BOOK CLUB SETS – January 2019 (35 Pages)
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Westonian Magazine in THIS ISSUE: BEHIND the NUMBERS Annual Report for 2016–2017
WINTER 2018 The Westonian Magazine IN THIS ISSUE: BEHIND THE NUMBERS Annual Report for 2016–2017 The [R]evolution of Science at Westtown FIG. 1 Mission-Based Science Meets the 21st Century The Westonian, a magazine for alumni, parents, and friends, is published by Westtown School. Its mission is “to capture the life of the school, to celebrate the impact that our students, faculty, and alumni have on our world, and to serve as a forum for connection, exploration, and conversation.” We publish issues in Winter and Summer. We welcome letters to the editor. You may send them to our home address or to [email protected]. HEAD OF SCHOOL Jeff DeVuono James Perkins ’56 Victoria H. Jueds Jacob Dresden ’62, Keith Reeves ’84 Co-Associate Clerk Anne Roche CONNECT BOARD OF TRUSTEES Diana Evans ’95 Kevin Roose ’05 Amy Taylor Brooks ’88 Jonathan W. Evans ’73, Daryl Shore ’99 Martha Brown Clerk Michael Sicoli ’88 Bryans ’68 Susan Carney Fahey Danielle Toaltoan ’03 Beah Burger- Davis Henderson ’62 Charlotte Triefus facebook.com/westtownschool Lenehan ’02 Gary M. Holloway, Jr. Kristen Waterfield twitter.com/westtownschool Luis Castillo ’80 Sydney Howe-Barksdale Robert McLear Edward C. Winslow III ’64 vimeo.com/westtownschool Michelle B. Caughey ’71, Ann Hutton Brenda Perkins ’75, Maximillian Yeh ’87 instagram.com/westtownschool Co-Associate Clerk Jess Lord ’90 Recording Clerk WINTER 2018 The Westonian Magazine Editor Lynette Assarsson, Associate Director FEATURES of Communications Manager of The (R)evolution of Web Features Greg Cross, 16 Science at -
Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
JM Coetzee and Mathematics Peter Johnston
1 'Presences of the Infinite': J. M. Coetzee and Mathematics Peter Johnston PhD Royal Holloway University of London 2 Declaration of Authorship I, Peter Johnston, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Dated: 3 Abstract This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth. -
New Books | January–June 2014 Highlights
ONEWORLD NEW BOOKS | JANUARY–jUNE 2014 HIGHLIGHTS FICTION | 8 FICTION | 11 FICTION | 18 HISTORY | 28 POLITICS | 32 SCIENCE | 40 PSYCHOLOGY | 46 LITERATURE | 54 GIFT | 56 CONTENTS CONTENTS FICTION New 2 New in Paperback 18 NON-FICTION History 22 Philosophy 31 Politics & Current Affairs 32 Business 38 Science 40 Psychology 46 Literature 54 Gift 56 Religion 58 BEGINNER’S GUIDES New 59 Complete List 62 DISTRIBUTORS & REPRESENTATIVES 64 Beads of water sparkled on their brown backs. Even from behind her sunglasses, Janet’s eyes winced at the brightness of their silvery-brown skin. Then her eyes were drawn to the wobbling water that lassoed the sun into strange rings and coils. And there, beneath it all, was the crack. For a moment, she thought that there was no crack. Surely if there were a crack, the water level would have dipped. Surely, she would have noticed if the water level had dipped. Or Solomon would have said something about the water level dropping. Nothing had been said or noticed. Until now. She stood there. Her three little silver darlings shivered in the heat and murmured to one side. She slid her sunglasses onto the top of her head. She stood over the pool, leaning out as far as she dared. Still the water looped and coiled the glinting light. It would take time for the waves to settle. But she had time. Of that commodity she had an abundance. Always that sense of time on her hands. As though time were some sticky substance that clung to her fingers and had to be carefully scoured off. -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
Ruth Park a Celebration
Ruth Park A CELEBRATION Ruth Park A Celebration Compiled and edited by Joy Hooton Friends of the National Library of Australia Canberra 1996 Acknowledgements All but one of the photographs in this volume were supplied by Ruth Park. The photograph facing page one was supplied by the Mitchell Library and is reproduced courtesy of the Australian Broadcasting Commission. Published with the assistance of Penguin Australia © Friends of the National Library of Australia National Library of Australia Cataloguing-in-Publication entry Ruth Park : a celebration. Bibliography. ISBN 0 646 29461 X. 1. Park, Ruth. 2. Women novelists, Australian—20th century. 3. Novelists, Australian—20th century. I. Hooton, Joy W. (Joy Wendy), 1935- II. National Library of Australia. Friends. A823.3 Publisher's editor: Annabel Pengilley. Designer: Kathy Jakupec. Printer: Goanna Print, Canberra. Cover photograph by Wesley Stacey Contents Joy Hooton surveys Ruth Park's life and work 1 Michael King a fellow New Zealander pays tribute to Ruth Park's influence in the country of her birth 14 Elizabeth Riddell writes on A Fence around the Cuckcoo 15 Marcie Muir pays tribute to Ruth Park's writing for children and young adults 17 Marion Halligan writes on Ruth Park's novels: Some Sorcery in the Subconscious' 20 A Select Bibliography 28 Awards 33 Ruth Park, aged 26 Joy Hooton surveys Ruth Park's life and work Ruth Park was born in Auckland, New Zealand, the daughter of a pioneering bridge builder and road maker, whose work took his family into the wild territory of North Auckland and the King Country. As a result she had a singular early childhood, growing up as 'a forest creature', familiar with the New Zealand bush rather than with the products of civilisation or with children of her own age. -
Differently Drawn Boundaries of the Permissible in German And
67 Differently Drawn Boundaries of the Permissible in German and Australian Literary Journalism by Beate Josephi, Edith Cowan University, Australia Christine Müller, University of Applied Science, Germany Australian author Anna Funder’s Stasiland serves as a useful study for exploring the differences between German and Australian notions of literary journalism when it comes to claims of verifiability and authenticity. ustralian author Anna Funder’s book Stasiland, which deals with life in Athe former East Germany, is based on a series of interviews. It has been described as “a fresh and highly original close-up of what happens to people in the corrosive atmosphere of a totalitarian state.”1 Stasiland, which came out in 2002, tells the story of ordinary citizens who got caught up in the web of East Germany’s state security [Staatssicherheit or “Stasi”]. Yet, it is more than a history about the Stasi. It is a personal exploration of the reality of psychological terror that, as far as Anna Funder was concerned, had not yet been sufficiently told.2 Stasiland was shortlisted for numerous prizes in Australia and also “received rave notices”3 in Britain, where it won the BBC Four Samuel Johnson Prize in 2004, a substantial award which carries a prize money of £30,000. The prize is an award for nonfiction only, and Stasiland was commended for stretching the boundaries of nonfiction writing.4 The Sunday Times, to quote from the book’s back cover, called it “a masterpiece of investigative analysis, written almost like a novel, with a perfect mix of compassion and distance.”5 It was, then, book-length journalism with a literary ambition. -
The Search for Love and Truth in Shirley Hazzard's Writings
a-,¡ *-f.-t¡.,| I €.? Ë " ^tf ..) -lo- 'THE GOLDEN THREADI THE SEARCH FOR LOVE AND TRUTH IN SHIRLEY HAZZARDIS WRITTNGS Kathleen M. Twidale, B.À. (Hons. ) A thesis submitted for the degree of Master of Arts in the Department of English, University of Adelaíde February, 1988 TABLE OF CONTENTS Page No. SUMMARY 1tt. SlATE14ENTS v1. ACKNOW LEDG E MENTS vttl. CHAPTER I In troduc t ion I CHAPTER II 'Candle of Understandíng' Some Light on Shirley Hazzard's Use of Language 24 CHAPTER ÏII The Short Stories 59 CHAPTER IV The Evening of the Hol iday 91 CHAPTER V The Bay of Noon 117 CHAPTER VI The Transit of Venus r52 CONCLUSION 19s a Page No. LIST OF ABBREVIATIONS 199 NOTES 200 BIBLIOGRAPHY 2r6 l_t_ ITHE GOLDEN THREAD' THE SEARCH FOR LOVE AND TRUTH IN SHTRLEY HAZZARD'S WRIT]NGS SUMMARY This thesis, as its title suggests, wil_1 examine the themes of l-ove and truth in shirley Hazzard's h¡ritings. rt will be argued that aJ-though she views her characters with ironic detachment, presenting love and its effects with a clear-eyed l-ack of sentimentaJ-ity, nevertheless, shirley Hazzardts theme throughout her novels and short stories is that the ability to l-ove is of immense importance in the life of her characters. Though l-ove itsel-f may be transient, through the powers of memory its effects are permanent. Those that have loved 'must always be different'and in, that senser'1ove is eternal'for shirley Hazzard's heroines. The different attitudes of Shirley Hazzard's male and female characters to rove is also investigated and it will be argued that, with few exceptions, l-ove to the men is'but a thing apartr; to the vüomen 'who1e existencef . -
An Open Book David Malouf POETRY
LONDON BOOK FAIR 2019 UNIVERSITY OF QUEENSLAND PRESS PUBLICATION DETAILS ARE CORRECT AS OF MARCH 2019 BUT ARE SUBJECT TO CHANGE Kate McCormack Telephone +617 3365 2998 PO Box 6042 Fax +617 3365 7579 St Lucia Email [email protected] QLD 4067 Website www.uqp.com.au 1 The White Girl FICTION Tony Birch A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love. Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families. PRAISE FOR TONY BIRCH 'Birch evokes place and time with small details dropped in unceremoniously, and the stories are rife with social commentary. ''Well, who are we to judge?” Perhaps that is the point — Birch shows empathy so that we might find it.' Weekend Australian Tony Birch is the author of Ghost River, which won the Victorian Premier’s Literary Award for Indigenous Writing and Blood, which was shortlisted for the Miles Franklin Award. -
21 – 23 February University of Western Australia Welcome to Literature & Ideas
PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love. -
Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback
t e x t p u b l i s h i ng melbourne australia Reading Group Notes Stasiland Anna Funder ISBN 978-1-877008-91-7 RRP AUS $24.95, NZ $28.00 Fiction B Paperback Praise for Stasiland into East Germany from August 1961 to November ‘Moving and exhilirating, Stasiland is the kind of book 1989. She explores how many people are still walled that makes us love non-fiction.’ Helen Garner emotionally. ‘The author is a not-so-naïve Australian Alice wandering Miriam, a dissenter at sixteen, attempted escape. After around an East German Wonderland that is littered with capture she was imprisoned and treated in ways that the debris from the Stasi.’ Alison Lewis, Age stripped her humanity. Years later, the Stasi took her husband, Charlie, in for questioning. They informed ‘[Funder’s] portraits are by turns funny, heartbreaking Miriam that he had committed suicide; she is still waiting and stirring. She tells the story of the collapse of a way for proof that they killed him. of life with wit, style and sympathy.’ Jose Borghino, marie claire Funder’s journey into Miriam’s story and others like it raises questions about what it means to be human. Why do some people obey orders without question? About Anna Funder Where do some people find the courage to follow their Anna Funder was born in Melbourne in 1966. She has conscience? How does a person hold onto their sense of worked as an international lawyer and documentary self when the state is creating fictions about them? What film-maker. -
Nothing Will Silence It
LeadingWriters-FinalText.x 5/2/07 9:45 AM Page 3 Nothing Will Silence It By Alex Miller I don’t know that it’s making any difference, is it? And if it is making a difference, how do we begin to quantify the differ- ence it’s making? It’s rather like prayer. How can we know? Without poetry and drama and novels and music and art we know ourselves to be poorer. We know such things as these enrich our existence. But really that’s about all we can say. We can’t really say what it all means, or how it changes anything, at least not for other people, and perhaps not even for ourselves — unless we are book reviewers, of course, and no mysteries of the human soul are hidden from us. It is a rather elusive thing really, what creative writing or music mean. And this is one of their greatest charms. They elude our reason and give us respite from its tyrannies. What is this feeling of wonder that holds us in thrall as we read W.G. Sebald’s description of the decay of the Ashbury household in Ireland? Why are we so mesmerised? We don’t know these people. They are not our neighbours or our old friends. We are not learning anything useful. And Sebald is telling someone else’s story — the greatest source for all story- tellers, of course, other people’s stories. We are listening to Sebald’s own astonishment, to his sense of the melancholy and the inexplicable meaninglessness of the lives of this stricken family of forlorn exiles.