Australian Women's Book Review
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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
21 – 23 February University of Western Australia Welcome to Literature & Ideas
PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love. -
How Did Child Sexual Offending by Women Come to Be an Unthinkable Crime? a Critical Genealogy
How Did Child Sexual Offending by Women Come to Be an Unthinkable Crime? A Critical Genealogy Andrea Josipovic MCouns (University of Queensland), Magister Artium (German Philology, Art History and European History, Universität zu Köln) 0000-0002-8819-1029 A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2020 School of History and Philosophical Inquiry Abstract My thesis seeks to investigate the historical dimension of modern concerns about child sexual abuse, with a particular focus on women as offenders. It attempts to redress conceptual oversights which are directly related to the single-minded view that child sexual abuse constitutes a gendered crime whereby women as agents of such abuse have been rendered almost completely absent. The assumption is that the very great majority of sexual offending is committed by men, not women, and not, for that matter, other children. Everyday encounters with this dominant narrative have prompted me to engage in a more detailed inquiry. Despite its ubiquity, time and again cases emerge where women have criminally engaged in sex with children. Since women and children often find themselves alone together within spheres of “privacy,” I will primarily be studying the domestic space of the family home as the site of its occurrence. I am interested to learn how women as possible offenders of child sexual abuse have vanished from sight, and along with them, their victims. Accounts of contemporary child protection practice do not often centralise history as their primary object of inquiry in order to deepen an understanding of present concerns. In contrast, I plan to demonstrate that there is indeed merit in investigating the genealogy of child sexual abuse as a gendered crime, not least because it can help to inform and adjust contemporary child protection assessments. -
Damascus Christos Tsiolkas
AUSTRALIA NOVEMBER 2019 Damascus Christos Tsiolkas The stunningly powerful new novel from the author of The Slap. Description 'They kill us, they crucify us, they throw us to beasts in the arena, they sew our lips together and watch us starve. They bugger children in front of fathers and violate men before the eyes of their wives. The temple priests flay us openly in the streets and the Judeans stone us. We are hunted everywhere and we are hunted by everyone. We are despised, yet we grow. We are tortured and crucified and yet we flourish. We are hated and still we multiply. Why is that? You must wonder, how is it we survive?' Christos Tsiolkas' stunning new novel Damascus is a work of soaring ambition and achievement, of immense power and epic scope, taking as its subject nothing less than events surrounding the birth and establishment of the Christian church. Based around the gospels and letters of St Paul, and focusing on characters one and two generations on from the death of Christ, as well as Paul (Saul) himself, Damascus nevertheless explores the themes that have always obsessed Tsiolkas as a writer: class, religion, masculinity, patriarchy, colonisation, refugees; the ways in which nations, societies, communities, families and individuals are united and divided - it's all here, the contemporary and urgent questions, perennial concerns made vivid and visceral. In Damascus, Tsiolkas has written a masterpiece of imagination and transformation: an historical novel of immense power and an unflinching dissection of doubt and faith, tyranny and revolution, and cruelty and sacrifice. -
Ethics of Representation and Self-Reflexivity: Nicolas Rothwell's
Ethics of Representation and Self-Reflexivity: Nicolas Rothwell’s Narrative Essays STEPHANE CORDIER UNIVERSITY OF WOLLONGONG Australian literature has been preoccupied, perhaps even obsessed, with representations of place and space. What started as a nationalising enterprise, an attempt to artificially cement place-making by substituting landscape for unknown space (Bennett 21), slowly gave rise to texts that interrogate settler colonial culture through spatial contestations. Yet, as Laurie Clancy argued in 1993, literary forms have proven resistant to decolonisation: ‘in the last two decades the self-conscious preoccupation with landscape among Australian fiction writers has become . debilitating and even self-destructive’ (49). The 1988 Bicentenary could be seen as a turning point in Australian history and culture. The array of festivities around the event may be interpreted as an orchestration of reified forms of settler-belonging to counter a rising intellectual opposition to a monolithic conceptualisation of history, art and culture; a last- ditch political effort from centric forms of power to re-assert traditional forms of belonging in the settler imaginary. But the Bicentenary also coincided with non-Indigenous Australian writers beginning to inscribe unbelonging at the heart of their fictions and non-fictions.1 Spatial crises, non-belonging and unbelonging are, increasingly, features of contemporary Australian literature, as demonstrated in the works of Michele de Kretser, Richard Flanagan, Ross Gibson, Christos Tsiolkas or Tim Winton (Cordier, ‘Intimate Immensities’). Non- Indigenous authors who grapple with settler identity in the twenty-first century are also in search of ethical literary forms that reflect a necessary erosion of settler dominance, privilege or class. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
London Book Fair 2019
London Book Fair 2019 Rights Catalogue: Frontlist Fiction FOR RIGHTS QUERIES CONTACT Nerrilee Weir, Senior Rights Manager TEL +61 2 8923 9892 FAX +61 2 9956 6487 EMAIL [email protected] penguin.com.au/rights Awards and Nominations 2019 & 2018 The Second Cure by Margaret Morgan Finalist: Aurealis Awards 2018 The Cage by Lloyd Jones Longlisted: Ockham New Zealand Book Awards 2019 The Man Who Would Not See by Rajorshi Chakraborti Longlisted: Ockham New Zealand Book Awards 2019 This Mortal Boy by FIona Kidman Longlisted: Ockham New Zealand Book Awards 2019 The Tea Gardens by Fiona McIntosh Longlisted: Australian Book Industry Awards 2018 The Girl in Kellers Way by Megan Goldin Shortlisted: Ned Kelly Awards 2018 Shortlisted: Davitt Awards 2018 Shortlisted: Australian Book Designers Awards 2018 All Day at the Movies by Fiona Kidman Longlisted: IMPAC International Dublin Literary Award 2018 Billy Bird by Emma Neale Longlisted: IMPAC International Dublin Literary Award 2018 2 LONDON 2019 FRONTLIST RIGHTS CATALOGUE RIGHTS SOLD 2018 & 2019 The Pearl Thief The Escape Room Fiona McIntosh Megan Goldin United Kingdom (Penguin North America (St Martin’s) Random House – Ebury) United Kingdom (Hachette) Italy (DeA Planeta) The Netherlands (Ambo Anthos) Audio (Penguin Random Germany (Piper Verlag) House Australia) Spain (Penguin Random House Groupo Editorial) Poland (Wydawnictwo Bukowy Las) Greenlight Benjamin Stevenson North America (Sourcebooks) This Mortal Boy United Kingdom (Hachette) Fiona Kidman United Kingdom (Gallic Books) Audio (Audible) Film Option (South Pacific Pictures) Audio (Bolinda) Potiki The Mannequin Makers Patrica Grace Craig Cliff United Kingdom (Penguin United Kingdom (Melville Random House – Penguin House) Press) Also licenced to: North America (Milkweed Editions) Romania (Editura Univers) The Yellow Villa Sixty Summers Amanda Hampson Amanda Hampson Italy (Newton Compton Editori) Audio (W. -
Summer Reading Guide
Summer Reading Guide This season’s best books selected by your favourite independent bookseller 2 Australian Fiction ACT OF GRACE THE BEE AND SPECIAL THE BEST KIND SPECIAL PRICE Anna Krien PRICE THE ORANGE TREE OF BEAUTIFUL Following three very different but Melissa Ashley Frances Whiting interconnected stories – that of an Iraqi The lives of three women in 17th-century Florence is a young woman who doesn’t pianist who flees her home country during Paris are rocked by a brutal murder in this quite fit in. She’s close with her family, Saddam Hussein’s rule, an Australian boy richly imagined and meticulously researched especially her younger sister (and slightly living with a violent parent, and a woman historical novel. Marie Catherine D’Aulnoy, unwanted housemate) Isolde, but generally watching her father’s decline into early- famed writer and – long before the Brothers speaking, she isn’t a people person. Albert onset dementia – Anna Krien’s debut novel Grimm – inventor of fairy tales, battles a is quite the opposite – he’s an extrovert Act of Grace moves through different times crippling case of writer’s block. When her who thrives in social settings. The two work and spaces, eventually weaving these three friend Nicola Tiquet is accused of murdering together on ‘The Green Team’, spending their Black Inc PB narrative threads together. Krien’s subject her abusive husband, Marie Catherine and workdays planting trees and flowers. What $32.99 matter is confronting, but her prose retains a her daughter Angelina chase rumours, others think about them is often at odds with sense of clarity as she shifts the perspective allies and secrets across the city, searching who they truly are. -
The Bookwallah Six Writers, a Nomadic Library, 2000Km by Train
The Bookwallah Six writers, a nomadic library, 2000km by train. Chandrahas Choudhury Michelle de Kretser Benjamin Law Kirsty Murray Sudeep Sen Annie Zaidi Mumbai October 31–November 4 Goa November 5–7 Bangalore November 8–13 Chennai November 14–16 Pondicherry November 17–21 1 2 Contents. Map 2 Overview 3 .... The writers 4 — Chandrahas Choudhury 4 — Michelle de Kretser 4 — Benjamin Law 5 — Kirsty Murray 6 — Sudeep Sen 6 — Annie Zaidi 7 .... The Bookwallah Nomadic Library 8 — The cases 8 — The books 8 — The designers 9 .... Mumbai 12 Goa 14 Bangalore 16 Chennai 18 Pondicherry 20 .... The library catalogue 22 .... The bookwallahs 46 The supporters 47 The publishers 48 1 Map. MUMBAI goA bangAlore chennai pondIcherry 2 Overview. The Bookwallah takes six writers and an ingenious lian books. Bound in kangaroo leather, the cases travelling library across south India by train. In- house fiction, non-fiction, poetry and children’s dian writers Chandrahas Choudhury, Annie Zaidi books. They’re part library, part art installation; and Sudeep Sen join Australian writers Michelle De visitors can browse, sit and read, or take part in Kretser, Benjamin Law and Kirsty Murray on a jour- intimate library events. If you see a book you like, ney through the cities and towns of modern India. you can borrow it from your local library: copies of They will share books and ideas, meet readers, and the books will be donated to a local library in each seek out stories, conversations and connections destination along the way. along the way. As well as public events, the Bookwallah tour In Mumbai you’ll find us at the Literature Live! includes private encounters with local writers, Mumbai LitFest, before we head to Goa for a Book- artists and thinkers in each city, designed to illu- wallah mini-festival at the Literati Bookshop. -
Annual Report 2017-18
Victorian Women’s Trust ANNUAL REPORT 2017-18 1 Annual Report 2017/2018 Victorian Women’s Trust ANNUAL REPORT 2017-18 What does equality for women teasing out what gender equality means and girls mean to you? How can to us as individuals, we are illuminating the stuff that binds us together as a we work together to accelarate movement. the rate of progress for women and girls? On the following pages, you’ll hear from a whole range of people. Some have In this Annual Report, read all about our partnered with VWT on events; received shared efforts over the last year to make a Trust grant for a crucial project; or gender equality a reality, made possible volunteered their time and skills to the thanks to donors and supporters like cause because they share our belief that you. equality for women and girls is critical to a healthy society. We have also put these big questions to our friends and supporters, as part Their passion for social change and of what we like to call the Trust Story making the future brighter spurs us on. Project. In capturing people’s stories and We hope you feel the same. 2 3 CONTENTS VISIONS OF AN EQUAL FUTURE 4 JOYCE THORPE NICHOLSON 38 REFLECTIONS FROM THE CHAIR 5 VALE MIRKA MORA 39 BEGIN AS YOU MEAN TO GO ON 6 TRUST NEWS 40 COMMUNITY GRANTS 10 KOORIE WOMEN MEAN BUSINESS 44 SUB-FUNDS 17 OUR BOARD 47 TRUST STORIES 23 OUR STAFF 49 MAJOR PROJECTS 25 FRANCES CANNON 50 RESEARCH & ADVOCACY 29 HEARTFELT THANKS 51 Full gender equality = TRUST STORIES 33 FINANCIAL STATEMENTS 54 Our vision_ MARILYN WARING 37 MADISON GRIFFITHS -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. INTERSUBJECTIVE ACTS AND RELATIONAL SELVES IN CONTEMPORARY AUSTRALIAN ABORIGINAL AND AOTEAROA/NEW ZEALAND MAORI WOMEN’S WRITING Justine Seran Thesis submitted for the degree of Doctor of Philosophy English Literature Department School of Literatures, Languages and Cultures The University of Edinburgh 2015 ii Declaration This is to certify that that the work contained within has been composed by me and is entirely my own work. Ideas and passages reproduced from other sources have been properly acknowledged. No part of this thesis has been submitted for any other degree or professional qualification. Certain ideas and passages from Chapter 4 have been published as “Australian Aboriginal Memoirs and Memory: A Stolen Generations Trauma Narrative” in the special issue “Decolonizing Trauma Studies: Trauma and Postcolonialism” of Humanities 4 (2015): 661-675. -
Teaching Australian Literature Survey Final Report
TEACHING AUSTRALIAN LITERATURE SURVEY FINAL REPORT T MAY 2010 teaching.austlit.edu.au/ R REPO Teaching Australian Literature Survey – Final Report Grants Scheme Teaching Australian Literature Survey 2009 DS7 625 Lead Institution: University of Tasmania Partner Institution/s: The University of Queensland The University of Western Australia University of South Australia Project Leader/s and contact details: Winthrop Professor Philip Mead English and Cultural Studies, M202 School of Social and Cultural Studies The University of Western Australia 35 Stirling Highway, Crawley WA 6009 [email protected] Kerry Kilner Director AustLit: The Australian Literature Resource School of English, Media Studies and Art History The University of Queensland St Lucia QLD 4072 [email protected] Dr Alice Healy David Unaipon College of Indigenous Education and Research (DUCIER) University of South Australia City West Campus GPO Box 2471 Adelaide SA 5001 [email protected] Project Manager Anna Gray Awards, Grants and Fellowships Office Office of the Pro Vice-Chancellor (Students & Education) University of Tasmania Locked Bag 1343 Launceston TAS 7250 [email protected] Teaching Australian Literature Survey – Final Report Contents Table of Acronyms v List of Figures vi List of Figures vii 1. EXECUTIVE SUMMARY 1 2. APPROACH AND METHODOLOGY 5 2.1 Approach 5 2.2 Project Management 5 2.3 Questionnaires 6 2.4 Results of questionnaires 7 2.5 The Teaching Aust. Lit. Resource website (http://teaching.austlit.edu.au) 7 2.6 The Teaching Aust. Lit. Resource (http://teaching.austlit.edu.au) 9 3. QUESTIONNAIRES: SUMMARY FINDINGS 13 3.1 Quantitative analysis 14 • Senior secondary teachers of Australian literature questionnaire 14 • Undergraduate questionnaires 16 • Teachers and co-ordinators of university level Australian literature study questionnaire 20 • Overseas Academics’ and Tertiary Teachers’ questionnaire 22 3.2 Qualitative Analysis 23 1.