International Journal of English Linguistics; Vol. 10, No. 1; 2020 ISSN 1923-869X E-ISSN 1923-8703 Published by Canadian Center of Science and Education Discursive Construction of New Female Identity in Latest Hollywood Blockbuster Movies Adnan Rashid Sheikh1, Faisal Rashid Sheikh2, Shaukat Khan1 & Athar Rashid3 1 English Language Institute, Umm Al Qura University, Makkah Mukarrama, Saudi Arabia 2 Department of English, Faculty of Language & Literature, International Islamic University, Islamabad, Pakistan 3 Department of Political Science and International Relations, Izmir University of Economics, Turkey Correspondence: Adnan Rashid Sheikh, English Language Institute, Umm Al Qura University, Makkah Mukarrama, Saudi Arabia. E-mail:
[email protected] Received: October 25, 2019 Accepted: November 27, 2019 Online Published: December 28, 2019 doi:10.5539/ijel.v10n1p265 URL: https://doi.org/10.5539/ijel.v10n1p265 Abstract This study analyses the emergence of female portrayal in latest Hollywood superhero movies, after the #MeToo global movement about awareness of sexual harassment. This research adopts a qualitative approach in analysing the constructs of doing and undoing gender in blockbuster movies by Marvel and DC comics. This study seeks to explore the shift towards discursive and screen empowerment of female lead and supporting characters. Such movies serve as a barometer of the cultural and social milieu and hence project how women can display range of capabilities, independence and emotional strength on screen, so to pave the way for viewers. The premise of this paper is rooted in events following 9/11 and how blockbuster films helped in social uplifting by showing solutions till date. All such attempts of social restorations were led by all-male teams of superheroes, the events in recent couple of years are looking quite different.