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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
21 – 23 February University of Western Australia Welcome to Literature & Ideas
PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love. -
Ethics of Representation and Self-Reflexivity: Nicolas Rothwell's
Ethics of Representation and Self-Reflexivity: Nicolas Rothwell’s Narrative Essays STEPHANE CORDIER UNIVERSITY OF WOLLONGONG Australian literature has been preoccupied, perhaps even obsessed, with representations of place and space. What started as a nationalising enterprise, an attempt to artificially cement place-making by substituting landscape for unknown space (Bennett 21), slowly gave rise to texts that interrogate settler colonial culture through spatial contestations. Yet, as Laurie Clancy argued in 1993, literary forms have proven resistant to decolonisation: ‘in the last two decades the self-conscious preoccupation with landscape among Australian fiction writers has become . debilitating and even self-destructive’ (49). The 1988 Bicentenary could be seen as a turning point in Australian history and culture. The array of festivities around the event may be interpreted as an orchestration of reified forms of settler-belonging to counter a rising intellectual opposition to a monolithic conceptualisation of history, art and culture; a last- ditch political effort from centric forms of power to re-assert traditional forms of belonging in the settler imaginary. But the Bicentenary also coincided with non-Indigenous Australian writers beginning to inscribe unbelonging at the heart of their fictions and non-fictions.1 Spatial crises, non-belonging and unbelonging are, increasingly, features of contemporary Australian literature, as demonstrated in the works of Michele de Kretser, Richard Flanagan, Ross Gibson, Christos Tsiolkas or Tim Winton (Cordier, ‘Intimate Immensities’). Non- Indigenous authors who grapple with settler identity in the twenty-first century are also in search of ethical literary forms that reflect a necessary erosion of settler dominance, privilege or class. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
London Book Fair 2019
London Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager TEL +61 2 8923 9892 FAX +61 2 9956 6487 EMAIL [email protected] penguin.com.au/rights Awards and Nominations 2019 & 2018 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Cage by Lloyd Jones Longlisted: Ockham New Zealand Book Awards 2019 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by FIona Kidman Longlisted: Ockham New Zealand Book Awards 2019 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: IMPAC International Dublin Literary Award 2018 2 LONDON 2019 FRONTLIST RIGHTS CATALOGUE RIGHTS SOLD 2018 & 2019 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St Martin’s) Random House – Ebury) United Kingdom (Hachette) Italy (DeA Planeta) The Netherlands (Ambo Anthos) Audio (Penguin Random Germany (Piper Verlag) House Australia) Spain (Penguin Random House Groupo Editorial) Poland (Wydawnictwo Bukowy Las) Greenlight Benjamin Stevenson North America (Sourcebooks) This Mortal Boy United Kingdom (Hachette) Fiona Kidman United Kingdom (Gallic Books) Audio (Audible) Film Option (South Pacific Pictures) Audio (Bolinda) Potiki The Mannequin Makers Patrica Grace Craig Cliff United Kingdom (Penguin United Kingdom (Melville Random House – Penguin House) Press) Also licenced to: North America (Milkweed Editions) Romania (Editura Univers) The Yellow Villa Sixty Summers Amanda Hampson Amanda Hampson Italy (Newton Compton Editori) Audio (W. -
The Bookwallah Six Writers, a Nomadic Library, 2000Km by Train
The Bookwallah Six writers, a nomadic library, 2000km by train. Chandrahas Choudhury Michelle de Kretser Benjamin Law Kirsty Murray Sudeep Sen Annie Zaidi Mumbai October 31–November 4 Goa November 5–7 Bangalore November 8–13 Chennai November 14–16 Pondicherry November 17–21 1 2 Contents. Map 2 Overview 3 .... The writers 4 — Chandrahas Choudhury 4 — Michelle de Kretser 4 — Benjamin Law 5 — Kirsty Murray 6 — Sudeep Sen 6 — Annie Zaidi 7 .... The Bookwallah Nomadic Library 8 — The cases 8 — The books 8 — The designers 9 .... Mumbai 12 Goa 14 Bangalore 16 Chennai 18 Pondicherry 20 .... The library catalogue 22 .... The bookwallahs 46 The supporters 47 The publishers 48 1 Map. MUMBAI goA bangAlore chennai pondIcherry 2 Overview. The Bookwallah takes six writers and an ingenious lian books. Bound in kangaroo leather, the cases travelling library across south India by train. In- house fiction, non-fiction, poetry and children’s dian writers Chandrahas Choudhury, Annie Zaidi books. They’re part library, part art installation; and Sudeep Sen join Australian writers Michelle De visitors can browse, sit and read, or take part in Kretser, Benjamin Law and Kirsty Murray on a jour- intimate library events. If you see a book you like, ney through the cities and towns of modern India. you can borrow it from your local library: copies of They will share books and ideas, meet readers, and the books will be donated to a local library in each seek out stories, conversations and connections destination along the way. along the way. As well as public events, the Bookwallah tour In Mumbai you’ll find us at the Literature Live! includes private encounters with local writers, Mumbai LitFest, before we head to Goa for a Book- artists and thinkers in each city, designed to illu- wallah mini-festival at the Literati Bookshop. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. INTERSUBJECTIVE ACTS AND RELATIONAL SELVES IN CONTEMPORARY AUSTRALIAN ABORIGINAL AND AOTEAROA/NEW ZEALAND MAORI WOMEN’S WRITING Justine Seran Thesis submitted for the degree of Doctor of Philosophy English Literature Department School of Literatures, Languages and Cultures The University of Edinburgh 2015 ii Declaration This is to certify that that the work contained within has been composed by me and is entirely my own work. Ideas and passages reproduced from other sources have been properly acknowledged. No part of this thesis has been submitted for any other degree or professional qualification. Certain ideas and passages from Chapter 4 have been published as “Australian Aboriginal Memoirs and Memory: A Stolen Generations Trauma Narrative” in the special issue “Decolonizing Trauma Studies: Trauma and Postcolonialism” of Humanities 4 (2015): 661-675. -
Teaching Australian Literature Survey Final Report
TEACHING AUSTRALIAN LITERATURE SURVEY FINAL REPORT T MAY 2010 teaching.austlit.edu.au/ R REPO Teaching Australian Literature Survey – Final Report Grants Scheme Teaching Australian Literature Survey 2009 DS7 625 Lead Institution: University of Tasmania Partner Institution/s: The University of Queensland The University of Western Australia University of South Australia Project Leader/s and contact details: Winthrop Professor Philip Mead English and Cultural Studies, M202 School of Social and Cultural Studies The University of Western Australia 35 Stirling Highway, Crawley WA 6009 [email protected] Kerry Kilner Director AustLit: The Australian Literature Resource School of English, Media Studies and Art History The University of Queensland St Lucia QLD 4072 [email protected] Dr Alice Healy David Unaipon College of Indigenous Education and Research (DUCIER) University of South Australia City West Campus GPO Box 2471 Adelaide SA 5001 [email protected] Project Manager Anna Gray Awards, Grants and Fellowships Office Office of the Pro Vice-Chancellor (Students & Education) University of Tasmania Locked Bag 1343 Launceston TAS 7250 [email protected] Teaching Australian Literature Survey – Final Report Contents Table of Acronyms v List of Figures vi List of Figures vii 1. EXECUTIVE SUMMARY 1 2. APPROACH AND METHODOLOGY 5 2.1 Approach 5 2.2 Project Management 5 2.3 Questionnaires 6 2.4 Results of questionnaires 7 2.5 The Teaching Aust. Lit. Resource website (http://teaching.austlit.edu.au) 7 2.6 The Teaching Aust. Lit. Resource (http://teaching.austlit.edu.au) 9 3. QUESTIONNAIRES: SUMMARY FINDINGS 13 3.1 Quantitative analysis 14 • Senior secondary teachers of Australian literature questionnaire 14 • Undergraduate questionnaires 16 • Teachers and co-ordinators of university level Australian literature study questionnaire 20 • Overseas Academics’ and Tertiary Teachers’ questionnaire 22 3.2 Qualitative Analysis 23 1. -
Frankfurt Book Fair 2018
2018 Rights Catalogue: Fiction FRANKFURT BOOK FAIR 2018 FOR RIGHTS QUERIES CONTACT: Nerrilee Weir, Senior Rights Manager Tel: +61 2 8923 9892 Email: [email protected] www.penguin.com.au/rights Awards and Nominations 2018 & 2017 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: Longlisted: IMPAC International Dublin Literary Award 2018 Shortlisted: Ockham Awards 2017 Year of the Orphan by Daniel Findlay Shortlisted: Aurelis Awards 2017 Witi Ihimaera Awarded the prestigious New Zealand Prime Minister’s Award for Literary Achievement 2017 Appointed French Knight of the Order of Arts and Letters (Chevalier de l’ordre des Arts et des Lettres) 2017 Escaping Mr Right by Avril Tremayne Winner: The Ultimate Ruby – Best Romance of the Year, Romance Writers of Australia Awards 2017 The Grazier’s Wife by Barbara Hannay Shortlisted: Romance Writers of Australia Ruby Awards 2017 2 FRANKFURT 2018 RIGHTS CATALOGUE RIGHTS SOLD 2018 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St. Martin’s) Random House - Ebury) The Netherlands (Ambo Anthos) Germany (Piper Verlag) Spain (Penguin Random House Groupo Editorial) Greenlight Benjamin Stevenson This Mortal Boy North America -
After the Celebration: Australian Fiction 1989-2007 (Melbourne University Press, 2009)
Ken Gelder and Paul Salzman, After the Celebration: Australian Fiction 1989-2007 (Melbourne University Press, 2009) After the Celebration: Australian Fiction 1989-2007 is an account of Australian fiction from 1989 to 2007, the year after Australia’s bicentenary to the end of the Howard government. It is a sequel to The New Diversity: Australian Fiction 1970-1988 by the same authors, published in 1989. As with their earlier work, After the Celebration is in the nature of a survey with chapters being written by the authors individually. The work brings into purview almost all major novelists writing during the period, and a wide variety of genres too, with the fiction of 125 Australian novelists critically examined. The Introduction outlines some of the important topics for Australian literary criticism, the changes in the Australian literary publishing scene and the role of writers in public life. It also brings in the notions of transnationality and the local. The first chapter, ‘Belonging’ by Ken Gelder, explores the various conceptions of home in Australian fiction, combining attention to genre with an analysis of the social and political implications of the fiction under discussion. The work of novelists Arnold Zable and Steven Carroll, the diasporic Australian novel, and notions of authenticity, place and the indigenous are discussed. Aboriginal novels, like those of Tara June Winch and Kim Scott, and the idea of representing indigenous genealogies are also examined in this chapter. ‘Recolonising: Historical Fiction and the History Wars,’ the second chapter, by Paul Salzman, examines the way the history wars in the new millennium are reflected in fiction that deals with Australia’s colonial history and its after effects. -
Tegan Bennett Daylight Thank You for the Opportunity to Comment on Our
Tegan Bennett Daylight Thank you for the opportunity to comment on our creative and cultural institutions. This submission addresses the field of literature. I am writing simply to represent my experience, to help the committee consider life in the Australian arts, as well as the importance of literature to Australian society. I am a writer and academic; the author of three novels, a collection of short stories, several books of fiction for children and teenagers, and a recent collection of essays, The Details, published by Scribner Australia in July 2020. I began my connection to Australian literature as an unstoppable reader. Helen Garner, Ethel Turner and Tim Winton were the first Australian writers to transform – no, to form – my way of seeing our country. My parents’ shelves held books by Xavier Herbert, Patrick White, Jessica Anderson, David Malouf, Amy Witting, Norman Lindsay, Germaine Greer, Kate Grenville, Peter Carey, Miles Franklin, Tom Keneally. I read all of these authors as I was growing up. All of these writers have enabled me to have a complex and rich experience of my own country. I can’t imagine being Australian without them. I was first published by Random House in the late 1980s and have remained in print ever since. However, as is the case for most Australian writers, I am unable to support myself solely from sales of my books. Because of this I have been employed since the late 1980s in a variety of jobs. I hold several degrees: a B.A. in Arts/Communications from the University of Technology (a degree which spawned many significant arts practitioners including Sydney Theatre Company Executive Director Patrick McIntyre, television producer Todd Abbott and actor Hugh Jackman, not to mention Labor Deputy Leader Tania Plibersek). -
Australian Fiction
2020 Summer Reading Guide_Cover Overprints_Revised A4_V07.indd 36 23/10/20 10:25 AM AUSTRALIAN FICTION Honeybee Infinite Splendours Welcome to the new edition of Craig Silvey Sofie Laguna the Booksellers' Choice Your Reading Guide. ALLEN & UNWIN ALLEN & UNWIN TPB $32.99 TPB $32.99 We are exciting to share a bumper season of Australian and international new Sam and Vic meet late Lawrence is a sweet and releases! New novels by some of our one night on an overpass. eager to please child. His favourite literary authors, thrilling reads What is supposed to be an father died in the war and by master crime writers, thoughtful and end, marks the beginning he lives with his mother provoking non-fiction, biographies and of an unconventional friendship between the and brother on a small farm. When his uncle memoirs, history, nature and science troubled teenager and the lonely widower. comes to stay Lawrence is overjoyed, but his books, gorgeous illustrated editions and Sam has been let down by just about everyone uncle is a damaged man and the devastating a wonderful selection of children's and in his young life, but for every heartbreaking repercussions of his visit follow Lawrence for young adult writing – all handpicked for moment, Silvey writes beautifully about hope, the rest of his life. Sophie Laguna masterfully you by Australia's leading booksellers. resilience and redemption. The long wait for builds tension in this brilliant novel of human 170+ books to pick from and plenty his new novel is worth every moment. transformation. more instore; there is something to suit everyone! Life After Truth Our Shadows It has never been more important to support your local bookshop! Visit us Ceridwen Dovey Gail Jones instore or online, send us an email or give VIKING AUSTRALIA TEXT | TPB $32.99 us a call.