WORKS UNVEILED BY EXPERT PANEL August 26, 2019 What do the Sydney Opera House, the High Court building in Canberra and the main carpark at the University of Melbourne have in common? They have all been named among the top 10 most outstanding concrete public architectural works in Australia of the past nine decades. A judging panel comprising some of Australia’s best-known architects and building experts today unveiled the first ever list of the 10 most outstanding concrete public buildings in the country. The publication of the Top 10 List marks the 90th anniversary of the establishment of the organisation that represents the heavy construction materials industry, Cement Concrete & Aggregates Australia (CCAA). The Top 10 List was announced at a ceremony held at the Sydney Opera House, which is one of the buildings or structures on the list, along with iconic national buildings such as the High Court of Australia in Canberra, and more recent works like the Punchbowl Mosque in Sydney. The other structures in the Top 10 List are: the Australian Academy of Sciences’ Shine Dome in Canberra; Australia Square in Sydney, which was the country’s first “round” skyscraper; the Gladesville Bridge in Sydney; James Cook University Library in Townsville; the Melbourne University Carpark; Victorian State Offices, also in Melbourne; and the Queensland Art Gallery, in Brisbane. The Chief Executive Officer of CCAA, Ken Slattery, said the Top 10 List highlighted the aesthetic, environmental, and social contribution concrete has made, and continues to make, to Australia’s urban landscapes since the organisation began nine decades ago. -
Concrete: Art Design Architecture Education Resource Contents
CONCRETE: ART DESIGN ARCHITECTURE EDUCATION RESOURCE CONTENTS 1 BACKGROUND BRIEFING 1.1 ABOUT THIS EXHIBITION 1.2 CONCRETE: A QUICK HISTORY 1.3 WHY I LIKE CONCRETE: EXTRACTS FROM THE CATALOGUE ESSAYS 1.4 GENERAL GLOSSARY OF CONCRETE TERMS AND TECHNOLOGIES 2 FOR TEACHERS 2.1 THIS EDUCATION RESOURCE 2.2 VISITING THE EXHIBITION WITH STUDENTS 3 FOR STUDENTS GETTING STARTED: THE WHOLE EXHIBITION ACTIVITIES FOR STUDENTS’ CONSIDERATION OF THE EXHIBITION AS A WHOLE 4 THEMES FOR EXPLORING THE EXHIBITION THEME 1. ART: PERSONAL IDENTITY: 3 ARTISTS: ABDULLAH, COPE, RICHARDSON THEME 2. DESIGN: FUNKY FORMS: 3 DESIGNERS: CHEB, CONVIC, GOODRUM THEME 3. ARCHITECTURE: OASES OF FAITH: 3 ARCHITECTS: MURCUTT, BALDASSO CORTESE, CANDALEPAS OTHER PERSPECTIVES: VIEWS BY COMMENTATORS FOLLOW EACH CONTRIBUTOR QUESTIONS, FURTHER RESEARCH AND A GLOSSARY FOLLOW ART AND DESIGN CONTRIBUTORS A COMMON ARCHITECTURE GLOSSARY FOLLOWS ARCHITECTURE: OASES OF FAITH 5 EXTENDED RESEARCH LINKS AND SOURCES IS CONCRETE SUSTAINABLE? 6 CONSIDERING DESIGN 6.1 JAMFACTORY: WHAT IS IT? 6.2 DESIGN: MAKING A MARK 6.3 EXTENDED RESEARCH: DESIGN RESOURCES 6 ACKNOWLEDGEMENTS Cover: Candalepas Associates, Punchbowl Mosque, 2018 “Muqarnas” corner junction. Photo; Rory Gardiner Left: Candalepas Associates, Punchbowl Mosque, 2018 Concrete ring to timber dome and oculus. Photo: Rory Gardiner SECTION 1 1.1 About this exhibition BACKGROUND BRIEFING CONCRETE: ART DESIGN ARCHITECTURE presents 21 exciting concrete projects ranging from jewellery to skateparks, hotel furniture, public sculptures, mosques and commemorative paving plaques. All 21 artists designers and architects were selected for their innovative technical skills and creative talents. These works show how they have explored concrete’s versatility by pushing its technical boundaries to achieve groundbreaking buildings, artworks and design outcomes. -
Encouraging Tolerance and Social Cohesion Through School Education
Report to the Australian Government Department of Education, Science and Training Encouraging Tolerance and Social Cohesion through School Education July 2006 ABN: 194 838 69 033 Encouraging Tolerance and Social Cohesion through School Education Encouraging Tolerance and Social Cohesion through School Education Erebus International July 2006 Erebus International - ii - Encouraging Tolerance and Social Cohesion through School Education Acknowledgements Erebus International is appreciative of the efforts of staff of the Australian Government Department of Education, Science and Training in assisting us to complete this project. In particular, we wish to thank Dr Rapin Quinn and Dr Declan O’Connell for their assistance throughout the project. We also wish to thank the members of the project Reference Group, whose members are shown in Appendix 1, for their active contributions to project findings. We also wish to acknowledge the principals and staff from the schools that participated in the case studies conducted as part of this project. We are grateful for the way they were able to accommodate our inquiries, often at very short notice. We are very conscious of the demands made on all schools, and acknowledge the imposition we often make on their time. On each occasion they made us most welcome and willingly shared their experiences with us. We are most appreciative of the time afforded us, and the insights they were willing to share. We also wish to thank the stakeholders from education jurisdictions and other institutions that provided us with materials or who participated in interviews with us. The names of the stakeholders consulted during the project are listed in Appendix 2. -
Decision About Registration of 12 Marawa Pl, Aranda) Notice 2008 (No 1
Australian Capital Territory Heritage (Decision about Registration of 12 Marawa Pl, Aranda) Notice 2008 (No 1) Notifiable Instrument NI 2008 – 421 made under the Heritage Act 2004 section 42 Notice of decision about registration 1. Revocation This instrument replaces NI2008 – 121 2. Name of instrument This instrument is the Heritage (Decision about Registration for 12 Marawa Pl, Aranda) Notice 2008 (No 1). 3. Registration details of the place Registration details of the place are at Attachment A: Register entry for 12 Marawa Pl, Aranda, 4. Reason for decision The ACT Heritage Council has decided that the 12 Marawa Pl, Aranda meets one or more of the heritage significance criteria at s 10 of the Heritage Act 2004. The register entry is at Attachment A. 5. Date of Registration 11 September 2008. The Secretary ACT Heritage Council GPO Box 158 CANBERRA ACT 2602 ………………….. Gerhard Zatschler Secretary ACT Heritage Council GPO Box 158, Canberra ACT 2602 11 September 2008 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au AUSTRALIAN CAPITAL TERRITORY HERITAGE REGISTER For the purposes of s. 33 of the Heritage Act 2004, an entry to the heritage register has been prepared by the ACT Heritage Council for the following place: • 12 Marawa Place Block 6, Section 31 ARANDA DATE OF REGISTRATION Notified: 11 September 2008 Notifiable Instrument: NI2008–421 Copies of the Register Entry are available for inspection at the ACT Heritage Unit. For further information please contact: The Secretary ACT Heritage Council GPO Box 158, Canberra, ACT 2601 Telephone: 132281 Facsimile: (02) 6207 2229 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au IDENTIFICATION OF THE PLACE • 12 Marawa Place, Block 6, Section 31, Suburb of Aranda, ACT. -
Australian Institute of Architects Annual Report 2016
Australian Institute of Architects Annual Report 2016 Architecture: stronger communities by design From the cover A City Transformed by Architectural Excellence Geelong City is emerging from difficult economic times unhelped by a poorly laid out 19th century civic centre. The award winning Geelong Library and Heritage Centre by ARM Architecture has revitalised the cultural precinct; providing function coupled to an iconic aesthetic. The design connects and enhances existing underutilised space providing multiple layers of value. This project clearly demonstrates how in this case, holistic design can transform the quaint concept of a ‘library’ into a vibrant and energised vertical village where the community can meet, collaborate, engage, learn and celebrate. The project’s pragmatic success is apparent in the record breaking visitor numbers that have exceeded all expectation. Geelong Library and Heritage Centre by ARM Architecture. Winner of the Sir Zelman Cowen Award for Public Architecture at the 2016 National Architecture Awards. Photographer: John Gollings 02 ANNUAL REPORT 2016 AUSTRALIAN INSTITUTE OF ARCHITECTS Contents Part One Introduction 04 National President's Report 06 Chief Executive Officer’s Report 08 Governance 10 Chapter Reports 12 Education 21 Advocacy 22 Membership 23 Awards and Prizes 24 Events and Conferences 26 Venice Biennale 28 Performance Indicators 30 All information contained in part one is correct as at 31 March 2017. Part Two – Financial Report Financial Summary 36 Financial Contents 38 AUSTRALIAN INSTITUTE OF ARCHITECTS ANNUAL REPORT 2016 03 Building a strong voice for architecture Architecture has a powerful impact on our nation and as Following images represent: our cities and regions continue to grow, so too does the 1. -
The Idealised Image of the Australian Home: a Myth in the Making
School of the Built Environment Department of Architecture and Interior Architecture The Idealised Image of the Australian Home: A Myth in the Making Irene (Oi Ling) Low This thesis is presented for the Degree of Doctor of Philosophy of Curtin University July 2015 Declaration To the best of my knowledge and belief, this thesis contains no material previously published by any other person, except where due acknowledgment has been made. This thesis contains no material that has been accepted for the award of any other degree or diploma in any university. Signature: …………………………………………. Date: ………………………. ii Abstract This thesis questions and challenges the idealised image of the Australian home in the context of architecture and the media. In the Australian public’s imagination, the house—as a social, cultural and architectural ideal—has a very important mythological role. This was especially true in the 1950s after World War II, when it was considered that a single-storey bungalow with its own garden and the constant presence of women in proper aprons, deftly wielding electrical appliances, were normative home ideals to which most Australians aspired. Stemming from a desire to expose and demystify the underlying idealisations of the Western home, this thesis questions the values and attitudes implicit in the variety of messages with which mass culture bombards society, with images that attempt to universalise and naturalise meanings and values. In a society avid for images, the concept of myth provides a basis for a critique of the ‘naturalising effect’ of ideology of the idealised image of the Western architectural home. By adopting the concept of myth as a theoretical position, this thesis speculates on the spectacle and images of the architecture, society and culture of the home.